Talked about on today’s show:
North ANGER! Abbey, this is a comedy, parody and meta-gothic novel, The Mysteries Of Udolpho, an inversion, Jane Austen is hilarious, The Jane Austen Book Club (the movie), documentaries, “its very meta”, her first (and almost) last novel, the advertizement from the authoress, fashions of literature and clothing, Tilney and Thorpe, the price of everything, a braggart, going afoul, a terrible sketch,
A Jane Austen Education: How Six Novels Taught Me About Love, Friendship, And the Things That Really Matter by William Deresiewicz, don’t just believe what everybody teaches you, desperate characters, Pride And Prejudice, letting you think, going along, women are supposed to be passive, a woman’s only right is to refuse, railroaded by stronger personalities, “…born to be an heroine”, a mundane life, Catherine is living her life in the third person as a Gothic romance heroine, 1,000 alarming presentiments, romance subverted, The Mysteries Of Udolpho as a less realistic and hyped up version of Northanger Abbey, the labyrinth is society not Mrs. Radcliffe’s Apennines, Emma, Mrs. Allen, it’s just not done, Isabelle’s master list of Gothic Novels, “there’s nothing I wouldn’t do for someone who isn’t my friend”, an open conversation, “I wish we knew someone here”, she’s 15, true to human nature, the arch narrator, hands and heads in the proper number to go around for all the children, Frederick, I’ve broken with my father, just like in a Gothic novel, the (BBC) audio drama of The Mysteries Of Udolpho, “you should really try Ursula K. Le Guin”, absolutely horrid!, the black wardrobe!, a character sketch (illustrated below), “She seized, with an unsteady hand, the precious manuscript, for half a glance sufficed to ascertain written characters; and while she acknowledged with awful sensations…”, a washing bill!, Eleanor, everything is explained, the volumes, a rushed ending?, the mysterious messenger, Henry’s true character, reining in your own imagination, Washington Irving’s The Legend Of Sleepy Hollow, he’s spooking himself, the description of the birds, the slaves, New York, giving facts and making comments, we are doing a lot of the colouring, the one thing we know about readers is that they read, the reading process, the black veil <-is from The Mysteries Of Udolpho, The Minister’s Black Veil by Nathaniel Hawthorne, a very funny (as in curious) story, Castle Of Otranto by Horace Walpole, supernatural elements, the refinements, the timelessness, Phyllis Whitney, Mrs. Radcliffe, The Oval Portrait by Edgar Allan Poe, what went wrong?, The Turn Of The Screw by Henry James, Herman Melville’s Billy Budd, The Devil To Pay, Sir Walter Scott, H.P. Lovecraft, Georgette Heyer, Northanger Abbey as a modern novel by Val McDermid, a YA novel, Fahrenheit 451, serving as a feeder, everybody is reading these trashy novels, an impassioned defense of the novel, you can’t live your life as if it was a novel, two movie adaptions, the 2007 ITV production, plot shorthand, Lord Byron, something terrible coming out of London, two tombstones and a lantern on the frontispiece, all of Jane Austen’s books have soldiers in them, a timeless focus on the people, when Julie met Jenny, these are characters not plots, sitting at the piano, The Many Lovers of Jane Austen, a Texas convention, with Klingons and Kirks, WWI, cigarettes and something to read, Mansfield Park, Mrs. Allen but with an edge, Juliet Stevenson as a narrator, 170 books read (in 2014), reading speed, a stumbling savourer, The Pickwick Papers by Charles Dickens, solitary reading vs. group reading, trains boost reading, “drawing room reading like singing, piano playing, and card”, scandalous reading, reading out loud, David Timson’s Dickens narrations, dramatic readings, Dickens invented the audiobook, Charles Dickens And The Great Theatre Of The World by Simon Callow, Elizabeth Klett’s reading of Carmilla, oh my!,
I leave it to be settled, by whomsoever it may concern, whether the tendency of this work be altogether to recommend parental tyranny, or reward filial disobedience.
“Who? What? Your love? Well, that’s super”, he was not in the least addicted to locking up his daughters,
“…and he was not in the least addicted to locking up his daughters. Her mother was a woman of useful plain sense, with a good temper, and, what is more remarkable, with a good constitution.”
surrounded by children, they all have to tucked in, they’re genteel, it was wet that day, a good introduction to Jane Austen.
