The SFFaudio Podcast #286 – The Red One by Jack London; read by Oliver Wyman. This is an unabridged reading of the novelette (1 hour 3 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Bryan Alexander, and Oliver Wyman.
Talked about on today’s show:
Bryan and Ollie, 1918, WWI, Jack London in Hawaii, a super science fiction story, H.G. Wells, existential concerns, the misogyny and racism, “unbeautiful”, London was racist and anti-racist, Lovecraft, cosmic science fiction, a beautiful sad ending, a transcendent ending, the motifs (motives), head and finger injuries, head blown off, his guide loses his head, the final head chopping, the devil devil house, twisting in the smoke, breadfruit, banyan, God’s Grace by Bernard Malamud, the Solomon Islands, Guadalcanal, the mosquitoes, headhunting, blackbirding is essentially slavery, giant butterflies, the Atlas Moth, it’s not an alien spaceship is it?, Stephen King’s Dark Tower series, Philip K. Dick, unresolved endings, a potential stage production of Flow My Tears The Policeman Said, a giant alien head, the striker has helmeted figures, ancient astronauts is the next year, 1919, Charles Fort, Erich von Däniken, Jack London’s 10 Sex Tips, Cosmopolitan -> cosmos -> cosmetology, Rendezvous With Rama by Arthur C. Clarke, The Sentinel by Arthur C. Clarke, a tripwire, a Lovecraftian sense of the universe, explorer narratives, Mungo Park, Bassett,
“And beneath that roof was an aerial ooze of vegetation, a monstrous, parasitic dripping of decadent life- forms that rooted in death and lived on death.”
Robert E. Howard, Solomon Kane, Mexico, London stole from others and his own life, journal writing, Heart Of Darkness by Joseph Conrad, “the abrupt liberation of sound”, the walls of Jericho…, two score feet in length, an alien ark, the libraries of supermen from other stars?, the Jungian analysis, a giant egg with Bassett as a sperm, Earle Labor, the ending resonates, the red one as a mandala, from a distance it appears lacquered, fever dreams, childhood hallucinations and visions, what’s the logic behind head-hunting, mortification, the other white man’s head, helmeted figures sitting inside the mouths of crocodiles, a labour of thousands of years, the twelve tribes, breadfruit is called “nimbalo” in the Solomon Islands -> “nimbus”, ringmanu -> Manu -> the progenitor of all humanity, the twelve apostles, the red one is a voice, twelve deaf apostles, gospel = good news, cure it well, immortality, London was a super-atheist, Lovecraft was an atheist, the harsh horrifying reality of death, “the serene face of the Medusa. Truth.”, Lovecraft’s poems, Alethia Phrikodes, “Omnia risus et omnia pulvis et omnia nihil”, Thomas Ligotti, True Detective, “I think human consciousness, is a tragic misstep in evolution. … species to do is deny our programming, stop reproducing, walk hand in hand into extinction”, Edgar Allan Poe, Songs Of A Dead Dreamer, The Conspiracy Against The Human Race, Pseudopod The Bungalow House, being a narrator doesn’t give you time to read, comics maybe, The Manhattan Projects, dealing with the problem of physical, Rainbow’s End, Geoffrey Household, Limbo by Bernard Wolfe, not enough physical volume in the universe, books with maps, books with art, Eadweard Muybridge, Jeff Bezos, ebooks are notorious for not having good art in them, the art of Alex Ross as a PDF, London as a tangible writer, “a mighty cry of some titan of the elder world”, Olaf Stapledon, Starmaker, the separation of the soul and the body, you are your head, the martians in The War Of The Worlds, who is telling this story?, feelings and questions, The Call Of The Wild, he’s a basset hound chasing after a big red ball, London was a dog man, the two dog books, The Sea Wolf is an intense book, To Build Fire, “the cold of space”, a hypnagogic state, the physical and the philosophical, The Iron Heel, so many writers never leave the room where they write the book, the premise for The Red One was suggested by George Sterling, A Wine Of Wizardry, what if aliens sent a message to the earth and it was not understood, if it had been shot, the gun that doesn’t go off, King Kong and Skull Island, a cynical take on religion, the Cosmopolitan illustrations, definitely an artifice, the core of a star that fell to Earth, aliens came out and they killed them, ships or jet fighters, organic ships, the spore of the organic ships, Prometheus, worth looking at and listening to, the most expensive work of fan fiction ever made, the autodoc scene, this is the thing that didn’t need to be made, Alien, Ron Cobb and Geiger, 1966, the year of Star Trek and Batman, Alan Dean Foster, Alien: The Illustrated Story by Archie Goodwin and Walt Simonson, recent alien invasion fiction, Footfall, Protector by Larry Niven, infantilized aliens, the fruit of the tree of life, Forge Of God by Greg Bear, “I have bad news”, Orson Scott Card, reared by robots, astrogation, Anvil Of Stars by Greg Bear, Sundiver by David Brin, Forbidden Planet, Glen Cook‘s Starfisher series, Captain Harlock, Anathem by Neal Stephenson, William Dufris, the glossary, Gateway by Frederik Pohl, mushrooms, characters in therapy, one of the greatest works of Science Fiction period, the serialization of Gateway in Galaxy, Dagon by H.P. Lovecraft, 1920, The Temple, black muck, they’ve got cults going.
