Reading, Short And Deep #082 – Finis by Frank Lillie Pollock

August 30, 2017 by · Leave a Comment
Filed under: Podcasts 

Podcast

Reading, Short And DeepReading, Short And Deep #082

Eric S. Rabkin and Jesse Willis discuss Finis by Frank Lillie Pollock

Here’s a link to a PDF of the story.

Finis was first published The Argosy, June 1906.

Podcast feed https://sffaudio.herokuapp.com/rsd/rss

Posted by Scott D. Danielson

The SFFaudio Podcast #436 – READALONG: When Worlds Collide by Edwin Balmer and Philip Wylie

August 28, 2017 by · Leave a Comment
Filed under: Podcasts 

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #436 – Jesse, Paul Weimer, Bryan Alexander, and Maissa Bessada talk about When Worlds Collide by Edwin Balmer and Philip Wylie

Talked about on today’s show:
1933, Ira Levin, Gladiator, the first superhero novel, Odd John by Olaf Stapledon, Superman, fleeing a dead world, the sequel: After Worlds Collide, the illustrations in The Passing Show (magazine) serialization, not the only ship, Bronson Beta, Blue Book, the very last page (February 1933), “these daring pilgrims”, remake a world, George Pal’s plans for a sequel, Cecil B. DeMille’s plans for a film, Pal’s would pale, the official adaptation is the least good adaptation, that crappy matte shot, Ransdall smooching his girl while flying his aircraft, Guardians Of The Galaxy, his Kryptonian origin story, spinoffs, Flash Gordon, Buck Rogers, football, a religious moment, good birth and breeding, the W.A.S.P., precursors and follow-ups, an amazing book, its hard to gage how big a book it was, the “queen of the pulps”, the premier way of getting (fiction) content to the people, the middle of The Depression, daily life-sucks, the Roosevelt administration, the work programs, making the unemployed work, is it simpler than that?, Arkham House, The Outsider And Others by H.P. Lovecraft, maybe it helps to have something worse in mind, The Star by H.G. Wells, Nemesis by Isaac Asimov, Finis by Frank Lillie Pollock, gravitational waves, earthquakes, cooking the earth (microwave style), a long tradition, The Star by Arthur C. Clarke, biblical collections, A Pail Of Air and The Wanderer by Fritz Leiber, Deluge (1933), S. Fowler Wright, the motif of the destruction of of Fantastic Universe, a thugee-romance plot, Meteor (1979), Sean Connery as an SDI scientist, Armageddon, Independence Day, Twitter, Fred, Deep Impact (1998) started life as a remake of When Worlds Collide, the crowning adaptation of is 2012 (2009), so ridiculous, it knows its stupid, the ‘neutrinos mutated’, Battlefield Earth is Ed Wood with a budget, The Room, Birdemic: Shock and Terror (2010), Lars Von Trier’ Melancholia, Kirsten Dunst and Keifer Sutherland, Forge Of God by Greg Bear, “I have bad news.”, rescued by good aliens, watching the destruction of the Earth, Lucifer’s Hammer, Footfall, fan fiction of themselves, Hammer Of God by Arthur C. Clarke, the evolution of the plot ideas, so heavy, the religious elements, her name is EVE, Joyce, handing out sandwiches, the zillionaire, a plane-load of money, an iconic scene, why 2012 works so well, the Russian billionaire and his family, how ambivalent I feel, the role of government, what made Robert A. Heinlein wrote, super-Ayn Rand-y, The Fountainhead, robust and austere, strange-y, a broken-ness, who is funding this?, everybody is working for free, how do you get truckloads and truckloads to a certain place, economics do matter, everybody is working for free, a new metal, the nice horror tour, where did the fuel come from, if Heinlein were writing it, all in secret, how Maissa saw it, tidal waves, weird side digression, The Last Car Chase (1981), Lee Majors, Steve Austin, two theories, one funny, one dark, nouveau riche, old fortunes, just arranged, shiny upstarts get their comeuppance, steel furnaces, punishing the parvenus, so not democratic, Galt’s Gulch, we know better, the magic metal, our ingenuity, weird sexual purity, part of the old money righteousness, South Africa in 1933, no more lions, rich white guys in South Africa, Chapter 8: Marching Orders For The Human Race, ugly houses, the spawn who inhabited it, pollution, 125th street in New York (Harlem), immigration bans, the Lovecraftian racial horror moment, “God himself had sickened with their selfishness”, squalid horror, the golden age of eugenics, the “Jap”, purifying the race, a giant eugenics exercise, even if a cashless economy you have to trade, Close Encounters Of The Third Kind, a conspiracy, the first episode of The X-Files, the paean to the Vanderbilt family, set in the mid-20th century, his sister went to school with my mother, the elite, should Jesse bring it up?, huh this is a novel for Hillary voters, its the east coast elites, what is everybody’s problem? why can’t they vote for the right person?, WWI, lining up the machine guns and mowing down the plebes, retreating to their spacecraft and cooking the earth of all the people, a fantasy of many people, it is good to escape the death of the Earth, 2012 addresses all the horror vs. Deep Impact (the government is here to save you), the heroes in space, pathos, way to much love with MSNBC, saccharine horror, cynical comedy, the Paris Hilton looking girl, even Oliver Platt (the baddie) is just trying to get