The SFFaudio Podcast #355 – Jesse and Mr Jim Moon talk about The Dream-Quest Of Unknown Kadath by H.P. Lovecraft
Talked about on today’s show:
novel or novella, would Lovecraft have published it had he lived longer?, left in a drawer, a first draft, smoothing out, an amazing talent, a fascinating fun world, The Wizard Of Oz, a tour of Lovecraft’s material, not the place to start with Lovecraft, no existential bleakness, surprisingly gentle, even Nyarlathotep is kind of nice, more adventurous, extended into nonsense, marshaling armies, Conan’s messing about is strictly small potatoes, a gregarious jolly man, a sense of fun, poems about Frank Belknap Long’s cat, more lucidity than you expect, the ghouls, the Fungi From Yuggoth cycle, three travelers who’d previously visited the dreamland, one must be the unnamed narrator of The Crawling Chaos, King Kuranes, the narrator of Hypnos, the smoking cosmic gun, The Other Gods, the priest, The Strange High House In The Mist, a night-gaunt, the mythos was largely invented by fans, the nexus point, The Statement Of Randolph Carter, is the graveyard in the Dreamlands?, other ways to get to the Dreamlands, ghoul tunnels, the ghouls are quite friendly, Warren is dead!, the enchanted wood, the Vaults Of Zin, the realm of the Gugs, The Divine Comedy, The Cats Of Ulthar, lots of cats from Ulthar, almost an anime style plot, hilarious, whimsical, swarming cats, unlocking, context, Dunsananian, Polaris, the Land Of Lomar, ahead of Robert E. Howard and Clark Ashton Smith, C.S. Lewis, J.R.R. Tolkien, Paul’s own RPG Dreamlands, slavers, fighting the Moon Men, surprisingly visual, Celephaïs and The White ship, much mining, the Moon wine, lava gatherers, chalcedony mining, Mr. Merchant, Nyarlathotep is the wizard (and the wicked witch), Sauron, Azathoth does the gnawing, Carter’s passivity, Carter’s activity, Indiana Jones in Raiders Of The Lost Ark, an explorer’s adventure, the hound is Belloq, Bryan Alexander, not a horror book, more comedy than horror, the Nigh-Gaunts sound scary but their major power is tickling, Lovecraft has a wicked dry sense of humour, playing with a caricature of himself, based on his own nightmares, squirming feelings, “there’s more of gravy than of the grave about you”, Marley’s ghost, a bit of undigested beef, A Christmas Carol by Charles Dickens, the HPLHS’ A Solstice Carol, adapting three Lovecraft stories by way of Dickens, The Festival, Pickman’s Model, The Outsider, it all connects up, Richard Upton Pickman, The Shadow Over Innsmouth, this grand tapestry, Jim’s ball of wax, The Thing On The Doorstep, a shoggoth in those pits, Night-Gaunts (the poem), not seeing the whimsical side of it, a gamer style fashion, in Deities & Demigods, that was all bullshit, Michael Moorcock’s Elric, flying on the night-winds with the ghouls, an internal Lovecraftian world, maps, the map from the Call Of Cthulhu‘s Dreamland Supplements, Sandy Petersen, Jason Thompson’s Dreamlands map, The Green Meadow, the Vaults Of Yin, the Gardens of Zin, how do they get to the Moon on this map?, straight on until morning…, dream logic supplies an endless supply of water, how much is personal and how much is external?, Carter’s Sunset City (Kadath), the gods of earth have abandoned it for Kadath, cosmic horrors, the Games of Divinity, Fungi From Yuggoth, Homecoming (Sonnet V), our experience of reading Lovecraft, Recognition, the book is the key,
The day had come again, when as a child
I saw—just once—that hollow of old oaks,
Grey with a ground-mist that enfolds and chokes
The slinking shapes which madness has defiled.
It was the same—an herbage rank and wild
Clings round an altar whose carved sign invokes
That Nameless One to whom a thousand smokes
Rose, aeons gone, from unclean towers up-piled.
