Themes: / slavery / space / bureaucracy / mega-corporations / politics /
A New Beginning is the story of a young woman who is ordered by the courts of Earth to serve as an indentured slave to the corporation that held her college debt. Life as a slave brings her to the brink of suicide and an attempt to kill her tormentor. She is sold to Spacers, who are themselves rebelling against the corrupt control of Earth’s mega-corporations. In space she finds a chance at a new life, a chance to maybe help her sister avoid the same fate, but only if Spacers succeed in gaining their freedom. The course of her life will be determined by the outcome of politics far outside of her control… but she has a chance, however slim, to save her sister and start a new life herself.
In some way, this was a really odd book for me to read. The main character is named Kristin. She works on a space ship as a systems engineer. I work on satellites as a systems engineer. And, honestly, her description is really similar to mine when I was in my early 20′s. So it was seriously trippy to read this at times.
A New Beginning is set in the near future, a future where space travel is common place, as is living in space aboard ships or other space stations. On Earth, it’s a rather bleaker picture of the world today. Corporations have taken over the world, bought out most of the politicians. It’s a society, world-wide, where the class gap is as wide is it can be and only those born into or who marry into privilege have assurance of a “normal” life. The rest are sold into indentured service to pay of their debts, whatever they are; for main character Kristin, this is the price of her college education. It’s also a future where faster-than-light travel has been made possible, but communication–visual and audio (in the form of communiques between spacecraft)–is limited to light speed. I’m not quite sure how that is possible, to be honest, but it sets up some interesting potential so I decided not to worry about it.
As the story starts, a newly formed “Federation,” comprised of those living and working on the ships and stations, those without ties to Earth, decide to break ties with Earth and form their own…well, federation. Think of it like Star Trek. Where once they were tied to Earth, they now consider themselves independent entities, willing and happy to trade with Earth, but not bound by any of their laws–or taxes. This has important ramifications for Kristin Hayes, whose indentured service was just sold from an Earth corporation to a ship in the Federation. She left behind a life of debt and slavery (including sexual slavery) on Earth and, upon joining the ship, was freed. The Federation, her ship The Valiant Lad, bought her indenture contract (along with that of others) and gave her the option to return to Earth as a free woman or to join the Federation, join the ship’s crew. Kristin decided to join the ship’s crew and for the first time in her life, have a real job, earn real wages, and be allowed to be a “normal” person.
Kristin’s story comprises most of the book. There are two story lines (that are sort of broken into 3 in places), one of the Federation officers who are actually coordinating the secession from Earth, and Kristin’s story line, telling of her life, both on and off the ship. Kristin’s story is about 2/3 of this book, though I suspect that this is the first in a series and provides decent setup for the rest of the series. Kristin acclimates to life on the ship slowly, but without much adversity. If anything, it seems that everything is just too easy. She finds friends, support, a job she can do…which is interesting, given the description of how the space-ers grow up and are educated compared with how Earth-ers are raised. Growing up in space seems a lot more intense, it seems that anybody from Earth would be at a significant disadvantage. When the Federation makes new laws, allowing families to be on ships and for crew to “fraternize,” she enters into a relationship with a crew mate fairly easily, despite her emotional scars. Kristin decides that she should use this opportunity to earn money (and save it) so that she can get her sister and her father off Earth, to help them avoid the troubles she had. One way she earns money is by selling her journal as a book; the journal she wrote of what her life was like on Earth as a child and then as an indentured servant for one of the corporations. It became an overnight success (almost literally) and made her into a celebrity. As I said, the only “trouble” I really had with this part of the book is how easy everything was. Kristin had a few small stumbling blocks to overcome, but the narrative made it sound like they were easily triumphed over, so overall she didn’t face much adversity.
Similarly, the second story line–comprising a third or less of the book–seemed….easy. The main thrust is told from two viewpoints, one of the ship captain (Marshall?) who announced the secession, and one of another ship captain (Matthews? A woman, in either event, which was nice) who oversaw some of the battles between the Earth ships and the Federation ships. This is where I think the book truly had a miss. It was odd enough that it was all too easy–the battles were short, sweet, and rarely with any Federation losses–but there was an opportunity for Brummer to capitalize on some interesting tactics, an opportunity lost in this book. As I mentioned earlier in the review, technology has evolved to a point where faster-than-light travel is possible (and used) but faster-than-light communication is not. This means that when battling on a large scale, your information is only as good as your distance (in light years/hours) from the source. This was touched on briefly in Kristin’s narrative. One of her co-workers mentioned that for spare money, he makes games to teach kids about battle tactics and the math used in FTL travel and war. He mentioned that all kids who grow up in space have to learn this, and have to use it…but then, nobody did. In all of the battles, it seemed like the information at hand was “good enough” and that the Federation mostly won without issue. While the battle scenes were mercifully short (nothing drives me up a wall than too much detail on weaponry or super-detailed tactics), they were almost too dry. It seemed, once again, too easy.
