Review of Carniepunk

SFFaudio Review

CarniepunkCarniepunk
By Rachel Caine, Rob Thurman, Kevin Hearne, Seanan McGuire, Jennifer Estep, Allison Pang, Kelly Gay, Delilah S. Dawson and Kelly Meding
Narrated by Candace Thaxton and Kirby Heyborne
Publisher: Simon & Schuster Audio
Publication Date: 23 July 2013
[UNABRIDGED] – 14 hours
Themes: / carnivals / urban fantasy / paranormal romance / mind-readers / synaesthesia / imprisoned goddesses / mermaids / short stories / tie-ins /
Publisher summary:
Come one, come all! The Carniepunk Midway promises you every thrill and chill a traveling carnival can provide. But fear not! Urban fantasy’s biggest stars are here to guide you through this strange and dangerous world. . . .

RACHEL CAINE’s vampires aren’t child’s play, as a naïve teen discovers when her heart leads her far, far astray in “The Cold Girl.” With “Parlor Tricks,” JENNIFER ESTEP pits Gin Blanco, the Elemental Assassin, against the Wheel of Death and some dangerously creepy clowns. SEANAN McGUIRE narrates a poignant, ethereal tale of a mysterious carnival that returns to a dangerous town after twenty years in “Daughter of the Midway, the Mermaid, and the Open, Lonely Sea.” KEVIN HEARNE’s Iron Druid and his wisecracking Irish wolfhound discover in “The Demon Barker of Wheat Street” that the impossibly wholesome sounding Kansas Wheat Festival is actually not a healthy place to hang out. With an eerie, unpredictable twist, ROB THURMAN reveals the fate of a psychopath stalking two young carnies in “Painted Love.”

This was a short story collection with urban fantasy, paranormal romance, and carnival themes. On the whole, the book was fairly average. There were some fantastic stories and there were some terrible stories. I’ve reviewed each story individually, below. The narration was mostly done by Candace Thaxton, though Kirby Heyborne narrated a few including “Painted Love” and “The Demon Barker of Wheat Street.” All in all, I found Thaxton’s narration preferable to Heyborne’s, but that might have been because I liked more of the stories she narrated than Heyborne. Heyborne’s narration bordered on creepy, and while it fit the genre/story, it also made me kind of uncomfortable. In honesty, I’m not sure I can recommend this book unless someone is looking for a specific short story from one of the authors. There were a few stories that I read that I’m now interested in the world, but most were either very average or downright terrible. This is also not a book for younger readers–some of the stories are quite graphic, mostly sexually. So if you want the book, be warned that it’s probably not “good family listening.”

Stories:
“Painted Love” by Rob Thurman. A creepy tale of a carnival manager and his killer tendencies, seen through the eyes of a demon that escaped from Hell. The demon, called “Doodle,” wants to see the world and so latches onto people as he makes his way around, seeing people of all types. Unexpectedly, Doodle finds that he’s awed by the strength of the psychic at the carnival–and steps in when Bart, the manager, tries to kill her and rape her sister. It was an interesting idea, made all the more creepy by the narrator’s voice. Unfortunately, most of the story was character development of the members of the carnival; the actual meat of the story felt like it was fairly rushed.

“The Three Lives of Lydia” by Delilah S. Dawson. I believe this was said to be a story of “Blud,” though I haven’t read any of Dawson’s work to have familiarity with the story or the characters. This was a sad story of a girl who woke up on the outskirts of a carnival in a different world, a world called “Sang.” The girl, Lydia, is a “stranger” in the world, a transient. She falls in (and in love?) with a vampire, and takes a job at the carnival. Unfortunately, she’s also stalked by some of the less-nice members of the carnival, and skates the line between her waking life and the life in her “dream.” While this was a sad story and somewhat predictable, I actually kind of liked it. I think I might want to read more in this world, if it’s more of the carnival “dream” world.

“The Demon Barker of Wheat Street” by Kevin Hearne. A story from the world of The Iron Druid Chronicles, therefore starring the Druid Atticus O’Sullivan, his Irish wolfound, and his student Granwael (spelled wrong I’m sure). This is supposed to take place a few years after the events in Tricked, which I haven’t read yet (I’ve only read the first book in the series, Hounded). This time, Atticus and Granwael decide to go into a “freak show” in a carnival and find something much more sinister than a typical carnival freak show. It results in a battle with some ghouls, as might be expected. Just like Hounded, this story is pretty light but entertaining enough with a good bit of action, if slightly formulaic.