I saw the body spread on that dank stone,
And knew those things which feasted were not men;
I knew this strange, grey world was not my own,
But Yuggoth, past the starry voids—and then
The body shrieked at me with a dead cry,
And all too late I knew that it was I!
, the next poem
The daemon said that he would take me home
To the pale, shadowy land I half recalled
As a high place of stair and terrace, walled
With marble balustrades that sky-winds comb,
While miles below a maze of dome on dome
And tower on tower beside a sea lies sprawled.
Once more, he told me, I would stand enthralled
On those old heights, and hear the far-off foam.
All this he promised, and through sunset’s gate
He swept me, past the lapping lakes of flame,
And red-gold thrones of gods without a name
Who shriek in fear at some impending fate.
Then a black gulf with sea-sounds in the night:
“Here was your home,” he mocked, “when you had sight!”
then we get The Lamp, Zaman’s Hill, The Port, The Courtyard, XX. Night-Gaunts, XXI. Nyarlathotep, XXII. Azathoth, XXV. St. Toad’s, seeking after visions, XVI. The Window, I.N.G. Culbard’s adaptation of The Dream-Quest Of Unknown Kadath, this is a poem as well, word choices for assonance and alliterative sound, very aural, a pleasure to listen to, meant to be read aloud, Carter looks a lot like Lovecraft (in I.N.G. Culbard’s adaptation, Jason Thompson’s adaptation of The Dream-Quest Of Unknown Kadath, from Dunsany and Poe, it all goes back to Poe with his Dream-land poem, Ulalume, The Narrative Of Arthur Gordon Pym Of Nantucket by Edgar Allan Poe,
by Edgar Allan Poe
By a route obscure and lonely,
Haunted by ill angels only,
Where an Eidolon, named NIGHT,
On a black throne reigns upright,
I have reached these lands but newly
From an ultimate dim Thule—
From a wild weird clime that lieth, sublime,
Out of SPACE—Out of TIME.
Bottomless vales and boundless floods,
And chasms, and caves, and Titan woods,
With forms that no man can discover
For the tears that drip all over;
Mountains toppling evermore
Into seas without a shore;
Seas that restlessly aspire,
Surging, unto skies of fire;
Lakes that endlessly outspread
Their lone waters—lone and dead,—
Their still waters—still and chilly
With the snows of the lolling lily.
By the lakes that thus outspread
Their lone waters, lone and dead,—
Their sad waters, sad and chilly
With the snows of the lolling lily,—
By the mountains—near the river
Murmuring lowly, murmuring ever,—
By the grey woods,—by the swamp
Where the toad and the newt encamp,—
By the dismal tarns and pools
Where dwell the Ghouls,—
By each spot the most unholy—
In each nook most melancholy,—
There the traveller meets, aghast,
Sheeted Memories of the Past—
Shrouded forms that start and sigh
As they pass the wanderer by—
White-robed forms of friends long given,
In agony, to the Earth—and Heaven.
For the heart whose woes are legion
’T is a peaceful, soothing region—
For the spirit that walks in shadow
’T is—oh, ’t is an Eldorado!
But the traveller, travelling through it,
May not—dare not openly view it;
Never its mysteries are exposed
To the weak human eye unclosed;
So wills its King, who hath forbid
The uplifting of the fring’d lid;
And thus the sad Soul that here passes
Beholds it but through darkened glasses.
