October 2012 – SFFaudio

Review of The Walking Dead: The Road to Woodbury by Kirkman and Bonansinga

SFFaudio Review

The Walking Dead: The Road to Woodbury
By Robert Kirkman and Jay Bonansinga; Read by Fred Berman
10 Hours – [UNABRIDGED]
Publisher: Macmillan Audio
Publilshed: 2012
Themes: / Horror / Post-apocalyptic / Zombies /

“He seemed like a good man.”

She looks up, focusing on the doctor. “Is that even possible any more?”

“Is what possible?”

“Being a good person?”

Fred Berman narrates this Walking Dead audiobook, written by Robert Kirkman (the creator) and Jay Bonansinga. I enjoy his narration very much. Even though there is a bunch of zombie fighting in this book, it’s character driven, and Berman adds great touches to each character.

I watch the Walking Dead TV show, and The Governor was introduced just last week. I’m told he’s a big part of the graphic novel story, and that this, the second book in a three book series, is a novelization of a storyline from those. My interest comes as a fan of the TV show – I have only limited knowledge of the graphic novels. This book does not follow the same characters that the TV show follows, but the stories take place in the same world.

My interest in the TV show and the audiobooks has not waned because it turns out that a zombie-ridden Earth is a fine place to tell a story that explores how average people cope when civilization disappears. History is riddled with terrible leaders, and this novel explores how a horrible man can end up leading people, and how those people can end up falling in line.

The novel follows several people as they travel and live and die, making their way across the post-apocalyptic landscape. Eventually, the group ends up at Woodbury, the walled community where The Governor rules. The characters are forced then to make a decision. They can follow this man that the alert ones quickly realize is mad, enjoy the safety from the zombies he provides, or they can take off again on their own, the mere thought of which would make anyone weary. The characters have many different answers. In a world where the characters are constantly threatened by the monstrous, some decide they need a monster of their own for protection, some will have no such thing, and some, despite what they’ve seen, are offended enough to try to change things.

Posted by Scott D. Danielson

Neil Austin’s Masters Of Fantasy (from Famous Fantastic Mysteries 1947 – 1950) DESKTOP WALLPAPER

SFFaudio News

I made this desktop wallpaper for my new computer’s desktop – that’s what I did yesterday instead of actually unpacking and setting up the computer itself. Click through to get the full size version. The images were drawn by Neil Austin for issues of Famous Fantastic Mysteries from 1947 to 1950.

Pictured are H.P. Lovecraft, A. Merritt, Robert W. Chambers, Sydney Fowler Wright, Algernon Blackwood, H.G. Wells, Stephen Vincent Benét, Edgar Rice Burroughs, Arthur Machen, M.P. Shiel, John Taine, Lord Dunsany, Clark Ashton Smith, Ray Bradbury, Edgar Allan Poe, Olaf Stapledon, and M.R. James.

Posted by Jesse Willis

The Pit And The Pendulum by Edgar Allan Poe (as read by Xe Sands)

SFFaudio Online Audio

Xe Sands recorded this classic horror story as a Halloween treat – and we certainly appreciate it, but I couldn’t help but laugh the maniacal laughter of a monomaniac when I learned that although the story was indeed originally published in October, 170 years ago, it was actually published as a Christmas story!

The Pit And The Pendulum was first published in The Gift, a Christmas And New Year’s Present for 1843.

And here’s Byam Shaw’s chilling illustration, again not particularly Christmasy, from Selected Tales Of Mystery:
The Pit And The Pendulum - illustrated by Byam Shaw

[Thanks Xe!]

Posted by Jesse Willis

The Diamond Maker by H.G. Wells

SFFaudio Online Audio

The Diamond Maker by H.G. Wells - illustration by Frank R. Paul

Everett F. Bleiler, in Science Fiction, The Early Years, described The Diamond Maker as a tale of “science fiction by implication” – but there’s another way of looking at it too. You could argue that it’s just the story of an unsuccessful heel grifter, with a tall tale and a gaffed prop, who puts on the Send.

