The WEIRD FICTION roots of TRUE DETECTIVE, season 2, Frank’s story

SFFaudio Commentary

True Detective

Frank Semyon, the criminal businessman from season 2 of True Detective, has a fantastic character arc.

And, like season 1 of True Detective, season 2 is also connected to a weird fiction story by Ambrose Bierce.

For season 1 it was An Inhabitant Of Carcosa (read my post on it HERE).

In season 2 it was An Occurrence At Owl Creek Bridge (we’ve done a podcast about this one).

So, do you remember the story that Frank (played by Vince Vaughn) tells his wife, Jordan, at the beginning of season 2’s second episode?

Here’s the scene:

Frank and Jordan are lying next to each other in bed.

FRANK: How’d a water stain get there?

Camera cuts up to two brown stains on the ceiling above Frank.

FRANK: It rained maybe twice this last year. It’s like everything’s papier-mache.

JORDAN: Stop thinking.

FRANK: I don’t like being on a ledge.

FRANK: My old man back in Chicago, when I was a kid… (laughs) he used to lock me in the basement when he’d go on a bender. Usually last the night. Let me out the next day. Thought he was keeping me safe, I guess. This one time, I was six – he puts me down there. I wake up and it’s locked. It had happened before. Anyways, so I guess he ended up arrested, I guess.

JORDAN: God, baby.

FRANK: Well, by the second morning I was out of food. The third day the light bulb burnt out. Pitch black in there. That’s when the rats started coming out. I dozed off and I felt a thing nibbling my finger. I woke up, it was, you know, chewing my finger.

JORDAN: What did you do?

FRANK: I grabbed it in the dark with my hands, I started smashing. And I just kept smashing it until it was nothing but goo in my hands. Two more days I was in there. In the dark. ‘Til my dad comes home.

JORDAN: Sometimes I wonder how many things you have like that. That I don’t know about.

FRANK: Ever since, I wondered: what if he never comes home? What if I’m still in that basement in the dark? What if I died there? That’s what that reminds me of.

JORDAN: What?

FRANK: The water stain. Something’s trying to tell me that it’s all papier-mache. Something’s telling me to wake up, like… like I’m not real. Like I’m only dreaming.

True Detective - Season 2, Episode2

Then in the final episode of season 2, episode 8, in his last scene, Frank hears Jordan’s voice, then sees her standing there, in that white dress – the one he had her promise she would wear – and him, standing before her, wearing a white shirt soaked in blood (like the “red rose” he had promised her that he would wear).

And the lines:

[FRANK IS BLEEDING, LIMPING THROUGH THE DESERT]

JORDAN: Hey there handsome.

FRANK: You made it! You okay?

JORDAN: Did. Fine. I’m safe.

FRANK: I’m coming, hold up.

JORDAN: Whats a guy like you doing in a place like this?

FRANK: [WALKING EASIER NOW] Just making my way baby. I told ya, Id make it.

FRANK: You did. You made it. You can rest now.

FRANK: No rest. Never stop moving.

JORDAN: Babe, oh babe – you stopped moving way back there.

True Detective - Season 2, Episode 8

Earlier in episode eight, do you remember where Frank said he’d meet Jordan?

Yeah. And though we never see them meet there Frank was very specific, saying they’d meet in a park called “Obelisco” in “Barquisimeto” (Venezuela).

Here’s what “Obelisco” in Barquisimeto looks like:

Obelisco de Barquisimeto

Frank’s story is the story of An Occurrence At Owl Creek Bridge!

Posted by Jesse Willis

“Spoilers” spoil my life

SFFaudio Commentary

Spoilers…. this post will point out how fucking stupid spoilers are.

See that yellow line at the end? That’s the spoilers I’m talking about. That’s the one I don’t give a shit about – and that’s the one that seems to have infected the minds of practically every conversation about books in the last 10 years. It’s pretty fucking sad to me that the only place one can really go to find out anything about a book is Wikipedia. Wikipedia, the one place that has a rule about not allowing argument about a book, the only place I can seemingly go to find out whether I’ll want to read a book.

