Coast To Coast AM interviews Paul Bishop

Aural Noir: News

A recent episode of the normally ludicrous Coast To Coast AM features a fascinating and lengthy interview with Paul Bishop. Bishop is known to us from his excellent Bish’s Beat blog. In the interview Bish talks about his careers (crime writer, screenwriter and police interrogator). He also talks about his role on a bizarrely watchable new unscripted TV series called Take The Money And Run. Take The Money And Run is a kind of surreal reality game show that pits two American civilians against four American police detectives in a 48 hour competition to win $100,000. Here’s the Wikipedia description:

The contestants are given a car, cell phone, and one hour to hide the case. At the end of the hour, the contestants are taken into custody and questioned by interrogators in an attempt to locate the case. The detectives are given the GPS recordings of the route that the contestants took in the car, as well as phone records of who they called. If the detectives can locate the case within 48 hours, they are awarded the $100,000. If not, the contestants win the prize.

Bishop is one of only three recurring players on the show. His role is to interrogate the detained civilian contestants, find out what they are lying about and thus help the episodes’ guest detectives win.

I’ve seen the show, and I feel very strange after watching it. Bish’s interrogations are psychologically frightening. With so many people out of work in the U.S. it feels almost like a real life precursor to The Running Man!

Here’s the three part interview:

Promo for the TV series:

[via Bish’s Beat]

Posted by Jesse Willis

Review of Guilty Pleasures (Anita Blake, Vampire Hunter #1) by Laurell K. Hamilton

SFFaudio Review

Penguin Audio - Guilty Pleasures by Laurell K. HamiltonGuilty Pleasures (Anita Blake, Vampire Hunter #1)
By Laurell K. Hamilton; Read by Kimberly Alexis
8 CDs – Approx. 10 Hours [UNABRIDGED]
Publisher: Penguin Audiobooks
Published: August 2009
ISBN: 9780143144014
Themes: / Fantasy / Vampires / Zombies /

Published almost 10 years ago, Guilty Pleasures marked the debut of a writer who was destined to grow from cult favorite to a major best-selling author. Now, for long-time Anita Blake aficionados and new-found fans, Guilty Pleasures makes its debut in downloadable audio. Listeners will learn how Anita Blake started raising the dead – and killing the undead. And how she met Jean Claude, the master vampire destined to become not only her biggest nemesis but her greatest lover.

Guilty Pleasures was probably one of the original ‘urban fantasy’ books, along with the first Dresden Files book. But I found it to be well done. Anita Blake is kind of a strong female ‘Kolchack: The Night Stalker‘ with a gun, although she can raise the dead herself. It seemed a weird mix that she both raises the dead and kills vampires. This is the original novel in the series, way before she got the ardeur (or a strong sexual addiction) later in the series. The audio production is above average, and frequently provides incidental music when a scene gains tension (if that doesn’t bother you). Though I found the vampire Nikolaos to be childlike, she was also very intimidating, partly due to Kimberly Alexis’s acting. And I found the ending to be unusually strong. If you don’t like romance, don’t worry, you won’t find much of it here. But be warned that there are some grisly scenes. It bothered me a little that the narrator would do a fake ‘yell’, but at low volume. Maybe there’s some technical way to really yell at a microphone, but be able to keep it from clipping (limiter?)?  How do they do it in the movies?  This novel has also been adapted to comics.  I hear the first four books in the series are pretty tight.  I’ll go along with Felicia Day’s Goodreads ratings on this one, but I’ve only read the first book, and some of the comics.  I’ve also been reading Narcissus in Chains, #10 in the series, for months and months, on and off.  It has some very sexy scenes, but is pretty long and meandering.  I think the author Laurell K. Hamilton once said in a podcast, that these days Americans think her writing is too sexy, and Europeans think it’s too violent.  Maybe I should move to Europe.

Posted by Tamahome

SFBRP #134 – A Science Fiction Book Review Podcast Review Podcast

SFFaudio Online Audio

The Science Fiction Book Review Podcast Our friend Luke Burrage, of the Science Fiction Book Review Podcast, has a new episode up (SFBRP #134) that features a discussion of other book reviewing podcasts. Writes Luke:

“This episode I invited Jesse and Tamahome from the SFFaudio Podcast to review other podcasts that review, or at least talk about, science fiction and fantasy novels and other literature. This was inspired by an overcrowded and shallow look at podcasts on a recent episode of the SF Signal podcast that Jesse took part in, and we all agreed we had more to say on the subject.”