shit done, even the billionaire comes off pretty well, really fun, such a page turner, it’s so good (but it doesn’t deserve it), where are all the rats?, back to World War I, the Noah thing, open the doors, the billion dollar ticket, James Cromwell’s character is a whistleblower, the truth needs to come out, secretary of finance, thinking about the economics, the word “Tony”, our hero from every Robert Heinlein story, “Tony, I’m explaining the plot, Tony.” Tony is slang for expensive, what makes it so gripping, the premise, none of the characters are worth caring about, from Deluge to Meteor, a disaster movie without screen stars, the idea is primary, a race, Edwin Balmer was editor of Red Book magazine, they know how to spin a story, Wilkie Collins: make the worry, make them wait, make them weep, Dunkirk (2017), a ticking clock, what’s in the box?, un-bribe-able, doing this story today, how academia doesn’t matter, the professors, a chief scientist at a chemical company, a private observatory, universities as research machines (since WWII), scary politics, in 1933 the USA had unions, the Battle Of Blair Mountain, the lurking socialism, Eugene Debs, labour unrest, Franklin Delano Roosevelt, we’re noble, machine gun them, then burn them, but we’re nice, the same stories are told again and again, choosing who gets to go in the Ark, Tasha Yar gives her baby to Frodo Baggins, black presidents, black Presidents, grounded in individual details, apocalypses are always about escape, an escape from communism, shade thrown on the French and the Germans, the french turn to fascism, planting the French flag for comedic effect, nationalism, labour without labour, race without race, the religious sanction, George Pal’s The War Of The Worlds, the book is big and broad and deep, 44 people and a dog, a dog in 2012 and Independence Day, for they were walking hand-in-hand, a road, the ribbon of it ran right and left, by what hands and for what feet, through Eden took their solitary, a yellow brick road, Tony the guy with no brain, they’re in Oz, the souls of those a hundred million years dead, a Nineveh a Sargon?, the fate of our world, human with bodies like our own?, The Ring, a curse, so tempting, William Blake’s The Tyger, what dread hand and what dread feet, they are the tiger, when the stars threw down their spears, what did the people on this other planet do to be knocked out of their orbit and frozen, how god has graced us with his goodness, us east coast elites, the whole universe , she has a right to my vote, Heinlein can’t be right and Rand can’t be right, it’s just too simple (but its so fun), business and military, more sex and nudeness, the love triangle, oh Tony can’t you understand I can’t make decisions for the future, the other rocket, the other half of the plane in Lost, the setup is so good, one bizarre detail, Chapter 21: Diary, the insulation (books), a first edition of Shelley, a cute idea?, the 2012 movie picks it up, John Cusack’s character, Chewitel Ejifor’s character, Yellowstone, loaded up with the signs of the elites, isn’t it funny that there’s one copy of this books and it just so happens…, in 2012 under a pile beer bottles and bourbon bottles and a copy of Moby Dick, Robert Duvall reads Moby Dick in Deep Impact, ambivalence about lots of things but everybody agrees Moby Dick is terrific, a stand in for god, providing the bees and the books, a distasteful task in the sequel, The Wonder Clock by Howard Pyle, a story about mercy, saving the kids, little moments of mercy, women doing men’s jobs, France, canaries, the radium girls, how women get the vote, when they come for our women, women as possessions, triumph of the patriarchy, the proles are coming for our women, racist and sexist, an atomic rocket in 1932, not even a nuclear reactor has been invented yet, the Chicago Pile, ten years later, Rocketship Galileo by Robert A. Heinlein, space-Nazis, so early!, countdown clocks, a race for everything, side quests, a lot being told, the illustrations, this book feels huge, 150 pages in the serial, complementing content, Eve’s mother gets killed, how quickly the veneer of civilization gets ripped off, Augustine, A Paradise Built in Hell: The Extraordinary Communities That Arise in Disaster Book by Rebecca Solnit, Bronson: the son of a brawny man, the anticipation of total war, U.S. nationalization, Prohibition, beer makers, say nothing bad about the government law, human cogs, price fixes, holding the masses, Oliver Platt’s mom in 2012, Tony’s so angsty about his mom, he wants to kill, the mobilization doesn’t matter, the migration is for nothing, the President and his cabinet in Kansas, the plebeian thing, rules for them, dignified in their way, terrorizing the plebeians, Téa Leoni’s character’s mom and dad in Deep Impact, tons of connections, waiting for the wave to come, Roland Emmerich and Harold Klausner, The High Crusade, The Thirteenth Floor, a schlockmeister of the highest order, the cultural baggage of the legacy of films gets into you whether you’ve seen them or not, you have Casablanca lurking in your cultural DNA, nobody complains we’ve already seen this movie, the end of the world blah blah blah, this novel is at the center, Noah’s Flood, Gilgamesh, wiping out the Earth for 5,000 years.

