Reading, Short And Deep #095 – Crickets by Richard Matheson

November 29, 2017 by · Leave a Comment
Filed under: Podcasts 

Podcast

Reading, Short And DeepReading, Short And Deep #095

Eric S. Rabkin and Jesse Willis discuss Crickets by Richard Matheson

Richard Matheson was first published in Shock, May 1960.

Here’s a link to a PDF of the story.

Podcast feed https://sffaudio.herokuapp.com/rsd/rss

Posted by Scott D. Danielson

The SFFaudio Podcast #449 – AUDIOBOOK/READALONG: Dagon by H.P. Lovecraft

November 27, 2017 by · 2 Comments
Filed under: Podcasts 

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #449 – Dagon by H.P. Lovecraft; read by Oliver Wyman. This is an unabridged reading of the short story (16 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Paul, Marissa, and Oliver Wyman.

Talked about on today’s show:
100 years old, the beginning, because it is short, At The Mountains Of Madness, the narrator is insane, gone mad with fear, Pete Rawlik, The Shadow Over Innsmouth, a great Crispin Glover impersonation, Christopher Walken, the great war was then at its very beginning, pre-Lusitania, the narrator is either British or Canadian or an American working on a British or Canadian ship, inspired by a dream, a Lovecraft-stand-in, internal evidence, a Mid-Atlantic accent, the element of the war, post-traumatic stress, adding ambiguity, illustrations, a LEGO version, on the first page, he’s outside of the boat, “the change happened while I slept”, the heaving vastness of unbroken blue, half-sucked, the surface of the ground matching the undulating black mire, Stranger Things, “the upside-down”, stranded at the bottom of the ocean, being sucked into black slime, how sexual the images are in this, everybody illustrates the creature climbing up the monolith, the one with the monster, an incredibly striking image, a framing story, weeks -> months -> years, three or four years of torture, he was “supercargo”, WWII, The Narrative Of Arthur Goron Pym Of Nantucket, The Island Of Doctor Moreau by H.G. Wells, two spaceships traveling in intergalactic space crashing into each other, designed to be suspect, “I think I went mad then”, an unprecedented volcanic upheaval, a reverse Atlantean myth, Lemuria, Mu, pre-human horrors, all of this is real, The Uncharted Isle by Clark Ashton Smith, King Kong, a phantasmagoric eternity of delirium, like The Invisible Man, a coming apocalypse, the oars, a style of storytelling, The Red One by Jack London, the big red thing, it feels like a Lovecraft story, shooting giant butterflies or moths, the Atlas moth, a juju man, the heads, a breadfruit tree, loaded with heads, “the red one”, a giant red sphere, an alien spaceship, a super-powerful weird story, nothing is revealed, the most enigmatic story, ancient astronauts were not a thing until after The Red One, stories really, Erich von Daniken’s Chariots Of The Gods and Life After Life, huskies and dying in the snow, White Fang, Call Of The Wild, The Sea Wolf, Jack London’s science fiction, “hard-ass bastards vs. dilettante assholes”, To Build A Fire, a punch to the gut, feeling SFy, the coldness of space reaching down, being tipped away from the sun, hard SF, the guy needs a spacesuit, that feeling when Luke Skywalker gets stuffed into a tauntaun, looking at the world from an alien perspective, the wisdom of men does not extend to all things, Jack London totally an SF guy, The Iron Heel is mostly lectures, back to Lovecraft, the genre of apocalyptic dream fiction, highlights and stars and boxes, “I cannot think of the deep sea”, “water soaked granite”, clams in their clammy beds, sea-cucumber, eating invertebrates, a horseshoe crab, Oliver is not afraid of going in the water, on the dock, de-crabbing his crab trap, good at clamping, tearing the crab apart, pretty horrific, Paul went to the beach in New Zealand, the deep ones were not invading that day, the HPLHS’ Dagon: The War Of The Worlds, reading the ending in a subversive way, I dream of day, in their reeking talons, war exhausted mankind, universal pandemonium, just end this!, bring on the great old ones!, why is he freaked out?, what’s happening with our species right now, if Jesse is right, taking place in 1917, the horrors of trench warfare, end our inhumanity to each other, might as well have the apocalypse, Keith Roberts’ Pavane, Scott and Luke Burrage, fairies, changing history, researching history (instead of watching the news), some dude went crazy in Las Vegas, country music is not for everybody, this story fits in with that, the general tenor, I got to read more about what the unabomber was worried about, hid and read history and do a podcast,

When you have read these hastily scrawled pages you may guess, though never fully realise, why it is that I must have forgetfulness or death.

