Review of Red Sparrow by Jason Matthews

SFFaudio Review

Red Sparrow by Jason MatthewsRed Sparrow
By Jason Matthews; Narrated by Jeremy Bobb
Publisher: Simon & Schuster Audio
Publication Date: June 2013[UNABRIDGED] – 18 hours

Themes: / thriller /  spies / secret agents / Russia / sexpionage /

Publisher summary:

In present-day Russia, ruled by blue-eyed, unblinking President Vladimir Putin, Russian intelligence officer Dominika Egorova struggles to survive in the post-Soviet intelligence jungle. Ordered against her will to become a “Sparrow,” a trained seductress, Dominika is assigned to operate against Nathaniel Nash, a young CIA officer who handles the Agency’s most important Russian mole.

Spies have long relied on the “honey trap,” whereby vulnerable men and women are intimately compromised. Dominika learns these techniques of “sexpionage” in Russia’s secret “Sparrow School,” hidden outside of Moscow. As the action careens between Russia, Finland, Greece, Italy, and the United States, Dominika and Nate soon collide in a duel of wills, tradecraft, and—inevitably—forbidden passion that threatens not just their lives but those of others as well. As secret allegiances are made and broken, Dominika and Nate’s game reaches a deadly crossroads. Soon one of them begins a dangerous double existence in a life-and-death operation that consumes intelligence agencies from Moscow to Washington, DC.

Page by page, veteran CIA officer Jason Matthews’s Red Sparrow delights and terrifies and fascinates, all while delivering an unforgettable cast, from a sadistic Spetsnaz “mechanic” who carries out Putin’s murderous schemes to the weary CIA Station Chief who resists Washington “cake-eaters” to MARBLE, the priceless Russian mole. Packed with insider detail and written with brio, this tour-de-force novel brims with Matthews’s life experience, including his knowledge of espionage, counterintelligence, surveillance tradecraft, spy recruitment, cyber-warfare, the Russian use of “spy dust,” and covert communications. Brilliantly composed and elegantly constructed, Red Sparrow is a masterful spy tale lifted from the dossiers of intelligence agencies on both sides of the Atlantic. Authentic, tense, and entertaining, this novel introduces Jason Matthews as a major new American talent.

When Jason Matthews retired from the CIA, he was able to provide the spy-thriller genre with a book that probably rings truer than most for how things actually work. I have to think that the main character, Nate Nash, is based either on Matthews himself or on someone he was close to.

Red Sparrow is a fairly typical spy-thriller. It opens with the main character, Nate, meeting one of his agents inside Russia, Marble. Nate is a CIA operative, a handler, of foreign spies. Marble is a high-ranking member of the Russian equivalent who is now playing for the Americans. As with most novels in this genre, the book starts with some excitement, as Nate is almost caught in his meeting with Marble.

From there, the story takes on the familiar aspects of showing both sides of the world, spy vs. spy. The Russians embody “Soviet Russia.” I’m not sure how much of that is real today, if many high-ranking officials (especially in their equivalent of the CIA/spy services) still think like “Soviets,” that there is a cold war ongoing…regardless, that’s the way they’re painted in this modern-day book. The Russians have realized that there is a mole within their organization and so develop the talented ballerina-turned-spy Dominika into a the one who will infiltrate the American intelligence community and unmask the mole. Her mission is to seduce Nate, to basically turn him into a mole for the Russians.

The entire book is fairly predictable. Right at the start of the book, once Dominika was introduced, it became obvious what would happen between her and Nate. From there, as the story evolved, even if it wasn’t obvious how they would get to the ending, it was pretty easy to tell what would happen next. But that’s not really a bad thing; that happens in almost every spy novel. Heck, if they told us how they really do things, they’d probably have to kill us….or develop some Men In Black-type flash-thing to wipe our memories of it all. Even though the story is predictable, the reader is drawn in through the characters, who are all believable. Most readers can probably empathize with Nate’s and Dominika’s feelings, can see how they feel loyalty to their countries and where that loyalty can be misused. As Marble’s story unfolds, one can see why he turned into a mole for the American spy service–and how he was able to carry out that role for such a long time. Even the Russian spy service members’ motivations can be seen and understood, even if the ideals seem somewhat outdated. Who’s to say Putin isn’t really trying to re-wage the cold war?

