Just in, this very interesting anthology, edited by Stefan Rudnicki! I couldn’t find a Table of Contents on this package or on the Audible site, so I included it below. Why don’t audio publishers find the Table of Contents important when it comes to anthologies and collections? Because… THEY ARE.
After seeing the contents, I’m eager to dive into this. Oliver Onions, Guy de Maupassant, Harlan Ellison, John Crowley… Harlan Ellison reading John Crowley… this is terrific!
TABLE OF CONTENTS
Lofty Ambitions by Harlan Ellison, read by Harlan Ellison
PART 1: THE MYTHS WE LIVE BY
A Youth In Apparel That Glittered by Stephen Crane, read by Stefan Rudnicki (poem)
After the Myths Went Home by Robert Silverberg, read by Stefan Rudnicki
Novelty by John Crowley, read by Harlan Ellison
Pan And The Firebird by Sam M. Steward, read by Stefan Rudnicki
Murderer, The Hope Of All Women by Oskar Kokoschka, performed by cast
The Touch Of Pan by Algernon Blackwood, read by Stefan Rudnicki
The Lost Thyrsis by Oliver Onions, read by Roz Landor
The Bacchae (excerpt) by Eurpides, performed by cast
PART 2: MYTHS THAT BITE
A Noiseless Patient Spider by Walt Whitman, read by Stefan Rudnicki
Mystery Train by Lewis Shiner, read by John Rubenstein
Continued On The Next Rock by R.A. Lafferty, read by Stefan Rudnicki
Diary Of A God by Barry Pain, read by Enn Reitel
The Repairer of Reputations (excerpt) by Robert W. Chambers, read by Stefan Rudnicki
The Yellow Sign by Robert W. Chambers, read by Stefan Rudnicki
An Inhabitant Of Carcosa by Ambrose Bierce, read by Danny Campbell
The Horla by Guy de Maupassant, read by Arte Johnson
PART 3: SHOCKING FUTURES
Kubla Khan by Samuel Taylor Coleridge, read by Stefan Rudnicki (poem)
City Come A’Walkin (excerpt) by John Shirley, read by Don Leslie
A Pail Of Air by Fritz Leiber, read by Stefan Rudnicki
The Machine Stops (excerpt) by E.M. Forster, read by Roz Landor
Looking Backward and Equality (excerpts) by Edward Bellamy, read by David Birney
Gulliver’s Travels (excerpt) by Jonathan Swift read by Scott Brick
Utopia (excerpt) by Sir Thomas More, read byChristopher Cazanove
Monument To Amun by Queen Hatshepsut, read by Judy Young
PART 4: TRAVELING FOOLS
La Bateau Ivre by Arthur Rimbaud, read by Stefan Rudnicki
Inspiration by Ben Bova, read by Stefan Rudnicki
The Bones Do Lie by Anne McCaffrey, read by Stefan Rudnicki
A Princess Of Mars (excerpt) by Edgar Rice Burroughs, read by John Rubinstein
The Great Stone Of Sardis (excerpt) by Frank R. Stockton, read by David Birney
Alice’s Adventures In Wonderland (excerpt) by Lewis Carroll, read by Michael York
Diary Of A Madman (excerpt) by Nicolai Gogol, read by Stefan Rudnicki
The Inferno (excerpt) by Dante, read by Stefan Rudnicki
The Odyssey of Homer (excerpt), read by David Birney
PART 5: TRANSFORMERS
The Stolen Child by William B. Yeats, read by Stefan Rudnicki
The Porcelain Salamander by Orson Scott Card, read by Gabrielle de Cuir
Let’s Get Together by Isaac Asimov, read by Arte Johnson
Dracula (excerpt) by Bram Stoker, read by Simon Vance
Dr. Jekyll And Mr. Hyde (excerpt) by Robert Louis Stevenson, read by John Lee
Goblin Market by Christina Rossetti, read by Gabrielle de Cuir
Frankenstein (excerpt) by Mary Shelley, read by Stefan Rudnicki0\ *
The Laidly Worm of Spindleston Heugh (Traditional English Fairy Tale), read by Judy Young
A Midsummer Night’s Dream (excerpt) by William Shakespeare, performed by cast
The Ballad of Tam Lin (Celtic ballad), read by Stefan Rudnicki
Metamorphosis (excerpt) by Ovid, read by Cassandra Campbell
PART 6: REST IN PIECES
The Conqueror Worm by Edgar Allan Poe, read by Stefan Rudnicki
The New Testament: Revelations (excerpt), read by Stefan Rudnicki
The Colloquy of Monos & Una by Edgar Allan Poe, read by Stefan Rudnicki and Gabrielle de Cuir
From the Crypts of Memory by Clark Ashton Smith, read by Danny Campbell
The Comet by W.E.B. DuBois, read by Mirron Willis
Sand (excerpt) by Stefan Rudnicki, performed by cast
Transience by Arthur C. Clarke, read by Bahni Turpin
The Illusionist by Gareth Owen, read by Stefan Rudnicki
Unchosen Love by Ursula K. LeGuin, read by Stefan Rudnicki
In Lonely Lands by Harlan Ellison, read by Harlan Ellison
News from Nowhere (excerpt) by William Morris, read by Stefan Rudnicki
PART 7: COMMENTARIES
The Special And General Joys of Science Fiction by Ben Bova, read by Stefan Rudnicki
Edgar Allan Poe 1809-1849 by Elliott Engel, read by Gabrielle de Cuir
Adolescence And Adulthood In Science Fiction by Orson Scott Card, read by Stefan Rudnicki
Posted by Scott D. Danielson
The SFFaudio Podcast #185 – Jesse, Tamahome, and Christine A. Miller (of Escape-Suspense.com) talk about the two CBS radio drama anthology series, Escape and Suspense. But first we play two shows: From the series Escape – Treasure, Inc., and from Suspense – Always Room At The Top.