Lovecraft’s inspiration for writing these stories is dwarfing the horror of reality, somebody is putting a name on it, House Of Cards, I miss when politicians were evil (instead of corrupt and inept), we sympathize with their massive ability (and their massive ambition), a fantasy of competence, Ken Burns’ Vietnam, JFK, Obama, a written narrative, I hear a noise at the door, an immense slippery body, that same scene, jumping out the window, that turn, he’s one of them, a fear that he has within him, knowledge bubbling below the surface but which he can’t put name to, “it shall not find me”, “god, that hand”, “the window, the window!”, being digested slowly, the hand is the hand before him, creepy, totally within the text, pre-Shadow Over Innsmouth, subconsciously he’s thinking of all of this, when doing the modelling of that LEGO, seeing other people’s drawings, a sexuality that’s freaking him out, kissing is somebody putting their mouth on you, when people write about sex, detail by detail, beat by beat, drawing a veil over some of it, the carvings and the bas-reliefs on the monolith, a giant man-like creature fighting a whale, reading this as deep ones, each story is independent, are we supposed to…, what size is this monolith, what size is the creature that most people would call Dagon, dimensions, presumably, Polyphemus-like and cyclopean, definitely huge, it’s his, no man could life that, bronze age tombs, when it comes out of the water, it flung its gigantic scaly arms, a child clinging to its mother, certain measured sounds, is it “in heat”, a Freudian interpretation, “loathsome, it darted like a stupendous monster of nightmares to the monolith, about which it flung its gigantic scaly arms, the while it bowed its hideous head and gave vent to certain measured sounds.” “certain” is very specific and means nothing, a religious chanting, a sexual thing, I remembered little, “I believe I sang a great deal” and laughed oddly when I was unable to sing. I have indistinct recollections of a “I heard peals of thunder”, over reading, certain people (Ollie Wyman), something deep within us, we know it is powerful, its the questions that propel us forward, when he travels over the surface over the land, nowhere were there sea-fowl, a giant white phallus, walk through the mire, unknown to the modern world, decomposing forms of dinosaurs?, a vision of a present?, Doctor Who’s Silurians, this was all fever dream, the storm broke the fever (and the dream), unless you’re Captain Bligh…, in his dream, I want it to be that way, ancient chthonic creatures or all in his head, tending to the more fantastic, especially when the Moon is gibbous, transient surcease (the lost Lenore is always missing from the Lovecraft stories), written for information (or contemptuous amusement), a hideous vivid vision in reply, it manifests itself before him, Gustave Doré, Bulwer-Lytton, Piltdown Man, Paradise Lost, worries about the reception of his work, a real chip on his shoulder, contempt, self-loathing, self-doubt, nobody likes his poems (except for Jesse and Paul), the psychiatrist is “hopelessly conventional”, alienated, Lovecraft is an alien, Sonia Greene would feed him because he was so thin, had never been in an Italian restaurant (age 30), let’s go in for lunch, Lovecraft watches him eat, why open yourself up to criticism, you end up being a Crispin Glover, Willard, a pale gaunt slender man living in his parent’s garret, New York, Chicago, Sonia Greene was a big fan of amateur journalism (blogs and podcasts), earning the equivalent of $100,000 a year, echo-y with later stuff, The Tomb, “I dreamed that the whole hideous crawl”, Fishhead by Irvin S. Cobb, the sky is also black, its not Carcosa yet, Marissa wants to go there, bring a gas-mask, bring a camera, a great virtual reality environment, almost nothing happens in terms of choices, the Lovecraft role-playing game, The Nightmare Lake, What The Moon Brings, a recurring dream, lotus-petals, sea-birds circling over something in the water, the brow of a giant statue, he goes mad, if he seas what is beneath the brow it will be the end, the hideous stench of the sea, swimming in black lakes, a little bit freaky, the water is much scarier, VR is the hot new thing, Blackstone Audio’s The Science Fiction Hall Of Fame, Jerome Bixby’s It’s A Good Life, Roger Zelazny, Bill Mumy, the Joe Dante adaptation, Dawn Of The New Everything: Encounters With Reality And Virtual Reality by Jaron Lanier, VPL, Playstation VR, HTC Vive, eating virtual food, screen-time, selling the spiritual aspect, how good are computer games?, mixed reality (augmented reality), Steam’s VR environment, on a catwalk in the bowels of Bespin, unendurable vertigo, The Simpsons living room, Audioshield, it makes me feel I’m in a Steve Ditko Doctor Strange comic, the hoary hosts of Hoggoth, Aces Of The Pacific, a rookie pilot in 1943, why Ollie is an actor, pulling the wool over my own eyes, getting into VR, go for an Occulus or a Vive, a VR Star Trek game, Fallout 4 (VR), Psychonauts, cooking an egg and washing dishes in VR, Vanishing Realms, real fight mechanics, its ready, 1991, huge and clunky, more than a bigger monitor, vector graphics?, Dactyl Nightmare, Dire Straits, Max Headroom, Elite Dangerous, Marissa wants to join the church of VR, skiing, under London Bridge, divining caches, friend MrKawfy on Steam and, the interactive entertainment editor of Creem magazine, that raunchy Doom theme, Serious Sam, chainsaw, was the Far Harbor expansion for Fallout 4 Lovecraftian?, the Pickman’s Model house, the Dunwich Borers, a serial killer, get their shit freaked, what are we doing in here?, the problem Bethesda games is the inventory management, a bane on your existence, Player Unknown’s Battlegrounds, listening to audiobooks while playing games.

