The SFFaudio Podcast #722 – AUDIOBOOK/READALONG: Lone Star Planet by H. Beam Piper and John J. McGuire


The SFFaudio Podcast #722 – Lone Star Planet by H. Beam Piper and John J. McGuire – read by Phil Chenevert for LibriVox. This is a complete and unabridged reading of the novel (3 hours 15 minutes) followed by a discussion of it. Participants include Jesse, Maissa Bessada and Alex (of pulpcovers.com)

Talked about on today’s show:
A Planet For Texans, Fantastic Universe, March 1957, 1958, John Joseph McGuire, dropping McGuire from the title, Alex’s first Piper, Murder In The Gunroom, a lot of classic stories have a racism problem, this one has the same with Texans, ridiculous, stereotypes about race, they’re a race now, a weird book, a parody sendup, SuperTexans, everything was super, funny and over the top, a scene, roundup some supercattle, landspeeder, that is not the book, mostly a court case, Little Fuzzy, native creatures, extremes, mini-furry people with no clothes, Robinson Crusoe but with tiny little people, 79% of this book is court case, an H.L. Mencken essay, legalize the murder of jobholders, the gist, Prussia, government employee court, the higher up you were the more severe your punishment, this would never work in America, we’re not Prussians, republican judges and republican civil servants, his modest proposal, beat and or kill them at will, 1924, in space!, imagine any citizen, pull his nose, cut off his ears, how vastly more attentive, Prometheus award, an award for being libertarian, an excuse to explore other ways of living, an extreme freak, an armed society is a polite society, superTexas in space, how would this not be corrupted, by the indifference of the people, the oligarchs of the open range, vast armies, the support of the people for killing politicians, active corruption by politicians be the norm, unrealistic, why anyone would ever run for office, strong ambitions to be politicians, too incompetent to get it, because your flexible enough and corrupt enough, say principles you don’t believe in, to give power to friends and punish enemies, what is the desire to be a politician, cart before the horse, hunter gatherer societies, let them and laugh at them, authority that people support, one of the worst examples of human behavior, WWI, putting a chicken feather in your suitcoat, the white feather, it drove men mad, killed and maimed, The Four Feathers, Heath Ledger, Beau Bridges, social pressure, go fight in the war against China/Ukraine, all over Canada and the United States, the Germans are the better side, his mom is wiser than him, like William Hope Hodgson, an ideal society, revealing backstory, an interesting idea, maybe we should have just read the essay, an interesting concept, a mediocre episode of Star Trek, The American Mercury, June 1924, written long before the New Deal afflicted the country with a great mass of administrative law, an essay about Weird Tales covers, 1923-1954, 20 or 21 issues an eagle with a gear and lightning bolts, NRA member, National Recovery Administration, the USA went crazy for this idea, a great idea!, about price controls, making competition less competitive, cutthroat competition, that artifact is on the cover, that sort of thing, Roosevelt was trying to do anything to increase the ability of people to hold jobs and eat food, a lot of terrible ideas at the wall, as Evan [Lampe] would say, a hint of an artist in you, Walker Evans, a real sense of how poor people were, a documenting of the society as it is, interesting, very Heinleinian, The Cat Who Walks Through Walls, Heinlein would have know about this guy, now happily abolished by God’s will, peculiar to their offices, founded by Satan, a tribunal in Berlin, corruption, tyranny, incompetence, if removed from office, sounding really good, publicly accuse, nobody cares, punished twice for the same offense, deprived of his office, by either or both, far off days, an aggrieved citizen, the felicity of seeing him swamp, the unintelligible perjury, Polls, a crusade to put us down, civilized by force of arms, trained in ferocity, ipso facto, abhorrent to him, jointly interested, against scandal, platitudinous and banal, a system that doesn’t depend, swift certain an unpedantic punishments, linked in the Wikipedia, I announce without further ado, two halves, courts of impeachments, congressional smelling committees, male and female, punish him instantly and on the spot, physical damage to the jobholder, deserved what he got, bastanido, or even lynch, petit jury, discharged from hospital, makes a complaint, empaneled, acquitted with honor, assault, mayhem, murder or whatever, sounding better and better, Nancy Pelosi’s husband got arrested for drunk driving (again), he’s not the jobholder, very interesting, becoming a libertarian?, I don’t want to be one of those guys, too patent to need argument, a recreant jobholder, made to fit the crime, a certain judge is a jackass, tyrannical and against decency, his successor will be quite as bad, so far gone in senility, propped up on the bench with pillows, knock him on his head with an axe, how polite and suave he would become, vain fellows, the ignominy, brilliantly remembered, a dozen such episodes, the jails bulged with his critics, a cauliflower ear, a scar over his bald head, he would have to retire, compelled to require, the offending jobholder, the court system on Luna in The Moon Is A Harsh Mistress, a very very very good book, the very interesting things that are happening in it, Heinlein likes transsexuals, Mike becomes Michelle, a retelling of the American, French, and Russian revolutions, a petit jury, a little trial, they wanna add this planet for Texans to the United Federation of Planets, cut off that food supply, the motivation for the murder, other plot stuff, ranching or cowpunching on the supercows, the romance is barely there, he sees her at the airport, on the ship together, they got married and he stayed on the