C.S. Lewis – A Life: Eccentric Genius and Reluctant Prophet
By Alister E. McGrath; Read by Robin Sachs
13 hours 56 minutes [UNABRIDGED]
Publisher: Oasis Audio
Themes: / biography / religion / fantasy / medieval literature
Before setting out on this review, I must apologize for the liberal use of the first-person pronoun, which I normally use sparingly. This book intersects my personal and professional interests at several points, so I’m not even going to attempt an objective, impartial review, if such a thing is even possible. I am, as Lewis was, a student of medieval literature, though I can only dream of reaching his depth of knowledge and scope of imagination in this field. Furthermore, I undertook part of my studies at Oxford University, which was home to Lewis for much of his life. The City of Dreaming Spires, as Matthew Arnold called it, exerted a profound influence on Lewis’s life and work, and having walked its winding cobbled streets and ancient quadrangles it’s easy to understand why. Last, but certainly not least, Lewis’s Chronicles of Narnia had a profound impact on my intellectual and imaginative development as a child. In this I suspect I’m not alone, and I hope this review will encourage readers to learn more about the life and mind behind one of the wellsprings of modern fantasy.
Before discussing the biography itself, I should say something of its author. Though currently Professor of Theology at King’s College, London, McGrath’s previous post was in Oxford, where I had heard his name spoken with a great deal of respect while I was there. The biography lists ever so slightly in the direction of Christianity, reflecting its author’s background in theology and apologetics, but on the whole it’s a balanced work firmly grounded in scholarly research of Lewis’s works and correspondence. The biography, of course, deals extensively with Lewis’s religious and spiritual development so central in his life and work, but the work by no means white-washes Lewis’s life or even his faith. This audio recording is preceded by an interview with McGrath, whose calm, measured voice assures us as listeners that we’re chosen a trustworthy guide down the path of Lewis’s life.
Like most biographers, McGrath takes a strictly chronological approach, with very few detours either to backtrack or to foreshadow. The narrative takes us through Lewis’s birth and childhood in Northern Ireland, through his lengthy tenure at Osxford University, to his final years as Professor of Medieval and Renaissance English at Cambridge. The biography strikes a delicate balance between Lewis’s rich inner life as reflected in his writings and his sometimes tumultuous outer. In the former case, McGrath devotes considerable space to Lewis’s conversion experience and subsequent development of his spirituality. As an academic, I was also pleased that Lewis’s scholarly works, notably on Edmund Spender’s Faerie Queene and Milton’s Paradise Lost, receive some attention. In regards to Lewis’s personal life, the biography charts Lewis’s many professional disappointments resulting from his popular religious work and the rift that formed between Lewis and other Oxford academics. Lewis’s relationships also receive some attention, in particular his long-running peculiar arrangement with the older Mrs. Moore and his controversial marriage to Joy Davidman. Of course, there is significant interplay between Lewis’s inner and outer lives, and McGrath expertly weaves these strands together to illustrate how one sometimes influenced the other. The book concludes by reflecting on the rise of Lewis’s reputation in various circles, religious and popular, after his death in 1963.
Two whole chapters are dedicated to Lewis’s development of The Chronicles of Narnia. McGrath packs a lot of material into these relatively few pages, from Narnia’s inception in Lewis’s mind, to the debate over the proper reading order of the books (Lewis’s ordering, order of publication, or internal chronology), to the works’ modern reception, especially Philip Pullman’s criticism. This section also manages to delve a little deeper, too, highlighting the philosophical and theological underpinnings of this imaginative, not imaginary, world. McGrath deals with the question of whether Narnia is an allegory, and also links the work to Plato’s Republic and the allegory of shadows in the cave. Obviously this is a lot of topics to cram into so little space, and I would have liked a more thorough treatment, but to be fair this is a biography, not a work of literary criticism. McGrath has promised a fuller, more scholarly edition of this book in the near future, which will likely feature copious footnotes providing a wonderful paper trail for the Narnia enthusiast eager to learn more. SFFaudio readers should also note that Lewis’s lesser-known Space Trilogy also receives brief treatment in this biography.