Posted by Jesse Willis
Today’s podcast is sponsored by Downcast, a terrific podcast app for iPhone and iPad.
Talked about on today’s show:
Fredösphere’s (Fred Heimbaugh’s) choice, the Ann Arbour Science Fiction And Fantasy Literary Discussion Group (founded by Eric S. Rabkin), the audiobook, the confusing and scatter first half of the book, the audio version, Daniel Wayman is one of the best narrator’s Fred’s ever heard, A Scanner Darkly by Philip K. Dick (read by Paul Giamati), some books are better as audiobooks and some are better as textual books, Anathem by Neal Stephenson, Tony C. Smith, StarShipSofa, the glossary takes 30 minutes, Angelmaker is 18 hours, you have to pay close attention, do you listen to podcasts?, our SPONSOR: Downcast, the new iOS, Apple’s Podcasts App sucks, Downcast allows you to ultra-customize your podcast feeds, Levelator, volume booster for podcasts are too quiet, Protecting Project Pulp, Dan Carlin’s Hardcore History and Common Sense, noisy environments, the Downcast app is $3, updating feeds on the go, a podcast queue, if it isn’t in the iTunes store …, your custom HuffDuffer feed works great with Downcast, the SFSignal Three Hoarsemen Podcast, Tamahome uses Downcast, back to our regular programing, Jesse has no opinion about Angelmaker, this is Neil Gaiman’s Neverwhere by somebody else, the Neverwhere BBC TV adaptation, Nick Harkaway’s writing voice and actual voice are similar to Neil Gaiman’s, a completely undisciplined novel, a meandering through-line, the prose was “too plummy”, an editor with a strong whip-hand, Harkaway is enamored with great ideas, Goodreads has angry and bitter four and five star reviews for Angelmaker, unfinished novels don’t often get reviewed, books take a lot of time, why is it present third person every day tense?, breezy and informal sixteen-hour shaggy dog story, really really good writing, Ted Chiang, just because it’s old doesn’t mean it’s good, Tam is surprised, history and science, Neil Gaiman’s wild son?, talking about interesting things in interesting ways with interested characters, sexually aggressive women, a pulp fiction novel, Fred lays out the plot, Joe Spork, Matthew “Tommy-Gun” Spork, the grandfather, clockwork bees, a doomsday device, a female James Bond, the evil Asian mastermind, absurdly competent, Remo Williams, the Opium Khan aka Shem Shem Tsien, a brilliant French scientist (a Hakote), the “Apprehension Engine”, fundamentally transform human consciousness, waves, “step one: steal underpants”, instantly intuit the truth of reality, Nick Harkaway is interested in interesting things, the throwaway ideas, Project Habakkuk, a WWII project in a WWII setting, an aircraft carrier built out of ice, the u-boat service, cool and interesting, the frozen submarine and the frozen air-craft carrier, if Jesse wrote fiction…, a submarine and an elephant in the same sentence, this book has dream-logic, Harkaway wanted the submarine encased in ice and didn’t care if it was implausible (a rumour), torture, sex, a Saint-Crispin’s speech, an adventure book, humour?, funny?, a romp?, silly?, allusions, The Gone-Away World, Tigerman, steam-punk, clock-punk, the etymology of the word “punk”, coming from the street, about the visual, about the body, Neuromancer, looking and acting like a punk, steampunk is about dressing up, form and colour over function, Hayao Miyazaki, an obsession with body parts, an obsession with torture, “fingers getting cut-off”, one