Talked about on today’s show:
2012, Amazon Vine, Android Karenina, Sense And Sensibility And Sea-Monsters, Quirk Books, nurturing writers, rage, apocalyptic stories, mysteries, The End Is Nigh, BRING HER TO ME, not-technically the end of the world, wretched stragglers, going bucket-list, Tam questions, “witty questions”, would you do a podcast if you knew the world was ending next year?, more classics, cozies, get your mind on someone else’s destruction, depressing things make Jesse feel good, “a jar for urine”, Jenny would forget reading, Tam would do “something involving women”, an existential novel, the mystery is secondary to the world building, planting potatoes, four or five months, brutish and horrible and short, the belt, the hoarding, money or love or jealousy or power, real random or artificial random, red herrings, Agatha Christie, the sister, hope, she networks well, the spotty cellphone service, the literary allusions, the romantic plot arc, a lot of ore to be mined, Detective Culverson, the mother and the father, the secondary characters, the coffee shop guy, the existential stuff, On The Beach by Nevil Shute, at the dentist, it’s all going to end, Seeking A Friend For The End Of The World, Peter Berkrot is a great narrator, “Hen” is brooding, Palace like Pallas, upon the bust of Pallas, The Raven by Edgar Allan Poe, nevermore, the reverential use of “freeze motherfucker”, it’s about existence, Salvador Dalí, finding reasons for existence, suicide, doing the thing that must be done, a little case of doubling, “I finally get to do what I wanted”, a noble element, the shooting, and then there’s the dog (a bichon frise), a very well put together book, doing the romance, Alan Moore’s Watchmen, Distant Pale Glimmers, a Marvel vs. DC movie, Firefly, A Good Story Is Hard To Find, Reading Envy, Batman, emancipation or execution, the guns anomaly (AK-47), the trilogy, the second book, Concord, New Hampshire, “Live Free or Die”, Texas, “live free, then die”, first person present tense, “that noir style”, treasuring the moments, The Star by Arthur C. Clarke, Christmas, the message, where’s the seed bank on the Moon?, “think of your life as a story”, the key “Truth”, the most important thing ever, TV news is telling shitty stories, 2011 Norway Attacks, “psycho” vs. “psychotic“, “you’re not the main character”, the villain of the piece, “it would be noble, except…”, an intensification of everyday life, the rebuilding, societal change, a “novel” idea, World War Z by Max Brooks, The Reapers Are The Angels by Alden Bell, the Edgar Award, the snow, the animals, “maybe the science is off”, denying reality, seeing it with a telescope, denial doesn’t help you, The Jilting of Granny Weatherall by Katherine Anne Porter, coming to grips with mortality, assisted living movie group, alternative medicine and false hope, “a natural reaction”, quit your job and go crazy, spend time with your friends, who cares about podcasting?, “the secret to podcasting is that it’s an excuse to spend time with your friends”, podcast is a great medium, unlike The Geeks Guide To The Galaxy, “that’s not what the podcast is”, religious books, A Good Story Is Hard To Find, Reading Envy, The Inklings, the formatting is facilitating, proper flow, “super-consumable”, re-readers, “this makes you think about what’s important in your life”, “a thought provoking book”, The Source, Hank’s purpose, ‘locked town mystery’, the process, empathy, a grubby little murder, caring, the insurance office, Hank Palace cares about all these stories, a Star Trek reference, The Inner Light, Picard learns to play the flute,
Posted by Jesse Willis
The SFFaudio Podcast #247 – READALONG: On The Beach by Nevil Shute; read by Simon Prebble. Jesse fends off illness to lead us in an intriguing discussion about Nevil Shute’s apocalyptic novel. This podcast features Jesse, Jenny, Seth, and Paul.
