Wow! In this vid, sure to ruffle a few feathers, Neil Gaiman lays out the argument for piracy, explaining that piracy is free advertising.
[via the inimitable Cynical-C]
Posted by Jesse Willis
Month: February 2011
LibriVox: Short Science Fiction Collection Vol. 031
A couple of tales that stood out for me in this collection Unborn Tomorrow by Mack Reynolds is a mystery with a male and female pair of New York City private investigators who have a client with a story tell. Its, clever, funny and manages a fairly unique twist on the time travel theme. Waste Not, Want by Dave Dryfoos is the story of an aged widower living in a society in which consumer consumption isn’t just fashionable it’s required by law. This is more of a vignette than a story, but if you’re interested, that idea (compulsory consumption), also pops up in Robert Silverberg’s second novel, Starman’s Quest too.
Short Science Fiction Collection 031
By various; Read by various
15 Zipped MP3 Files or Podcast – Approx. 5 Hours 31 Minutes [UNABRIDGED]
Published: LibriVox.org
Published: November 19, 2009
Science Fiction is speculative literature that generally explores the consequences of ideas which are roughly consistent with nature and scientific method, but are not facts of the author’s contemporary world. The stories often represent philosophical thought experiments presented in entertaining ways. Protagonists typically “think” rather than “shoot” their way out of problems, but the definition is flexible because there are no limits on an author’s imagination. The reader-selected stories presented here were written prior to 1962 and became US public domain texts when their copyrights expired.
Podcast feed: http://librivox.org/rss/3674
iTunes 1-Click |SUBSCRIBE|
Competition
By James Causey; Read by Bellona Times
1 |MP3| – Approx. 22 Minutes [UNABRIDGED]
Published: LibriVox.org
Published: November 19, 2009
They would learn what caused the murderous disease—if it was the last thing they did! From Galaxy Science Fiction May 1955.
Devil’s Asteroid
By Manly Wade Wellman; Read by Gregg Margarite
1 |MP3| – Approx. 1 Hour 6 Minutes [UNABRIDGED]
Published: LibriVox.org
Published: November 19, 2009
“The Rock Bred Evolution in Reverse!” From Comet July 1941.
Heist Job On Thizar
By Randall Garrett; Read by Norm
1 |MP3| – Approx. 24 Minutes [UNABRIDGED]
Published: LibriVox.org
Published: November 19, 2009
In the future, we may discover new planets; our ships may rocket to new worlds; robots may be smarter than people. But we’ll still have slick characters willing and able to turn a fast buck—even though they have to be smarter than Einstein to do it. From Amazing Stories October 1956.
The Hunted Heroes
By Robert Silverberg; Read by Gregg Margarite
1 |MP3| – Approx. 31 Minutes [UNABRIDGED]
Published: LibriVox.org
Published: November 19, 2009
The planet itself was tough enough—barren, desolate, forbidding; enough to stop the most adventurous and dedicated. But they had to run head-on against a mad genius who had a motto: Death to all Terrans! From Amazing Stories September 1956.
The Last Supper
By T.D. Hamm; Read by Bellona Times
1 |MP3| – Approx. 4 Minutes [UNABRIDGED]
Published: LibriVox.org
Published: November 19, 2009
Before reading this story, prepare yourself for a jolt and a chill in capsule form. O. Henry could have been proud of it. It could well become a minor classic. From If Worlds of Science Fiction September 1952.
Old Rambling House
By Frank Herbert; Read by Gregg Margarite
1 |MP3| – Approx. 17 Minutes [UNABRIDGED]
Published: LibriVox.org
Published: November 19, 2009
All the Grahams desired was a home they could call their own … but what did the home want? From Galaxy Science Fiction April 1958.
Pythias
By Frederik Pohl; Read by Gregg Margarite
1 |MP3| – Approx. 12 Minutes [UNABRIDGED]
Published: LibriVox.org
Published: November 19, 2009
Sure, Larry Connaught saved my life—but it was how he did it that forced me to murder him! From Galaxy Science Fiction February 1955.
Revenge
By Arthur Porges; Read by Steven Anderson
1 |MP3| – Approx. 20 Minutes [UNABRIDGED]
Published: LibriVox.org
Published: November 19, 2009
Hell may have no fury like a woman scorned, but the fury of a biochemist scorned is just as great — and much more fiendish. From Amazing Stories February 1961.