By a route obscure and lonely,
Haunted by ill angels only,
Where an Eidolon, named NIGHT,
On a black throne reigns upright,
I have wandered home but newly
From this ultimate dim Thule.
the double negative, seeing the mysteries of the dreamlands with the eyes unclosed, protean quality, an evolution of that Dream-Land, the seed that took root in Lovecraft’s mind, pools with lolling lilies, Eldorado, a prodigious dreamer, Tweeting dreams, “I’m prodigious dreamer.”, keeping a dream diary, deeper and more vivid, a dream New York City, Jesse recounts dream of swimming through the streets, a sea-monster, rafts, tables, wonderful wonderful comic books, it is very difficult to read books in dreams, #nightmare, forgetting that he is dreaming, close to waking, dreams while dreaming, Dennis Quaid, Dreamscape (1984), if we can just get the internet of dreams working, awesome and amazing, Waking Life (2001), dreams as prison, Curanes story is in the middle, Curanes has trained a bunch of locals to act English, totally Wizard Of Oz, the magic of three, The Crawling Chaos by H.P Lovecraft and Winifred Virginia Jackson, some sort of plague, opium, he’s inside his own head and walks into the Dreamlands, all cities of amber and chalcedony, deserted cities, amazing imagery, inside baseball, once you’re deep into the trenches…, The Graveyard Book by Neil Gaiman has the same kind of ghouls, the way ghouls get their names (the first person they eat), maybe Pickman got eaten by a ghoul (retcon), meeps or glibbers, planning the assault on Kadath.
Posted by Jesse Willis
This is an UNABRIDGED AUDIOBOOK of the novella (5 hour 20 minutes) comes to us courtesy of Legamus.eu.
The Dream-Quest Of Unknown Kadath was first published in 1943.
The next SFFaudio Podcast will feature our discussion of it!
Posted by Jesse Willis
By L.E. Modesitt, Jr. (review is of the print)
Publisher: Tor Books
Publication Date: November 2015
Themes: / space opera / military sci-fi / alien artifacts / science fiction /
You can’t militarize space. This one rule has led to decades of peaceful development of space programs worldwide. However, increasing resource scarcity and a changing climate on Earth’s surface is causing some interested parties to militarize, namely India, the North American Union, and the Sinese Federation.
The discovery of a strange artifact by Dr. Alayna Wong precipitates a crisis. What appears to be a hitherto undiscovered comet is soon revealed to be an alien structure on a cometary trajectory toward the sun. Now there is a race between countries to see who can study and control the artifact dubbed the “Solar Express” before it perhaps destroys itself.
Leading the way for the North American Union is Alayna’s friend, Captain Christopher Tavoian, one of the first shuttle pilots to be trained for combat in space. But, as the alien craft gets closer to its destination, it begins to alter the surface of the sun in strange new ways, ways that could lead Alayna to revolutionary discoveries-provided Chris can prevent war from breaking out as he navigates among the escalating tensions between nations.
This is an unusual book to review, since it feels unstuck in time. On the one hand, it reads like a mid-20th-century science fiction adventure, with heroic pilot and astronomer successfully solving space problems. On the other hand, it earnestly points a century ahead, to a world built from concerns very prominent in 2015.
Solar Express is about an object hurtling across the solar system during the year 2114. Two main characters engage with it, and with each other. The astronomer, Alayna Wong-Grant, works in a lunar observatory by herself, and discovers what seems like a comet. The pilot, Chris Tavoian, is tasked with exploring it. Much of the novel’s dramatic power comes from the interaction of these three, who nearly never touch each other.
The setting looms large. The world of 2114 is dominated by an East Asian polity, the Sinese republic (I think), in competition with a rising India and a sidelined North American entity (the US plus Canada, maybe including Mexico). The 21st century saw climate change occur, along with several bad wars, so there’s a touch of post-catastrophe in the staging. 2114 also sees Sinese-Indian competition rise to the brink of war, which should have added more dramatic punch to the novel than it actually did.
I began these notes by mentioning older sf, because my reading was haunted by many ghosts. Arthur C. Clarke’s great Rendezvous with Rama hovered over every page, as a humans try in vain to make sense of a cryptic alien artifact headed towards the sun. The super-competent pilot felt like a time traveler from the 1940s or 50s, as he successfully lands a plumb assignment, conducts geopolitical analysis, pilots expertly, investigates an alien machine, deals with foreign forces, deals with them again, and survives physical extremity.