Though built on academic bedrock, C.S. Lewis: A Life is written in a lively, accessible style. McGrath uses Lewis’s own words, or the words of his associates, when possible, which imbues the book with a sense of immediacy and authenticity to the work. I sometimes felt as though I were in the room with Lewis, Tolkien, and the other Inklings as they discussed important religious, mythological, and literary matters. Like Lewis himself, McGrath also has a way of explaining complex intellectual and theological matters in a way that an average reader like me can understand. This is, in my view, the hallmark of any solid intellectual or literary biography. My only criticism of the book, and it’s a trifling one, is that McGrath hardly even alludes to any sexual relations between Lewis and Mrs. Moore, or later between Lewis and Joy Davidman, even though it’s obvious there was some sort of sexual element to these relationships. Perhaps McGrath found this matter distasteful, or thought the book’s Christian readers would. In any case, this omission is to me the one glaring lacuna in an otherwise thorough life story.
Robin Sachs’s stately narration lends the perfect air of British respectability to the audio edition. His pronunciation of some of the book’s more arcane linguistic and literary terms are, for the most part, spot on. As mentioned earlier, the inclusion of an interview with Alister McGrath, is a welcome addition, and provides additional insights into an already insightful work. Another minor quibble: I feel the interview should have been included at the end of the audiobook, rather than the beginning. I prefer to go into a book unbiased by the author’s later thoughts on the book. Again, though, this quibble is very minor. What does conclude the audiobook, however, is an amazing recording of Lewis at his deep-timbres lecturing finest.
There are certainly many other windows into the lives of C.S. Lewis, J.R.R. Tolkien, and the other Inklings. Despite the influence of these authors on my own life, I have to admit I have not read most of these other works. So I’m very glad that one of the first I’ve read has proved to be such an enlightening and entertaining journey, (mostly) free from the partisanship and polarity that plague some biographies of relatively recent figures. I can’t think of many readers who wouldn’t benefit from or at least be entertained by Alister McGrath’s C.S. Lewis: A Life.
Posted by Seth Wilson
The SFFaudio Podcast #220 – The Machine Stops by E.M. Forster; read by Elizabeth Klett (for LibriVox). This is a complete and unabridged reading of the story (1 hour 13 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Professor Eric S. Rabkin, and Mr. Jim Moon.
Talked about on today’s show:
Novelette or novella, novellini?, E.M Forster wrote some Science Fiction?, genre boundaries, H.G. Wells, adventure, horror, The Time Machine, a critique of English society, dystopias, diegesis, a didactic approach, The War Of The Worlds, a bogus bifurcation of the body and the spirit (or the mind), ambiguous possibility, the “Machine” of the titles, Morlocks and Eloi, a reversal, a complement, prophetic vs. appropriate, looking through my blue plate, this book is the biggest existential critique of my lifestyle, it was lovely to meet Jim and Eric, a caricature and a critique, blackberry season, a swaddled lump of flesh, a curiously intrusive narrative technique, a fable, author backchat, in C.S. Lewis’ Narnia, J.R.R. Tolkien, lampshading, breaking the fourth wall, an aural phenomena, a fable, a parable, philosophical scenarios, Plato’s Myth Of The Cave, The Republic, Socrates, ontological imaginary equivalents, The Metamorphosis by Franz Kafka, the narrator isn’t exactly human, “back chat”, man is not necessarily the measure of all things, empiricism vs. rationalism, the unanswerable questions of the stars, everyone is a lecturer in the future, “second hand ideas”, the French Revolution not as it was but as it might be in our society, Alexander The Great’s monstrous rampage through Asia, “the juice of the individual human experience”, we have many books, books as experience generators, Ion, J.R.R. Tolkien, “there is a muse”, the rhetor, aiming out of the subterranean, why are we obsessed with essays?, SAT style essays, a quasi-Aristotelian view of happiness, what does a happy horse look like?, fleet fleets make happy shipwrights, happiness verb, man is not an animal like the others, the body doesn’t matter, man is a mind, big fat babies, the wealthy vs. the working, the bloom of Victorian society (men in sheds), a satire of academia, the Logical Positivists, natural deductive logic, Mr. Jim Moon does a lot of research, rehashing, Terry Jones, Christopher Columbus, Nathaniel Hawthorne, an unexpected continent, the North-West Passage, telling powerful and relevant, the use of the word “idea”, “forms”, Rene Descartes, interpenetration, Orion, the hunter giant,” when you give a bad podcast do you ask for euthanasia afterwards?”, you’re not there for the characters, a very erudite story, Vashti (from the Book of Esther), Purim, the worst possible kind of mother, “the book”, unmechanical, religion, what is the machine exactly?, is the machine Capitalism? Google? Wikipedia? The Internet? Communism?, the beds only come in one size, the six sided cell, a hive society, command societies, totalitarianism, “machines are in the