Solander’s Radio Tomb
By Ellis Parker Butler; Read by Steven Anderson
1 |MP3| – Approx. 20 Minutes [UNABRIDGED]
Published: LibriVox.org
Published: November 19, 2009
“I first met Mr. Remington Solander shortly after I installed my first radio set. I was going in to New York on the 8:15 A.M. train and was sitting with my friend Murchison and, as a matter of course, we were talking radio.” First published in Amazing Stories June 1927, later in Amazing’s April 1956 issue.
Stop, Look and Dig
By George O. Smith; Read by Ric F
1 |MP3| – Approx. 36 Minutes [UNABRIDGED]
Published: LibriVox.org
Published: November 19, 2009
The enlightened days of mental telepathy and ESP should have made the world a better place, But the minute the Rhine Institute opened up, all the crooks decided it was time to go collegiate! First published in Space Science Fiction, March 1953.
Such Blooming Talk
By L. Major Reynolds (aka Louise Leipiar); Read by Steven Anderson
1 |MP3| – Approx. 7 Minutes [UNABRIDGED]
Published: LibriVox.org
Published: November 19, 2009
A bit of levity never hurt anyone—even a science fiction editor, writer or reader, we hope. And a laugh has been known to lighten a heavy load and even change the path of history. So—we give you this brief moment with an amazed scientist and his startling creations—for a brief chuckle. From Fantastic Universe March 1954.
Sweet Their Blood And Sticky
By Albert R. Teichner; Read by Gregg Margarite
1 |MP3| – Approx. 14 Minutes [UNABRIDGED]
Published: LibriVox.org
Published: November 19, 2009
They weren’t human—weren’t even related to humanity through ties of blood—but they were our heirs! From “Worlds of If” November 1961.
Unborn Tomorrow
By Mack Reynolds; Read by Bellona Times
1 |MP3| – Approx. 31 Minutes [UNABRIDGED]
Published: LibriVox.org
Published: November 19, 2009
Unfortunately, there was only one thing he could bring back from the wonderful future … and though he didn’t want to … nevertheless he did… From Astounding Science Fiction June 1959.
Vanishing Point
By C.C. Beck; Read by MGVestal
1 |MP3| – Approx. 10 Minutes [UNABRIDGED]
Published: LibriVox.org
Published: November 19, 2009
In perspective, theoretically the vanishing point is at infinity, and therefore unattainable. But reality is different; vanishment occurs a lot sooner than theory suggests… From Astounding Science Fiction July 1959.
Waste Not, Want
By Dave Dryfoos; Read by Bellona Times
1 |MP3| – Approx. 18 Minutes [UNABRIDGED]
Published: LibriVox.org
Published: November 19, 2009
Eat your spinach, little man! It’s good for you. Stuff yourself with it. Be a good little consumer, or the cops will get you…. For such is the law of supply and demand! From If Worlds of Science Fiction September 1954.
[In addition to the readers, this audio book was produced by Gregg Margarite, Wendel Topper and Lucy Burgoyne]
Posted by Jesse Willis
LibriVox: Beautiful Joe by Marshall Saunders
I spotted this terrific looking book while browsing book covers at a local big box bookstore.
It turns out the book is a Canadian classic, one I’d never read, or even heard of, but one which I probably should have. The illustrator, Scott Plumbe, writes of it on his blog saying:
“[Beautiful Joe was written] in the 1890s by Canadian author Margaret Marshall Saunders [it was] inspired by a real life dog who had been cruelly maltreated by his owner and was later taken in by the kindly Morris family.”
What makes the novel rather different, and thus all the more interesting, is that it’s told from the perspective of the main character (a dog). Hoping that somebody had recorded it, I did a search and found a single voiced narration of Beautiful Joe over on LibriVox!
The vintage introduction makes it sound as if Beautiful Joe is a religious novel, but the actual text is fairly secular (at least so far). This seems to be a book designed with a message in mind, that cruelty to animals is wrong, worthy of banning.