That competence actually dragged down the middle third of Solar Express for me. It seemed like Tavoian’s explorations occurred at a snail’s pace, with a lot of repetition (performing similar tasks, writing to people in order to describe what we’ve just seen) and very slow progress.
The world-building wasn’t as successful as it could have been, as I noted above. For one we get too many historical observations from main characters discussing the present. People have a fondness for early 21st century history, which doesn’t make a lot of sense in that world – i.e., there’s no sense that people are history obsessives personally (as in many Poul Anderson stories) or culturally (check Harrison’s Centauri Device for an example) (57, 67, 130, 156, 232). Example: “Or [a person] believes that God in on their side. Like the Taliban in Pakistan seventy years ago.” (130) That’s an awkward reach to the reader. Imagine if a novel taking place in the present had characters in daily life – not historians – constantly referencing the War of 1812. Some of the non-narrative documents do a better job, including a kind of news + scandal sheet and selected articles.
Speaking of history, the world’s rush to war was a powerful context for the alien express, again reminding me of Arthur C. Clarke (2010 this time), but it played out oddly. The great powers confrontation is set up nicely about a 100 pages in, then ratchets up too slowly, with too much repetition (India threatens to use killer missiles, the North American president advises calm). We don’t get much insight into the crisis and its logic, perhaps because of our two-character focus.
The romance was gently handled, as each character has a lot on their plate. Besides their major work, each faces a family crisis at a distance. Astronomer and pilot have a geeky correspondence habit of exchanging political quotes with each other, the tenor of which reveal a grumpy, rather conservative outlook, which just lightly interacts with the rest of the plot.
And yet I enjoyed myself. I love stories of space adventure, and was fascinated by how this one played out. I wanted to see the alien artifact, to learn how the Sinese were responding, and what the heck was going on with the sun. Again, like a mid-20th-century sf novel, I was engaged.
As a work of hard science fiction, Solar Express is unapologetic. Like The Martian this novel zeroes in on science and technology challenges, from air filtration to spectroscopy to cleaning up lunar dust to the details of orbital mechanics. Check the jaw-dropping opening paragraph, which is a kind of dare or gauntlet hurled at the reader, starting off with a nearly 300-word first line about the physical and administrative (!) details of the moon base. Or read how the title first appears:
But by the time this object nears Mercury, it will be traveling at somewhere in the range of sixty lays per second, accelerating to as high as 250 by the time it reaches perihelion… a real solar express. (142)
Modessit does well pedagogically on this front, giving us detailed information, incremental developments, discussions, and solutions, while not stooping so low as to introduce many concepts.
So…. recommended as a fun read for people interested in hard sf and/or with a love of mid-20th-century space adventure stories. Not recommended for people who don’t read science fiction.
Posted by Bryan A.