“The Sweeter the Juice” by Mark Henry. A terrible and disgusting story about a transvestite looking for a new street drug to help pay off her debt at a sex change clinic. This story had a lot of unnecessary detail. It was also needlessly disgusting. I regretted eating while listening. If I could give negative stars, this story would get them.

“The Werewife” by Jaye Wells. Be careful what you wish for, even if it’s only in the darkest recesses of your mind. That goes double when you’re at a carnival with a freak show run by someone who can read minds. A story, as you might guess from the title, about a man and his werewolf-wife. The ending in this was almost “happy” and the story didn’t go where I thought it would. It was a welcome relief after the last story.

“The Cold Girl” by Rachel Caine. A short story in the vein of Twilight, down to the emo teenager “in love.” This particular emo teenager’s boyfriend turns out to be a murderer and she looks to be his next victim. She’s warned by a psychic at the carnival, but is also told that there is nothing she can do, and that she will meet The Cold Girl soon. This was utter rubbish. I suppose that if you liked the Twilight series, you might like this, but the truth is, the Twilight series did terrible things for a wonderful genre, the least of which was inflicting further crap like this on unsuspecting readers.

“A Duet with Darkness” by Allison Pang. This story is listed by Goodreads as “book 0.5” in the Abby Sinclair series. I’ve never read the series, but I do like the idea of music and synaesthesia as a tie to the magical world. In this story, Melanie is a violinist tied to a fallen angel, Numo (the description of whom reminds me of Sephiroth from Final Fantasy VII a bit). She is insanely talented and her pride gets the best of her while at a gig she “duels” (plays violin with/against) someone who is better than her. Her opponent turns out to be the Devil’s violinist. This story was a bit heavy on introduction of characters that didn’t seem to matter much for this story (but probably makes sense for the larger world context). I may have to give this series a go.

“Recession of the Divine” by  Hillary Jacques. Can you imprison a goddess? What happens if you try? This story attempts to answer that as Mnemosyne (Goddess of Memory, a Titan) has renounced her Olympian ways and (in this century) is a loss specialist for an insurance company. She ends up at a carnival which has had a string of accidents. She finds that there is much more than meets the eye as one of the carnival members is using other divine techniques to have his way about things–including wooing/luring customers. Realizing what Olivia (Mnemosyne) is, he tries to use her abilities as a part of the show…and that may just be his undoing.

“Parlor tricks” by Jennifer Estep. This is an Elemental Assassin short story, another series I haven’t read but might look into based on this short story. This time, a girl goes missing while at a carnival and “The Spider” and her sister (a police detective) go there to search for her. What they uncover is a fairly typical trope in fantasy, but that doesn’t stop this story from being pretty good. One other thing that I really liked that not many of the stories in this collection have done well is that it only gave us detail we needed. Too many of the other stories in this collection have a lot of detail that is irrelevant to the story. The detail would be needed for a full-length novel or maybe even a novella…but not for the short story. So, in addition to enjoying this story, I have to give Estep credit for the focus in the story.

“Freak House” by Kelly Meding. Another concise story, and another one I was surprised to enjoy. This time, it’s a story of a daughter trying to find her kidnapped father. The twist? Well…how does one exactly kidnap a djinn to start with, and how does one rescue the djinn from whoever was powerful enough to kidnap him in the first place? Shiloh, half-djinn, teams up with a werewolf and a human to do just that…the narration said this was a “Strays” short story, but I can’t find any reference to that series on GR or on Meding’s website. Either way, it was another story, just enough detail without going overboard.

“The Inside Man” by Nicole Peeler. After a few strong stories, I guess I can’t complain too much when this one was not nearly as strong–or as interesting. The concept was interesting: a soul-stealer and those trying to fight against him, to reclaim the souls. The execution, though, was boring. I routinely found myself getting distracted during this story in the Jane True universe.

“A Chance in Hell” by Jackie Kessler. A story that starts and ends with gratuitous sex scenes, this one was also pretty boring. Jezebel used to be a succubus, but she has escaped hell and is living “topside” as a human, getting trained in the ways of being human by her roommates. One of her roommates, Cecilia, wants to go to a carnival, to show her a new view of humanity. What Cecilia doesn’t know, can’t know, is that this carnival is run by a powerful demon. A story in the Hell on Earth series, it was another that was predictably un-entertaining.