Spoilers

So this is a pretty hard topic to research. Those colours, on the “use over time” above, are mine. I’m guessing with them, going with my sense of the predominate usage of “spoiler” – I think I once read that Spider Robinson coined the modern genre usage back in the late 1970s, in a column or something. Roger Ebert seems to be attributed it for movies. But what I’m certainly not talking about third party political candidate phenomenon (the idea is that they ruin elections), nor am I talking about the wings mounted on the backs of sports cars (which reduce aerodynamic lift) – I’m talking about the “spoilers” that dominate and limit book talk today – the ‘who dies at the end’ of a movie or TV show kind of “spoiler!” [said with glee], the ‘who’s whose secret sister to whom’ – or some such inane detail that someone thinks is crucial to appreciate something.

That person, actually, its you – its you – you are the person who uses the term “spoilers” – you’re well, you’re just really really wrong.

I understand, these trendy terms and turns-of-phrase are inevitable, unstoppable. One may as well fight against the tide as fight against them.

If you look to the past, as I am always doing, you will see how oblivious to the stupidity people are – check out this list of ridiculous 1980s phrases and euphemisms and you’ll see just how stupid people were in the 1980s were.

I know it is pointless to fight but I’m going to anyway, I’ve staked my claim on the beach, anchored myself to the bedrock beneath the shifting sand, and I’m beating against the endless wash of “spoilers” as hard as I can – my lone and lonely voice against “spoilers” is a valiant fight, and it is a fight I’ve long been losing – but that’s the point I’m trying to make – we all lose, whenever a conversation about any book somebody is discussing is truncated because they think some fact could “spoil” a book.

Even the word is stupid. “Spoilers” even if they have an effect won’t utterly ruin anything that is truly good” – but I understand, hyperbole is effective, the words “enjoyment lessener” or “surprise reducer” and thus would be unsurprisingly less enjoyable to use.

I really think it all just boils down to one point. I know it is doomed to failure, but I just have to say it – if you could just grasp it – if you could only grok it, deep down in your bones, in your genes – you’d stop having that word come out of your mouth when it comes to books.

I can almost understand it when it comes to a very narrow subset of movies, like The Crying Game, or Chinatown, or The Sixth Sense (the only thing The Sixth Sense has is the twist/surprise/point of the whole 1 hour and 47 minute exercise).

But books aren’t like that. And honestly, if you think about it, TV shows aren’t either.

Spartacus dies, I knew that going in, the fact enhanced my pleasure.

Whether Walter White gets away with his crimes or not isn’t the point of me watching Breaking Bad. I enjoyed the journey (except for that one episode where nothing happens).

In terms of TV shows it all comes down to this, do the people who make the show know where they‘re going? Do they know how it ends? If they do, great. If not, you’re fucking LOST.

Now books are a completely different deal, and here’s why. Books are long, and they are many. Being long and being many means we can’t read all of them, not even all the ones we want. And ultimately I think this explains why the term “spoiler” crops up in practically every conversation about book these days. If you don’t understand this one point, a small matter you think you know (but don’t really accept) if you just could accept this concept, really take it on board, namely that we are all going to fucking die, your saying “spoilers!” would rapidly diminish.

You who say “spoilers” act as if we had an infinite amount of time to read all the books.

This is stupid.

There are now more books published every year than we could read in all our lifetimes. So if you tell me that some point or other “spoils” a book then what you’re essentially saying is that you think I’d be less inclined to read the book if I knew some fact about the book. But this misses the point, I’M NOT GOING TO READ THAT FUCKING BOOK.

So, to sum up, please stop the self-censoring. I’m not going to read that book you don’t want to spoil for me, not unless you tell me something about it, something interesting.