I enjoyed this book for what it was, a spy-thriller book that made me want to know what was going to happen to the characters. I found myself making excuses to listen so that I could see just how the next scenes would unfold, how the characters got from point A to B to C. Matthews also puts in something unique at the end of each chapter, a rough recipe for a food item that was mentioned in the chapter. I almost want to get the book in print so that I can try to make some of the dishes. I suspect that in his duties as a member of the CIA, Matthews may have been able to travel a bit and wanted to share some of his food experiences in an unconventional way. All in all, while not deep, the book was enjoyable to read, to experience along with the characters.

I liked listening to this book, though I admit I had one small problem, and that problem may be just showing my ignorance. Jeremy Bobb’s narration is fine–if a little flat. He reads the book, he doesn’t try to add too much emotion to any character. But many of the characters are Russian…and have Russian names. It took me about half the book to figure out the difference between Dominika’s uncle and the Russian spy who seems to order most of the wetwork. The names, to my ear that’s used to listening for names like Smith and Jones, were too similar-sounding for me to keep straight. First names were much easier.

All in all, if you like spy novels, you’ll probably like this book. You’ll probably like it even more if you also like descriptions of food. I wonder if spies commonly meet in restaurants!

Posted by terpkristin.

The Jolly Corner by Henry James

SFFaudio Online Audio

The Jolly Corner by Henry James

I’ve edited together, cleaned up, and Levelated the 2009 solo LibriVox narration of Henry James’ 1908 novelette The Jolly Corner.

The Jolly Corner is a ghost story, said to be rivaled only by The Turn Of The Screw. Here is narrator Nicholas Clifford’s own description:

James’s protagonist, Spencer Brydon, is an American of 56, returned to New York after 33 years in Europe, where he has apparently accomplished little while living off his New York rentals. His friendship with Alice Staverton, and his engagement in the development of a property awaken him to the possibilities that might have been his, had he chosen a different course of life. The “ghost,” if that’s what it is, is that other self that might have been, and his confrontation with that self and its possibilities leads to a deeply unsettling, yet ambiguous, conclusion.

Having been downloaded more than 7,000 times there’s still only one review on Archive.org page – but it is a very positive review, writes Kydiana:

This is an intriguing and thought-provoking tale. On the surface a ghost story, it is really a story about the ghosts which haunt our own interiors. It poses deep existential questions–Who are we, really? Would we even recognize ourselves in a life in which in which we had made different choices? What does it mean to love someone regardless of how that person develops over the course of a lifetime? Well-read. Highly recommended.

|MP3| Approx. 95 Minutes [UNABRIDGED]

And, made from a scan of the original magazine publication, here’s a handy 31 page |PDF| version.

Posted by Jesse Willis

Review of The Age Atomic by Adam Christopher

SFFaudio Review

The Age AtomicThe Age Atomic (Empire State #2)
By Adam Christopher; Performed by Phil Gigante
Publisher: Brilliance Audio[UNABRIDGED] – 10 hours

Themes: / parallel universe / urban fantasy / superheroes / detectives / noir / airships /

Publisher summary:

The Fissure connecting the alternate New York to its counterpart has vanished, plunging the city into a deep freeze. The people are demanding a return to Prohibition and rationing as energy supplies dwindle. Meanwhile, in the real 1954 New York, the political dynamic has changed. Nimrod finds his department subsumed by a radical new group, Atoms For Peace, led by the mysterious Evelyn McHale. Their goal is simple: total conquest – or destruction – of the Empire State. Adam Christopher returns with the thermonuclear sequel to Empire State – the superhero-noir fantasy thriller set in the other New York.

The Age Atomic continues where Empire State left off. Some time has passed since the events of Empire State but the fissure has disappeared from the Empire State. Since the fissure in Battery Park is the source of sustenance to The Empire State, the climate begins to edge toward an ice age as time goes on. While this is happening, Rad Bradley uncovers a plot involving robots. On the other side of the fissure in New York City, a mysterious blue woman made purely of energy (I’m looking at you Watchmen) heads up a secret organization that seems to be researching Empire State technology for no good.

It would be hard to comment on this book without comparing it to Empire State. The Age Atomic is a little lighter on the detective noir and heavier on the robots, airships, and odd superheroes. I found the story much easier to follow than it’s predecessor because the plot was a bit more direct and the character’s loyalties weren’t in such a state of flux. I enjoyed the book more because of these differences – especially the more straight forward plot.

In the end, the book was a fun listen, the characters were enjoyable, and I had some serious flashbacks of Watchmen (down to the blue energy character). I especially like Captain Carson/Nimrod as the old-timey adventurer and would love to see a book involving his adventures. I would recommend this book to people who like comic books, robots, super heroes, and detective stories…or at least a decent subset of that group.