“Hell’s Menagerie” by Kelly Gay. At its crux, a story about a girl and her dog with some coming of age thrown in for good measure. This story is from the Charlie Madigan world, though from reading the description of the books in that series, I think it’s just set in the same world, not necessarily with the same character. In this story, Emma travels with her hellhound, Brim, to Charbydon to rescue Brim’s puppies and their mother. They track them to a menagerie and are forced to make the decision to trade Brim for the pups. Now on a mission to rescue Brim, Emma realizes she has some special powers, powers that extend above and beyond her connection with Brim. This story was cute, if predictable. Really, how can anybody not like a story with hellhounds?

“Daughter of the Midway, the Mermaid, and the Open, Lonely Sea” by Seanan McGuire. I don’t really know what to make of this story. It wasn’t bad…but I’m not sure I “got” it. There didn’t seem to be much real story…it was about a young woman who was part (or entirely) mermaid, visiting with a traveling carnival the city where her mother (also mermaid) was found (and subsequently joined the traveling carnival). There is a lot of discussion of a “possible” problem but the actual action was only in the last 10 minutes or so of the 45-minute story…and even then, it was pretty mundane. I haven’t read any of Seanan McGuire’s (or her alter ego, Mira Grant) works, and I’m not sure that this enticed me to do so. I wonder how similar this story is to others she’s written.

Posted by terpkristin.

Review of Sons of the Oak by David Farland

SFFaudio Review

Fantasy Audiobook - Sons of the Oak by David FarlandSons of the Oak (Book Five of The Runelords)
By David Farland; Read by Ray Porter
13.5 Hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2012
Themes: / Fantasy / Epic Fantasy /

This is the fifth book in the Runelords series and the first book of the Scions of the Oak.

It feels like a fast read. The book is well-paced, one chapter flowing into the other and the story is engrossing. The end of each chapter was a chance to catch your breath but at the same time, you wanted to keep going to find out what would happen next.

Sons of the Oak begins with the death of Gaborn Val Orden, the Earth King and protagonist of the first four books. He sends his sons to the woods to rescue a girl who had been kidnapped by the Strenge Satz.

With the death of the Earth King, shadowy creatures from the Netherworld and the enemies of Gaborn attack the castle to kill the boys. Queen Iome abdicates her throne and goes into hiding with her sons and a few close friends to save their lives.

It is their flight into exile and their fight against Axkaroth and Shadoath – evil beings that have taken over humans — that encompasses this book. As with all Farland’s books, not everyone makes it, but that is part of what adds to the suspense.

This is a great book. The characters are well developed and imperfect (I am not a fan of perfect heroes). You never know from one scene to the next what will happen – although you’re assured by the existence of more books that the boys survive. Still, the narrative works well in audiobook format and Ray Porter does a great job with the voices and characterizations.

I loved the book and recommend it highly.

Posted by Charlene Harmon

Hypnobobs: The Flowering Of The Strange Orchid by H.G. Wells

SFFaudio Online Audio

The Flowering Of The Strange Orchid by H.G. Wells

In less than 3,000 words H.G. Wells planted the seed, as it were, for a rare and delicate subspecies of Science Fiction we might call Botanical Horror SF. As Mr. Jim Moon, of the wondrous Hypnobobs podcast, points out in his introduction to his reading, this seed would later flower into a John Wyndham novel we all know and love.

So, grab some coffee, head into the greenhouse, and listen to this curious story of where it all started.

The Flowering Of The Strange Orchid by H.G. Wells

HypnobobsThe Flowering Of The Strange Orchid
By H.G. Wells; Read by Jim Moon
1 |MP3| – Approx. 1 Hour 21 Minutes [UNABRIDGED]
Podcaster: Hypnobobs
Podcast: April 6, 2012
First published in Pall Mall Budget, December 27, 1894.

Podcast feed: http://feeds.feedburner.com/Hypnobobs

And, here’s an illustrated |PDF|.