I like it either way.

The Diamond Maker
By H.G. Wells; Read by Jerome Lawsen
1 |MP3| – Approx. 17 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: July 25, 2008
First published in the Pall Mall Budget, August 16, 1894.

The Diamond Maker
By H.G. Wells; Read by Sean Puckett
1 |MP3| – Approx. 16 Minutes [UNABRIDGED]
Publisher: Voices In The Dark
Published: 2004/2005
After a long day’s work, our narrator meets a beggar while contemplating the peacefulness of the river embankment. First published in the Pall Mall Budget, August 16, 1894.

Here’s a |PDF| made from the story’s appearance in Science Wonder Stories, June 1929.

And here’s a short film noir style adaptation:

The Diamond Maker from Sean Phillips on Vimeo.

Posted by Jesse Willis

BBCR4+RA.cc: Metropolis (2006) RADIO DRAMA

SFFaudio Online Audio

Ace Books F-246 - Metropolis by Thea Von Harbou

The Tower of Babylon in Metropolis I wrote about it airing six year ago, but I’ve just now heard it.

Metropolis, an astoundingly great radio dramatization of a famous novel that was turned into a famous movie, is nuanced, deep, surprising, and totally, idea based.

I’m astounded, really and truly astounded and amazed too at the depth and power an hour long program is able to achieve.

The script has humor, skepticism, cynicism, hope, sex, romance, informative infodumps, and a city full of pathos.

The production, acting, pacing, and composite audio experience is completely awe inspiring.

What gets me most is that even though it is based on a 1926 novel by Thea von Harbou, this version of Metropolis is, arguably, even more relevant than either Brave New World (1931) or 1984 (1949).

Those two classics don’t feel wholly and completely modern – this production of Metropolis does. It’s modernity is ripe, it’s like an episode of Black Mirror, and it should be on your radar.

Still not sold? Then imagine a Science Fiction version of Fight Club but set in the world of The Space Merchants or Judge Dredd and imagine it written by either Philip K. Dick or Frederik Pohl.

Here’s a review by Elisabeth Mahoney of The Guardian:

An audacious portrayal of a futuristic city as much as a state of mind, and an iconic film to boot, Metropolis (Radio 4, Friday) doesn’t exactly scream radio adaptation. But writer Peter Straughan and director Toby Swift, who won the Prix Italia in 2004 for their adaptation of Fritz Lang’s M, clearly aren’t put off by such hurdles. Their Metropolis was all deliciously claustrophobic intensity and dark interiority; their mega-city full of bubbling, menacing sounds you soon wanted to shut out. Without the famous visuals, you never really got a sense of the scale of Lang’s vision – you didn’t believe in the 62 million workers in Metropolis – but you did get the chilling psychological dimension of the dystopia. Edward Hogg, as Freddy, though sounding like a young Woody Allen at times, convinced as the alienated, lonely outsider who manages to subvert the mega-state from within. There were laughs, too, at least early on. “When was the last time you slept?” a therapist asks a suicidal Freddy. “About eight years ago,” says Freddy. “No,” the therapist concludes, “I don’t think that’s significant.”

Peter Straughan, the adaptor, and Toby Swift, the director, have achieved a classic for our time and for the ages – this is highly, highly recommended!

Thea von Harbou’s Metropolis SFFaudio Essential
Adapted by Peter Straughan; Performed by a full cast
MP3 via TORRENT – 57 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 4 (Friday Drama)
Broadcast: March 24, 2006
Available via RadioArchive.cc
Freder, the protagonist of Metropolis is an underworked “captain” in a high level position in the futuristic consumer society of the mega city named Metropolis. Feeling suicidal, but unable to understand why, Fredor switches identities with a low level “product insertion” – a kind of telemarketing – but failing at that Fredor soon finds himself working for Maria, an imperfect beauty with all the answers. Maria plunges Fredor into the depths of her underground conspiracy to disrupt the workings of society.