Have a listen |MP3|

Podcast feed: http://www.sfbrp.com/?feed=podcast

Here’s what we talked about:
Luke’s been busy, reviewing podcasts about science fiction book reviews, Tamahome comes from Fushigi Yûgi, The SFFaudio Podcast, writing a blog is slower than talking on a podcast, SFFaudio readalongs are like a book club, talking with authors, TOPIC episodes, FOOD in Science Fiction, STUPIDITY AND INTELLIGENCE in SF, chatting about SFF literature, Luke is not much on comics, TV, or movies, Tamahome adds colour, “a three-body problem”, Robert J. Sawyer, rape, Hominids, “copious shownotes”, a movie is a footnote to the book, When Gravity Fails by George Alec Effinger, Children Of Men by P.D. James, I Am Legend, pretending there is no movie, Luke doesn’t totally agree with his own argument, The Hunger Games by Suzanne Collins, “it’s The Matrix problem” (sequels), Blade Runner, destroying the sense of wonder, this is why religions eventually collapse too (drilling down), lot’s of hippies having a rave doesn’t interest Luke (or me), gnosticism shouldn’t or can’t be known, sequel-itis or sequel fatigue, it seems as if the only books on store shelves today are series, SFBRP reviews are about just one book per episode and only books, Luke get’s great feedback, Goodreads.com, Amazon.com, SFBRP community is self serving but with wonderful externalities, Luke’s Creative Podcast, A Good Story Is Hard To Find, Scott D. Danielson, Julie Davis, Eifelheim, Catholicism, spoilers, A Good Story Is Hard To Find may be the best podcast out there, SFBRP is irregular, Serenity, Stories Of Your Life by Ted Chiang, Black Cherry Blues by James Lee Burke, East Of Eden, The Franchise Affair by Josephine Tey, historical fiction, Fantasy, mystery, Quiz Show, “the traces of one reality”, the Writing Excuses guys are three Mormons?, SFSignal Podcast #70 with Jesse, podcast lists with no discussion (and no women), The Geek’s Guide To The Galaxy podcast #42 (an interview with Eoin Colfer), [**Eoin should be pronounced “Oh-Ehn”**], the purpose of sequels is to milk the back catalogue, Isabel Allende, the Douglas Adams estate, The Dirk Gently TV series (trailer), John Joseph Adams, David Barr Kirtley is pretty damn good, philosophy, bring the interviewee into the discussion, sycophantic interviews, Jack Womack, Requires Only That You Hate, The Sword And Laser Podcast is a book club podcast, a casual book club, The Jane Austen Book Club, Rim and Scott, The Geek Nights Book Club, board games and computer games, comics and manga, World War Z, The Lies Of Loch Lamora, The Prince Of Nothing, the Geek Nights forum, “speller and gramming”, Rim and Scott (and Luke) are frequent guests on the Friday Night Party Line podcast, Beyond The Door, The Hanging Stranger by Philip K. Dick, Fair Game by Philip K. Dick and The Garden Of Forking Paths by Jorge Luis Borges, the Lightspeed podcast (has spoiler introductions), Jack McDevitt, “he doesn’t want you to worry”, Minding Tomorrow by Luke Burrage, time travel, Terminal World by Alastair Reynolds, The Things (Sffaudio post) by Peter Watts, Courtney Brown of Emory University, the Science Fiction And Politics podcast, Foundation by Isaac Asimov, “all I’m here to do is make you guys argue”, Janelle Monáe, Darwin’s Radio by Gregg Bear, Dan Simmons (Tam was thinking of Darwin’s Blade), Snow Crash, bringing a different spin, The Kick Ass-Mystic Ninjas, Harry Harrison, spoilers don’t necessarily really spoil anything, medieval Germany, when walking a tight-rope Luke strikes a balance, the Gweek podcast, Mark Frauenfelder has a genuine enthusiasm that’s infectious, Ready Player One, Mur Lafferty’s I Should Be Writing format is broken for me, the Paul The Book Guy podcast, it’s a panel show with sound effects and jingles, the segments are way too brief, “books, audiobooks, audio drama”, “a series of commercials” it’s overproduced, The Skiffy And Fanty Show, John DeNardo, Geek Night’s competition for the worst podcast on the internet, War Of The Worlds 2, “Torture Cinema”, Shaun Duke and Jen Zink, “book mountain”, “this podcast is all about me and my slurpee”, picking crappy movies on purpose, “a little bit shallow”, having a barrier to entry, there aren’t as many podcasts about books as one would hope, SFBRP is highly placed on iTunes, The Dragon Page podcast, Arizona, Web Genie, Adventures In Scifi Publishing, podcasts about publishing don’t interest Jesse, stop sending Luke books to review, the many TWiT podcasts, claims of “we’re not shilling” = shilling, do you need to compromise your art for $50?, professional podcasters provide a service, Microsoft Security Essentials, Microsoft made a product that is free, great, and works?, Leo Laporte is has a genuine personality, Jeff Jarvis, Audible ad segments on TWiT have value (and should be compiled), Andy Ihnatko, Macbreak Weekly, the SFBRP:RP, (Tam forgot to mention Coode Street/Galactic Suburbia)

