Month: December 2010

Me And Orson Welles

SFFaudio News

I just watched a fun audio drama related movie, based on a YA novel, based on a historic incident. It’s called Me And Orson Welles. Though it bills itself as a romantic comedy it’s actually a very good theater drama. And after watching it I now know what a Zac Efron is!

Here’s the history (from MercuryTheatre.info):

The beginnings of The Mercury Theatre on the Air actually go back to the formation of The Mercury Theatre itself. Having successfully produced Marc Blitzstein’s controversial labor union opera, The Cradle Will Rock, for the Federal Theatre Project in June of 1937, John Houseman and the 21-year-old “boy wonder” of the theatre, Orson Welles, decided to form their own theatrical producing company. In August of that same year The Mercury Theatre was born, starting off with total monetary assets of $100 (about $1150 in modern funds). Their first production, Shakespeare’s Julius Caesar, adapted by Mr. Welles (and set in fascist Italy), opened in New York on November 11 and created as much controversy as the young producers had hoped; The Mercury Theatre (along with the widespread public recognition of Orson Welles) was off and running.

Film trailer:

About the YA novel:

Posted by Jesse Willis

Free Listens Review of Firstborn by Brandon Sanderson

Review

“Firstborn” by Brandon Sanderson

Source: Tor.com (mp3)

Length: 1 hour, 13 minutes

Reader: Brandon Sanderson and Emily Sanderson

The story: If you keep up with fantasy literature, you probably know Brandon Sanderson from his own large fantasy novels, such as the excellent Mistborn, the juvenile fantasy Alcatraz series or as the writer called in from the bullpen to finish the late Robert Jordan’s sprawling Wheel of Time fantasy series. So for Sanderson to be writing space opera science fiction and a short story is two unusual situations at once. He’s so successful, at least in this story, that I wonder why he doesn’t write more short science fiction.

“Firstborn” is set in a galactic empire where space navies do battle with rebel forces, complete with space fighters dogfights. Dennison Crestmar, a young nobleman in the Imperial Navy, is struggling as an unsuccessful officer who is constantly compared to his older brother, the famed admiral Varion Crestmar, who has never lost a battle. The setting, plot, and characters seem ripe for a series of clichés, but somehow Sanderson crafts these parts into an engaging and inventive story.

Rating: 8/10

The reader: Sanderson, as he freely admits, is not a professional voice actor. He doesn’t have the richness of sound that the pros have and the recording quality has a bit of hiss. Yet, Sanderson is a very good amateur reader. He is expressive and seems to be enjoying reading his own work. When his wife checks in to read some of the middle portion of the story, she does an equally fine job. Although he does a good job here, I don’t think I’d like to see Sanderson narrate those fantasy novels he’s best known for; those things are long and I’d rather have him writing sequels than reading!

posted by Seth

ABC Radio National: The Philosopher’s Zone on the morality of Ebeneezer Scrooge

SFFaudio Online Audio

ABC Radio National - The Philosopher’s ZoneABC Radio National‘s The Philosopher’s Zone is one of the oldest public radio podcast, and I’ve been following it very closely since very near its inception back in 2005. Week after week it explores the history, issues and ideas of philosophy in an accessible and informative manner. I can’t get enough of it. The Philosopher’s Zone is kind of like a very focused version of BBC Radio 4’s In Our Time. One recent program, that I just finished listening to, features a fascinating examination of the morality and ethics of Ebeneezer Scrooge. As depicted in Charles Dickens’ A Christmas Carol Scrooge appears to be a very disobliging sort, but is he actually morally bankrupt? Examining his character and actions (through the lenses of utilitarianism, Kantian’ style categorical imperative and virtue ethics) host Alan Saunders, and guest Scott C. Lowe, discuss the curious problem of Scrooge’s lack of immorality.

Here’s the synopsis:

Ebenezer Scrooge is one of the few people you are allowed to hate at Christmas, or at least you’re allowed to ‘dislike’ what he stands for. Miserly and lacking in empathy, Scrooge is essentially a joyless, friendless, humourless, lonely old man. But was he morally bad as common wisdom would have it? Our guest this week says NO. Ebenezer Scrooge was as a man of ethical principle.

|MP3| Bah humbug – Why Ebenezer Scrooge is actually a man of principle

Subscribe to the podcast feed:

http://abc.net.au/rn/podcast/feeds/pze.xml

Posted by Jesse Willis

FREE LISTENS REVIEW: Thousandth Night by Alastair Reynolds

Review

Thousandth Night by Alastair Reynolds

Source: Subterranean Press (part 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15)
Length: Approx. 3 hours
Reader: Sam A. Mowry

The story: In the far future when Thousandth Night is set in, humankind has advanced to the point where almost anything is possible: living for hundreds of thousands of years, travelling across the galaxy, and transforming the structure of the human body to almost any form. One thing that is not possible is breaking the laws of physics by travelling or communicating faster than the speed of light.
One group of humans, the Gentian line, meets every few thousand years. For 999 days each member shares his or her experiences from travelling through the galaxy. Then on the thousandth night, they elect the member with the most entertaining presentation to prepare the next reunion.