When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
WWhen Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké

Posted by Jesse Willis

Commentary: How I make a podcast

August 27, 2017 by · Leave a Comment
Filed under: Commentary 

SFFaudio Commentary

The first step to putting together a podcast is the idea.

Fafhrd and The Gray Mouser - art by Keith Parkinson

I find that ideas are connected, and that by focusing on the connections ideas flow. For example, I just did some research on comics adaptations of the Fafhrd And The Grey Mouser stories. Looking at adaptations is one of several tricks I use for figuring out what might make for a good idea for a podcast. My logic is that if a story or a novel has been adapted to another medium then someone probably saw some merit in it other than the original writer and the original publisher. That isn’t to say that an adaptation means it will definitely work, or that stories or novels without adaptations (or even subsequent re-printings) won’t make for good shows – indeed, sometimes great works have just been neglected. This technique works.

Lankhmar - City Of Adventure

Coming off a recent discussion of a Gene Wolfe novella (recorded for a future SFFaudio Podcast), I got to thinking about the city of Lankhmar, that great fictional city that is the setting for so many of Fritz Leiber’s Fafhrd And The Grey Mouser stories.

My first stop in looking for adaptations is comics and here are the results of my researches.

DC Comics - Sword Of Sorcery, Issue 4

DC COMICS – SWORD OF SORCERY (1973):
1. The Price Of Pain Ease (an adaptation)
2. Thieves’ House (an adaptation)
3. Betrayal (an original)
4. The Cloud Of Hate (an adaptation and public domain) 14pgs from Fantastic, May 1963
5. The Sunken Land (an adaptation) / The Mouse Alone (an original)

EPIC COMICS - Fafhrd And The Grey Mouser

EPIC COMICS – FAFHRD AND THE GRAY MOUSER (1991):
1. Ill Met In Lankhmar (an adaptation)
2. The Circle Curse (an adaptation) / The Howling Tower (an adaptation)
3. The Price Of Pain Ease / Bazaar Of The Bizarre (an adaptation and public domain) 28pgs from Fantastic, August 1963
4. Lean Times In Lankhmar (an adaptation and public domain) 40pgs from Fantastic, November 1959 / When The Sea King’s Away (an adaptation and public domain) 27pgs from Fantastic, May 1960