of the Goodreads reviews, the toe obsession, Polly’s sexy and knowledgeable toe, this book is a thousand Chekhov’s guns, the toothless dog, the Snowy of this novel, Tin Tin, Tam should read Tin Tin, Angelmaker would be a really good HBO show, the names, Spork, Friend, Cradle, realism is not being strived for, a word cloud for Angelmaker, what words are being used, over description, the main character looks at himself in a mirror, not a mirror but polished brass, very clever Nick Harkaway, René Descartes, a steam-punk pulp adventure spy thriller, Robert E. Howard’s muscular description of colour, Howard wrote short, a serious issue, very interesting and difficult reading, the tense, Nick Harkaway is Neal Stephenson by way of P.G. Wodehouse, people drowning in a world of epic fantasy, Grimm’s Fairy Tales characters are puppets, over-description, Joshua Joseph Spork embraces his gansterhood, Luke Burrage’s complaint about American Gods, the character arc, false or indulgent, decapitating the evil mastermind, the Thompson sub-machine gun, aggressively turning off a large portion of one’s brain, Ada Lovelace, trains are cool, cheap complaints, an unplugged wild adventure book, Blood Music by Greg Bear (short story and novels), what is he trying to say here?, science fiction writers, Eon, The Wind From A Burning Woman is an amazing author collection, despite the caveats, the “grey goo problem” and the nature of consciousness, is it the case we are not seeing the world directly?, medium sized objects, trucks and trees, Jesse found it very frustrating, the movie people, a comic booky plot, animation?, John le Carré, paging Dr. Freud, no editors, do editors even exist any more, Marissa Vu works for the author, enjoy a ride and live in a world and drown in an environment, the reader makes an investment in the world building, Darkon (2006), LARPing (live action role playing), Cory Doctorow, Jim Butcher, regular people, Elidor and Aquilonia, more fun to play than to watch, Dungeons & Dragons, more word-play and less shield-taping, escaping from a horrible day job, Thomas Jefferson’s idea for state-names, Fred’s novel, “you’re not like most people you read books”, to each there own, make it shorter and better, a unit of Jesse (7 hours), Ivanhoe, Sir Walter Scott, the modern medieval romance, Game Of Thrones, why Fred fully forgives Angelmaker‘s failings, scenes that don’t just advance the plot, when Jesse wrote fiction it was terrible, being blind to your own faults, self-blindness, the four boxes, incompetent but self-aware, the inevitable decline, Elmore Leonard, Rum Punch, Stephen King, William Gibson, Altered Carbon by Richard K. Morgan, early success, an overflowing fountains of ideas, Tam and Jesse were obsessed, enormous fun, Jesse doesn’t read books for fun but rather for edification, Mike Resnick, instinctual writers, Dean Koontz, Lawrence Block, Donald E. Westlake, writing the same novel over and over again, Neil Gaiman is a discovery writer, sprinkling plot points, Jesse shouldn’t try writing, Jesse’s curation #PUBLICDOMAIN fiction, The Wonderful Window by Lord Dunsany is basically a guy watching Game Of Thrones, like everybody else on Goodreads “this is the worst five star book I’ve ever read”, needs taming, layering done well, The Graveyard Book is a retelling of The Jungle Book, this novel should have spent a few days in the dungeon, rallying the underworld, Angelmaker would make a great Broadway musical.