Talked about on today’s show:
Or How We Got Along After The Bomb, a Nebula Award Nominee?, why this novel?, Now Wait For Last Year, The Man In The High Castle, the ideas are awesome, confusingly written, before the bomb, the earlier atomic blast, jumping back and forth without warning, a subtle change, quasi-flashbacks, a straightforward timeline, jumping between the characters, head hopping, Hoppy Harrington, the Dick themes, Bill’s ability, getting confused, body-switching, consciousness projection, who is Bill?, the parasitic twin brother, Beyond Lies The Wub, the captain is gone, a theme in this story (other than with Bill), telekinetic ability, taking Walt Dangerfield’s place, a weird comedy bit, impressions, is anybody in that satellite at all?, it sounds like him, is Hoppy dead?, he went to Heaven (the satellite), the audiobook narrator’s (Tom Weiner’s) interpretation, bad writing?, dear god!, psychoanalysis, creepy, a mad god resentful of his treatment, the killing of Bluthgeld, something very cool going on, the reason we read Philip K. Dick novels, the Philip K. Dick radio (and other audio interviews), Dick was easily manipulated, you’re an alcoholic, getting into jewelry, a super-impressionable guy, a Zelig, a very human thing (multiplied), Jesse has reviewed himself out, Jesse’s review of Dr. Bloodmoney: a radio repairman with no limbs…, a big fish in a small pond, what Dick knows, an avid mushroom picker, interacting with themselves, a talking sheepdog, Stuart McConchie’s horse, cheating wives, the dog, the rat that plays a nose-flute, he stole the story … but it became part of him (and thus his story), he is a part of her, he is literally inside of her, when someone tells you a story…, classic Dick touches, Cheyenne, a pastoral existence, like Kim Stanley Robinson’s Pacific Edge, they’re crunching their granola, playing video games while listening to audiobooks, Fallout 3, full of mutants, a bit of racism, the second novel with a phocomelus protagonist, Deus Irae by Philip K. Dick and Roger Zelazny, supernatural powers, some life crisis, lifts from stories, The Great C, Of Withered Apples, “In Earth’s Diurnal Course”, a title for marketing, Dr. Strangelove, Bluthgeld as Henry Kissinger, Operation Paperclip, Robert McNamara, bone viruses, gooks, the half-baked, Marissa’s Fallout game, post-nuclear war, E-Day (Emergency Day), starts and ends on a morning, one of PKD’s tricks, Vulcan’s Hammer, Now Wait For Last Year, re-resonance, mutants going about their business, thing about the freaks, being that had been fused together, kind of beautiful, the rat pulling a little cart, one of the rat traps is also scurrying, the pizza rat meme, food and other essentials, radiation tablets, the mutants will be fine, the cats, cats start planning and scheming, Paul’s pic of the Roman cat, Mike Cole, ancient history, dancing pigeons, it sang for it’s supper, ruins inhabited by cats, Villa Appia, a rabbit, rabbits in the ruins, Hoppy’s plan, Looper, telekinetic powers, Hoppy is kind of like the Rainmaker, he heals a watch-spring, Galactic Pot-Healer, a technopath, recycling ideas, School For Sidekicks by Kelly McCullough, Brian K. Vaughn’s Ex Machina, the power to command mechanical objections, superhero comics, consistency, Mr. Pistorius (gets murdered), Bluthgeld is insane right?, does he have abilities?, if there is a viewpoint character… Mary Sueing?, Dick is Bluthgeld, we get deep inside his mind, the switch between dialogue and inner monologue, responsibility, his mistaken calculation, you can take it ambiguously, a catalyst for changing the world, his name, Dick likes German names, Mister Jack Tree, Mister Tree, jackfruit, the story of Odin (hung on a tree for nine days), myster tree?, there’s something central about him, undercooked, Hoppy’s desires and plans drive the plot, goals and ambitions, did Hoppy cause the war?, why am I eating this rat?, money is useless, a hoarder, cigarettes, coffee, Philip K. Dick predicted video games, the bottlecaps (are money), a haorder style game, Stuart McConchie is a modern game player, crafting, the boss, a real life boss, very autobiographical, did Dick know an armless and legless person?, Dick’s obsession with his dead twin sister, the whole “I can see into the land of the dead” thing, monstrous children, rock paper scissors, an angry little child, a snail, real senses, the owl, into Hoppy, where did Hoppy go?, into Dangerfield, Dangerfield had something growing inside him, California, so sad, his wife’s still up there with him, another drug overdose, marriage, Lucifer’s Hammer by Larry Niven and Jerry Pournelle, The Little Movement by Philip K. Dick, Toy Story, Jesse explains the plot of The Little Movement, kinda freaky, an alien invasion fleet, the other toys, the kid is freaked out, everything is going wrong, a very dark Toy Story, by breaking the fourth wall he’s broken a rule, “that’s this book, kinda”, …because I like Germans, so many cool ideas, confusing, so many people, the central axis of what’s happening, Bonnie’s sleeping around, typical PKD wife stuff, petty office politics after the end of the world, post-apocalyptic travel is hard, Russians and Japanese on Catalina, on the other hand…, it’s not all bad, he’s going to automate his cigarette stuffing, hippies hanging out and doing hippy stuff, more about the alcohol, this podcast is petering out, sorry Mr. PKD, it’s not a great book, not the greatest bull-session ever, that sheep dog with no money, catch the stick, good comedy, kind of tragic, he is a monster (but you feel for him), a really good set-up, he got mistreated, surviving and not becoming bitter about it, Dangerfield isn’t bitter, what do they do in Russia, maybe there’s a bunch of other satellites up there, why did this get a Nebula nomination?, we are happy to have read it, whatever’s next on out list…