Posted by Jesse Willis
The SFFaudio Podcast #227 – The Dreams In The Witch House by H.P. Lovecraft; read by Julie Hoverson. This is a complete and unabridged reading of the novelette (1 hour 42 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Julie Hoverson, Mirko Stauch, and John Feaster.
Talked about on today’s show:
1933, a pretty terrible Lovecraft story, which story?, science fiction vs. horror, crappy cheesy, Julie’s audio drama adaptation of The Dreams In The Witch House, bad ending vs. interesting journey, nobody wants August Derleth to be right, Mirko likes it, a magnificent failure?, an unusual narrative, standard witch story #4, The Size Of The Universe by Willem de Sitter, is the Dark Man made out of dark matter?, the first fanfic Mary Sue writer, Hypnos, witches, magic, what does a being from beyond space need with baby guts, why is Nyarlathotep crusing the streets with a dude in his pajamas?, Prohibition, a supervillain squad, a nerve specialist, Herbert West, Re-Animator, Douglas Adams, space is really really really big, the total perspective vortex, Lovecraft humour, Pickman’s Model, Walter Gilman is blind to the danger, the Masters Of Horror adaptation, The Whisperer In Darkness, The Colour Out Of Space, a homesteading concept, Darkest Of The Hillside Thickets, The Shadow Out of Tim, the science fiction aspect, a scary fascination, the sunburn, the blown out ear drums, Azathoth, the Pythagorean view, “everything is made of numbers”, mathematics, Galen, is Keziah Mason dead?, is Walter Gilman doomed from the start?, Brown Jenkin looks like Chuck E. Cheese, what is Brown Jenkin?, witches familiars, Blackadder, “bloody milk!”, bubbles -> Beelzebubbles, modern witches, “the witch stole my penis”, mob mentality, Caligula, proscription, Crassus, the Polish landlord and tenants, a drunken loom-mender?, the looming evil, the cross prayer, the cross giver, the cross as a weapon, Walpurgis Night, the skeleton is quantum physics, Halloween, the maypole, the Brocken, pagan rituals, prank gardening, tree stealing, mascot kidnapping, “excessively religious”, Elwood, The Thing On The Doorstep is internally logical, Tales From The Crypt, Lovecraft’s racism, The Haunter Of The Dark, presenting light, superstition, Mount Everest, icky areas, Lovecraft’s characters aren’t into self-preservation, 1960s, addiction, psychedelics, helmet refusers, “outspokenly Wiccan”, The Call Of Cthulhu RPG, 20 sided die, weird angles, 4 sided die, Julie’s die scar, sharp Doritos, caltrops, “grimoire”, sleeping on Elwood’s couch, a cohesive awesome, the endings, the star wanderings, Beyond The Wall Of Sleep, Polaris, an obsession with evil stars, astral projection, the movement of the stars, Lovecraft’s astronomic efforts, The Festival, a weird plot thread, Lovecraft as an untethered balloon, there’s a lot of puppy dog in H.P. Lovecraft, “the poky little Lovecraft”, Montreal, a historical-building-o-phile, Bingo The Birthday Clown, Star Crunch (a Lovecraftian sponsor), “a field of red jelly with bones floating in it”, hot dog water, ultimately everyone is consumed, Tunus the Unstoppable, a soap opera with only three people, an anthropomorphic supercomputer, Krusty the Klown, a fascinating unpleasant series, The Lovecraft Five, Facts Concerning The Late Arthur Jermyn And His Family, He, The Picture In The House, H. Rider Haggard’s She done as a comedy, Brown Monkey’s The Dreams In The Witch House, Uncle George’s House Party, 19 Nocturne Boulevard, The Hole Behind Midnight by Clinton Boomer, Broken Eye Books’s Kickstarter, a professional audio novel, a giant evil naked clown, the HPLHS movie adaptation of The Whisperer In Darkness, the changes, Mr. Jim Moon’s review of The Whisperer In Darkness, it’s fucking terrifying, Julie’s reading, Julie loves to play crazy old people, a love letter to H.P. Lovecraft, “fun, surprising, and terrifying”, The Creeping Unknown, more suspense and less action, Charles Fort (played by Andrew Leman), Septimius Felton by Nathaniel Hawthorne, “Doctor Portsoaken”, “Robert Hagburn”, Charles Dickens, Curse Of The Crimson Altar, Die, Monster, Die!, The Curse, Thriller, Pigeons From Hell, The Resurrected, Bleeders (aka Hemoglobin), a micro-budget with Rutger Hauer.
