CBSRMT: The Prisoner Of Zenda

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The Prisoner Of Zenda by Anthony Hope

Anthony Hope’s 1894 novel, The Prisoner Of Zenda, gave rise to a craze for a new sub-genre of romance novels – the “Ruritanian romance” – so called after the fictional European country in which the titular “prisoner” is found. The novel’s plot, in which a visitor from England travels to a fictional European nation and, via an unbelievably convenient coincidence, becomes it’s king, was so popular that it’s echoes were felt well into the 20th century.

The 1933 Marx Brothers film, Duck Soup, takes it’s plot from the Ruritanian romances (it’s set in the country of “Freedonia”), Robert A. Heinlein’s 1956 novel, Double Star, borrows the Zenda plot and takes it to Mars, and the 1988 movie Richard Dreyfuss comedy, Moon Over Parador, places an actor in the role and places the action in a fictional South American country.

This brings us to one of my favourite OTR style radio shows – The CBS Radio Mystery Theater, which had a 1977 adaptation of The Prisoner Of Zenda – this shouldn’t have surprised me as CBSRMT had an adaptation for practically everything (the show ran 1,399 episodes). While their version gives short shrift to many of the novel’s subtleties the 46 minute running time allows for an entertaining, if break-neck, presentation of the story’s highlights.

CBS Radio Mystery TheaterCBSRMT #0639 – The Prisoner Of Zenda
By Robert Newman; Adapted from the novel by Anthony Hope; Performed by a full cast
1 |MP3| – Approx. 46 Minutes [RADIO DRAMA]
Brodcaster: CBS Radio
Broadcast: April 22, 1977
Source: CBSRMT.com
The coronation of a new king is disrupted when the king’s brother drugs him. A distant relative who closely resembles the king steps in to take his place at the coronation.

Cast:
Lloyd Battista
Leon Janney
Evie Juster
Dan Ocko
Howard Ross

Posted by Jesse Willis

New RRCA Audio Drama: Richmond Smokes a Joint

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Science Fiction Audio Drama - Richmond Smokes a JointA new release from Angelo Panetta and the good folks at the Radio Repertory Company of America!

If you like your action with a hint of humor and a soupçon of sex, then “Richmond Smokes a Joint” will make you stand up and cheer. Bursting forth from the popular “Anne Manx” series, that felonious firebrand, Jean Richmond (Patricia Tallman, “Babylon 5”, “Night of the Living Dead 1990”) is back, and taking the spotlight in her own cosmically wild adventure!

L. Sid Knee (Kris Holden-Ried, “The Tudors”, “Lost Girl”) has a secret. He knows the location of the mythical Sacred Plate of Marange. When he approaches Richmond’s ne’er-do-well boyfriend Herm (Jerry Robbins, “Powder River”, “Beacon Hill”) about obtaining the plate, the treacherous trio take-off on an intergalactic free-for-all filled with colorful crewmen, mysterious murders, dangerous double-crosses, and mommy talk.

Through its memorable characters, immersive sound design, and an original score, “Richmond Smokes a Joint” zips you from a secret safe to the caverns of Marange… where not even Richmond’s considerable wiles and cunning might be enough to make her come out alive and on top. So, strap yourself in for a dizzying science-fiction adventure so clever, even the title itself is a double entendre!

Posted by Scott D. Danielson

Review of Veronica Mars: The Thousand-Dollar Tan Line

SFFaudio Review

Veronica MarsVeronica Mars: The Thousand-Dollar Tan Line (Veronica Mars #1)
By Rob Thomas and Jennifer Graham; Read by Kristen Bell
Publisher: Random House Audio
Publication Date: 25 March 2014
[UNABRIDGED] – 8 hours, 42 minutes

Themes: / crime / mystery / kidnapping / girl detective / spring break /

Publisher summary:

From Rob Thomas, the creator of the television series and movie phenomenon Veronica Mars, comes the first book in a thrilling mystery series that picks up where the feature film left off. 