Talked about on today’s show:
Reversed seasons in Southern Hemisphere; novel originally serialized in London weekly periodical The Sunday Graphic; “on the beach” as naval phrase meaning “retired from service”; the novel almost universally acclaimed by critics and readers alike; what is the ideal time frame for an end-of-the-world scenario?; On The Beach as bleak existential novel; the author’s avoidance of political or religious polemic; 1959 movie starring Gregory Peck, Ava Gardner, and Anthony Perkins; Australia as a secular nation; Earth Abides by George R. Stewart; Endgame by Samuel Becket; the novel as a metaphor for terminal cancer patients; The Star by Arthur C. Clarke; abstract sterile end-of-world mechanics, a “cosy catastrophe“; 2008 BBC radio adaptation; 2000 TV movie starring Bryan Brown, modernized and featuring a much more optimistic tone; Roland Emmerich’s disaster flick 2012; could the novel’s characters done more to ensure the continued survival of humanity?; fallout shelters, “duck and cover!”; Chernobyl; rampant alcoholism; euthanasia; attitudes toward media–were newspapers responsible for the war?; regression of technology in the novel; The Waveries by Fredric Brown; we wish the Cosy Catastrophe genre would supplant Paranormal Romance; reflection of a pre-WWI era arms race; 1959 movie version tackles Cold War paranoia; U.S. government’s criticism of the novel; Five Years by David Bowie; faced with the end of the world, our panel would evidently read Marcel Proust; needless revisions in film adaptations; much action takes place “off the page” in the novel; lookism; The Scarlet Plague by Jack London; Simon Prebble’s excellent audio narration; George Orwell’s 1984; Man’s Search for Meaning by Viktor Frankl and logotherapy; Jay Lake and his bout with cancer; Daphne du Maurier’s Rebecca, adapted by Alfred Hitchcock, and how we’re haunted by the people who are no longer with us; the novel’s three-dimensional characters; Nevil Shute employs typical British understatement; Lord of the Rings‘s Denethor and the idea of hopelessness; Egyptian tomb goods and attitudes towards death; Jesse plans his funeral rites.
Posted by Seth Wilson
Talked about on today’s show:
the premise, a Lovecraftian monster, malign desires upon the Earth, The Call Of The Cthulhu, H.P. Lovecraft and Philip K. Dick, dead and not dead, city vs. cathedral, what if Cthulhu was a nice god?, Robert Sheckley, Voltairian style of comedic adventure, even the ending is a joke, super-depressing dystopian earths, “a machine-like” state of being, everyone in the book is suicidally depressed, the Glimmung, everyone is afraid of failure, I want you to map all the themes and the rising action, an existential book, the value and importance of work, the best pot-healer on Earth, failed marriage, “the game is so depressing”, clever but not uplifting, this is about our society (Twitter and podcasts), totally relevant for the internet age, Molly Yoyez, Richard Matheson’s repeated theme of the disconnection between people, “he you should listen to my podcast”, at least you can laugh, the last line of the book, the best of them, instead of just fixing or healing what is broken he is becoming a creator, “the pot was awful”, Philip K. Dick’s personal relationship with religion, history, church history, Roman history, wordplay, the meaning of “Mare Nostrum”, medicine of secret composition a placebo or patent medicine, to give them hope, agape, keritas, Happy Catholic, a body of Christ analogy, the power of Jesus, Christ stands empty handed, pointless existence, existential ennui or a disaffection with a lack of meaning in the universe (going back to Lovecraft), a symbolic version of deep time, a Jungian interpretation, the collective unconscious, is Joe Fernwright trying to find his soul?, his dead self, come to terms with death, “it’s your corpse”, “I have a box I’ve made”, it’s a coffin, distraction, the book title game, there are more allusions per square inch than other novels, Faust, albatrosses, “what Christ really was”, Willis the robot, unlimited power and unlimited knowledge, why does this cathedral need to be raised?, you love things that are stronger than you, forbidden love, “he