The Owls by Charles Baudelaire (translated by Clark Ashton Smith)

SFFaudio Online Audio

The Owls by Charles Baudelaire, translated by Clark Ashton Smith

From Weird Tales, November-December 1941. Listen to Mr Jim Moon‘s great narration of this poem by Charles Baudelaire |MP3|.

Though credited as having been translated by one “Timeus Gaylord” we are reliably informed that this was a pseudonym of Clark Ashton Smith.

The Owls
By Charles Baudelaire, translated by Clark Ashton Smith

In shelter of the vaulted yews,
Like alien gods who shun the world,
The flown owls wait with feathers furled;
Darting red eyes, they dream and muse.

In rows unmoving they remain
Till the sad hour that they remember,
When, treading down the sun’s last ember,
The towering night resumes its reign.

Their attitude will teach the seer
How wise and needful is the fear
Of movement and of travailment;

For shadow-drunken wanderers bear
On all their ways the chastisement
Of having wished to wend elsewhere.

Posted by Jesse Willis

Riya’s Foundling by Algis Budrys

SFFaudio Online Audio

Riya's Foundling by Algis Budrys

Julie Hoverson recently recorded Riya’s Foundling. It’s a little Science Fiction gem from the hands of Algis Budrys and the pages if Science Fiction Stories, #1 (1953).

It’s a story about an intelligent cow (actually a cow-like alien being) that adopts a young human calf.

I’m not very much interested in the earthbound setup – frankly it’s weak – but there’s something very Alfred Besterian about the writing and the alien POV is really fascinating (and somehow familiar).

Here’s the audio, |MP3| Approx. 19 Minutes [UNABRIDGED]

And here’s the |PDF| version!

Posted by Jesse Willis

Review of Aftermath by Charles Sheffield

SFFaudio Review

AftermathAftermath (The Supernova Alpha Series #1)
By Charles Sheffield; Read by Gary Dikeos
Publisher: Blackstone Audio
Publication Date: 1 February 2013
[UNABRIDGED] – 19.8 hours

Themes: / supernova / catastrophe / EMP / cults / cancer patients / Mars /

Publisher summary:

It’s 2026, and catastrophe has struck from an unexpected source. The Alpha Centauri supernova has risen like a second sun, rushing Earth toward its last summer. Floods, fires, starvation, and disease paralyze the planet. In a blue aurora flash of gamma rays, all microchips worldwide are destroyed, leaving an already devastated Earth without communications, transportation, weaponry, or medicine.

The disaster sets three groups of survivors on separate quests. A militant cult seizes the opportunity to free their leader, known as the Eye of God, from the long-term coma to which a court sentenced her. Three cancer patients also search for a man in judicial sleep: the brilliant scientist—and monstrous criminal—who alone can continue the experimental treatment that keeps them alive. From a far greater distance come the survivors of the first manned Mars expedition, struggling homeward to a world that has changed far beyond their darkest fears. And standing at the crossroads is one man, US President Saul Steinmetz, who faces a crucial decision that will affect the fate of his own people—and the world.

Aftermath, the first in a rather ambitious post-disaster series by Charles Sheffield, follows multiple interwoven plot lines which follow characters from several walks of life after a supernova has wreaked havoc on Earth. Ever wanted to know what might happen to the President in a worldwide disaster situation? How about astronauts scheduled for re-entry or cancer patients undergoing experimental treatment or violent criminals awoken from a deep sleep? Well, you might be surprised by how boring the answers are.

This book is spectacularly average in every way. There are a plethora of characters, all equally shallow and generic in their own way, and none of who provide any sort of emotional grounding for the reader. President Steinmetz seems to be the least capable leader possible in the event of a national crisis since his primary concern is whether he should hook up with his ex-girlfriend or a sexy low-level white house worker. Cancer patients Art and Dana are just some average, down home, relatable folks who decide that releasing a psychopathic serial killer is completely acceptable as long as he can keep them alive for a few more years. Even the journal entries of the serial killer felt somewhat pedantic and boring. Sheffield makes an admirable attempt at providing ethnic, age and class variety in his characters but in the end, it’s pretty obvious they were all written by the same man.