planet, followed in his father in law’s footprints, a retelling of the Texas story, they did it super this time, they have the literal actual Alamo, remember the Alamo it’s over there on this alien planet, clearly funny, the whole Lone Star thing, fun baked in, 50s pop-culture knowledge, really loud obnoxious colourful shirts, a Texas chef, radioactively coloured shirts, the western pulp magazines, Lariat, Allen Anderson, a space horse, a laser pistol, Levis are always the same, the shirts, a red shirt with a Han Solo vest and a yellow neckerchief, mustard and ketchup outfit, it works on the covers, just a way to advertise your magazine, grab that magazine, have you spent any time looking at Allen Anderson style pulp covers with the costumes the lady, a lady’s clothing designer, a brass bra, a helmet, I Remember Lemuria by Richard Shaver, a green thing in a tube, a black helmet with a tiny little dragon head, giant shoulderpads, a petal shape, giant belt, this is what makes me want to read this stories, the imagination of the artist indicating, part of the magic of comics is reading between the comics, inferring how the characters are dressed, mesas in death valley, this sounds like a great book!, we spent some time ranching, the size of a nuclear locomotive, the original magazine cover, a Virgil Finlay cover, blind lady justice with a six-gun, a range war story set in space, our main character turns into a lawyer and a gunman at the very end, they all cheered, trying to kill the president, quickdrawed, Piper goes all this way to make the court case the center of the book, we didn’t need to have this trial, ambassadors are not politicians, are they jobholders?, Piper’s change is explicitly politicians, the Roe V. Wade decision, disturbing a judge’s lunch, interrupting judge’s lunches vs. you’re interrupting my body, they don’t act like politicians, establishing this whole premise twice, so focused on the supercows and the superbourbon, any excuse for a barbecue, very Futurama, a Frederik Pohl book, not named or credited, precedent, apparently they’re going to bring Futurama back, a modestly budgeted TOS episode, a Strange New Worlds episode, TOS in the 2020s, a retro aesthetic, a Twilight Zone, way above Picard, better than Voyager?, Enterprise is mostly bad, the last Orville, complaining to Evan, too much spent on special effects, death star trench run, a tie fighter on The Orville, the most Next Generation since the Next Generation, an alien with only one gender, Riker falls in love with an androgynous being, transgender surgery, real science fiction and good, even if people’s haircuts are wrong and there’s too much light on the bridge, retro-aesthetic, Spock’s bluelight viewfinder, Spock having romance, Pike worried about turning into a mummy, none of the things that Spock’s skills set has is there to make his character interesting, how Vulcans mate, double eyelids, telling particular stories, a burden brought to whatever story it is, Spock’s spawning need, burdened, the only thing they don’t have on The Orville is transporters, Picard has his mom appear in a hallway, a French accented elderly lady, they forgot, they had to retcon it, such bad writing, focused on the wrong things, Captain it’s a planet colonized by giant cows, let’s beam down and get into a court case, Chicago Planet, Space Hippies is a really good episode, what the space hippies say, they’re into the environment, back-to-the-landers, their leader is mentally ill, its a cult, accept the white feather, in the context of the shows broadcast, not submitting to, what make TOS so good, these arent the characters I love, McCoy age 500, Scotty in a cameo, telling stories we want to see told, Pike is back, the 5th actor to play Spock, get back to the roots of science fiction, throw some supercows in, loud Texas accents, delightful to visualize, a lack or a dearth of superhorses, such an easy breezy book, Starborn by Andre Norton, a giant dinosaur necked creature, a furry creature who is obviously his space friend, Andre Norton is a she, she changed her name even before she started writing science fiction, Alice Mary Norton, Andrew North and Alan Weston, a movie based on one of her books, The Beastmaster (1982), the 80s cheesefest?, a Conan ripoff, at least two sequels (increasingly bad), she was probably ripping off Conan anyway, ripoff the best, once you start digging into Robinsonades you’ll never stop finding them, the ripples of that 300 year old book are still being felt today, a show called Lost In Space, Space Family Robinson, Gold Key Comics, here’s some money, a robby the robot, from Forbidden Planet, as Jesse successfully documented, The Tempest in space, Star Trek is a ripoff of Forbidden Planet, strong evidence, everything’s riffing off of Shakespeare, The Martian by Andy Weir, its just become a genre, a terrible Tom Hanks movie, the Robinson Crusoe vibe, considered the first novel in English, set a precedent, two sequels by Dafoe, Swiss Family Robinson, everything’s a ripoff, expectations checked, bad dogs, evil space dogs, a whole story we didn’t get, General Hickock dressed like Colonel Sanders, the people on Texas hadn’t invented spring loaded quick-draw holsters, The Wild Wild West, is he white?, racially interesting, Ethel Quang-Lee, this guy is dark, a Chinese main character on Mars, cuz he can, Silk is not a normal name?, is he just smooth?, a smooth drawer?, blame John J. McGuire, in association with our hero, pleased to have read this book, take the short story and expand it, no, adaptation, more range war on the range, space war range war in a courtroom, they’re trying to canoodle and stumble into a murder trial, off screen canoodling, some rounding up off screen, I went out and did that, the exciting courtroom screen, the hyperchicken lawyer could take on this court case, Zap Brannigan, Phil Hartmann’s dead, at least we have Kif, he’s why people watch the show, can’t live without Professor Farnsworth.