Posted by Jesse Willis
The SFFaudio Podcast #216 – The Pit And The Pendulum by Edgar Allan Poe, recorded by Paul Michael Garcia for Spoken Freely: Going Public In Shorts.
Experience Edgar Allan Poe’s chilling short tale of the torments endured by a prisoner of the Spanish Inquisition.
The story is also available on Downpour.com right now.
Previously, Gabrielle de Cuir’s narration of Prince Bull by Charles Dickens is HERE. And next up, will be Dick Hill’s narration of Two Illuminating Stories: The Story Of The Bad Little Boy, and The Story Of The Good Little Boy by Mark Twain, that’s HERE.
Posted by Jesse Willis
The SFFaudio Podcast #214 – The Shadow Over Innsmouth by H.P. Lovecraft; read by the fabulous Mike Bennett. This is a complete and unabridged reading of the novella (3 hours 2 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Julie Hoverson, and Mr. Jim Moon.
Talked about on today’s show:
My only holy book, Deities & Demigods, Deep Ones, Dagon, serving the will of Cthulhu, “they can only be killed by violent death”, why are they evil, seafood, miscegenation, the war on alcohol, they like to drink and wear jewelry, are there Deep Ones in Guantanamo Bay?, only crackers and soup, Innsmouth, Massachusetts, Captain Obed Marsh, persuaded to breed with a deep one, immortality, 19th century, “festering quietly”, “a nice family reunion”, why is The Shadow Over Innsmouth so cherished?, Call Of Cthulhu The Dark Places Of The Earth, a Skyrim mission, Dagon and Mother Hydra, Dagon, New England Tahitians, Walter Gilman in The Dreams In The Witch House, The Thing On The Doorstep, Doctor Who’s The Sea Devil is The Shadow Over Innsmouth with less schtupping, The Silurians, can’t go wrong with a good sea monster, The Creature From The Black Lagoon, Julie’s adaptation will have more sex!, Alan Moore’s Neonomicon, g-men, an Esoteric Order Of Dagon style-cult, a traumatic read, the end, the film of Dagon (set in Spain), Stuart Gordon, Castle Freak is one of the best dramatic Full Moon films, the Masters Of Horror adaptation of The Dreams In The Witch House, The H.P. Lovecraft Historical Society adaptation (Dark Adventure Radio Theatre), the framing story, The Statement Of Randolph Carter, who is our protagonist confessing to?, Double Indemnity, heredity and atavism, 1920s, 1930s, Zadok Allen, Julie’s adaptation of The Rats In The Walls, The Picture In The House, female characters in Lovecraft, Cool Air, Lovecraft cares about words, House Of The Dead, the San Juan Islands, the naming of islands, Lovecraft crafts with love, August Derleth!, “the full gibbous moon”?, racism, the “Gilman Inn” is a pun, The Whisperer In Darkness, he’s there for the architecture, “reluctant fascination”, that old uncle who smells weird, The Shuttered Room by August Derleth, the worst fanfic writer ever, posthumous collaboration, Fishhead by Irvin S. Cobb, The Harbor-Master by Robert W. Chambers, an inbred wild-man, local rednecks, “a bit too close to the sea”, an economic depression, isn’t it a good deal?, arranged marriages, what’s with the Innsmouth Chamber Of Commerce?, in the Octopus’ garden, Brown Monkey, Dick Dynamo: The Fifth Dimensional Man, meta, 118 Migration, Afterlives (a Bangsian fantasy), the golden era of internet audio drama, a new idea, Hypnobobs, classics vs. moderns, old books have vocabulary, Jack London, MTV saturated audiences?, Goodreads reviews of Dracula, Fifty Shades Of Grey, atheist vicars?, the stress on the importance of reading may breed bad books, teachers pick books with big social value, Little Dorrit by Charles Dickens, A Christmas Carol, turning kids off literature, Wilkie Collins, The Moonstone, using Robinson Crusoe as a guide to life, police procedural, obstreperous, The Murders At The Rue Morgue by Edgar Allan Poe, the audiobook of The Moonstone.