Posted by Jesse Willis
Talked about in this episode:
1976, “hey it’s Zelazny”, Tibor and whatnot, “The Great C.“, waking from a gnostic dream of oblivion, “the book is opaque to say the least”, “on the pilg”, recommended for super Dick-fans who like religion, New Wave (basically shitty), Christianity, Ted White, the Sector General novels, mythology and religion, 80-85% Dick, post-apocalyptic story, the local A.I., the sacrifice of the Athenians to the Minotaur, like a Jeopardy game, heliocentricity vs. geocentricity, “Benford, Bear, and Brin’s new Foundation trilogy”, Hari Seldon in a chimpanzee body, The Best Of Gregory Benford, it’s a paycheck, “If you wanna read this piece of shit that’s fine … I’m getting paid.”, cynicism, looking for the truth behind things, Do Androids Dream Of Electric Sheep?, Tibor’s conversations, there’s no fixed ground, Dr. Bloodmoney, Or How We Got Along After The Bomb, the fallout from nuclear fallout, Utah, Denver, “where are they getting this coffee?”, the socio-economic underpinnings of this book are fantasy, The Man In The High Castle, is he really worried about his bottle?, Autofac, the consequences of automated production, an economic weapon a weapon of war, Gresham’s law, The Crawlers, incs = incompletes, the thalidomide baby phenomenon, Arthur C. Clarke, Of Withered Apples (and our podcast about it), the apple tree scene doesn’t pay-off, the dog, episodic feel, the parallel pilgrimage of Peter Sands, the guy with the face problem, devil from the sky, Lufteufel (from the German words “Luft,” meaning “air,” and “Teufel,” meaning “Devil”), the class of people who engage with believers but don’t believe themselves, if you go into churches…, if there is a point to this story, representation, no photos of Jesus, does it matter if we worship a false image?, drawing a symbol, “the novel is extremely gnostic”, Zelazny’s Amber series, Islam goes the opposite way, depictions of Muhammad, believers tend not to worry about such details, the Klingons, the gnostic gloss, “it works as what it is”, the miracle of the arms and legs, a vision of the Deus Irae, what’s going on with the cow?, she’s a holy cow, the authors say?, “the cow slept and dreamed – Tibor ruminated.”, mechanical arms only (no legs), the crucifixion in reverse, the endings, Lufteufel and his daughter, dissolution, he does partake in divinity, Dr. Abernathy, Luke Daniels, the ozone in the air, an Arthurian motif, the healing of the wound, The Last Defender Of Camelot, dedicated Stanley G. Weinbaum and The Martian Odyssey, connecting the books, The Martian Odyssey is important and interesting but not great, “a classic of the field”, the first Science Fiction to come out of the 1920s, mostly junk, aliens that are just alien, where it fits in the history of Science Fiction, PKD’s favourite author was A.E. van Vogt, changing things up every thousand words, a formative influence on both Dick and Zelazny?, Eric S. Rabkin, maybe they had coffee together, A Canticle for Leibowitz by Walter M. Miller, Jr., dung beetles, the lizards (Lizzies), the talking bird, “the little black boys”, I Have No Mouth And I Must Scream by Harlan Ellison, transformed by Am, another name for God or Popeye, evil turns into good, it’s all for the best, the philosophy behind Voltaire’s Candide, “it was good that we had a nuclear war”, the story of Noah, the ultimate Spring cleaning, religious people don’t tend to get stuck at that point, “maybe I’m wrong”, somebody is going to enjoy that sermon by Dr. Abernathy, the passing of good out of evil, internal arguments, “good” is not as strong as “evil”, a very clever sophistic argument that kind of works, a lot of German, allusions to other literature, and “the stars threw down their spears”, William Blake’s Tyger Tyger, a gnostic poem, the currency of half-forgotten poems, funerals and weddings call for the imagery and vocabulary of poetry, cultural tools for sealing social relationships, The Stars My Destination, what is gnosticism?, going out into a cave…, a vision quest, revelations, Jesus’ marriage, canonized gnosticism, religion as Jesus fan fiction, fan service, Galactic Pot Healer, a crisis of faith, a god needs help, a lack of editing, the meditation/drug thing, pastors can be grumpy without coffee and cigarettes, Abernathy is an asshole.