Nevertheless, the plot keeps trucking along at a slow but steady pace. It’s overly long with lots of scientific jargon thrown in for good measure. However, it feels a lot like a watered down version of bigger and better apocalyptic literature (although if it leaves most of the government’s infrastructure in place, it’s not much of an apocalypse). Most of the plot lines lack a climax and the ending seems like it arrives at an arbitrary point but in all honesty, by that time I was just grateful this nearly 20 hour audiobook had an ending. Even an emergency astronaut landing and a crazed cult fail to make things more exciting.

Gary Dikeos matches the book in being a spectacularly average narrator. It’s certainly not inspired but, in spite of a particularly annoying voice for the president, it’s a serviceable reading. This is a book I would only recommend to hardcore post-apocalypse aficionados, since there are far better examples of the genre to keep everyone else occupied.

Posted by Rose D.

Review of Crucible by Troy Denning

SFFaudio Review

Crucible Star WarsCrucible (Star Wars)
By Troy Denning; Read by Marc Thompson
Publisher: Random House Audio
Publication Date: 9 July 2013
ISBN: 9780385362924
[UNABRIDGED] – 12 hours, 8 minutes
Listen to an excerpt: | MP3 |

Themes: / Star Wars / Jedi / space / science fiction /

Publisher summary:

When Han and Leia Solo arrive at Lando Calrissian’s Outer Rim mining operation to help him thwart a hostile takeover, their aim is just to even up the odds and lay down the law. Then monstrous aliens arrive with a message, and mere threats escalate into violent sabotage with mass fatalities. When the dust settles, what began as corporate warfare becomes a battle with much higher stakes—and far deadlier consequences.
 
Now Han, Leia, and Luke team up once again in a quest to defeat a dangerous adversary bent on galaxy-wide domination. Only this time, the Empire is not the enemy. It is a  pair of ruthless geniuses with a lethal ally and a lifelong vendetta against Han Solo. And when the murderous duo gets the drop on Han, he finds himself outgunned in the fight of his life. To save him, and the galaxy, Luke and Leia must brave a gauntlet of treachery, terrorism, and the untold power of an enigmatic artifact capable of bending space, time, and even the Force itself into an apocalyptic nightmare.

Star Wars Crucible takes place after the Fate of the Jedi series and is the furthest in the Star Wars timeline to date. I came to this book without having read Fate of the Jedi but didn’t have any trouble what was going on in the story and Denning explained sufficiently for those of us not in the know. Luke, Han, and Leia are getting pretty old at this point, and this novel seems to represent something of a retirement for them or a passing of the torch to the new generation. Denning plays to the characters’ strengths throughout most of the novel. You can’t have Han getting up to his full antics without a buddy, so a healthy dose of Lando is also in there too. If anyting, I liked how this is a nice standalone Star Wars book from that era of Star Wars instead of being part of some 9+ book series.

The general plot of the story has to do with Luke, Han, and Leia going to visit Lando (the ever present entrepreneur) to help him with problems at his mining operation in the outer rim. Cue the bad guys that can even give Jedi problems and the story gets going. The plot is interesting because it pits the gang against highly intelligent organized crime figures (Qrephs) who have an old grudge to settle. There is an element of Battlestar Galactica in here too because anyone could be working for the bad guys so you don’t know who is a cylon…err…agent of the Qrephs. I liked the novel for the most part except near the climactic battle when things to all trippy and weird like anime (Evangelion I’m looking at you).

Luke and Leia were pretty good in this book but Denning really made Han and Lando fun in this book. Since this takes place so far out and they’ve done so many great things, the characters are pretty well revered by people they encounter in the book. Han and Lando setting up a sabaacc game to draw in competition was definitely fun to go through. The sabaacc time goes kind of heavy into logic and tactics sometimes and really makes it look like Han is stronger in the Luck than Luke is in the Force any day.

As for the audiobook, Marc Thompson does as good a job with this book as any other Star Wars book I’ve listened to. All of the background music, ambient sounds, and special effects you’d expect are there and they do a great job of adding that little bit of extra immersion to the experience. Thompson does a great job impersonating the main cast down to Lando pronouncing “Han” with the ‘a’ instead of ‘o’ sound. I also really liked the stoic and simpering voices he used for the Qrephs.