So as you can see above there have been two Fafhrd And The Grey Mouser comics series, one in 1973, the other in 1991. Of all the adaptations only The Price Of Pain Ease was adapted twice. But that story isn’t public domain (I prefer PD stories because it means we can just make an audiobook without spending weeks, hours, and centuries of often fruitless labour trying to track down the copyright holder). Of those that are PD I’m leaning towards the last couple from issue 4 of the Epic Comics run, in part because I have a vague positive memory of both). But I’m willing to have my mind changed. The next step will be to ask some narrator friends about their interest in Fafhrd And The Grey Mouser – in recorded a story and in talking about it – I seem to recall that Oliver Wyman has a deep love of Mike Mignola (who did the adaptations for Epic Comics) – that might be a good approach, but maybe that Mark Turetsky who was the Mignola lover – heck, I could ask Wayne June or Mr Jim Moon. These guys are all into comics. I’ll probably just tweet them all, cast a wide net and employ a crappy fishing metaphor (a crappie is a kind of fish) I’ll just ask them all if they’re interested in Fafhrd & the Grey Mouser and just see who bites.

Hmm… now for some reason I’m leaning towards When The Sea King’s Away.

Posted by Jesse Willis

Reading, Short And Deep #081 – The Dancers by Margaret St. Clair

August 23, 2017 by · Leave a Comment
Filed under: Podcasts 

Podcast

Reading, Short And DeepReading, Short And Deep #081

Eric S. Rabkin and Jesse Willis discuss The Dancers by Margaret St. Clair

Here’s a link to a PDF of the story.

The Dancers was first published in Planet Stories, January 1952.

Podcast feed https://sffaudio.herokuapp.com/rsd/rss

Posted by Scott D. Danielson

The SFFaudio Podcast #435 – AUDIOBOOK/READALONG: The Green Meadow by H.P. Lovecraft and Winifred V. Jackson

August 21, 2017 by · Leave a Comment
Filed under: Podcasts 

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #435 – The Green Meadow by H.P. Lovecraft and Winifred V. Jackson read by the great Wayne June. This is a complete and unabridged reading of the short story (17 Minutes) followed by a discussion of it. Participants include Jesse, Mr Jim Moon, Bryan Alexander, and Wayne June!

Talked about on today’s show:
The Crawling Chaos, a tiger, a plague year, drugs, a meteorite, professors, translators, how it struck an ending, baffling, three big paperbacks, the revision work, Arkham House, Horror Of The Museum, like a fragment, an extended commonplace book entry, strongly echoed in The Shadow Out Of Time, the mythos shopping list, the artificial checklist, Memory, What Rhe Moon Brings, prose poems, the H.P. Lovecraft Literary Podcast, completely ignored, what to make of it, prose poem aspects, the only audiobook version in the universe, the way it struck Wayne, 1918/19, an early effort, Edgar Allan Poe, The Fall Of The House Of Usher, atypical formula, loosely connected to the frighteningly uncaring universe, The Willows by Algernon Blackwood, The Wendigo, The Damned Thing by Ambrose Bierce, nature as a threat, 100%, the gauntlet thrown down: “The text, as far as preserved, is here rendered as literally as our language permits, in the hope that some reader may eventually hit upon an interpretation and solve one of the greatest scientific mysteries of recent years.” a hoax, dreams, a frame, figuring out what it means, a series of images, the power of the description, its so clear that life is the enemy, the sea and the sky are in a war with life, he breaks off from life, a peninsula, things of the air, the forms of the air that are non-alive join with the sea, conspiring, the living against the non-living, cataract, ending in the Dreamlands, Bryan’s take, the fantasies vs. the horror, appreciated and enjoyed, the massive frame, WWI, German, one of the many loathsome policies of the Wilson administration, the tonal shift, the quick catastrophe, the Harvard guy blows it,

I saw clearly the source of the chanting, and in one horrible instant remembered everything. Of such things I cannot, dare not tell, for therein was revealed the hideous solution of all which had puzzled me; and that solution would drive you mad, even as it almost drove me. . . . I knew now the change through which I had passed, and through which certain others who once were men had passed! and I knew the endless cycle of the future which none like me may escape.