Posted by Jesse Willis
The Mongoliad Book Two
By Greg Bear, Neal Stephenson, Erik Bear, Mark Teppo, Joseph Brassey, Cooper Moo, and Nicole Galland; Narrated by Luke Daniels
Publisher: Brilliance Audio
Length: 12.5 hours
Themes: / mongoliad / martial arts / fantasy / monks / conquests / Mongols /
In the aftermath of the Mongolian invasion of 1241, beleaguered Christians struggle with the presence of a violent horde and a world turned upside down. Apocalyptic fever sweeps through Europe, infecting even the most rational individuals, leaving all to wonder if they are seeing the end times — or an hour when new heroes will emerge from the ruins of cataclysmic defeat. An order of warrior monks, the Shield-Brethren, refuses to yield, plotting to overthrow the invaders despite insurmountable odds. Father Rodrigo Bendrito receives a prophecy from God and believes it’s his mission to deliver the message to Rome. Along with the hunter Ferenc, orphan Ocyrhoe, healer Raphael, and alchemist Yasper, Rodrigo sets out to reclaim Europe. But to save Christendom, someone must slay the fierce Khan of Khans. Brimming with intrigue and colorful characters, The Mongoliad: Book Two is a riveting, expertly rendered tale about the will to survive.
Much like The Mongoliad: Book One, The Mongoliad: Book Two tells a myriad of parallel stories, all centered around the Mongol conquests in medieval Europe. There isn’t much that I can say about this book, Book Two, that I didn’t say in my review of Book One.
This book continues most of the plot lines opened in Book One, and adds a couple more. I suppose/suspect that each different author wrote a different parallel story. I’m not sure that a book that is the overall length of the trilogy (the first two books are about 13 hours long each, the third is about 22 hours long) really needs as many parallel stories as the books seem to have–and that’s before I’ve started Book Three, which may add more stories. It’s like reading a story with as many parallel plot lines as The Wheel of Time series or the A Song of Ice and Fire series but with a fraction of the total page count. This makes it confusing to keep track of story progress (overall) and each of the characters. This is also made more confusing by the odd names used. As I wrote in my review of Book One, I suspect that this would be easier to read in print, or at least with a wiki of a cast of characters. I’m amazed that I can’t seem to find one online.
As with Book One, the book didn’t come to any conclusion, it just ended. At least this one didn’t end in the middle of a heated battle. Oddly, Book Two didn’t pick up exactly where Book One left off. This book started with a new plot line, one with a warrior traveling with a severely injured priest to Rome. I spent a good amount of time when I started Book Two listening and re-listening to the first part; I was trying to jog my memory to remember the plot line from Book One. It took me awhile to realize that the story was brand new for Book Two. The story lines so far seem to be:
– The brother knights on their quest to defeat Ogedai (spelling?) Kahn; they have sustained some losses but also have picked up a few extra travelers in their party, including a warrior woman. They also have a brother with them who has visions; he had one in Book One which we saw the outcome of in Book Two. He had another vision in Book Two, which I expect we’ll see the resolution of in Book One.
– The remaining brother knights trying to distract the Kahn’s brother and his traveling circus of fighters; these guys seem to be trying to form a rebellion from within the circus. Andreas is helping to lead this rebellion with the two most prevalent Mongol fighters in the circus.
– Ogedai Kahn’s point of view, where he is now under attack by the Chinese.
– GonSuk, an adviser/guard to Ogedai Kahn (as well as some of his fellow advisers/guards who are with and without him).
– The Levonian (spelling?) knights, who seem to be out to try to re-gain status in the world. They seem to be in conflict with the Rose Knights (the brother knights on the quest). Their role is not exactly clear yet, but it seems that they have ties to the church. This was a new story line for Book Two.
– The cardinals in Rome who are split into two factions for the election of the next Pope. This was a new story line for Book Two and it’s not exactly clear the differences between the factions.
– A wandering warrior and a young warrior girl (one similar to the warrior woman with the Rose Knights, though this young girl is still in training), who have been sent on a quest by one of the cardinals; the cardinal who gave them the quest to pass a message was killed. This was also a new story line for Book Two.