Posted by Tom Schreck

Review of The Scarlet Plague by Jack London

SFFaudio Review

DREAMSCAPE AUDIOBOOKS - The Scarlet Plague by Jack LondonThe Scarlet Plague
By Jack London; Read by Drew Ariana
Approx. 2 Hours 13 Minutes [UNABRIDGED]
Publisher: Dreamscape Audio
Published: August 20, 2013
Themes: / Science Fiction / San Francisco / Plague / Post-Apocalypse / Disease / Philosophy / Politics / Class Conflict /

The year is 2013 and plague has struck. Not a wannabe killer like SARS or the Spanish flu, but a tsunami type devastation that swallows every living thing, check that, every person, in its path. Its nickname is the red death because at its arrival the first thing that happens to the infected person is they start sporting a red face – like a beacon for everyone else around them to – RUN. The next thing that happens is they die. Well a little more goes on in between, numb feet, numb hands, a heart so numb it stops. All within an hour, or a few hours if the person is lucky/unlucky enough to have it drag out that long. Then for fun what’s left of the numbed, red faced, ex-person, immediately starts decomposing, falling apart before the eyes of anyone still around to witness it, practically shooting decomposing germs into the air like a plant shooting its spores. There are two classes of people, the ultra rich and everyone else. As the ultra rich jump into their airships to get as far away as possible, they just carry death with them – first class. Everyone else simply falls down and dies where they are. The devastation’s full name is Scarlet Plague. Sixty years into the future when the very few last contenders of what was once the mighty human race hear tell about it, they can’t even decipher what scarlet means because language (like life) has degraded to the point of only holding on to what’s necessary. Scarlet is red. Counting only needs to go as high a ten. The squiggles on money and books are meaningless, but that’s of no consequence because neither books nor money are in use anyway. Apologies, I’m getting ahead of myself. About 160 years ahead.

The Scarlet Plague by Jack London, published in 1912 is about the plague that will strike 100 years from his time, told from a perspective 60 years hence by the last man alive who’s ever seen an airship or read a book. 2013, a hundred years into the future for Jack London, is today and yesterday, this week. Hearing this story now, is like what it was to read (or re-read) 1984 in 1984. Sort of surreal. Interestingly 1984 is a year that was mentioned in the story of the plague. Did George Orwell choose that year with a tip of his hat? Probably. I’ve heard George was a fan.

Back to Jack. What did he get right? What did he miss? Commercial airships? Instant wireless communication? Check, check. About 8 billion people planet wide? Check. The ultra rich and everyone else, hmmm, not that far off the mark, probably pretty close considering he was most likely exaggerating a little to make a point. The work didn’t actually feel like science fiction, it felt contemporary, the section that describes this part of the century anyway. Like his projection to 2073 started from here, not from a century ago. Because the today part of the story is so right, it makes the rest of the story worse.

Not worse as in it’s a bad story. It’s an excellent, superbly imagined, tangible story. Worse in regards to how Mr. London judged the human condition. 60 years from now, 160 years from when the book was written, James Howard Smith or Grandsir, is telling his three grandsons the story of the plague. A story that was in great demand 20 or 30 years before, is quickly becoming lost – now of passing interest to two of the boys, and of real interest to only one. For one thing Grandsir’s sentences are way too complicated, especially when he goes off into his memories and starts speaking as he used to do when he was professor of English literature at Stanford. Speech has become staccato and minimalist, the niceties of language having died off with everyone that had time for that sort of thing. The other problem is the things Grandsir talks about make no sense to the boys. Cities, cars travelling by air, exchanging things with money, wasting time with written markings, all of it is so outside of what the boys know it might as well be make believe. The ramblings of a deranged, lost, old mind. With an estimated world population of less than 500, life has become a question of survival. If you want to eat then you have to go out and kill yourself some dinner. Grandsir calls his grandsons savages. When he was a boy (one of his constant refrains) there were those who gathered food and those who ordered its gathering. His progeny has been reduced to food gatherers. Interestingly Grandsir’s still got them gathering food for him. Old habits die hard I guess.