The Flowering Of The Strange Orchid by H.G. Wells

Posted by Jesse Willis

Protecting Project Pulp: The Opener Of The Way by Robert Bloch

SFFaudio Online Audio

The Opener Of The Way by Robert Bloch - Illustration by Virgil Finlay

Here’s a creepy tale by a then young disciple and contemporary of H.P. Lovecraft. Taking Egyptian mythology as his starting point Robert Bloch delivers a pretty good tale in the style of the master.

Protecting Project PulpProtecting Project Pulp No. 59 – The Opener Of The Way
By Robert Bloch; Read by Simon Hildebrandt.
1 |MP3| – Approx. 42 Minutes [UNABRIDGED]
Podcaster: Protecting Project Pulp
Podcast: September 9, 2013
A tremendous tale about the dread doom that overtook an archeologist in that forgotten tomb beneath the desert sands of Egypt. First published in Weird Tales, October 1936.

The titular appellation “The Opener Of The Way” has also recently turned attached to a monster named “Allabar” in the Dungeons & Dragons: Monster Manual 3 (which recommends you use it as a “climactic villain”). The TV Tropes entry “D&D Nightmare Fuel” describes this “monster” thusly:

And then there is Allabar, Opener of the Way, the first 4th Edition living star … instead of a face, imagine dozens upon dozens of unblinking eyes, as well as hundreds of rope-like “growths” around its “body.” Think the moon, when it’s nice and big and clear, so you can see all of the faultlines, valleys and craters. Now imagine every faultline and valley is a huge, thrashing tentacle, and every crater, from the biggest to the smallest, is a never-blinking eye. Imagine that floating in the sky above you at night. Staring at you. Hating you.

Allabar, The Opener Of The Way

Posted by Jesse Willis

Review of Kafka on the Shore by Haruki Murakami

SFFaudio Review

Kafka on the ShoreKafka on the Shore
By Haruki Murakami; Performed by Sean Barrett and Oliver Le Sueur
Publisher: Random House Audio
Publication Date: 6 August 2013
ISBN: 9780804166553
[UNABRIDGED] – 19 hours, 2 minutes
Excerpt: | MP3 |

Themes: / cats / helpful librarians  / metaphysical reality / Japan /

Publisher summary:

This magnificent new novel has a similarly extraordinary scope and the same capacity to amaze, entertain, and bewitch the reader. A tour de force of metaphysical reality, it is powered by two remarkable characters: a teenage boy, Kafka Tamura, who runs away from home either to escape a gruesome oedipal prophecy or to search for his long-missing mother and sister; and an aging simpleton called Nakata, who never recovered from a wartime affliction and now is drawn toward Kafka for reasons that, like the most basic activities of daily life, he cannot fathom. Their odyssey, as mysterious to them as it is to us, is enriched throughout by vivid accomplices and mesmerizing events. Cats and people carry on conversations, a ghostlike pimp employs a Hegel-quoting prostitute, a forest harbors soldiers apparently unaged since World War II, and rainstorms of fish (and worse) fall from the sky. There is a brutal murder, with the identity of both victim and perpetrator a riddle–yet this, along with everything else, is eventually answered, just as the entwined destinies of Kafka and Nakata are gradually revealed, with one escaping his fate entirely and the other given a fresh start on his own.

I went on a Murakami reading binge in 2009, and suddenly found myself hitting a wall. What I had started out loving started to overwhelm and suffocate me. I knew I needed a break from him for a while.

I did take a break from the break to read 1Q84, which I really enjoyed. As I listened to the audiobook of this novel, I found myself wishing I’d read this prior to 1Q84. Some of the themes are the same, and I don’t just mean the silly themes like cats and pasta and music, but shifting realities and not being sure about who you are on many levels. They seem more concise in this novel, and I think having this experience first would have made 1Q84 even better.

This past year, Random House has been putting many of Murakami’s works out on audio, so I jumped at the chance to listen to this one as I had not yet read it in print. I enjoyed the audio production immensely. The two narrators bring completely different feelings to the different sections, and the novel shifts back and forth between the narratives of Kafka and Nakata. I enjoyed the haven of the library and the very helpful librarian, but that might have been the only moment of reality in this book.

Murakami always sends me off to listen to music, not just by work but certain performances of a work. I spent several afternoons listening to the Archduke Trio (Beethoven) as performed by the “Million Dollar Trio.” Great stuff.