Dagon by H.P. Lovecraft - WEIRD TALES

Dagon by H.P. Lovecraft - WEIRD TALES

Dagon by H.P. Lovecraft

Dagon - adapted by Dan Lockwood and Alice Duke - I am writing this under an appreciable mental strain

Dagon - adapted by Dan Lockwood and Alice Duke - I think I went mad then.

Dagon - adapted by Dan Lockwood and Alice Duke "The Window"

Posted by Jesse Willis

Reading, Short And Deep #094 – And All The Earth A Grave by C.C. McCapp

November 22, 2017 by · Leave a Comment
Filed under: Podcasts 

Podcast

Reading, Short And DeepReading, Short And Deep #094

Eric S. Rabkin and Jesse Willis discuss And All The Earth A Grave by C.C. McCapp

And All The Earth A Grave was first published in Galaxy Magazine, December 1963.

Here’s a link to a PDF of the story.

Podcast feed https://sffaudio.herokuapp.com/rsd/rss

Posted by Scott D. Danielson

The SFFaudio Podcast #448 – READALONG: The Broken Sword by Poul Anderson

November 20, 2017 by · Leave a Comment
Filed under: Podcasts 

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #448 – Jesse, Scott, and Paul Weimer talk about The Broken Sword by Poul Anderson

Talked about on today’s show:
1954, a reconstruction of a Norse Saga with Dungeons & Dragons elements, Scott loved it, Jesse found it terrible, and Paul has read it thrice, what would have happened…, Eric Bright Eyes by H. Rider Haggard, idiots and assholes and magic, low magic, striving toward wisdom, the nuclear weapons of magic, Odin, sacrificial Paul, the rules, in the realm of mythology, Beowulf, The Lord Of The Rings, Michael Moorcock’s Elric Of Melnibone, archetypes and gods, greater and deeper, mythic vs. inspired by myth, the language was amazing, Jesse’s not saying much, directly inspired by Beowulf, The Völsunga Saga, an insight into 1000 year old society, The Odyssey, the characters tended to not be very wise, semi-historical, Ragnar Lodbrook, simile nice, toning down the massive metaphors, more about power than it is about ideas, the whole magic sword thing, magic items, H.P. Lovecraft, huge and menacing and powerful and on the edge of our ability to perceive, Skafloc, drawing runes, there’s a demon in here, cursed staves, Dreams In The Witch House, his counterpart (his changeling), screwed at birth, cursed in a Greek or Norse way, more action, not an idea book, all about the ideas, The Forever War, the ideas are not front in center, you can’t touch iron, that’s the rule!, The Magic Goes Away by Larry Niven, werewolves, becoming an outlaw, becoming savage, why is he a werewolf, Gilgamesh and Enkidu, not unlike the world was viewed, the revised edition, Bronson Pinchot’s narration, the 1971 revision (made it worse), Gollanz’s reversion, ‘I welded the Broken Sword back together’, a ‘Book For The Blind’ narration, luke warm, The High Crusade, Three Hearts And Three Lions, a WWII officer dropped into the land of fairy, the plot of the Wonder Woman movie, for copyright reasons?, fiddling, the language in this book, poetry, evocative descriptions, half converted Christians, a ghost tells them, that’s the rules, her brother her lover, that’s the tragedy, echoes, the ending was rushed, Valgard, killed by the device, E.F. Bleiler, noir, doomed from the beginning, the characters doom themselves vs. their doomed because of their destiny, why is this happening?, he calls to the raven, hey there’s a battle down the road, dude!? why did you do that?, James M. Cain, for no good reason, stirring the same area of Scott’s brain, pale recreation of Tolkien, thinking about the meta-aspect, that GRAVITAS, WWII, truth, the eternal verities, the truth of story, poetic truth, philosophers, a truth and a resonance, Dunkirk, its hard to criticize anything that is tongue-in-cheek, the bad geography of Middle Earth (Tor.com), philology, Frank Herbert, geology and ecology, monsters doing monstrous things to each other, what makes them powerful, Marissa, imagine you’re copy-editing someone’s work, fixing a falsity, the Goodreads reviews, the reviews of Beowulf, what’s the Bible’s Goodreads reviews, Gilgamesh The King by Robert Silverberg, the epic vs. the novel, ringing false, is this a high fantasy book?, Fafhrd and the Grey Mouser, science vs. magic, lets shoot the fireballs at each other, Robert E. Howard, the magic sword mentality, Excalibur and King Arthur, his human thews (though very jaguar-like), the strength of 10-hill giants, a really problematic definition, epic vs. sword and sorcery, about scale and stakes, who is casting the fireballs, “an Atlantean Sword”, the magic is in his manliness, about willpower, born to be screwed, the characters don’t seem to know themselves, they are almost pre-conscious, The Odyssey, I’ve made mistakes – I’m going to make more – and here I go, sticking with the tradition he is writing in, that northern tradition, the Neil Gaiman movie script adaptation of Beowulf, The Saga of Eric Brighteyes, set in Iceland, Henry Treece’s Viking Trilogy, on the PDF Page, Viking Dawn, The Road To Miklagard, Viking Sunset, Beothuk, throw down some quotes, a sequel hook, Ragnarok, the unfinished comic book adaptation from the 1960s, good stuff, a book full of sadness, “whence came you hither, fawn?”, the sacred grove, the dryad screams, The Grove Of Ashtaroth by John Buchan, arbitrary rules, the White Christ, real gods vs. fake gods, who and how much power a particular name has, see American Gods by Neil Gaiman, The Elf-Trap by Francis Stevens, Carcassonne, Kentucky, why are some characters not allowed to touch iron?, that’s the rules, the afterword, a science fiction-y take, when he isn’t being playful, Three Hearts And Three Lions, marrying science fiction with fantasy, how they can intertwine and make sense of each other, when the Devil shows up, Dante (Alighieri), “the White Christ, time and love”, I knew him of old in my incarnation of Loki, things as other things, fairies from China and India, a very old idea, that’s some deep stuff right there, elf girlfriends vs. human girlfriends, mocking eyes, “oh, you’re one of thooose guys”, “like calls to like”, cold mystery, adopted by elves, mythic, Dragon Magazine, some of the cartoons, straight out of Elric (and this), intelligent swords, willful swords, when you’re sword has a higher intelligence that you do, a tragedy, where’s my place in this world, where’s my place in a Norse saga?, sword dances, a novel for Dungeons & Dragons players, “Brutal, romantic and tragic. no cute hobbits.”