Ten years after graduating from high school in Neptune, California, Veronica Mars is back in the land of sun, sand, crime, and corruption. She’s traded in her law degree for her old private investigating license, struggling to keep Mars Investigations afloat on the scant cash earned by catching cheating spouses until she can score her first big case. Now it’s spring break, and college students descend on Neptune, transforming the beaches and boardwalks into a frenzied, week-long rave. When a girl disappears from a party, Veronica is called in to investigate. But this is no simple missing person’s case; the house the girl vanished from belongs to a man with serious criminal ties, and soon Veronica is plunged into a dangerous underworld of drugs and organized crime. And when a major break in the investigation has a shocking connection to Veronica’s past, the case hits closer to home than she ever imagined.

This is a book for Veronica Mars fans, to listen to after seeing the crowd-funded movie (I watched it last weekend and was not disappointed! While I’ve been watching Kristen Bell’s new show, House of Lies, I miss Veronica and her many mishaps). The story picks up a few months after the movie ends, and Veronica is still in Neptune when a college student disappears during the Spring Break season.

Logan is missing for the entire story (for reasons the movie details) but another person from Veronica’s past shows up that I wasn’t expecting to see again. I hope in the future we see more new characters because I personally am getting a little weary of some of the same old people, but maybe I do not fully appreciate the importance of repetition in a girl detective narrative.

The audio is great fun because it is read by Veronica herself, Kristen Bell.  Her voice carried us through the narration of the tv show and movie, and having anyone else read the book would have been a real tragedy.  She does different voices for the characters, as well as distinguishing the narrative voice from the character of Veronica Mars. I hope they continue to have her read the future Veronica Mars audiobooks (and I hope there will be future Veronica Mars books).

Posted by Jenny Colvin

Review of Raising Steam by Terry Pratchett

SFFaudio Review

steamRaising Steam (Discworld #40)
By Terry Pratchett, read by Stephen Briggs
Publisher: Random House Audio
Publication Date: 18 March 2014
[UNABRIDGED] – 12.5 hours

Themes: / fantasy / Discworld / machines /

Publisher summary:

Change is afoot in Ankh-Morpork. Discworld’s first steam engine has arrived, and once again Moist von Lipwig finds himself with a new and challenging job.

Like other novels in the Discworld series, Raising Steam has a tasty mix of internal referencing, matter-of-fact world bending, and playfulness. Exploring the idea of what the industrial revolution may have been like in a world with magical powers and creatures beings (oh the trollmanity), Pratchett also somehow manages to sneak in the occasional sharply satirical quip (quite a feat given the fantastic nature of the Discworld).

I found that the reader in the audiobook provided a good listening experience as his reading neither distracted from the plot nor made the book boring.  Raising Steam was an overall good reading experience that seemed to slide easily into its place among the Discworld series.

Posted by Trant Thumble.

Review of The Empire Striketh Back by Ian Doescher

SFFaudio Review

Empire Striketh BackWilliam Shakespeare’s The Empire Striketh Back
By Ian Doescher; Performed by a full cast (Daniel Davis, Jonathan Davis, Ian Doescher, Jeff Gurner, January LaVoy, Marc Thompson)
Publisher: Random House Audio
Publication Date: 18 March 2014
[UNABRIDGED] – 3 hours, 25 minutes

Themes: / Star Wars / Shakespeare / iambic pentameter / haiku /

Publisher summary:

Hot on the heels of the New York Times bestseller William Shakespeare’s Star Wars comes the next two installments of the original trilogy: William Shakespeare’s The Empire Striketh Back and William Shakespeare’s The Jed Doth Return. Return to the star-crossed galaxy far, far away as the brooding young hero, a power-mad emperor, and their jesting droids match wits, struggle for power, and soliloquize in elegant and impeccable iambic pentameter. These two plays offer essential listening for all ages. Something Wookiee this way comes!

Ian Doescher is back with more Shakespearian Star Wars as he progresses through the original trilogy. The Empire Striketh Back is very similar to Shakespeare’s Star Wars with some minor differences. As before, if you like Star Wars and Shakespeare you will probably enjoy this book…especially if you liked the first one. I think this book comes across a bit more silly than the first which is unfortunate because The Empire Strikes Back is the darkest part of the trilogy and some of that emotion is lost due to the silliness. That said, Doescher once again does a fantastic job putting everything into iambic pentameter and even mixes things up with some prose and even haiku with different characters.