[**Thanks also to Kate O’Hanlon**]

Posted by Jesse Willis

Hugo Blick’s The Shadow Line

Aural Noir: Online Audio

The Shadow LineLets assume that each medium offers its own best format. If that’s true, then on TV it is the limited series programme that is the least respected and most underrated. Take The Shadow Line, a BBC 2 television series, created written and directed by Hugo Blick and starring Chewitel Ejifor. The UK paper reviewers seem to want to compare it to The Wire or the Danish series The Killing. But that’s wrong. The Shadow Line isn’t much like either. Really it is just good old fashioned thriller, something the BBC TV has done before. It’s more in the vein of House Of Cards or Edge Of Darkness. But this time it comes primarily from a single creator’s vision. This give it an extended metaphor, the “shadow line” of the title, a thread that pops up in new ways in each episode. It is both a point of dialogue and a mass of ideas. Here’s the show’s premise:

A homicide detective, with partial amnesia, returns to the job to investigate the murder of a recently pardoned heroin importer.

The Shadow Line was aimed high, and it achieved many of its goals. Where it works, it works stunningly well. Where it fails, it fails in small ways, and then moves on. In the end it is an utterly noir thriller, a highly stylized television poem and meditation on life, death and society. The methodically slow paced, cryptic, surprisingly ruthless plot delivers its message in a persuasive form, as a limited series. Most refreshing of all, it does not play, as seems does most TV, to the stupidest person in the room. One commenter put it succinctly:

“This series reminds me why it is worth paying a licence fee. Only the BBC makes drama as good as this. Drama that doesn’t treat the audience like morons.”

Another said this:

“Superb series, and the first time for an awfully long time that I’ve seen a drama on TV that’s made my brain work.”

A third, this:

A sheer joy from start to finish, even with the odd line of clunky dialogue. It was crisp and weird, and the odd, crystal-clear delivery and stylised speech of the characters, from the police to the gangsters, made it stand out from a host of dirge that has been on the screens lately. Yes it had flaws, but the complexity, the suspense, the tension, the labyrinthine plotting and the odd-ball cast of characters made it the best British drama for years.

I agree completely.

Discussion of the programme:
TV.com UK Podcast |MP3|
BBC Radio 4’s Saturday Review podcast |MP3|
British TV Podcast Show #89 |MP3|

Interviews:
Highlights From The Green Room (with Chewitel Ejifor) |MP3|

Posted by Jesse Willis

Marvel Podcast: Daredevil #1 – an unabridged reading

SFFaudio Online Audio

The Mighty Marvel PodcastHere’s an interesting experiment, something I’m not sure works, but think was definitely worth trying. Here’s the official line:

Since his inception in 1964, Daredevil has stood out as a unique figure in comic books: A blind man able to leap through the air and battle evil thanks to a special radar enhancing his other senses. The Man Without Fear has been a Marvel stalwart for nearly 50 years as well as a representative of the visually-impaired in popular fiction, but up to this point, those deprived of sight themselves have had to rely on friends reading them copies of DAREDEVIL in order to experience Matt Murdock’s adventures.

About a month ago, Marvel Senior Editor Steve Wacker came up with the idea to record an audio edition of DAREDEVIL #1 so that the visually-impaired could enjoy the dawn of a new era for DD, his friends and his enemies. Additionally, this special project provides those who can see with a new take on what’s already being hailed as one of the best comics of 2011.

DAREDEVIL writer Mark Waid provides full panel descriptions directly from his script on this audio edition, while Marvel editors Tom Brennan, Ellie Pyle and Jordan D. White lent their voices to Daredevil/Matt Murdock, Kirsten McDuffie and Foggy Nelson, with White and Wacker also providing additional vocals. Marvel.com Video Editor Todd Wahnish recorded the piece, Marvel.com Associate Editor Ben Morse directed and Jordan White edited the final recording.