Ballantine Books - The Broken Sword by Poul Anderson

The Broken Sword by Poul Anderson (1961) fanzine illustration

comic book adaptation of The Broken Sword

Posted by Jesse Willis

Review of Cerberus Rex

November 17, 2017 by · Leave a Comment
Filed under: Audio Drama 

SFFaudio Review

Cerberus Rex audio dramaCerberus Rex
Written and Directed by Jason Hardcastle
Performed by a full cast
90 Minutes – [AUDIO DRAMA]
Publisher: www.sci-fi.com

Ana: What’s in the well?

Langstrom: A mystery of physics.

Ana: Awesome.

I agree with Ana. That mystery of physics was awesome. And so was this whole production. Thanks to excellent voice actors, superior sound, and an entertaining script, Cerberus Rex was a pleasure to hear.

Cerberus Rex is “an hour-and-a-half long science fiction audio adventure”. Dr. Anabela Correia, a professor of astrophysics, is the main character. She receives a request to visit Well Station, which is a research facility working on that “mystery of physics” in an underground cave. Ana visits the phenomenon, and things get dangerous very quickly.

The acting, like I said, is excellent. The entire cast was great, but special kudos to Natali de Assis who played Ana. I was right there with her the whole time.

The sound, again like I said, was superior. This is a cut above ordinary audio drama. This production fully achieved the “movie in your head” description that audio drama often gets. The sound allowed this drama to pull off something particularly interesting and powerful.

The script by Jason Hardcastle was also well done. It was particularly suited for audio drama. The comedy in the script worked and acknowledged some of the influences on the story. The tense moments, and there are plenty of those, were done with just the right touch.

This audio drama is available in a few different ways at www.sci-fi.com, including FREE. I highly recommend, though, that you pay $1.99 (yes, that’s right, only 2 bucks) for the high quality audio version. 90 minutes of pure audio goodness for 2 bucks.

Posted by Scott D. Danielson

Reading, Short And Deep #093 – The Glass Of Supreme Moments by Barry Pain

November 15, 2017 by · Leave a Comment
Filed under: Podcasts 

Podcast

Reading, Short And DeepReading, Short And Deep #093

Eric S. Rabkin and Jesse Willis discuss The Glass Of Supreme Moments by Barry Pain

The Glass Of Supreme Moments was published Stories and Interludes, 1892.

Here’s a link to a PDF of the story.

Podcast feed https://sffaudio.herokuapp.com/rsd/rss

Posted by Scott D. Danielson

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