As much of a downer as this review seems, I’m still intrigued. I don’t get it, as this defies most of my typical “rules” for books. This time, I’m going to move right into Book Three, instead of reading a few books in between. Book Three is almost twice as long as Book One or Book Two. I enjoy this world, even though it seems like there are too many story lines and too much going on…with confusing characters. I do think that this world is better-suited to the prequels and the “Side Quest” books. I’ve already read two of the prequels (and have the other one, Seer: A Prequel to the Mongoliad, ready to read), and have three of the Side Quests ready to read once I’m done with the main story. Stay tuned for my review of Book Three, which will include an overall review of the main story line of the “series.”
Posted by terpkristin.
The Mongoliad: Book One (Foreworld Saga #1)
By Greg Bear, Neal Stephenson, Erik Bear, Mark Teppo, Joseph Brassey, Cooper Moo, Nicole Galland; Narrated by Luke Daniels
Publisher: Brilliance Audio
Length: 13.25 hours [UNABRIDGED]
Note: I received this audiobook as a complete package with a prequel, Sinner, included. This review only covers The Mongoliad: Book One, as I reviewed Sinner: A Prequel to the Mongoliad separately.
Themes: / mongoliad / martial arts / fantasy /
Fusing historical events with a gripping fictional narrative, this first book in the Mongoliad trilogy reveals a secret history of Europe in the thirteenth century. As the Mongols swept across Asia and were poised to invade Europe in 1241, a small band of warriors, inheritors of an ancient secret tradition, conceived a desperate plan to stop the attack. They must kill the Khan of Khans; if they fail, all of Christendom will be destroyed. In the late nineteenth century a mysterious group of English martial arts aficionados provided Sir Richard F. Burton, well-known expert on exotic languages and historical swordsmanship, a collection of long-lost manuscripts to translate — the lost chronicles of this desperate fight to save Europe. Burton’s translations were lost, until a team of amateur archaeologists discovered them in the ruins of a mansion in Trieste. From the translations and from the original source material, the epic tale of The Mongoliad was recreated.
The Mongoliad: Book One is a different sort of book. It pretty much violated all of my typical “rules” for a book, and I still find myself wanting to read on, to find out what happens in The Mongoliad: Book Two. I’m not sure the book is really a 3-star book, but I think it’s unfair to rate a book 2 stars but say that I want to know what happens next.
For those who don’t know, “The Mongoliad” was a bit of a “multimedia experiment” started by Neal Stephenson and some of his science fiction, fantasy, and historical fiction friends. The end product, the volumes in the main story as well as the side stories, was a collaborative effort by Neal Stephenson, Greg Bear, Mark Teppo, and others. Originally published on the web (though the site seems to be more or less inactive now, with the authors stating that the published works are the preferred versions), it was originally intended to be a joining of authors and various media types for different forms of story-telling. Though it seems to often be sold/pitched as a fantasy novel, the story is much more historical fiction with some fantastical elements than pure fantasy. While that may frustrate some, it was just fine for me; I loved The Baroque Cycle, after all. The story weaves fictional tales using actual events from the Mongol invasion of Europe.
The Mongoliad: Book One is comprised with a few parallel story lines. Set in the Middle Ages, the two primary story lines are that of a group of knights on a quest (including Raphael, who we met in Sinner: A Prequel to the Mongoliad) and that of an adviser/guard to a Mongol Kahn. Through these “main” story lines, there are some side-stories in the novel, including some flashbacks as well as a plotline surrounding some of the brother-knights who are not on the quest but are left to keep the Mongol invaders “occupied” (including Andreas, who we also met in Sinner: A Prequel to the Mongoliad. The fact that I’m describing this so poorly is a testament to the first major issue I had with the book, an issue that is probably only an issue with the audio version: there are a lot of names, and a lot of names that sound the same…so it can be extremely confusing to keep them all straight when listening. The second major issue I have with the book is related, that because the stories go back and forth, it can be easy to get confused as to who is who when switching between stories, especially if it’s been a day (or more) since last listening. Luke Daniels, the narrator, did a good job with using different voices for each of the characters. But if you couldn’t remember which one was the adviser and which was the slave, then the voices didn’t help much. One other note on the narration: Luke Daniels is a good narrator, one who adds to the story without adding so much that it’s distracting. That said, in addition to the confusing names, there are also flashbacks and stuff in the story, and it was hard to figure out when the story was a flashback and when it was just moving on. I suspect a print edition may have been more obvious.