MARVEL COMICS - Daredevil, Issue #1Daredevil #1
By Mark Waid; Performed by Mark Waid and several other readers
1 |MP3| – Approx. 27 Minutes [UNABRIDGED]
Podcaster: The Mighty Marvel Podcast
Podcast: August 18, 2011

Mark Waid – Panel descriptions
Associate Editor Tom Brennan – Daredevil/Matt Murdock
Assistant Editor Ellie Pyle – Kirsten McDuffie
Assistant Editor Jordan White – Foggy Nelson/others
Editor Stephen Wacker – background voices
Marvel.com Associate Editor Ben Morse – Mark Waid

The recording was directed by Ben Morse, engineered by Marvel.com Video Editor Todd Wahnish, and edited by Jordan White.

There’s also an interview with Waid available |MP3|

Daredevil - Issue One, Page One

[via Tristan Winch’s HuffDuffer feed]

Posted by Jesse Willis

The Music Of Erich Zann by H.P. Lovecraft

SFFaudio Online Audio

The Music Of Erich Zann is one of H.P. Lovecraft’s most popular short stories (it runs just 3,450 words).

The Music Of Erich Zann - illustration by Andrew Brosnatch

Here are the opening lines:

“I have examined maps of the city with the greatest care, yet have never again found the Rue d’Auseil. These maps have not been modern maps alone, for I know that names change. I have, on the contrary, delved deeply into all the antiquities of the place, and have personally explored every region, of whatever name, which could possibly answer to the street I knew as the Rue d’Auseil. But despite all I have done, it remains an humiliating fact that I cannot find the house, the street, or even the locality, where, during the last months of my impoverished life as a student of metaphysics at the university, I heard the music of Erich Zann.

That my memory is broken, I do not wonder; for my health, physical and mental, was gravely disturbed throughout the period of my residence in the Rue d’Auseil, and I recall that I took none of my few acquaintances there. But that I cannot find the place again is both singular and perplexing; for it was within a half-hour’s walk of the university and was distinguished by peculiarities which could hardly be forgotten by any one who had been there. I have never met a person who has seen the Rue d’Auseil.

The Rue d’Auseil lay across a dark river bordered by precipitous brick blear-windowed warehouses and spanned by a ponderous bridge of dark stone. It was always shadowy along that river, as if the smoke of neighboring factories shut out the sun perpetually. The river was also odorous with evil stenches which I have never smelled elsewhere, and which may some day help me to find it, since I should recognize them at once. Beyond the bridge were narrow cobbled streets with rails; and then came the ascent, at first gradual, but incredibly steep as the Rue d’Auseil was reached.”

And the Rue d’Auseil, by the way, translates to “street of the threshold” – most appropriate.

Public domain:

LibriVoxThe Music Of Erich Zann
By H.P. Lovecraft; Read by Cameron Halket
1 |MP3| – Approx. 19 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: October 19, 2008
|ETEXT|
A student of philosophy is forced, by lack of funds, to to take lodgings in a run down rooming house in a strange part of Paris. First published in National Amateur (March 1922), then later in the May 1925 issue of Weird Tales.

Creative Commons:

PseudopodEpisode #100 – The Music Of Erich Zann
By H.P. Lovecraft; Read by B.J. Harrison
1 |MP3| – Approx. 30 Minutes [UNABRIDGED]
Podcaster: Pseudopod
Podcast: July 25th, 2008

Commercial audiobook:

Horror Audiobooks - The Dark Worlds Of H.P. Lovecraft Volume 4 - The Rats In The Walls, The Shunned House, The Music Of Eric ZahnThe Dark Worlds Of H.P. Lovecraft, Volume 4: The Rats In The Walls, The Shunned House, The Music Of Eric Zann
By H.P. Lovecraft; Read by Wayne June
3 CDs – 2 Hours 41 Minutes [UNABRIDGED]
Publisher: Audio Realms
Published: 2006
ISBN: 1897304242
|READ OUR REVIEW|

Discussion:

H.P. Lovecraft Literary PodcastEpisode #23 – The Music Of Erich Zann
Participants Chris Lackey, Chad Fifer and Andrew Leman
1 |MP3| – Approx. 29 Minutes [DISCUSSION]
Podcaster: H.P. Lovecraft Literary Podcast
Podcast: September 12, 2010

Other:

The Music Of Erich Zann

There is a very good comics adaptation, by writer Roy Thomas and artist Johnny Craig, done for issue #5 (June 1970) of Marvel Comics’ Chamber Of Darkness (the title was changed to The Music From Beyond).

Here’s a disturbingly wordless stop motion animation adaptation:

Posted by Jesse Willis