Kafka’s fragments, The Narrative Of Arthur Gordon Pym, the four professors, Potowonket, Lovecraft country village, Dr. Richard M. Jones, the “late” professor Chambers of Harvard, how did he manage to do it?, the indestructible pages, he found out what happened and he followed the path, why the text is cut-off, it’s not a fragment,

. . . . All is before me: beyond the deafening torrent lies the land of Stethelos, where young men are infinitely old. . . . The Green Meadow . . . I will send a message across the horrible immeasurable abyss. . . .

that sort of scene, The Quest Of Iranon, Sarnath, the book is the message, that’s not so interesting, a real scholar, Democritus, idola (eidolon), air spirits you absorb through your pores, influencing your eidolon, really creepy, the theme: oh those scary trees – watch out!, papyri, center for Hellenic studies at Harvard, Professor Rooms, he original atomic theory, souls of the dead, Homer, audible and visible in sleep, the Poe connection again, Dreamlands,

By a route obscure and lonely,
Haunted by ill angels only,
Where an Eidolon, named NIGHT,
On a black throne reigns upright,
I have reached these lands but newly
From an ultimate dim Thule—
From a wild weird clime that lieth, sublime,
Out of SPACE—Out of TIME.

Bottomless vales and boundless floods,
And chasms, and caves, and Titan woods,
With forms that no man can discover
For the tears that drip all over;
Mountains toppling evermore
Into seas without a shore;
Seas that restlessly aspire,
Surging, unto skies of fire;
Lakes that endlessly outspread
Their lone waters—lone and dead,—
Their still waters—still and chilly
With the snows of the lolling lily.

By the lakes that thus outspread
Their lone waters, lone and dead,—
Their sad waters, sad and chilly
With the snows of the lolling lily,—
By the mountains—near the river
Murmuring lowly, murmuring ever,—
By the grey woods,—by the swamp
Where the toad and the newt encamp,—
By the dismal tarns and pools
Where dwell the Ghouls,—
By each spot the most unholy—
In each nook most melancholy,—
There the traveller meets, aghast,
Sheeted Memories of the Past—
Shrouded forms that start and sigh
As they pass the wanderer by—
White-robed forms of friends long given,
In agony, to the Earth—and Heaven.

For the heart whose woes are legion
’T is a peaceful, soothing region—
For the spirit that walks in shadow
’T is—oh, ’t is an Eldorado!
But the traveller, travelling through it,
May not—dare not openly view it;
Never its mysteries are exposed
To the weak human eye unclosed;
So wills its King, who hath forbid
The uplifting of the fring’d lid;
And thus the sad Soul that here passes
Beholds it but through darkened glasses.

By a route obscure and lonely,
Haunted by ill angels only,
Where an Eidolon, named NIGHT,
On a black throne reigns upright,
I have wandered home but newly
From this ultimate dim Thule.

msiing the one thing Lovecraft never puts in (the dead girlfriend), the dead trans-gendered boyfriend, not a good girl to hang out with, The Man Whom The Trees Loved, forest and verdure being alluring but having a terrible force, Arthur Machen, Jesse makes his students do his homework for him, vocab words, Jesse thinks regular people read about teacups and tea-cozies, how insane people were in whatever period, why are they so upset, they haven’t invented rocketships, between 1895-1925, astral projections, the long nights, cursing the gods, the ancient blasphemies and terrible delving, terribly upset and thoroughly enjoying himself, his astral body, over-leaped the bounds of corporeal entity, he planeted the seed, this explains the whole story, old science fiction (before the rocketships), David Lindsay’s A Voyage To Arcturus, Jack London’s The Star Rover, a lot less vikings and Japanese invasions of Korea, bringing Hypnos and the Dreamlands all together, the checklist, you can frame it in the wrong way, how good this story is, the abrupt ending is foretold by the huge frame, the narrator does almost nothing, a malignant hatred, grotesquely huge horrible, unthinkable things, the land breaks off, its up to us to do all the work, typical Lovecraft, unthinkable indescribable things, this horrible thing (existence) is just hitting them, existence (consciousnesses) attacks him, the hopeless uncaring universe, William Blake’s The Tyger, he thinks it is a reference to Rudyard Kipling, less and less of an isthmus, a description of bodily decay, let’s go off to another planet, so good, Virginia Jackson was a prodigious dreamer herself, holding on to all those details, turning a dream into a story, an alien place, why are the trees scaly, he had become an ant, a field of broccoli, lichen and fungi, grey lichen, a point of alien-ness, adapting it for film, stop-motion animation, whatever is going on in this alien planet, Scythian (Greek description of everybody to the top right of the Black Sea), if all the Mediterranean, the planet is being destroyed, the sea has defeated the trees, night gaunts?, dong interpretation, life is terrible-horrible, god is life, god is DNA, the enemy of life is non-life, nihilistic, living where young man are, scythe, the earliest recorded hashish smokers, the smoke rings of the hashish smokers, what’s lurking in the Green Meadow, human-ish,