saddle and ride mankind”, the trains make us run on time, a network of machines is the Machine, a perfected machine disallows individuality, “In the dawn of the world our weakly must be exposed on Mount Taygetus”, the worship of Helios, Ancient Greece, the homeless don’t die, despite being set in the future this is a danger in human existence, a perfect social system (utopia), an inversion of the ancient Spartan technique, not to go against the Greek, an inversion of the Garden of Eden story, in real life, a very disturbing story, a hopeful ending, a white snout, sexual competition as in Dracula, have we learned our lesson?, a passion for connection, Wall-E, infantilized adults, vomitorium, Logan’s Run, We by Yevgeny Zamyatin, an anti-romantic Eden, “they give me no ideas”, “metal blind”, Brave New World by Aldous Huxley, E.M. Forster invented Skype?, pneumatic tube, Paris, Looking Backward by Edward Bellamy, the business of Science Fiction isn’t technological prediction, a totalizing synergy, the blue slates, an Edwardian future, the machine religion, humans enslaved by their own social attitude, Cory Doctorow, the mending committee doesn’t know how to fix anything, personifying and deifying the machine, Voltaire’s “The better is the enemy of the good.”, Protagoras, the Sophists, a sophist editorial cartoon, give me money and pay attention to me, an incredibly weak story with spectacularly fruitful ideas, what does it mean to say “I read something and liked it?”, The City And The Stars by Sir Arthur C. Clarke, its left to us to ponder some very deep questions, we’re not at The City And The Stars tech yet, the 1970s and the 1990s was the time for Brave New World, complementary drugs, the work and the context we read them in, recycling of knowledge and group consensus, exciting and relevant for our time, where and when we are when we first read something is important, Against The Fall Of Night, The Catcher In The Rye, To Kill A Mockingbird, Have Space-Suit, Will Travel, Little Brother, the civilized society and the outer savage, Dr. Eric & Mr. Moon.
Posted by Jesse Willis
The SFFaudio Podcast #209 – The Door In The Wall by H.G. Wells, narrated by Jason Mills (from LibriVox). This is a complete and unabridged reading of the short story (40 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Mirko and Mr. Jim Moon.
Talked about on today’s show:
1906, Mirko’s choice, Audrey , The Night Bookmobile by Audrey Niffenegger, Astrid Lindgren, a weird subject, Kingdom Of The Ants, The Flowering Of The Strange Orchid, The Sea-Raiders, fairy tales, the one video adaptation of The Door In The Wall, bitey leopards, open symbolism, premonitions, the garden as a symbol of that what was missing, “there’s more than just the hard headed practicalities”, all the things that it is not, nostalgia, do I have a green door in my life?, “not-stalgia”, happy memories, that longing for things that could have been, the wall appears at critical moments in his life (and the lives of others), the story is front loaded, is it the garden of Eden?, a striking list, untended flowers, no weeds, spikes of delphiniums, red steps, marble, fountains, a sundial, distant hills, London, not-London, parquets, the two spotted panthers, Odysseus and Circe, turning men into animals, the “very clean” capuchin monkey, this way and that way, the fair girl’s first word is “Well?”, “old man musing among laurels”, is the old man him?, the dark woman with a book, The Interpretation of Dreams by Sigmund Freud, The Red Bird, “the mother of all childs”, becoming a librarian in real life, suicide, was the last door a false door?, “the grave mother”, is she fate?, the portal into Narnia, The Tomb by H.P. Lovecraft, only kids and teenagers can see the door, a reversal of Narnia, Weena’s garden in The Time Machine, idiot playmates, the idyllic garden is not a place of struggle, the false Eden of The Time Machine, women’s voting rights?, an escapist life vs. an active participation in society, “how does this apply to the real world?”, Wells’ own life, Lionel Wallace sacrifices his life (until he stops), showing up, it can’t be an accident that the main Wallace is a politician, The Music Of Erich Zann, Pickton’s Model, missing streets, The Window To Another World by Lord Dunsany, The Crystal Egg by H.G. Wells, “‘So what do you know about panthers?’ I said.”, Dionysus, a dichotomous god (the opposite of Apollo), the panther symbolizes the overcoming of earthly desires, H.G. Wells’ peccadilloes, there’s much material in this small story, the incidences of the door increases, science and reality vs. illusion, “the reader must judge for themselves”, the perfect summer, Ray Bradbury, idealized fantasy landscapes, vivid and indistinct, does the garden have visitors and permanent residents?, the gallery, the last page, in turning that page of realities he is suddenly back on the street, The Lion The Witch And The Wardrobe, “the can live whole lives in there”, the Goodreads reviews, Doctor Who, dalek playmates, Neverland, C.E. Weber, “it is our old friend the dear old magic door”, Star Trek’s holodeck, Behind The Green Door, a private members club, the narrative style gives a documentary distance, Nyarlathotep, The Crawling Chaos, Fungi From Yuggoth, Wells didn’t write sympathetic characters, The Country Of The Blind, The Invisible Man, flawed humanity, pull it back sir and get a life.