Some of the issues with the battle scenes might have been owed to the narration. The narration, while mostly fine, was just that, fine. Nolan didn’t add much excitement or change in tone for any of the scenes. He didn’t use different voices for the characters (except maybe some of the characters on the primary Federation ship–the Freedom?–they sounded like they were lifted from the scenes in Star Trek). The recording itself occasionally echoed or sounded like it was recorded with an unfiltered microphone. It often sounded like there was a low-level hiss in the background, or air flowing. This was noticeable when I used earphones and in my car audio and was occasionally distracting.
All in all, the book wasn’t a bad entry novel for a first-time author, though the science fiction elements were more window dressing than actual story components. I suspect some of the audio issues were due to it not being one of the larger publication houses, and that’s okay. I would recommend this book to someone looking for some light science fiction that frankly isn’t much of a downer (because let’s be honest, a lot of it can be extremely depressing). It will be interesting to see where Brummer goes with this universe. If all the novels end up having this same tone/lack of adversity, it could get boring, but for a first-in-a-series by a new author, it was pretty alright.
Posted by terpkristin.
We Can Build You
By Philip K. Dick; Read by Dan John Miller
Publisher: Brilliance Audio
Published: August 14, 2012
[UNABRIDGED] – 7 discs; 8 hours
Themes: / androids / healthcare / future / bureaucracy /
In this lyrical and moving novel, Philip K. Dick intertwines the story of a toxic love affair with one about sentient robots, and unflinchingly views it all through the prism of mental illness — which spares neither human nor robot. The end result is one of Dick’s most quietly powerful works.
When Louis Rosen’s electronic-organ company builds a pitch-perfect robotic replica of Abraham Lincoln, the firm is pulled into the orbit of a shady businessman, who is looking to use Lincoln for his own profit. Meanwhile, Rosen seeks Lincoln’s advice as he woos a woman incapable of understanding human emotions — someone who may be even more robotic than Lincoln’s replica.
Published in 1972, Dick uses the premise of a “future” (the book takes place in Dick’s imagined 1982) where programming is advanced enough to allow programming the appearance of sentience into androids to provide a treatise on mental health and mental healthcare.
In short, Louie Rosen and his partner Maury run a business making and selling electronic organs. One day, however, Maury decides to make an android of Edwin Stanton, Lincoln’s Secretary of War. When he reveals it to Louie, he also reveals that his schizophrenic daughter, Priss, played a large role in developing the personality for it. The Stanton simulacrum is quite successful, and they make another, this time of Abraham Lincoln. They get the idea to pitch it to an investor, Barrows, to capitulate on Americans’ love for the Civil War (which at the time it was written, was nearing its centennial). Unfortunately, as Barrows and the crew spend more time with the Lincoln, they find that it is moody and seems manic. While this may be historically accurate, it could also be a projection of Priss’s beliefs about Lincoln into the programming. Where the Stanton android is personable, logical, and “normal,” the Lincoln is anything but. Eventually, Barrows decides to pass on the investment and instead make his own (which he will use as first settlers for a moon colony–an idea I would have preferred to read about). Priss ends up infatuated with Barrows and follows him back to Seattle. Louie, while talking to the Lincoln, seems to have also developed mental instability and runs to Seattle to bring Priss back. She shoots him down and he ends up committed. The story ends when Louie “gets over” his issues and is discharged to go about his normal life.
This was a book about ideas. Dick obviously had feelings about the state (and stigma) of mental health issues in the 60′s, both with regards to diagnosis and treatment. He almost seems to imply that we’re all mentally unstable/have our moments of instability…but he takes it to another level as to suggest that the state-run facilities do nothing to help people. Rather, the state-run facilities can actually make people worse.
In the end, this was a book of a lot of thoughts, not a lot of actions. There was a lot more dialogue an “thinking” than there was stuff actually happening; it was quite cerebral. This isn’t the kind of book I’m normally into…and in fact, as the book wore on, I found it hard to want to listen and hard to keep focused. I liked the idea of sentient androids, of “souls” built from research into real people…but it’s not for me. And probably not for everybody. But if you like “ideas” books, then it may be for you.