Posted by Jenny Colvin

Hardware review of the Sony ICF-CS15iPN Personal Audio System (“DREAM MACHINE” Lightning Connector clock radio dock)

SFFaudio Review

Sony ICF-CS15iPN Silver

“DREAM MACHINE” Personal Audio System
Product number: ICF-CS15iPN (Lightning Connector clock radio dock)
Manufacturer: Sony
UPCs: 027242866072 (silver), 027242866089 (black)

I listen to a lot of audiobooks and podcasts, but also radio. And since 2004, for those podcasts and audiobooks, I’ve been using Apple devices with the ubiquitous 30-pin dock connector. As the 30 pin dock connector has been upgraded over the years it’s meant I’ve had to swap docking equipment a couple of times already. For the last few years my go to dock/charger/clock/radio had been Sony’s ICF-CS10iP aka the “Dream Machine.” I actually had four of them: One for my bedside, one on my computer desk, one in my classroom, and one in my bathroom (for listening in the shower). The ICF-CS10iP was a robust tabletop machine. In my experience it could charge an naked iPhone 3, 3GS, 4, or 4S, and it could do so for even those wearing most iPhone cases. One thing it couldn’t do was charge (or dock) any iPad.

When I heard about Apple’s “Lightning Connector” last year I knew that the hardware I’d been using, and appreciating, would eventually come to an end. I started worrying when, last year, I got an iPad Mini (which uses a Lighting Connector). And then, recently, when I received an iPhone 5 as a gift, I knew the days of my wonderful ICF-CS10iP were coming to a close. There is actually a LIGHTNING TO 30 PIN ADAPTER available, $35 CDN from the Apple store (or a whole lot cheaper online), and it will fit and work with the ICF-CS10iP. In fact it is very usable there. That’s how my mom has adapted to the new connector. But for me stacking an iPhone on top wasn’t the ideal solution. So, I started looking into a replacement.

The Sony ICF-CS15iPN is the replacement I’ve been looking for. It has the same general shape as the ICF-CS10iP, but has actually been completely redesigned. Most importantly the Lightning Connector dock is on a swivel and is raised up. This allows for an even wider range of cases, and that’s important as I tend to have a thick case.

The controls have also been rearranged and reorganized into three separate tiers. The front most tiers (near the connector) deal with the dual alarms. The topmost tier deals with power, volume, input, and radio controls. And the rearmost buttons (invisible from the front but raised near to the top) deal with infrequently used but necessary programing like time settings and tuning. Like the ICF-CS10iP the ICF-CS15iPN comes with a simple and handy multifunction remote control.

Now the official documentation suggests that the ICF-CS15iPN is only compatible with the iPhone 5, iPod touch 5th generation, and iPod Nano 7th generation. But I can confirm it can also dock with and sync with the iPad Mini. The official documentation does not mention this functionality. Maybe the increased power needed to charge an iPad Mini will overtax the power supply? Perhaps, but I’ve not had any problems so far (after about three months worth of use).

Sony ICF-CS15iPN docked with an iPad Mini

A free app, oddly titled “D-Sappli“, available in the iTunes App Store, though getting poor reviews, seems pretty serviceable to me. It has a feature to sync your Apple device’s time and radio station presets with the dock (presumably for frequent travelers), allows for a sleep timer (usable for audiobooks), a music play timer (I havent tried it) and a sleep timer (for when the app is running). The main feature of the app though is the larger display screen of the time. The ICF-CS15iPN has a fairly large screen, but the option to have the clock running on your iOS device is there.

Sony ICF-CS15iPN docked with an iPhone 5 and displaying the D-Sappli App

Now for the hard part. Sony products have a terrible naming system. Their “Clock Radio” models, I have learned, all start with “ICF” – it took a whole lot of digging to figure out which model was which, and which was still available, and at which stores. Even when I thought I had the model number right the various iterations ended up being confused a lot of the time. To make things even more confusing the model ICF-CS15iPN comes in two different colors, “Silver” and “Black” and these are sometimes tacked on to the model number at the end as “SL” or “BK” (ICF-CS15iPNSL or ICF-CS15iPNBK).

I now have three ICF-CS15iPN devices now, and I use each one daily. The ICF-CS15iPN is fairly expensive, retail being $120 CDN, but the build quality, solidity, and sound quality all make me very satisfied.

Posted by Jesse Willis