Posted by Jesse Willis
The SFFaudio Podcast #195 – Polaris by H.P. Lovecraft, read by Jim Moon. This is a complete and unabridged reading of the short story (11 Minutes) followed by a discussion of it by Jesse, Tamahome, Jim Moon.
Talked about on today’s show:
The Philosopher (an amateur magazine), is this a Christmas story?, The Festival, Lord Dunsany, The Necronomicon, Lovecraft’s Christianity, religion vs. Tradition, Lovecraft’s relationship to his characters, WWI, eldritch gibbering, fainting fits, Lovecraft loved his snoozing, reincarnation vs. mind transfer, time travel, alternate realities?, neanderthal in North America?, what is the setting?, The Horror Of The Museum, The H.P. Lovecraft Literary Podcast, swamps vs. bogs vs. fens, “Eskimos” vs. “Inutos”, dishonorable dirty fighting, The Shadow Out Of Time, Dagon, The Call of Cthulhu, The Tomb, it’s The Outsider in reverse, Atlantis, Athens, Lemuria, the Land of Lomar, Clark Ashton Smith, Robert E. Howard, Hyperborea, King Kull, Mu, the Dream Lands, atavism, The Rats In The Walls, “a penchant for strange foods”, Jack London, Carl Jung, race memory, the evolutionary path, dishonorable yellow hordes, the yellow peril, “line up and die”, startings and endings, repeated phraseology, a dunsany-esque story, the Dunsany mode, Edgar Allan Poe, its like an extended prose poem, Silence: A Fable, Shadow: A Parable, Ligea is labyrinthine, “battered by adjectives”, The Highwayman by Lord Dunsany, poetic stories, accessible Dunsany stories, In The Fields We Live, “sinister, whimsical, and beautifully odd”, Victorian magazines, The King Of Elfland’s Daughter, C.S. Lewis, Michael Moorcock, world-building, a consistency of reality, The Dream-Quest of Unknown Kadath, lost epochs, “the wisdom of the Zobnarrian Fathers”, “bubble and blaspheme”, the alien outer gods, Lovecraft’s interest in astronomy, Charles Wain (aka the plow, aka the big dipper), mapping the skies, messages and impressions, Arcturus, Cassiopeia, Aldebaran, Philip K. Dick, “the world is alive”, a leering star, astrological time, if the seeing is good…, Lovecraft’s desire to be an astronomer, Lovecraft’s formal education.
Posted by Jesse Willis
Last year somebody* pointed out that a list of “The Top 100 Sci-Fi Books” (as organized by the Sci-Fi Lists website) was almost entirely available in audiobook form!
At the time of his or her compiling 95 of the 100 books were available as audiobooks.
Today, it appears, that list is approaching 99% complete!
I’ve read a good number of the books and audiobooks listed, and while some of them are indeed excellent, I’d have to argue that some are merely ok, and that others are utterly atrocious.
That said, I do think it is interesting that almost all of them are available as audiobooks!