While the words were utterly undistinguishable, the chant awaked in me a peculiar train of associations; and I was reminded of some vaguely disquieting lines I had once translated out of an Egyptian book, which in turn were taken from a papyrus of ancient Meroë. Through my brain ran lines that I fear to repeat; lines telling of very antique things and forms of life in the days when our earth was exceeding young. Of things which thought and moved and were alive, yet which gods and men would not consider alive. It was a strange book.

a prototype for the Necronomicon, who are the chanters?, The King In Yellow by Robert W. Chambers, Alan Moore’s Providence, a test out, a strange narrative and a strange book, a persistent meme, people get upset (and Jesse finds it hilarious), look at these crazy people, the Yellow Peril, what they should have been worried about, not just for space (it’s also for time), mis-named, semi-based on a real guy, projecting yourself outside your body, that’s cool, when King Kuranes walks off the cliff, Celephais, a fucking meteorite came down from the sky with a book in it, it took 2,000 years to reach the Earth, chalk and slate, the lure of life that isn’t horror, the siren call of human contact, parties, suicide, the shadowy figures were that which were really real, reverting to the main theme, oblivion is to be preferred, why is this story called “The Green Meadow” instead of “The Scary Trees

My eyes could now discern several things amidst the omnipresent verdure—rocks, covered with bright green moss, shrubs of considerable height, and less definable shapes of great magnitude which seemed to move or vibrate amidst the shrubbery in a peculiar way. The chanting, whose authors I was so anxious to glimpse, seemed loudest at points where these shapes were most numerous and most vigorously in motion.

the sense of vibration and oscillation, wake up buddy!, shrubbery, a three headed knight, A Voice In the Night by William Hope Hodgson, The Derelict, a fungus, eater of the dead, green vs. grey, so green even the trunks and rocks are green, the forward and backward nature, the perpetuation is the horror, if anyone could become President then Lovecraft could become President, give me a clean planet like Mars or Mercury bathed in the solar rays, a walk in the woods with Wayne June, green is my favorite colour, just beneath the skin, existence sucks, In The Mountains Of Madness by W. Scott Poole, there’s still lots of interesting books to read, that strange book he read, Lovecraft is so funny, a joke, falling along his normal path and message, it’s not deadly serious, the most important scientific discovery in the history of the world, The Colour Out Of Space, that’s how Joseph Smith found his books, the hoax religion, there nice people to hang out with, sure they don’t like coffee but they don like ice-cream, really cool underwear, chloroform in print, before we go completely sideways, the Fiddler’s Green myth, The Sandman by Neil Gaiman, better than anything Gaiman has written since (except for the first volume), appeals to sailors, reading a lot of comics, mermaid, mermaids are the angels for sailors, DC and Marvel horror comics, mermaid discovers meat, lamia, sirens, a Valhalla for sailors, common ways of dying in folk-songs, Friday and The Cat Who Walks Through Walls, Billy Budd by Herman Melville, dance-houses doxies and tapster, ladies of negotiable affection, were dance halls a way of getting around prostitution laws, an earlier version of Match.com, off the rails and into the sea and off the hook.

Posted by Jesse Willis

Reading, Short And Deep #080 – Une Charogne by Charles Baudelaire

August 16, 2017 by · Leave a Comment
Filed under: Podcasts 

Podcast

Reading, Short And DeepReading, Short And Deep #080

Eric S. Rabkin and Jesse Willis discuss Une Charogne by Charles Baudelaire

Here’s a link to a PDF of the poem (as translated by Clark Ashton Smith).

Une Charogne was first published in an 1857 collection, Fleurs Du Mal.

Podcast feed https://sffaudio.herokuapp.com/rsd/rss

Posted by Scott D. Danielson

Next Page »