Beautiful Joe
By Marshall Saunders; Read by Allyson Hester
2 M4Bs (1,2), 19 Zipped MP3 Files or Podcast – Approx. 10 Hours 2 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: June 6, 2008
Beautiful Joe is a real dog, and “Beautiful Joe” is his real name. He belonged during the first part of his life to a cruel master, who mutilated him in the manner described in the story. He was rescued from him, and is now living in a happy home with pleasant surroundings, and enjoys a wide local celebrity. The character of Laura is drawn from life, and to the smallest detail is truthfully depicted. The Morris family has its counterparts in real life, and nearly all of the incidents of the story are founded on fact.
Podcast feed: http://librivox.org/bookfeeds/beautiful-joe-by-marshall-saunders.xml
iTunes 1-Click |SUBSCRIBE|
The Wikipedia entry for Beautiful Joe mentions that there is a park, in Meaford, Ontario, named after Beautiful Joe. When you do a search on YouTube for same you can only get this effable, and oddly unironic, tour:
Posted by Jesse Willis
Review of Starstruck by Elaine Lee, Susan Norfleet and Dale Place
Starstruck
Based on the comic series and the play by Elaine Lee and Mike Kaluta; Adapted by Elaine Lee, Susan Norfleet and Dale Place; Performed by a full cast
2 CDs – Approx. 2 Hours 11 Minutes
Publisher: The Audio Comics Company
Published: 2010
ISBN: 9780615411439
Themes: / Humor / Science Fiction / Space Opera / Feminism / Galactic Civilization /
The basis for the critically acclaimed comic book series, Starstruck was first presented off-off-Broadway in 1980, and again off-Broadway in 1983. In a far-flung and very alternative future, Captain Galatia 9 and the crew of the Harpy and on a mission for the United Federation of Female Freedom Fighters. When the Harpy runs into a living ship inhabited by a team of galactic evildoers, including Galatia’s insidious sister Verloona Ti, the outcome of the battle may well decide the fate of the free universe. The AudioComics Company is proud to present the audio adaptation of the play script as its inaugural production! Often hilarious, always surprising, Starstruck is a spine-tingling joy-ride to the far side of the spiral arm!
I’ve listened to all 2 hours or so. There’s certainly a rich variety of different voices, special effects, and music, on a level with Graphic Audio. You can hear a lot of samples at Amazon. But I found the plot and the humor challenging to follow. Wikipedia called the original play obtuse (as in not staightforward), and I agree. Maybe they should give you a 10 minute sample, to show what you’re getting into. The acting is played for humor, and way over the top. I’m a fan of Michael Kaluta’s run on the old Shadow DC comic, but there are no visuals here. I’ll definitely check out the reprint of the Starstruck comic in hardcover, when it comes out soon. Those not familiar with the play or the comics will find this audiodrama difficult to get into.
Posted by Tamahome
If You’re Just Joining Us interviews Alden Bell
I know of at least a couple of people who will be very interested to hear this interview with Alden Bell. Here’s the official description:
This is a special edition of If You’re Just Joining Us. Over the next month or so, I’ll be interviewing all of the other nominees of the 2010 Philip K. Dick Award. My first is Alden Bell, which is actually the pen name of Joshua Gaylord. His book, The Reapers Are the Angels, is a zombie apocalypse set in a fallen America. We talked about zombies, bonding with his dad, teaching, prep school, his pen name, and being nominated for the Philip K. Dick Award.