Here’s the list as it stood last year, plus my added notations on the status of the missing five:
01- Ender’s Game – Orson Scott Card – 1985
02- Dune – Frank Herbert – 1965
03- Foundation – Isaac Asimov – 1951
04- Hitchhiker’s Guide To The Galaxy – Douglas Adams – 1979
05- 1984 – George Orwell – 1949
06- Stranger In A Strange Land – Robert A Heinlein – 1961
07- Fahrenheit 451 – Ray Bradbury – 1954
08- 2001: A Space Odyssey – Arthur C Clarke – 1968
09- Starship Troopers – Robert A Heinlein – 1959
10- I, Robot – Isaac Asimov – 1950
11- Neuromancer – William Gibson – 1984
12- Do Androids Dream of Electric Sheep? – Philip K. Dick – 1968
13- Ringworld – Larry Niven – 1970
14- Rendezvous With Rama – Arthur C. Clarke – 1973
15- Hyperion – Dan Simmons – 1989
16- Brave New World – Aldous Huxley – 1932
17- The Time Machine – H.G. Wells – 1895
18- Childhood’s End – Arthur C. Clarke – 1954
19- The Moon Is A Harsh Mistress – Robert A. Heinlein – 1966
20- The War Of The Worlds – H.G. Wells – 1898
21- The Forever War – Joe Haldeman – 1974
22- The Martian Chronicles – Ray Bradbury – 1950
23- Slaughterhouse Five – Kurt Vonnegut – 1969
24- Snow Crash – Neal Stephenson – 1992
25- The Mote In God’s Eye – Larry Niven and Jerry Pournelle – 1975
26- The Left Hand Of Darkness – Ursula K. Le Guin – 1969
27- Speaker For The Dead – Orson Scott Card – 1986
28- Jurassic Park – Michael Crichton – 1990
29- The Man in the High Castle – Philip K. Dick – 1962
30- The Caves Of Steel – Isaac Asimov – 1954
31- The Stars My Destination – Alfred Bester – 1956
32- Gateway – Frederik Pohl – 1977
33- Lord Of Light – Roger Zelazny – 1967
34- Solaris – Stanisław Lem – 1961
35- 20,000 Leagues Under The Sea – Jules Verne – 1870
36- A Wrinkle In Time – Madeleine L’Engle – 1962
37- Cat’s Cradle – Kurt Vonnegut – 1963
38- Contact – Carl Sagan – 1985
39- The Andromeda Strain – Michael Crichton – 1969
40- The Gods Themselves – Isaac Asimov – 1972
41- A Fire Upon The Deep – Vernor Vinge – 1991
42- Cryptonomicon – Neal Stephenson – 1999
43- The Day of the Triffids – John Wyndham – 1951
44- UBIK – Philip K. Dick – 1969
45- Time Enough For Love – Robert A. Heinlein – 1973
46- A Clockwork Orange – Anthony Burgess – 1962
47- Red Mars – Kim Stanley Robinson – 1992
48- Flowers For Algernon – Daniel Keyes
49- A Canticle For Leibowitz – Walter M. Miller – 1959
50- The End of Eternity – Isaac Asimov – 1955
51- Battlefield Earth – L. Ron Hubbard – 1982
52- Frankenstein – Mary Shelley – 1818
53- Journey To The Center Of The Earth – Jules Verne – 1864
54- The Dispossessed – Ursula K. Le Guin – 1974
55- The Diamond Age – Neal Stephenson – 1995
56- The Player Of Games – Iain M. Banks – 1988
57- The Reality Dysfunction – Peter F. Hamilton – 1996
58- Startide Rising – David Brin – 1983
59- The Sirens Of Titan – Kurt Vonnegut – 1959
60- Eon – Greg Bear – 1985
61- Ender’s Shadow – Orson Scott Card – 1999
62- To Your Scattered Bodies Go – Philip Jose Farmer – 1971
63- A Scanner Darkly – Philip K. Dick – 1977
64- Lucifer’s Hammer – Larry Niven and Jerry Pournelle – 1977
65- The Handmaid’s Tale – Margaret Atwood – 1985
66- The City And The Stars – Arthur C Clark – 1956
67- The Stainless Steel Rat – Harry Harrison – 1961
68- The Demolished Man – Alfred Bester – 1953
69- The Shadow of the Torturer – Gene Wolfe – 1980
70- Sphere – Michael Crichton – 1987
71- The Door Into Summer – Robert .A Heinlein – 1957
72- The Three Stigmata Of Palmer Eldritch – Philip K. Dick – 1964
73- Revelation Space – Alastair Reynolds – 2000
74- Citizen Of The Galaxy – Robert A. Heinlein – 1957
75- Doomsday Book – Connie Willis – 1992
76- Ilium – Dan Simmons – 2003
77- The Invisible Man – H.G. Wells – 1897
78- Have Space-Suit Will Travel – Robert A. Heinlein – 1958
79- The Puppet Masters – Robert A. Heinlein – 1951
80- Out Of The Silent Planet – C.S. Lewis – 1938
81- A Princess of Mars – Edgar Rice Burroughs – 1912
82- The Lathe of Heaven – Ursula K. Le Guin – 1971
83- Use Of Weapons – Iain M. Banks – 1990
84- The Chrysalids – John Wyndham – 1955
85- Way Station – Clifford Simak – 1963
86- Flatland – Edwin A. Abbott – 1884