felt apathy and there was nothing to be apathetic about”, incest, Amalita and Borel, God the creator, what is a cathedral essentially?, it is a church or THE Church, the bivalve character, the Book of the Calends, people being saved through work, “the robots are more alive (and human) than the people”, “the whole thing about robots”, ignoring your programming, Costco robots, “you can’t take pictures in here”, she could disregard the policy but she chooses not to, buckle your seat-belt, “whether you have a fate or not”, Willis doesn’t just do this roboting thing (he has aspirations to be a writer), thinking of other people not as people, The Best Exotic Marigold Hotel, LEGOing, WiFi vs. wireless, “be a human being for a minute”, programmed dreams, is the book prescient?, colostomy bag installation, it is inhumane not to be full of agape and keritas and worry for other people, the scene at the spaceport, THX-1138, We by Yevgeny Zamyatin, “I gaze across the silence of the marshes”, the padre booth scene, Zen, “you have worked and not worked”, Puritan Ethic, Roman Catholic, Allah, Judaism, “a bowl of Martian fat-worm soup”, the dystopia of regulation and efficiency, friending and unfriending, if this is a book about religion…, pots are what he loves, why didn’t Joe break pots?, the spider in the cup, the little fisherman of the night, “the great fisherman of the night”, this is a book about doing not having done, aspiring and aspiration, busy work and the game, Snake by D.H. Lawrence, But even so, “from out the dark door of the secret earth”, The Rime Of The Ancient Mariner by Samuel Taylor Coleridge, the bottle in the toilet tank, was there a giant snake down there?, the bones of a Black Glimmung, the bones looked like the bones of an Ark, come and be saved (a new Testament ark), beings in distress, the Glimmung is forcing their hands, “he loved us because we were alive”, Amalita means hard work, Calends -> Calendar, taxes, the ides of March, the allusions to Faust, Faustian-man striving upwards never satisfied, overcoming our bad-selves, reconcile yourself to death, overcome a fear of failure, the pot at the end of the world, “why didn’t you try something”, God in Genesis was very Faustian, Johann Wolfgang von Goethe, co-creators with God, the swamp is the flooding of the perfect and the beautiful, Midnight In The Sunken Cathedral by Harlan Ellison, the fog-things of antiquity, infirm and senile, you can get a lot done on the telephone, Mr. Job and Mr. Lawyer, the robots are just as inhumane as the humans, the interplan corn and wheat bank, communism as absorbed into capitalism, crumbles as a unit of currency, Ploghman’s Planet, manifesting, the hovercraft, hello to you too, reading into it more, Julie wants to force Scott to read this book, poetry, Jesse reads The Raft Builders by Lord Dunsany, “hastily making rafts”, The Epic Of Gilgamesh, Robert Silverberg, other Philip K. Dick books, Philip K. Dick’s common book (The Exegesis), Galactic Pot-Healer is a piece of art, it was crafted, weaved, A Scanner Darkly, plots vs. ideas, having once thought to kill a senator, suicide, suicide by cop, upon re-reading, the use and abuse of drugs, ‘archaeologists will find him and know he was a misunderstood superman because he was holding a copy of Ayn Rand’s The Fountainhead‘, nihilism, Kurt Vonnegut, Harrison Bergeron, 2081, whack-job libertarian idea, the problem isn’t “the nanny state”, the inexplicably of Kurt Vonnegut’s popularity, the hopelessness of his books, triteness, Philip K. Dick’s deeper themes, Philip K. Dick’s simple short stories, “what is it that you find that’s better?”, the people are the pot = mind blown!, the cover art of Galactic Pot-Healer, how Glimmung manifests himself in the world is how Jesse imagines Julie, and Scott and Rose see God in the world, Glimmung has no concern for self-dignity, “Don’t lose faith. -G.”, this book is about depression, being out of work, suicide, “I have my own black dog I need to fight”, “I love this book”, “It is a great book.”
Posted by Jesse Willis
Profound despair, the bloom of outer darkness, the dead sound of a hopeless soul freezing in the utter cold of space filled the face of… The Man Who Found Out.