While I’m on the topic of “confusing characters,” another major issue I had with the book was that it felt like it was in desperate need of an editor. This may be a factor of “too many cooks in the kitchen” or maybe it was just the contribution from each author wanting to ensure the setup for the other authors was clear…or maybe it just needed more editing. It’s not the first of Neal Stephenson’s books I’ve said this about (*cough* Anathem *cough* Reamde *cough*). Interesting plot-relevant sections would be bogged down with–or worse, broken up by–seemingly interminable character- and world-building sections. I don’t mind world- and character-building, but I felt like it could have been done much more organically than it was done in this book. Here, it was either story or it was non-story world/character setup. It would have been much more fulfilling to learn about a feature in a town by seeing a character interact with it instead of a half chapter describing the looks of the buildings. Also, this was a book heavy on battle descriptions…descriptions that didn’t really matter to the overall plot/story arc except to say “the good guys won” or “the bad guys were defeated, but not without good guy casualties.”
This leads me to the final major issue I had with the book: it didn’t end so much as stop. Not only does it end in the middle of a fairly interesting scene, but none of the story lines are wrapped up; they are all left hanging. I hope that before I go onto The Mongoliad: Book Two, I can find a good synopsis online or a cheat-sheet to remind me of who was who and what happened, since I’m going to be listening to a (very different) book before I move onto the next book…and that’s the funny thing. I’m definitely going to listen to the next book (and probably the third book). I like the characters. I want to see if the knights will be able to complete their quest (if true history is any guide, I suspect they will), and how some of the side-quests turn out. I care about the adviser to the Kahn; he doesn’t seem like a bad guy, even if the guy he’s serving isn’t a great leader. I would like to see how some of the mystical/spiritual elements play out in the actual story. So, despite my significant frustrations, possibly because I do really like historical fiction, I’m going to continue with the series. I’m not sure this book is for everyone. I’m not sure that audiobook is the best way to consume the books. But despite its flaws, I actually want to know what happens next, so onward I go…
Posted by terpkristin.
Filed under: New Releases, Podcasts, Recent Arrivals
Talked about on today’s show:
Oz Reimagined, Orson Scott Card, John Joseph Adams, Marissa Vu, The Mad Scientist’s Guide To World Domination, Daniel H. Wilson, Alan Dean Foster, Seanan McGuire, Scott loves lists!!, Microcosmic God by Theodore Sturgeon, the cruel god, about Science Fiction, mad scientists, steampunk, urban fantasy, superheroes, supervillians, Lex Luthor, Infinivox, Steampunk Specs, Cherie Preist, Cat Rambo, Margaret Ronald, Sean McMullen, do stage actors make the best narrators?, themed anthologies, Extinction Point (Book 1) by Paul Anthony Jones, Emily Beresford, Chuck Wendig, Mockingbird, Blackbird, post-apocalyptic novels, Swan Song by Robert McCammon, Six Heirs (The Secret of Ji) by Pierre Grimbert, “Les editions Mnemos”, Bolinda Audio, the distorting effect of podcasts, are audiobooks taking over reading?, Luke Burrage, busy lifestyles, Gone Girl, Beautiful Ruins, archaeologist werewolf vampire oracles, “being a librarian is awesome”, is being a paramedic fun? Or is it full of paperwork?, Bones, forensic anthropology, Kathy Reichs, sorry no time traveling, high fantasy (aka epic fantasy), The Hobbit, The Lord Of The Rings, The Worm Ouroboros, Neil Gaiman, the