So why was this professor of classical literature spared to help re-forge humanity? No reason. One in every few million just didn’t get red faced. Maybe death momentarily blinked as it passed them by or got distracted by the particularly amusing scene of the mountains of bodies piling up at its feet. A couple of feeble minded, the very richest most splendid woman in America, a violent, vile, wife beating chauffer who made himself her husband, our friend the professor – just a few random cards in the deck. Life’s like that. You build your magnificent cities, you spend your time creating art and pondering the great questions, and life responds by carelessly wiping itself out. Careless in that it doesn’t quite finish the job. But no matter, because life will make its way forward again.

And now we come to the worst part of the story. It’s not the plague and what happens in the aftermath. The author makes it clear that ultimately, in the long run, humanity will rally back. They’ll rebuild and create again. The worst part is what Mr. Jack London sees after that.

Drew Ariana who read the story in this recording did a good job. My only issue was the character voice he assumed for Grandsir. I didn’t have a problem with the voice, the problem was, so much of the story was told using this voice it became a little distracting. Otherwise, an easy, pleasant listen.

By the end of the book, awash in dystopia, I was seeing a little red. Too delightful not to share, here’s a little red (or Scarlet) for you. “All man’s toil upon the planet was just so much foam. He domesticated the serviceable animals, destroyed the hostile ones, and cleared the land of its hostile vegetation and then he passed and the primordial flood of hostile life rolled back again, sweeping his handy work away.”

Posted by Maissa Bessada

Review of The Wonderful Story of Henry Sugar by Roald Dahl

SFFaudio Review

Henry Sugar by Roald DahlThe Wonderful Story of Henry Sugar and Six More
By Roald Dahl; Read by Andrew Scott
Publisher: Penguin Audio
Publication Date: 25 July 2013
[UNABRIDGED] – 7 hours
Listen to an excerpt: | Link |

Themes: / children’s fantasy / short stories / animals / buried treasure / turtles / trains /

Publisher summary:

Meet the boy who can talk to animals and the man who can see with his eyes closed. And find out about the treasure buried deep underground. A cleaver mix of fact and fiction, this collection also includes how master storyteller Roald Dahl became a writer. With Roald Dahl, you can never be sure where reality ends and fantasy begins.

Roald Dahl’s The Wonderful Story of Henry Sugar: and six more, is a collection of seven brilliant short stories. Andrew Scott narrates this audio, and I speak true when I say his voice along with Dahl’s words produce a galvanic amalgam of magic intimacy for the ear and mind.

The seven stories are:
* The Boy Who Talked with Animals
* The Hitchhiker
* The Mildenhall Treasure
* The Swan
* The Wonderful Story of Henry Sugar
* Lucky Break
* A Piece of Cake.

These are all fine specimen. In “The Boy Who Talked with Animals,” I became spellbound with the plight of the large old turtle on its back as crowds of people gathered close. Maybe it was the idea of a helpless animal being pulled up to the kitchens where the sharp knives waited, but I could sense the immediacy of the old sea turtle’s predicament. As a gauge, this story is good and solid.

The three stories that stole my breath?
* The Mildenhall Treasure
* The Swan
* A Piece of Cake.

Out of these, “The Swan” is reason enough to read this collection. This story is haunting. It lingers in the mind and tied me into knots. Dahl made me taste the hot close breath of the train. It frightened me, and I’m a grown man. When you reach the duck and swan on the water, Dahl’s description is heart-wrenchingly beautiful.

To all the folks at Penguin Audio, “Thank you.” Thank you for getting this right.” Thank you for not cluttering up the tracks with God Damn sentimental music that’s supposed to tell me how and when to feel. Thank you for not mucking about with narrators trying to needlessly inject drama into stories that only require reading, not a performance. Thank you Penguin Audio for doing one of the best production jobs I’ve come across in a while. Sometimes the best ingredients are truly simple, a healthy appetite and a pinch of salt.

Here is an interesting video on the process of recording Dahl’s books:

Posted by Casey Hampton.