Having just discovered Algernon Blackwood’s terrific existential horror story, The Man Who Found Out, I am pleased to report that it breaks trail in the territories later mapped out by H.P. Lovecraft and Philip K. Dick.
There’s something fascinating and understated in the clues we get about the story’s central mystery – the purpose of existence – Blackwood knew something of magic, as this story certainly weaves a mystery at the intersection of revelation and science.
And be sure to check out the excellent audio dramatization from Radio Project X too!
The Man Who Found Out
By Algernon Blackwood; Read by Kalynda
1 |MP3| – Approx. 35 Minutes [UNABRIDGED]
Published: November 30, 2011
First published in The Canadian Magazine, December 1912.
Here’s a |PDF| of the story.
Andrew Knowlton and Marie Jones starred in the Radio Project X adaptation of The Man Who Found Out:
Posted by Jesse Willis
Derived from an incident in which he and a friend were dangerously tailgated by a large truck on the same day as the Kennedy assassination, Duel is emblematic of Richard Matheson’s queer existential fiction. It was first published in the April 1971 of Playboy.
The most accessible version of this classic story is this one, put out by Harper Audio in 2009:
Duel (from Road Rage)
By Richard Matheson; Read by Stephen Lang
1 |MP3| – Approx. 63 Minutes [UNABRIDGED]
Publisher: Harper Audio
Published: February 2009
“Driving to San Francisco, a businessman finds himself the victim of a deadly game being played by the driver of a huge, mysterious truck. Later to become Steven Spielberg’s classic 1971 film.”
But, back in 2006 BBC Radio 7 (now BBC Radio 4 Extra) did a special broadcast in honour of Richard Matheson’s 80th birthday. Along with a specially recorded interview there was also an unabridged reading of Duel. That version is available via torrent over on RadioArchive.cc:
By Richard Matheson; Read by Nathan Osgood
2 MP3s via TORRENT – Approx. 1 Hour [UNABRIDGED]
Broadcaster: BBC Radio 7
Broadcast: February 18, 2006
“A huge truck plays deadly games with an innocent motorist.”
Blackstone Audio’s collection, Nightmare at 20,000 Feet, released in 2009 also includes it:
Nightmare at 20,000 Feet
By Richard Matheson; Read by Various
10.5 Hours – [UNABRIDGED]
Publisher: Blackstone Audio
And while the movie version is currently available, in its entirety, on YouTube this short film version, recut from Spielberg’s TV-Movie is perhaps even better:
Posted by Jesse Willis
The latest StarShipSofa podcast, episode #232, features Neil Gaiman‘s 2010 novelette The Truth Is A Cave In The Back Mountains as its “main fiction.” The narrator is Richie Smith and the story begins at about 12 minutes in.
Podcast feed: http://www.starshipsofa.com/feed
iTunes 1-Click |SUBSCRIBE|
There are few words that can get me as excited about a story as “Neil Gaiman” – he’s one of only a handful of living writers that’ll make me read anything he writes.
And when a story gets podcast I tend to go a little crazy, extracting the narration from any framing bits within the podcast, running that extracted audio through Levelator, and making my own art for the resulting MP3. Like this:
I took the original cover art by the wondrous Tom Gauld from the collection (Stories) where the novelette first appeared, photoshopped it (actually Paint.neted it), used MyFont.com’s “What The Font” feature to find the font (Didot LTStd-Roman), and put it all together.
Looking at it from the outside, it probably sounds completely bonkers to you. And perhaps it is.
But what can I do?
The medication that I’ve been taking for it (two carefully measured cups of coffee every morning) aren’t reducing the behavior in the slightest. Do you think I should up my dosage?
Update: Having now finished listening, I find The Truth Is A Cave In The Back Mountains to be yet more proof that Neil Gaiman is one of the best authors of any century. What Ted Chiang is to Science Fiction Neil Gaiman is to Fantasy.
Posted by Jesse Willis