Reynolds introduces together a number of space opera technologies on the framework of a mystery during one Gentian reunion. He later reused these technologies in the setting for another novel, House of Suns.  Although the big science fiction ideas are the star, Reynolds never loses sight of the effects of science on humans. In fact, one of the major themes of the novella is our efforts change the physical world around us and the long-term consequences, good and bad, of those actions.

Note: This story contains sexual situations and may not be suitable for younger listeners.

Rating: 8 / 10

The reader: Mowry has a wonderfully smooth voice with a richness like a less gravelly Charlton Heston. His reading is clear and his pacing is rhythmic. He doesn’t try to charge the reading with emotion that isn’t there, but instead remains restrained. The only complaint I have is that his fairly straight reading sometimes makes it difficult to know what is narration and what is dialog. After a bit, I got into the story and had no trouble with knowing when characters were speaking and enjoyed his reading tremendously.

Posted by Seth

9 interesting paperbooks (should they be audiobooks?)

SFFaudio Commentary

There are a ton of cool looking paperbooks in the bookstores these days. Here are 9 paperbooks, that I spotted at Chapters. None of these are available as audiobooks – at least not yet. Should they be? Here’s my take.

#1 – SS-GB by Len Deighton. This was an audiobook, long ago, but it is currently out of print in audio. I have high hopes it will be re-audiobooked sometime in 2011. And I’ll do my darnedest to make it happen.

SS-GB by Len Deighton

#2 – I’m always in favour of audiobooking a paperbook containing both a Donald E. Westlake and a Lawrence Block story. This one would probably have to wait until next November to be a viable audiobook.

Christmas At The Mysterious Bookshop edited by Otto Penzler

#3 – Best American Noir Century, edited by James Ellroy and Otto Penzler. What a crazy title! Though I should point out that in the fine print it reads “The Best American Noir of the Century” – This sounds like it would be a very good listen! With stories by Jim Thompson, James M. Cain and more than a dozen others it ought to have a good dispersionary impact. Reading a best of anthology can also give a quick taste of many authors – which leads to a lot more listening. Sadly, most of the stories actually in it are from the end of the 20th century and some of the one’s I recognize aren’t very noir.* – SEE THE COMMENTS

Best American Noir Century edited by James Ellroy and Otto Penzler

#4 – He Is Legend: An Anthology Celebrating Richard Matheson – Assuming that such a collection is a good idea to begin with (we have a similar one for Jack Vance) – this is a natural to turn audiobook – it does everything that a regular themed anthology does, but it does it with a guy instead of an idea. Opinions?

He Is Legend: An Anthology Celebrating Richard Matheson

#5 – The Sherlockian by Graham Moore – minimalist cover art rarely works for me. This one totally does. Skimming the back of the book, it sounded rather awesome too!

The Sherlockian by Graham Moore

#6 – Subtitled “A Medieval Noir” this novel, Jeri Westerson’s Veil Of Lies, might be a more dank and dangerous answer to the cozy Brother Cadfael books. Plus I dig the dude with the dagger.

Veil Of Lies: A Medieval Noir by Jeri Westerson

#7 – And if the first book in the series is audiobook-worthy, why not the second too? Maybe we ought to see how the first goes?

Serpent In The Thorns: A Medieval Noir by Jeri Westerson

#8 – Doing the public domain shuffle this book plucks several of my interests! What Alice Knew: A Most Curious Tale Of Henry James And Jack The Ripper by Paula Marantz Cohen – And check out that gorgeous cover!

What Alice Knew - A Most Curious Tale Of Henry James And Jack The Ripper by Paula Marantz Cohen

#9 – Now this one takes the PD mash-up meme just one step too far for me. Adding zombies to The War Of The Worlds? Really? Martians and zombies? The only reason H.G. Wells isn’t turning over in his grave is because he wouldn’t go zombie – ever! I do like the idea of more guts and blood though.

The War Of The Worlds Plus Blood Guts And Zombies by Eric S. Brown

Posted by Jesse Willis