The narration itself was…interesting. Miller’s voice is somewhat flat, which can be good in an audiobook like this; he certainly didn’t try to project too much character into most of the voices. However, he did use different tones for female voices as compared to male voices. In that respect, it was somewhat grating; his female voice was almost pandering and was somewhat creepy. It made some “sexual” scenes between Priss and Louie extra-creepy. That said, it also helped to make me really believe that Priss was mentally ill…
It’s hard to believe, but this is the first PKD I’ve ever read. I’ve also never watched Bladerunner in its entirety. I don’t know if the rest of his stories are like this, so cerebral. If they are, I may skip them. I was lured in by the robots…and kind of turned off by everything else.
Review by terpkristin.
Episode #152 of The Science Fiction Book Review Podcast is a discussion of Isaac Asimov’s The End Of Eternity. It’s also a follow-up to the previous time travel episode (#151). Luke and I discuss the book and related time travel tales.
Podcast feed: http://www.sfbrp.com/?feed=podcast
Discussed on the show:
A Connecticut Yankee In King Arthur’s Court by Mark Twain, a flexible chronology, Luke’s first Isaac Asimov review for SFBRP, Robert A. Heinlein, Nightfall by Isaac Asimov (and Robert Silverberg) is bad, Isaac Asimov has ideas to spare, the Wikipedia entry for The End Of Eternity, “what clever idea can I use, in time travel, that hasn’t been used before”, time loops, time barriers, “are you your own grandpa?”, Poul Anderson’s time corps, bureaucracy, how does time travel work?, time travel is discovered, eternity is a place outside of time, powering a time travel technology is easy if you can time travel, The Time Machine by H.G. Wells, the “kettle”, Ray Bradbury’s A Sound Of Thunder, A Gun For Dinosaur by L. Sprague de Camp, time lords?, Adjustment Team by Philip K. Dick, Back To The Future, remembering the works of culture and developments in realities that no longer exist, 13 different versions of the complete works of William Shakespeare, the academic background of professorial jockeying, are there two different endings for The End Of Eternity?, being outside of time, “the outside of the inside of eternity”, the malleability of reality through time travel, a limited butterfly effect, the inertia of history, killing Hitler, William The Conqueror vs. King Harold Godwinson, Genghis Kahn’s descendants, computers (the vocation) vs. computers (the devices), technicians don’t get any respect, “They feel an unspoken collective guilt which causes them to scapegoat the ‘Technicians’, the experts who actually execute Reality Changes by doing something that will alter the flow of events.”, a caste system, Minding Tomorrow by Luke Burrage, making changes by setting your mind to it, Bill And Ted’s Excellent Adventure, Harlan is a bit of a dim bulb, Demolition Man, time travel as a secret (paralleling magic as a secret), The Accidental Time Machine by Joe Haldeman, mutable realities, the grandfather paradox, unmanipulated reality, alternate history, Sidewise In Time by Murray Leinster, later Heinlein novels, unrestricted freedom in multiple realities can be extremely disheartening, Groundhog Day, infinite universes are boring, By His Bootstraps by Robert A. Heinlein, All You Zombies by Robert A. Heinlein, making a knot out of your own timeline, giving a young William Shakespeare a copy of The Complete Works Of Shakespeare, motherless objects and motherless ideas, giving your younger self an object (or advice), multiple timelines, “if that’s possible then that’s not possible”, time traveller’s convention, BoingBoing’s time travelers (I and II), European Juggling Convention 2003, Time Travel #2 Advanced Time Travel Techniques, Paradoxes For Beginners, Harlan Ellison, Murder At The ABA by Isaac Asimov, Darius Dust (dry as dust), Tales Of The Black Widowers, sexism, women are not suitable time travelers, an apocryphal tale of the Obamas, energy bodies, sending a message from the past to the future, you have an energy body but paper magazines?, a future vs. the future, The Door Into Summer, Escape Pod’s recording of All You Zombies, Asimovian characters, The End Of Eternity is about Earth, House Of Suns by Alastair Reynolds, something so big and so mind bogglingly complex, SFFaudio Podcast #073 George R. Stewart’s Earth Abides, “Gregg Margarite and that other guy (Jesse) are losers”, batshit theories, Eric S. Rabkin, Adam and Eve, fairy tales, sex, “the unconscious does exist”, Luke’s original fiction, “we do these podcasts for ourselves”, interesting bullshit, Luke’s Creative Podcast (with Gregg Margarite), “make your own podcast if you don’t like one.”
Posted by Jesse Willis