Posted by Jesse Willis

Update: here’s a Google N-gram for the phrase “spoiler alert”

Review of Finders Keepers by Stephen King

SFFaudio Review

Finders Keepers by Stephen KingFinders Keepers (Bill Hodges Trilogy #2)
By Stephen King; Read by: Will Patton
Publisher: Simon & Schuster Audio
Publication Date: 2 June 2015
[UNABRIDGED] – 13 hours, 5 minutes

Themes: / suspense / thriller / horror /

Publisher summary:

A masterful, intensely suspenseful novel about a reader whose obsession with a reclusive writer goes far too far—a book about the power of storytelling, starring the same trio of unlikely and winning heroes King introduced in Mr. Mercedes.

“Wake up, genius.” So begins King’s instantly riveting story about a vengeful reader. The genius is John Rothstein, an iconic author who created a famous character, Jimmy Gold, but who hasn’t published a book for decades. Morris Bellamy is livid, not just because Rothstein has stopped providing books, but because the nonconformist Jimmy Gold has sold out for a career in advertising. Morris kills Rothstein and empties his safe of cash, yes, but the real treasure is a trove of notebooks containing at least one more Gold novel.

Morris hides the money and the notebooks, and then he is locked away for another crime. Decades later, a boy named Pete Saubers finds the treasure, and now it is Pete and his family that Bill Hodges, Holly Gibney, and Jerome Robinson must rescue from the ever-more deranged and vengeful Morris when he’s released from prison after thirty-five years.

Despite a bit of a slow start, I think I liked this one slightly better than Mr. Mercedes. It’s hard to put my finger on why. Morris Bellamy isn’t nearly as terrifying as Brady Hartsfield, but he’s still a fascinating character. I really enjoyed Pete Sauberg as well.

It might be the premise of this that I think is better. It all centers around reading, and obsession with fictional worlds/characters. That is something I can understand to a lot more than a crazy person with mommy issues.

The first half or so focuses largely on the new characters. For me, things really stepped up once we get back to Bill, Holly, and Jerome. I especially love Holly. She might be one of my favorite characters than Mr. King has written.

Much like its predecessor, this book is certainly more thriller or mystery than Horror. Often times people see Stephen King’s name on a book and assume horror.

The book geek in me really wants to read the Jimmy Gold novels. Or at least the plot summaries. We get dribs and drabs of it as the book unfolds, but not a ton. They sound more literary than my usual fare, but it would be interesting to see Mr. King do a more in depth write-up on the series within the series.

Will Patton is a perfect fit for this series. He does a bit of voices for some of the characters, but really it’s just his normal reading voice that is just the right tone.

Overall, another solid novel from King that makes for great summer reading, and I’m already looking forward to the final novel in the trilogy.

Review by Rob Zak.

a PATREON for Mr Jim Moon’s podcast, Hypnogoria

SFFaudio News

My friend Mr Jim Moon has been podcasting marvelous stories and essays from the “great library of dreams” for five years. But he’s just now started a Patreon campaign! And I’ve just signed up to support his great endeavor.

Patreon: Hypnogoria

If you’ve not heard his show, Hypnogoria, you’ve been missing out.

Mr Jim Moon is to the weird and the wonderful what Dan Carlin is to history and politics.

There has never been anything like Hypnogoria before, and podcasting is the only medium in which it could exist.

Hypnogoria is the most thoroughly researched and thoroughly executed oral history of the “weird and the wonderful” you’ll ever hear.

Here are just some subjects that Mr Jim Moon has done episodes about:

the history of werewolfery
the history of Hammer and Amicus films
the life and films of Sir Christopher Lee
the life and films of Peter Cushing
the life and books of Sir Terry Pratchett
the stories of H.P. Lovecraft
the ghost stories of M.R. James
the history of Batman
the stories of Clark Ashton Smith
the stories of G.K. Chesterton
the history of Halloween
the history of zombie movies
the stories of William Hope Hodgson
the life and books of Richard Matheson
the stories of E.F. Benson
the life and films of Ray Harryhausen
the origin of Alien
the stories of Sir Arthur Conan Doyle
the stories of H.G. Wells
the stories and poems of Edgar Allan Poe
the history of found footage films
the life and films of Vincent Price
the stories of Guy de Maupassant

and those are just the shows I remember!