Posted by Jesse Willis
After talking about it on the last SFFaudio Podcast NEW RELEASES/RECENT ARRIVALS episode, I decided we really needed to know exactly which classic stories were being ripped-off in the new Audible Frontiers collection entitled Rip-Off!.
I’ve also made a note of the narrator for each story. And, while I’m at it I should tell you that nearly every story is an hour long. Every story with the exception of James Patrick Kelly’s (which runs about 90 minutes) and Tad Williams’ (which runs just over 26 minutes).
Edited by Gardner Dozois; Read by various readers
Audible Download – Approx. 12 Hours [UNABRIDGED]
Publisher: Audible Frontiers
Published: December 18, 2012
In Rip-Off!, 13 of today’s best and most honored writers of speculative fiction face a challenge even they would be hard-pressed to conceive: Pick your favorite opening line from a classic piece of fiction (or even non-fiction) – then use it as the first sentence of an entirely original short story. In the world of Rip-Off!, Call me Ishmael introduces a tough-as-nails private eye – who carries a harpoon; The Wonderful Wizard Of Oz inspires the tale of an aging female astronaut who’s being treated by a doctor named Dorothy Gale; and Huckleberry Finn leads to a wild ride with a foul-mouthed riverboat captain who plies the waters of Hell. Once you listen to Rip-Off! you’ll agree: If Shakespeare or Dickens were alive today, they’d be ripping off the authors in this great collection. As a bonus, the authors introduce their stories, explaining what they ripped-off – and why. Rip-Off! was produced in partnership with SFWA – Science Fiction & Fantasy Writers of America. Gardner Dozois served as project editor.
Annotated table of contents:
Introduction by John Scalzi, read by Scalzi
Fireborn by Robert Charles Wilson – Introduction by Wilson, inspired by a “Rootabaga” story by Carl Sandburg – Read by Khristine Hvam
The Evening Line by Mike Resnick – Introduction by Resnick, inspired by Pride And Prejudice by – Read by L.J. Ganser
No Decent Patrimony by Elizabeth Bear – Introduction by Bear, inspired by Edward II by Christopher Marlowe – Read by Scott Brick
The Big Whale by Allen M. Steele – Introduction by Steele, inspired by Moby Dick by Herman Melville – Read by Christian Rummell
Begone by Daryl Gregory – Introduction by Gregory, inspired by David Copperfield by Charles Dickens – Read by Jonathan Davis
The Red Menace by Lavie Tidhar – Introduction by Tidhar, inspired by The Communist Manifesto by Karl Marx – Read by Stefan Rudnicki
Muse Of Fire by John Scalzi – Introduction by Scalzi, inspired by Henry V by William Shakespeare – Read by Wil Wheaton
Writer’s Block by Nancy Kress – Introduction by Kress, inspired by Paul Clifford by Edward Bulwer-Lytton – Read by David Marantz
Highland Reel by Jack Campbell – Introduction by Campbell, inspired by Macbeth by William Shakespeare – Read by Nicola Barber
‘Karin Coxswain’ Or ‘Death As She Is Truly Lived’ by Paul Di Filippo – Introduction by Di Filippo, inspired by Huckleberry Finn by Mark Twain – Read by Dina Pearlman
The Lady Astronaut of Mars by Mary Robinette Kowal – Introduction by Kowal, inspired by The Wizard Of Oz by L. Frank Baum – Read by Allyson Johnson
Every Fuzzy Beast of the Earth, Every Pink Fowl of the Air by Tad Williams – Introduction by Williams, inspired by the Book of Genesis by anonymous – Read by Marc Vietor
Declaration by James Patrick Kelly – Introduction by Kelly, inspired by The Declaration Of Independence by Thomas Jefferson – Read by Ilyana Kadushin
Posted by Jesse Willis
Talked about on today’s show:
the classic Tarzan yodel, the dum-dum service, Tarzana, California, those beautiful Burroughsian run-on sentences:
“From this primitive function has arisen, unquestionably, all the forms and ceremonials of modern church and state, for through all the countless ages, back beyond the last uttermost ramparts of a dawning humanity our fierce, hairy forebears danced out the rites of the Dum-Dum to the sound of their earthen drums, beneath the bright light of a tropical moon in the depth of a mighty jungle which stands unchanged today as it stood on that long forgotten night in the dim, unthinkable vistas of the long dead past when our first shaggy ancestor swung from a swaying bough and dropped lightly upon the soft turf of the first meeting place.”