Have a listen |MP3|
[via SFSignal.com]
Posted by Jesse Willis
Review of Dust by Joan Frances Turner
Dust
By Joan Frances Turner; Read by Eva Amurri
8 CDs – Approx. 9 Hours 57 Minutes [UNABRIDGED]
Publisher: Penguin Audio
Published: September 02, 2010
ISBN: 9780142428535
Themes: / Horror / Fantasy / Zombies / Disease / Death / Resentment / Indiana /
Nine years ago, Jessie had a family. Now, she has a gang. Nine years ago, Jessie was a vegetarian. Now, she eats very fresh meat. Nine years ago, Jessie was in a car crash and died. Nine years ago, Jessie was human. Now, she’s not. After she was buried, Jessie awoke and tore through the earth to arise, reborn, as a zombie. Jessie’s gang is the Fly-by-Nights. She loves the ancient, skeletal Florian and his memories of time gone by. She’s in love with Joe, a maggot-infested corpse. They fight, hunt, dance together as one—something humans can never understand. There are dark places humans have learned to avoid, lest they run into the zombie gangs. But now, Jessie and the Fly-by-Nights have seen new creatures in the woods—things not human and not zombie. A strange new illness has flamed up out of nowhere, causing the undeads to become more alive and the living to exist on the brink of death. As bits and pieces of the truth fall around Jessie, like the flesh off her bones, she’ll have to choose between looking away or staring down the madness—and hanging onto everything she has come to know as life…
Here’s my take on Dust: Jessie is full of resentment, having died young in a car accident. Besides dying Jessie lost an arm and Jessie turned zombie. When Jessie was alive Jessie was a vegan – but now in Jessie’s undead form – Jessie works with a gang of bitter former humans (don’t call them zombies) that eat free range and organic animals like squirrels, possum and deer. Jessie and her associates communicate telepathically (because their mouths don’t make speech very well anymore). The undead very frequently address Jessie by her first name, which is Jessie. Jessie has many indignant conversations with her fellow embittered undead. They often punctuate their sentences with kicks, shoves and punches that break each other’s bones and dislodge sloughing off flesh. This is to be expected for Jessie. Despite these seemingly acrimonious interactions Jessie seems to love and respect her spiteful companions. They all share Jessie’s disdain for the un-undead (living people). Jessie and her surly companions have a hard life, having to deal with maggots, bloating and living out of doors all-year round. Then, after we understand Jessie well enough, Jessie’s living brother turns up, he’s interested in making peace with Jessie. But, Jessie isn’t having any of it. Jessie thinks he’s just a stupid “hoo” (that’s what Jessie and her friends call living humans). Jessie’s brother has a story to tell, but Jessie isn’t really willing to hear it. Next, a disease starts plaguing some of Jessie’s companions. Jessie thinks this is bad, but typical. Jessie also discovers something bad is happening to the stupid hoos. Jessie thinks that is what they get for being stupid hoos. But then the bad thing that hurts Jessie’s friends is something that turns the undead into less-rotty versions of themselves Jessie is angry. Jessie resents that her severed arm regrows. Jessie doesn’t want to look like a stupid hoo. The disease makes Jessie and everyone, even the stupid hoos, very hungry. That is bad, for Jessie, but deserving for the stupid hoos. The end (for Jesse).
You may be able to tell that I intensely disliked this novel. It was well written, with clear exposition, and it has clearly delineated story. Unfortunately Dust taught me nothing except that a clear exposition of the disagreeable does not improve it much. If you’re not teaching me anything, at least make the book fun. My dislike of Dust also stems from the fact that it posits multiple gimmes (a singular central conceit which may remain unexamined). Dust lets the reader assume nothing, the ground-rules aren’t fixed, and new rules are seemingly arbitrarily added on every tenth page. This means I, as a reader, cannot participate in the world of the book as much as sit back and observe what the author does with it. That is not fun. Based on the clarity of Dust I expect that Joan Frances Turner is capable of writing a fine novel, one that explores something more fruitful than resentment (which I will admit is a way to go with a zombie story told from the perspective of a zombie). But the zombie novel, as a phenomenon, may also be the problem. It may be time for people to stop writing stories from the perspective of a zombie. From my perspective Dust puts the final nail in the coffin of zombie stories told from the zombie’s perspective.
The audiobook of Dust does not contain the handy map that’s in the paperbook’s endpapers. Turner herself writes on her blog saying “the geography of the book is so vital to the story.” As to the narrator, typically when a narrator isn’t doing it for me I start looking for notable defects – asking myself “what is it that specifically bugs me about the narration?” Often this delivers some sort of gripe, like bad word pronunciation, an unconvincing accent or improper emphasis in important passages. I thought I spotted one badly pronounced word (“onerous”), but as it turns out, at least according to the Dictionary.com pronunciation guide, it is I who had been pronouncing “onerous” wrong! That said, Eva Amurri’s narration still doesn’t work for me. I’m not sure why. Other reviewers have praised her performance.
Here is the paperbook’s map (as illustrated by Claudia Carlson and designed by Tiffany Estreicher):
Posted by Jesse Willis