Posted by Jesse Willis
Talked about on today’s show:
thinking about doors, individual phenomena, a phenomenological way, white and purity, water, Edmund Husserl, an intensional act of consciousness, the conquistadors, when did WWII happen?, what kind of a phenomenon is a door?, doors are artificial, Narcissus and the lake, a boundary, passages for the whole body, windows, two-way passages, quicksand, horizontal movement, four qualities, the story of Oedipus, the riddle of the Sphinx, man -> mankind, the founding myth of Western culture, Aristotle, from one world to another, Eric in his professorial mode, the word world, were = man, the age of Man, in the world of…, the social domain that human beings create for themselves, prisons, doors as phenomena are artificial boundaries between two different worlds, social changes from one side of a door to another, doors as a phenomenon represent changes from consciously defined worlds, outdoors vs. indoors, inside and outside the gingerbread house, the morning thesis, the idea for this show, windows as opposed to doors, The Wonderful Window by Lord Dunsany, wanting to turn windows into doors, a rich example, sliding doors vs. sliding windows, in Science Fiction…, Robert A. Heinlein, defining the writing style of Science Fiction, the ideal Science Fiction sentence, Beyond This Horizon, “The door dilated and a voice from within said ‘Come in Felix.'”, wasting energy, one little change makes it a Science Fiction world, Heinlein invented the word “slideway”, Friday, from the reader’s armchair world it the fantastic world, folklore, liminality, crossing rivers, wandering into the forest, a wild world with gods and monsters, agrarian rural society -> industrial living, the wardrobe, The Door In The Wall, The Gable Window by H.P. Lovecraft and August Derleth, Dreams In The Witch-house, a locked-room mystery, The Secret Garden, a Wellsian door in the wall, what’s behind the door could be anything, mythical monsters, vampires need your permission to cross your threshold, Dracula comes in through the window, defying gravity and the phenomenology of windows, an instant subliminal marker, ho ho ho, Murders In The Rue Morgue by Edgar Allan Poe, the lore of changelings, leaving the house by the chimney, Little Red Riding Hood, “dispatched by typical female means” (cooking), Alice In Wonderland and Through The Looking Glass, Alice is fantasizing before she leaves the bank of the river, the river side is a liminal domain, dazing, daisies, crossings, protective imagination, opening the door for a sequel, Neverwhere by Neil Gaiman, a girl named Door, London’s underclass, being homeless is living outdoors, a hunter named Hunter, Door’s father is Lord Portico, a door back into Heaven, another rich text, worlds within worlds, the word hinge, ideas hinge upon something, stiles aren’t like doors, stiles don’t have hinges, lichgates and side doors to churches, the dead enter the church through a different door than the living, The Superstitious Man’s Tale by Thomas Hardy, shades of everybody, fourteen saints, a holiday in Germany, the blood of a sacrificial lamb, Exodus, keeping death from the door, all saints day, Jack-O-Lanterns scare off the returning dead, nature, walking through a gate, spirits pass through, how do gates function in keeping out the spirits of the dead, gates as territorial boundaries, “you come in through here”, the laws of territoriality, a keeper of the gate, the gate is the cover of the book, the door is what we cross “Once upon a time…”, “the second page of the first paragraph of a famous book”, why round?, why the exact center?, why green?, Eric’s eyes are green, The Door In The Wall has a green door, magic doors are often green,
The Magic Door The Green Door (aka The Little Green Door) by Mary E. Wilkins-Freeman, horrible and messy and smelly, fundamental jokes in the Shrek series, Shrek is green too, kids love farts, About Time (2013), Domhnall Gleeson going through doors, “doors are amazing”, The Phantom Tollbooth by Norton Juster, the Chinese Scholar’s garden at Snug Harbour cultural center, moon gates, gates post signs, gates offer viewpoints, from The Haunted Palace by Edgar Allan Poe:
And all with pearl and ruby glowing
Was the fair palace door,
Through which came flowing, flowing, flowing
And sparkling evermore,
A troop of Echoes, whose sweet duty
Was but to sing,
In voices of surpassing beauty,
The wit and wisdom of their king.