Talked about on today’s show:
Escape-Suspense.com, adapted scripts vs. original scripts, Escape vs. Suspense, John and Gwen Bagney, layer upon layer of double-cross, the hopeless ending, what is Clive’s motivation?, a femme fatale, exotic locales, these shows still work 50+ years on, Christine is an episode historian (not a radio historian), Pursuit, Romance, are you looking for Three Skeleton Key?, the use of radio drama in middle schools, The Most Dangerous Game, Archive.org, Edgar Allan Poe, The Hitchhiker, Lucille Fletcher, the Mercury Theatre, Sorry, Wrong Number, running out of shows, San Francisco, the Field Trip app, a lonely workplace is great for radio drama, “don’t think about it at all, just do it”, bad episodes, the movie star connection, Vincent Price, Lux Radio Theater, anthology series, an anthology mystery vs. Law & Order, the format, killing characters, ripped from the headlines, Earth Abides (was done as a two part adaptation), George R. Stewart, The Scarlet Plague, Jack London, San Fransisco as a setting, Man Alive, the Ferry Building, is Always Room At The Top set in New York?, La Mirada, “it could only happen in the world of Suspense?”, Jack Webb, Wally Maher, Anne Baxter, pacing like The Front Page, “business workplace episodes”, mistreated employee episodes, reaching for the 47%, An Occurrence At Owl Creek Bridge (Ambrose Bierce), remakes remakes remakes, appointment radio, The Country Of The Blind (H.G. Wells), Favorite Story, Plunder Of The Sun (David F. Dodge), Hard Case Crime, Treasure Of The Sierra Madre, The Rim Of Terror, The Killer Mine (Hammond Innes), “Nancy Drew with adults”, those impossible to get books, The Quick And The Dead by Vincent Starrett (Arkham House), Cornell Woolrich.
Posted by Jesse Willis
Do you recognize the voice of this narrator?
Perhaps you will if you were, like me, a fan of a particular Canadian TV show (that also aired on CBS in the mid 1990s).
The narrator is Geraint Wyn Davies. He was the star of Forever Knight, a terrific “Crimetime After Primetime” late night drama that promised, and delivered, an odd blend of cop show and vampire mystique.
Hmmmm… now that I think about it, Forever Knight could have been set within the same universe as True Blood (prior to the invention of Tru Blood).
The collection includes five of the greatest stories of American classic horror. The richest of language is used to create extraordinary atmosphere — gloom, darkness, solitude, despair-and the relentless feeling of impending doom.
Table of contents:
The Oval Portrait by Edgar Allan Poe
Ethan Brand by Nathaniel Hawthorne
The Yellow Sign by Robert W. Chambers
The Upper Berth by F. Marion Crawford
An Occurrence At Owl Creek Bridge by Ambrose Bierce
Posted by Jesse Willis
I could be wrong but I bet The Boarded Window is the second most popular Ambrose Bierce short story assigned in American schools (with the first being An Occurrence At Owl Creek Bridge).
The Boarded Window is super short (less than 2,000 words), leaves out the usual controversial themes Bierce went for, and is a good ghost story too.
The Boarded Window
By Ambrose Bierce; Read by Joseph Langley
1 |MP3| – Approx. 13 Minutes [UNABRIDGED]
Published: January 28, 2009
First published in the San Francisco Examiner, July 14, 1889.
Here’s a “Special English” adaptation. Designed for ESL students this version is read at a slower pace, with a simplified vocabulary.
The Boarded Window
Adapted by Lawan Davis from the story by Ambrose Bierce; Read by Shep O’Neal
1 |MP3| – Approx. 16 Minutes [UNABRIDGED]
Publisher: Voice Of America
“A man in the deep woods deals with the death of his wife.”
Here’s a |PDF|.