Neverwhere BBC audio drama, the TV show, the audiobook, Neverwhere as an allegory of homelessness, urban fantasy, Neil Gaiman can do no wrong, “I accept that”, Harry Potter is not high fantasy, Tolkienesque, George R.R. Martin, Harlan Ellison, Deadhouse Gates (A Tale of the Malazan Book of the Fallen) by Steven Erikson, Malazan is hot on GoodReads, Terpkristin, Mongoliad Book 3, Neal Stephenson, Greg Bear, Mark Teppo, Nicole Galland, Erik Bear, Joseph Brassey, Copper Moo, comic crossovers, The Beast of Calatrava (A Foreworld SideQuest, Mongoliad) by Mark Teppo, Area 51: The Truth by Bob Mayer, Casey, Zero Dark Thirty, torturefest, Popular Science, Popular Mechanics, Among Others by Jo Walton, Between Two Thorns (The Split Worlds #1) by Emma Newman, Cornish accents please, Jumper by Steven Gould, Jumper vs. Looper, Reflex by Steven Gould, The Stars My Destination, teleportation, Impulse by Steven Gould, snowboarding, Sarah vs. Bryce, Angelopolis (Angelology #2) by Danielle Trussoni, Penguin Audio, Fabergé eggs, The Da Vinci Code, nightmare car trips, nightmare cruises, Pride And Prejudice And Zombies, stolkholm syndrome, Seth Grahame-Smith, zombies, Redemption Alley (Jill Kismet Series) by Lilith Saintcrow, The Free Lunch by Spider Robinson, Spider Robinson is the humane hippie Heinleinian, theme park fantasy, the Callahan’s series, fascistic junky pro-war movies are ameliorated by reading Robinson, Heinlein and the sexual revolution, Michael Flynn, Falling Stars (Firestar Saga #4) by Michael Flynn, Footfall, the Russian meteor, what would have happened if it had happened over Ohio, instead of Siberia, Dan Carlin, Neil deGrasse Tyson, suspension of habeas corpus, an external vs an autoimmune threat, Farside by Ben Bova, Stefan Rudnicki, soap opera or space opera?, archaic characters, vintage SF, Jack Williamson, Omni magazine, Aftermath (Supernova Alpha Series #1) by Charles Sheffield, Black Feathers (The Black Dawn #1) by Joseph D’Lacey, Simon Vance, futuristic fantasy?, apocalyptic fantasy?, History Vikings, Jenny is 1/4 viking, Steen Hansen, the quasi historical saga dude, The Tudors, The Borgias, The Thrall’s Tale by Judith Lindbergh, Ireland, Triggers by Robert J. Sawyer, “real science fiction”, technothriller, Red Mars Blues, Morlock Night by K.W. Jeter, Connie Willis, steampunk, Tim Powers, The Age Atomic (sequel to Empire State) by Adam Christopher, Phil Gigante, Seven Wonders, superhero noir, intricately beautiful, The Stainless Steel Rat, Phil Gigante is the new narrator of Galactic Pot-Healer, Julie Davis, Robert Sheckley, suicidal characters, a comedic version of Neuromancer with the Wintermute role being played by Cthulhu, Tor, Imager’s Battalion by L.E. Modesitt, Jr., A Natural History Of Dragons: A Memoir by Lady Trent by Marie Brennan, Naomi Novik, Trinity Rising by Elspeth Cooper, The Fractal Prince by Hannu Rajaniemi, Finland, Tam books vs. Jenny books, The Hermetic Millennia by John C. Wright, The Forever War by Joe Haldeman, The Accidental Time Machine by Joe Haldeman, 500 Essential Cult Books: The Ultimate Guide by Gina McKinnon, 500 Essential Cult Movies: The Ultimate Guide by Jennifer Eiss, Sister Mine by Nalo Hopkinson, Dreamscape Media, Toronto, conjoined twins, Brown Girl In The Ring, Midnight Robber, mojo vs. voodoo, Karen Lord, Cat Valente style fantasy, The White Woman On The Green Bicycle, Inherit The Stars by James P. Hogan, “a shimmering arpeggio”, Downpour’s new pricing is $12.99 per month, DRM FREE audiobooks are awesome, Identity Theft by Robert J. Sawyer, LibriVox, Gutenberg.org, Robert E. Howard’s Conan, The Devil In Iron by Robert E. Howard, The Hour Of The Dragon by Robert E. Howard, Mark Nelson, Bill Hollweg, what would a Robert J. Sawyer Conan story look like?
Posted by Jesse Willis