But evil things, in robes of sorrow,
Assailed the monarch’s high estate;
(Ah, let us mourn!—for never morrow
Shall dawn upon him, desolate!)
And round about his home the glory
That blushed and bloomed
Is but a dim-remembered story
Of the old time entombed.
And travellers, now, within that valley,
Through the red-litten windows see
Vast forms that move fantastically
To a discordant melody;
While, like a ghastly rapid river,
Through the pale door
A hideous throng rush out forever,
And laugh—but smile no more.
the mouth as a door for voice and wisdom (and later a gate for flies and maggots), orifices, doors are artificial, eyes as windows, windows as natural, calm water as a window, the night sky as a window into the universe, window = wind and eye, a metaphor switching meaning, a heart is like a pump and a pump is like a heart, Babylon 5, star-gates, the Twilight Zone show inside Futurama: The Scary Door, Fredric Brown: “The last man on Earth sat alone in a room. there was a knock on the door.”, William F. Nolan’s the door problem, a seventy-foot bug, the imagination trumps revelation, film, Shiley Jackson’s The Haunting Of Hill House (in the book and the film), banging vs. knocking, the unopened door, the end of The Monkey’s Paw by W.W. Jacobs, The Psychoanalysis Of Fire by Gaston Bachelard, “fire: fine servant, horrible master”, poor little rich boys, the ultimate irony: Arbeit Macht Frei, an open gate, the phenomena interpenetrate, Rubicon (lost and found), The Cold Equations by Tom Godwin, “h amount of fuel will not power an EDS with a mass of m plus x”, uni-directional time travel as a kind of rubicon, Julius Caesar’s crossing, Alea iacta est (“The die is cast”), suicide, Jean Paul Sartre, Rip van Winkle, rubicons are natural, driving in Los Angeles county, counties and shires divided by rivers, the mouth as a (mostly) one way door into the body, Protector by Larry Niven, the tree of life root is a one way door (a rubicon), The King In Yellow by Robert W. Chambers, The Ring, the River Styx, ancient heroes and gods crossing back and forth across the river Styx, biological machines, Jesus Christ’s tomb door, a locked room mystery, doubting Thomas, The Cold Equations as a demarcation between materialist SF and all other kinds, rejecting the premise of the story, two kinds of laws, “Marilyn willingly walks into the airlock and is ejected into space.”, myth vs. hard Science Fiction vs. soft Science Fiction, The Hitch-Hiker’s Guide To The Galaxy by Douglas Adams, a few examples in literature, The Pied Piper of Hamelin, seven gates to Hell in Pennsylvania, Hell, Michigan, Audie Murphy’s To Hell And Back, a rubicon as an irrevocable choice, The Subtle Knife by Philip Pullman, Will cutting portals to other realms, “the ability to create portal given to someone on the cusp of puberty”, age 21 (given the key to the door), Key to the city, garter -> gate, barbicans, walled homes in the northern Mediterranean, doors within doors, protected by the laws of the city, the freedom of the city given to military units, Janus -> January, a two faced god and the god of doors, the doors to the temple of Janus are closed, open cities, Brussels, the locking of doors, growing up in New York you’re never fully at peace, living in Strawberry Point, Iowa, wifi open vs. wifi encrypted, wardriving, keeping the door open, the subspecies, dutch-doors, squeaky hinges, a door that opens up, China Mountain Zhang by Maureen F. McHugh, “falling backwards into a world in which a consciousness extends infinitely in all directions”, “the phenomenology changes the epistemology”, ontological differences, The Star Rover by Jack London, a portal to other places and times via astral projection, even in confinement one can find ways out,
The Demolished Man The Stars My Destination, Hypnos by H.P. Lovecraft, the restriction of the coffin of the body, jaunting, The Count Of Monte Cristo by Alexandre Dumas, The Twilight Zone episode The Hunt, a country bumpkin -> a rural American, all dogs go to heaven, gatekeepers and doorkeepers, porter, the Battle of the Teutoburg Forest, wine drinkers and beer drinkers, the Sapir-Whorf hypothesis, was anything down that hatch on Lost?