The Shakespeare/literary side of this book is really well done, almost to the point that I would say this book would be a great device for teaching disinterested kids about Shakespeare without them reading Shakespeare. Doescher is more varied in his use of literary tools and explains a few of the differences in this book from the first in an afterward. I really wish that was at the beginning so I could be on the lookout for Boba Fett’s use of prose (I noticed that), Yoda speaking in haiku (I didn’t notice that), and his relying less on the chorus to explain scenes (I noticed this a bit since the characters explained more of what’s happening). The fact that he was able to do the whole book in iambic pentameter (complete with rhyming couplets) and also integrated some haiku is an impressive feat of work. Doescher also makes really good use of soliloquy and aside to explain character motivation for things like the budding relationship between Han and Leia, Lando’s motives, and what R2D2 is thinking at times. This allows him to flesh out things left to physical acting in the movies or description/narration in the novels.

While the book is technically impressive, the writing is approached like Renaissance faire Shakespeare and has a bit of a silliness aspect to it. This works great normally but definitely takes away from the emotion of things happening, especially later in the story (in Cloud City). The main silly aspect that got me was the singing. Shakespeare did have songs in many of his plays but singing ugnaughts and a song from Leia and Chewbacca come across as silly (at least they definitely did in the audiobook). The ugnaughts (picture the pig faced short guys working the incinerator room and carbon freezing chamber of Cloud City) came across like Oompa Loompa’s from the Charlie and the Chocolate Factory movie. The Leia and Chewbacca song also comes at a time of great loss and just feels out of place. There is other silliness that works well (a discussion of why places like the Death Star and Cloud City need to have large open spaces adjacent to walkways is one) so just consider me overly sensitive with my Empire Strikes Back. ;-)

I really enjoyed this as an audiobook and think it’s the preferred way to experience this telling of the story. The cast does a great job with all impressions and the music and sound effects are some of the best you’ll find in a Star Wars book. I mainly say that because all the sound effects and especially the music have a place that goes along with what’s happening in the story (I’m big into soundtracks and this was a huge factor for me). I have to admit that I was a little sad that it was over so soon because the performance was very enjoyable. I’m definitely looking forward to the conclusion of this Shakespearian trilogy.

Posted by Tom Schreck

The Adventures Of Apocalypse Al (comic + audio drama #1)

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The Adventures Of Apocalypse Al

Nearly 10 years I began reporting that J. Michael Straczynski had been asked to write a radio drama for CBC Radio One. Later, we learned that Cynthia Dale had been cast in the title role. And still later that the show was in production. And it was indeed recorded. But it never aired. Over the years the campaign to get it aired plodded along – but without any success. Then a couple years ago word of a comics version came about. Now, after the comics version is actually out (the first issue was dated February 2014) I am stunned to report that there is indeed now a new audio drama available.

Apocalypse Al - Audio Track #1

As you can see above, a QR code (and the regular http:// address) are given in the latter pages of the first issue of the comic.

I should point out that this is an entirely NEW recording (not the one Canadian taxpayers paid for but never heard) and we don’t know yet if the remaining 3/4 of the story will be produced for audio.

Studio JMSThe Adventures of Apocalypse Al – Issue #1
By J. Michael Straczynski; Performed by a full cast
1 |MP3| – Approx. 19 Minutes [AUDIO DRAMA]
Uploaded: 2013
When a mysterious figure gets his hands on the Book of Keys, whose secrets can cause the destruction of the world, Allison Carter is the only one who can stop him. Her journey takes her through a world populated by zombie cops, machinegun toting imps, techno-wizards, closet trolls, demonic theme parks, other dimensions, Ultimate Darkness, and an undead ex-boyfriend.

Produced By: Patricia Tallman

Cast:
Patricia Tallman as Allison Carter
Robin Atkin Downes
Fred Tatasciore
Stephanie Walters

Sound Effects Editor/Designer: Robin Atkin Downes

[Thanks also to Q Buckley!]

Posted by Jesse Willis