As for the audiobook performance, Phil Gigante did a great job as usual. He was easy to understand and did some good voices for the different characters. I also found this book much easier to audiobook than it’s predecessor because of the straightforward plot. I didn’t feel the need to back up as if I missed anything this time around.

Posted by Tom Schreck

The Graveyard Shift with Dudley Knight

SFFaudio Online Audio

The Graveyard Shift - Readings by Dudley KnightBeginning it seems in the mid-1970s Dudley Knight, a U.C. Irvine professor of drama, voiced a series called The Graveyard Shift on KPFK, Los Angeles. The purpose was to tell stories of the macabre. His broadcasts aired weekly with shows of variable length (between half and hour and two and a half hours).

Here is a list of broadcast stories, with links to audio when available:

Jan. ??, 1974- The Room In The Tower by E.F. Benson (34 min.)

Divider

May. ??, 1977 – Upon The Dull Earth by Philip K. Dick (55 min.)

Jun. 08, 1977 – I See A Man Sitting On A Chair And The Chair Is Biting His Leg by Harlan Ellison and Robert Sheckley (57 min.)

Jun. 22, 1977 – It by Theodore Sturgeon (57 min.)

Jun. ??, 1977 – Count Magnus by M.R. James (35 min.)

Jul. 06, 1977 – Children Of The Corn by Stephen King (71 min.)

Aug. 03, 1977 – Compulsory Games by Robert Aickman (56 min.)

Aug. 17, 1977 – The Yellow Wallpaper by Charlotte Perkins Gilman (37 min.)

Aug. 31, 1977 – Silent Snow, Secret Snow by Conrad Aiken (46 min.)

Sep. 21, 1977 – The Empty House by Algernon Blackwood (42 min.)

Oct. 19, 1977 – Armaja Das by Joe Haldeman (44 min.)

Nov. 08, 1977 – It Only Comes Out At Night by Dennis Etchison (33 min.)

Dec. 14, 1977 – Couching At The Door by D.K. Broster (59 min.)

Dec. ??, 1977 – The Aleph by Jorge Luis Borges (35 min.)

Divider

Jan. 18, 1978 – Suspicion by Dorothy L. Sayers (38 min.)

Jan. ??, 1978 – I Have No Mouth And I Must Scream by Harlan Ellison (41 min.)

Feb. 01, 1978 – The Gentleman From America by Michael Arlen (48 min.)

Feb. 08, 1978 – Bulkhead by Theodore Sturgeon (75 min.)

Feb. 22, 1978 – Gonna Roll The Bones by Fritz Leiber (60 min.)

Mar. 22, 1978 – Sometimes They Come Back by Stephen King (58 min.)

Apr. 05, 1978 – Three Miles Up by Elizabeth Jane Howard (42 min.)

Apr. 19, 1978 – Eine Kleine Nachtmusik by Fredric Brown (49 min.)

Jun. 07, 1978 – The Ash Tree by M.R. James (36 min.)

Jul. 26, 1978 – The Squaw by Bram Stoker (35 min.)

Aug. 30, 1978 – Batard by Jack London (39 min.)

Sep. 06, 1978 – The Game Of Rat And Dragon by Cordwainer Smith (37 min.)

Oct. 17, 1978 – The Body Snatcher by Robert Louis Stevenson (49 min.) |MP3|

Nov. 21, 1978 – The Other Celia by Theodore Sturgeon (48 min.)

Dec. 06, 1978 – Benlian by Oliver Onions (44 min.)

Divider

Jan. 03, 1979 – Before Eden by Arthur C. Clarke (32 min.)

Jan. 31, 1979 – The Haunters and the haunted by Edward Bulwer Lytton (106 min.)

Feb. 23, 1979 – Space Rats Of The CCC by Harry Harrison (37 min.)

Apr. 03, 1979 – Breakfast At Twilight by Philip K. Dick (41 min.)

Apr. 17, 1979 – Thurnley Abby by Perceval Landon (43 min.)

Divider

???. ??, 1985 – Afternoon At Schrafts by Gardner Dozis, Jack Don, and Michael Swanwick Part 1 |MP3| Part 2 |MP3|

Divider

???. ??, ???? – The Whisperer In Darkness by H.P. Lovecraft

Posted by Jesse Willis

The Graveyard Shift: The Body Snatcher by Robert Louis Stevenson

SFFaudio Online Audio

The Graveyard Shift - Readings by Dudley KnightOriginally from KPFK’s The Graveyard Shift, broadcast October 17, 1978, Dudley Knight reads Robert Louis Stevenson’s The Body Snatcher.

|MP3|

[via From The Vault]

Posted by Jesse Willis