Posted by Jesse Willis
By John Sandford and Ctein; Narrated by Eric Conger
Publisher: Penguin Audio
Publication Date: 6 October 2015
[UNABRIDGED] – 16 hours, 35 minutes
Themes: / spaceship / aliens / first contact / thriller /
For fans of The Martian, an extraordinary new thriller of the future from number-one New York Times best-selling and Pulitzer Prize-winning author John Sandford and internationally known photo-artist and science fiction aficionado Ctein.
Over the course of 37 books, John Sandford has proven time and again his unmatchable talents for electrifying plots, rich characters, sly wit, and razor-sharp dialogue. Now, in collaboration with Ctein, he proves it all once more in a stunning new thriller, a story as audacious as it is deeply satisfying.
The year is 2066. A Caltech intern inadvertently notices an anomaly from a space telescope – something is approaching Saturn and decelerating. Space objects don’t decelerate. Spaceships do.
A flurry of top-level government meetings produces the inescapable conclusion: Whatever built that ship is at least 100 years ahead in hard and soft technology, and whoever can get their hands on it exclusively and bring it back will have an advantage so large, no other nation can compete. A conclusion the Chinese definitely agree with when they find out.
The race is on, and a remarkable adventure begins – an epic tale of courage, treachery, resourcefulness, secrets, surprises, and astonishing human and technological discovery, as the members of a hastily thrown-together crew find their strength and wits tested against adversaries both of this Earth and beyond. What happens is nothing like you expect – and everything you could want from one of the world’s greatest masters of suspense.
You will want to love this book. And it’s easy to understand why. There’s a space race to Saturn, the promise of cool alien tech, and a whole mess of us versus them as China and America reach for the stars (sorry, but the pun had to be). The writing and story are solid. They don’t break new ground, but the read is fun, and if you experience disappointment, it’ll be due to what isn’t here rather than what is here. This is to say, you will look up after reading/listening and want more as opposed to wanting less. You will, in the end, like this book.
I wanted more character development. This could have occurred in a longer story, but as it is, the narrative feels too hurried. Yes, pacing in thrillers is essential, but this story would have benefited with more attention to character and less use of political stereotypes.
If you’re in the market for a fun and fast-paced space thriller that teases you with alien technology, I’m pretty confident you’ll enjoy what Saturn Run offers. In the author’s note, it calls attention to the desire to stay as near to science as possible while projecting technology into the year 2066. And so for those of you who enjoy hard science with respect to velocity and gravity, I think you might appreciate the science presented. I’m not an engineer, so I don’t know if the technical specs discussed for one of the spaceship’s engines are accurate, but they are intriguing.
Eric Conger narrates the audiobook. Conger does a fantastic job at reading and staying out of story’s way. I highly recommend the audiobook.
The first half of this book promises more than the second half delivers. And since the fun factor is slightly more than the disappointment factor, I leave feeling mildly amused and entertained.
Posted by Casey Hampton.