And finally here’s an 1978 video adaptation for the International Instructional Television Cooperative:
Posted by Jesse Willis
Recently arrived, and currently being soaked in through my skin and ears, is this giant collection of weird fiction. Assembled from a list of stories found in H.P. Lovecraft’s essay Supernatural Horror In Literature, it is a collection of well known and obscure classics by authors that H.P. Lovecraft loved.
Looking at the table of contents I noted that I’d already read several of the stories in this collection – including The Turn Of The Screw (we did a podcast about that one), the engimatic Christmas horror Markheim, the scientific ghost tale What Was It?, the unutterably creepy and horrific The Voice In The Night very recently, and many years ago, perhaps in high school, The Yellow Wallpaper. But even though I’ve read some of these stories already I’m still very excited. Each of the stories seems to be preceded by some relevant words by Lovecraft himself – and at the very least I will be listening to the mini-introductions to those stories I am well familiar with.
Until then I will content myself in listening to the unknown ones. For example, the frightful first person narrative of Who Knows? by Guy de Maupassant is thrilling and wondering me in the exact same way The Horla almost exactly one year ago. It’s wonderful!
H.P. Lovecraft’s Book Of The Supernatural
Edited by Stephen Jones; Read by Bronson Pinchot, Stephen Crossley, Davina Porter, Madeleine Lambert, Mark Peckham
MP3 DOWNLOAD – Approx. 16 Hours 44 Minutes [UNABRIDGED]
Published: August 1, 2012
Written by arguably the most important horror writer of the twentieth century, H.P. Lovecraft’s 1927 essay Supernatural Horror in Literature traces the evolution of the genre from the early Gothic novels to the work of contemporary American and British authors. Throughout, Lovecraft acknowledges those authors and stories that he feels are the very finest the horror field has to offer: Washington Irving, Edgar Allan Poe, Henry James, Rudyard Kipling, Bram Stoker, Robert Louis Stevenson, Guy de Maupassant, Ambrose Bierce, and Arthur Conan Doyle, each prefaced by Lovecraft’s own opinions and insights in their work. This chilling collection also contains Henry James’ wonderfully atmospheric short novel…The Turn of the Screw. For every fan of modern horror, here is an opportunity to rediscover the origins of the genre with some of most terrifying stories ever imagined.
Here’s the table of contents:
Introduction by editor Stephen Jones – Approx. 7 Minutes
Notes on Writing Weird Fiction By H.P. Lovecraft – Approx. 11 Minutes
The Tale of the German Student by Washington Irving – Approx. 14 Minutes
Markheim by Robert Louis Stevenson – Approx. 49 Minutes
Who Knows? by Guy de Maupassant – Approx. 34 Minutes
The Invisible Eye by Erckmann-Chatrian – Approx. 41 Minutes
The Torture by Hope by Villiers de l’Isle Adam – Approx. 15 Minutes
Ms. Found in a Bottle by Edgar Allan Poe – Approx. 29 Minutes
What Was It? by Fitz-James O’Brien – Approx. 34 Minutes
The Middle Toe of the Right Foot by Ambrose Bierce – Approx. 24 Minutes
The Turn Of The Screw by Henry James – Approx. 4 Hours 52 Minutes
The Dead Smile by F. Marion Crawford – Approx. 57 Minutes
The Wind In The Rose-Bush by Mary E. Wilkins-Freeman – Approx. 38 Minutes
The Yellow Wallpaper by Charlotte Perkins Gilman – Approx. 36 Minutes
The Recrudescence of Imray by Rudyard Kipling – Approx. 30 Minutes
The Hands Of Karma (Ingwa-banashi) by Lafcadio Hearn – Approx. 11 Minutes
The Burial Of The Rats by Bram Stoker – Approx. 1 Hour 7 Minutes
The Red Lodge by H.R. Wakefield – Approx. 35 Minutes
The Captain Of The Pole-Star by Sir Arthur Conan Doyle – Approx. 1 Hour 6 Minutes
The Villa Desiree by May Sinclair – Approx. 28 Minutes
The Voice In The Night by William Hope Hodgson – Approx. 36 Minutes
Novel of the White Powder by Arthur Machen – Approx. 48 Minutes
Posted by Jesse Willis
There are two readings of My Favorite Murder, by Ambrose Bierce, on LibriVox. Bill Mosley’s reading has a more appropriate accent, but Peter Yearsley’s is funnier, perhaps because of his English accent. The high minded language of the protagonist, combined with the frightening descriptions, makes Yearsley’s version more essentially hilarious.
If you’re familiar with Jack London’s Moon-Face, and liked that story, I think you’ll like this one too.
My Favorite Murder
By Ambrose Bierce; Read by Bill Mosley
1 |MP3| – Approx. 25 Minutes [UNABRIDGED]
Published: June 3, 2010
First published in the San Francisco Examiner, September 16, 1888.
And here’s a printable |PDF|.
Posted by Jesse Willis