87- Altered Carbon – Richard Morgan – 2002
88- Old Man’s War – John Scalzi – 2005
89- COMING SOON (October 15, 2012) – Roadside Picnic – Arkady and Boris Strugatsky – 1972
90- The Road – Cormac McCarthy – 2006
91- The Postman – David Brin – 1985
92- NEWLY AVAILABLE – Stand On Zanzibar – John Brunner – 1969
93- VALIS – Philip K. Dick – 1981
94- NEWLY AVAILABLE The Cyberiad: Fables for the Cybernetic Age – Stanisław Lem – 1974
95- NOT AVAILABLE AS AN AUDIOBOOK – Cities In Flight – James Blish – 1955
96- The Lost World – Sir Arthur Conan Doyle – 1912
97- The Many-Colored Land – Julian May – 1981
98- Gray Lensman – E.E. ‘Doc’ Smith – 1940
99- The Uplift War – David Brin – 1987
100- NEWLY AVAILABLE – The Forge Of God – Greg Bear – 1987
In case you were wondering, the list was compiled using the following criteria:
“A statistical survey of sci-fi literary awards, noted critics and popular polls. To qualify a book has to be generally regarded as science fiction by credible sources and/or recognised as having historical significance to the development of the genre. For books that are part of a series (with some notable exceptions) only the first book in the series is listed.”
The “Next 100″, as listed over on Sci-Fi Lists, has a lot of excellent novels and collections in it too, check that out HERE.
[*Thanks to "neil1966hardy" from ThePirateBay]
Posted by Jesse Willis
The SFFaudio Podcast #164 – Jesse, Wayne June and Mirko Stauch talk about The House On the Borderland by William Hope Hodgson.
Talked about on today’s show:
Wayne undersold the novel, it’s shockingly interesting, you can really see the influence on Lovecraft, Supernatural Horror In Literature by H.P. Lovecraft, blasphemous hybrid anomalies, “a classic of the first water”, the framing sequence, The Willows by Algernon Blackwood, description of sense experience, the best you can expect from the universe is indifference, cosmic horror, Olaf Stapledon, Star Maker, Last And First Men, reading in translation, Chad Pfifer, the readalong concept, getting into the book, Under The Knife by H.G. Wells, the swine beasts, the sister – “she knows he’s fucking nuts”, there’s a lot of going to bed in this book, a very relatable character, Arthur C. Clarke, one of the finest works of Science Fiction ever written, marking the transition from Gothic horror to cosmic horror, 2001: A Space Odyssey, the cover art, the Corben comic book cover, the town (or street) that can’t be found, it’s a kind of haunted house story, compression of time, Einsteinian relativity, Pepper is dead and dust, Brian Stableford, Camille Flammarion, The Night Lands by William Hope Hodgson, Edgar Rice Burroughs, Percival Lowell, S.T. Joshi, parallel development, authors write cosmic horror in cosmic horror time, astronomy,
“In the future, when the end of things will arrive on this earth, the event will then pass completely unperceived in the universe. The stars will continue to shine after the extinction of our sun, as they already shone before our existence.”
Enlightenment thinking and the decline of religion – tying your own shoes for eternity, The Raven by Edgar Allan Poe, you can’t love anything in this universe, the jade house in the arena, mythological creatures, Kalpas (is Sanskrit for aeons), it’s meta, before this book we’re living in a world run by God and after this book were living in a post God world, deep time, the recluse, are the swine people are the villagers, what book is the recluse reading?, two incommensurable realities, Messrs Tonnison and Berreggnog, haunting, Clarke’s third law, Poltergeist, the door inward, the start as poets but they don’t end that way, the unnamed lover (let’s call her Lenore), The Crawling Chaos (SFFaudio Podcast #138), The Conqueror Worm by Edgar Allan Poe, The House Of Usher, Roger Caillois: “The fantastic is always a break in the acknowledged order, an irruption of the inadmissible within the changeless everyday legality” (from Au Coeur Du Fantastique), reading old literature, C.S. Lewis, a passion for commas, a gripping book (while the character’s mind wanders), a pregnant book.
Posted by Jesse Willis