A Connecticut Yankee In King Arthur’s Court by Mark Twain (and SFBRP #151), Edgar Allan Poe should be read aloud, The Return Of Tarzan, racism, Esmeralda, Gone With The Wind, minstrel shows, Chicago, Arizona, the mammy archetype, radio drama racism, Jar Jar Binks, Star Wars: Episode III, October 1912, historical dialect, Jane (the white lady), “you just shot a woman in the head”, cannibalism,
Conan Tarzan lynches his mother’s killer, rope tricks, out of context vs. in context, Tarzan as a god, Ballantine Books, the dum-dum scholars, Project Gutenberg edition, ERB Incorporated, Tarzan The Censored by Jerry L. Schneider, Tarzan Of The Apes censorship and “improvements” since the original publication, “an English grammar Nazi”, The Heathen by Jack London, taking out or changing a few words can hurt the story, Earnest Hemingway and William Shakespeare are “too wordy”, Tab Cola, Tarzan’s relationship with the cannibal villagers, “mankind and civilization aren’t”, colonialism, the Belgian Congo, King Leopold II, contemplating cannibalism, “the white god of the woods”, Greystoke: The Legend of Tarzan, Lord of the Apes (1984), Wisconsin, Tarzan’s ape father is driven away by Kerchak (and turned into a museum exhibit), “the Evil village of Scotland”, the sadness that comes with the deaths is powerful, Paul D’Arno, Obi Wan Kenobi, “Tarzan was the blockbuster hit of the twentieth century”, A Princess Of Mars, Ruritania, The Mad King, “complete in one issue”, All-Story, the scanty Science Fiction elements, feral children, Romulus and Remus, Mowgli, Tarzan is a wild child, “this line from a book”, all of Burroughs characters are excellent language learners, when Tarzan writes a note, Lord Of The Jungle (Dynamite Entertainment), the mistaken dual identity, “Jane has massive bosoms”, Green Mansions (starring Rima, The Jungle Girl), Johnny Weissmuller, “the Sheena of South America”, Audrey Hepburn and Anthony Perkins, Psycho, significantly more significant, the primary driver of fiction of this period is character, Nancy Drew, book serials, Rudyard Kipling dissed Burroughs’ writing and grammar, White Fang is kind of like Tarzan Of The Apes, first person vs. third person, you can’t admire the character from afar if the story is told first person, Sherlock Holmes, “that turn towards character is a turn towards the third person omniscient POV”, “that heroic distance” (1910-1950), Raymond Chandler, “I read Chandler”, Tarzan is the only Burroughs series that doesn’t turn to first person narration, John Carter’s character, why is Tarzan such a big character, Tarzan Alive: A Definitive Biography Of Lord Greystoke by Philip José Farmer, Tarzan as a quiet sophisticate, Doc Savage, The Green Odyssey by Philip José Farmer, Farmer is a fan of character, a stranger in a strange land, what ruined Julie for religion, The Mastermind Of Mars (is PUBLIC DOMAIN), “Tur is Tur.”, copyright, copyfight, jungle Tarzan vs. cafe absinthe drinking Tarzan, “the machine”, the Weissmuller Tarzan, where does he get his razor?, “that knife was his father”, “next book please”, Tarzan And His Mate , “lots of wet people”, “skin friendly”, melon-farmer vs. motherfucker, Boy and Cheeta are Hollywood, Scrappy-do, what did Tantor have to say?, Sabor the lioness, “there are no tigers in Africa, Ed”, Crocodile Dundee, Beyond Thirty, The Mucker, yellow peril looking dudes, The Girl From Hollywood, The Man Eater, early road trips, The Land That Time Forgot, The Lost World, the Caspak series, WWI, “sheer headlong adventure”, The Asylum, closing words, “it’s not what you think”, “really really good fun”, baby ape skeleton in the cradle, a classic of writing, a touching story, “and vengeance is his”, serialization in newspapers, cliffhangers, Charles Dickens, Wilkie Collins,
Posted by Jesse Willis