Check it out Hypnogoria HERE and, the Patreon HERE.

Posted by Jesse Willis

Review of The Martian by Andy Weir

SFFaudio Review

MartianThe Martian
By Andy Weir; Narrated by R.C. Bray
Publisher: Brilliance Audio
Publication Date: 22 March 2013
[UNABRIDGED] – 10 hours, 53 minutes

Themes: / astronaut / Mars / engineering / space exploration / NASA /

Publisher summary:

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he’s sure he’ll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive—and even if he could get word out, his supplies would be gone long before a rescue could arrive. Chances are, though, he won’t have time to starve to death. The damaged machinery, unforgiving environment, or plain old “human error” are much more likely to kill him first. But Mark isn’t ready to give up yet. Drawing on his ingenuity, his engineering skills—and a relentless, dogged refusal to quit—he steadfastly confronts one seemingly insurmountable obstacle after the next. Will his resourcefulness be enough to overcome the impossible odds against him?
Five stars for pure entertainment and because math made it suspenseful.

That’s right, math made it thrilling. Look at it this way, you’re stranded on a planet that’s essentially trying to kill you. You could just keel over and die … like I would most likely do in the same situation, or you could figure out how to stay alive.

Start with the math. NASA planned for 30 days worth of food for 6 people. The next time someone will be on the planet is in 4 years. Even rationing that food only gets you a little over a year’s worth.

Wait, what if you can’t even contact someone to tell them you’re alive and need to be rescued, more math.

It’s the math that made this book exciting. In fact, this XKCD comic pretty much explains it:

Knowing how long until you’re dead is the suspense.

Couple entertaining math (how is this even possible?) with one of the best characters ever created, Mark Watney, and you have an insanely great story.

Mark Watney is an absolutely hilarious character, especially coupled with the situation he’s in (stranded on Mars) and with whom he’s dealing with (NASA, aka the smartest people ever).

Exchanges like this are that much funnier when it’s freaking NASA he’s talking to:

“[11:49] JPL: What we can see of your planned cut looks good. We’re assuming the other side is identical. You’re cleared to start drilling. [12:07] Watney: That’s what she said. [12:25] JPL: Seriously, Mark? Seriously?”

Probably the best part is that it’s not cause he’s going crazy from being alone for so long, it’s just how he is and that’s awesome.

I not only thought of Watney as a close friend, but I felt like I lived on Mars in this book. You’re constantly aware of how much depends on every little thing not screwing up, how dependent someone is on things we take for granted on a planet that’s actually hospitable to life. And then everything goes wrong.

Which brings me to really the only kind of awkward thing about the book. With the way it’s set up (through log entries and third person omniscient when not with Watney), Andy Weir kind of has to go out of his way to tell you how things are going wrong. Suddenly, you’re brought out of the narrative to be informed how the constant pressure on one area caused the wearing down of material and suddenly … HUGE problem occurs.

Otherwise, I had a blast with this book. The narration by R.C. Bray was top notch. Not that I know anything different, but he nailed the sarcasm and wit of Watney and made this book go more than smoothly. I thought of him as Watney and completely forgot about the narration. That’s when you know it’s good.

This is one of those audiobooks I finished in such a short time because it’s all I wanted to do. I usually have audiobooks for the commute, but this is one you find yourself listening to at every possible moment. That’s when I know I’ve found gold. Eureka, put down what you’re reading and jump on The Martian train (I haven’t lost my metaphors have I?).

5 out of 5 Stars (Cause everything worked together to make this one damn fine read)

Posted by Bryce L.