Fantastic Universe, March 1957

A Planet For Texans ACE BOOKS

Posted by Jesse WillisBecome a Patron!

CBS Radio Workshop: Aldous Huxley’s Brave New World

SFFaudio Online Audio

CBS Radio WorkshopThe CBS Radio Workshop was an experimental dramatic radio anthology series that aired on CBS radio from January 1956, until September 1957. Subtitled “radio’s distinguished series to man’s imagination,” it was a revival of the earlier Columbia Workshop, broadcast by CBS from 1936 to 1943, and it used some of the same writers and directors employed on the earlier series. Its first two episodes were a two-part adaptation of Aldous Huxley’s dystopian stunner Brave New World. It has some strong claims to being the definite adaptation as it is both introduced and narrated by Aldous Huxley himself. Here’s how Time magazine’s February 6, 1956 issue described it in their review:

“It took three radio sound men, a control-room engineer and five hours of hard work to create the sound that was heard for less than 30 seconds on the air. The sound consisted of a ticking metronome, tom-tom beats, bubbling water, air hose, cow moo, boing! (two types), oscillator, dripping water (two types) and three kinds of wine glasses clicking against each other. Judiciously blended and recorded on tape, the effect was still not quite right. Then the tape was played backward with a little echo added. That did it. The sound depicted the manufacturing of babies in the radio version of Aldous Huxley’s Brave New World.”

Music for the series was composed by Bernard Herrmann, Jerry Goldsmith, Amerigo Moreno, Ray Noble and Leith Stevens. Other writers adapted to the series included Robert A. Heinlein, Sinclair Lewis, H.L. Mencken, Edgar Allan Poe, Frederik Pohl, James Thurber, Mark Twain and Thomas Wolfe. According to Bill Hollweg the two MP3 files have been “cleaned and the volume normalized” – and they do sound great!

PELICAN - Brave New World - based on the novel by Aldous HuxleyBrave New World
Based on the novel by Aldous Huxley; Performed by a full cast
2 MP3 Files – Approx. 1 Hour [RADIO DRAMA]
Broadcaster: CBS
Broadcast: January 27 and February 3, 1956
Source: Archive.org

Part 1 |MP3| Part 2 |MP3|

Most interesting to me, however, is some of the commentary about this adaptation. On the back of the Pelican Records LP (LP-2013) edition there is critical essay on Huxley, Brave New World and this adaptation, by none other than Ray Bradbury! It is truly wonderful and I have reproduced it below:

There is science fiction and science fiction. There is science fiction still looked down upon by many intellectuals in our society, because it is written by the wrong people. And there is science fiction minus the label, written over in the main stream by acceptable A-1 main-line writers which is OK. And at the head of the list for some 40 years or more you would have to put Aldous Huxley and Brave New World. Whenever lists are drawn up for schools containing the acceptable authors who dare to be imaginative, it is Huxley and Orwell, ten to one.

Forget about Asimov, Clarke, Sturgeon, Heinlein, get lost.

There are a number of reasons beyond snobbishness of course. Huxley was in mid-career when he veered over into Future Country. Behind him lay half a dozen novels, most of which had good or fine reviews, and most of which are still selling moderately well and being read today. But mention Huxley and most people will name the one they know him by, Brave New World.

At the time it was published, much of the novel was fresh and innovative, properly cynical about human behavior and, at times, verging on territory laid out by Evelyn Waugh. Later on, Huxley and Waugh would indeed meet in the middle of the same cemetery. Huxley to dig graves and plant Hollywood types with his After Many A Summer Dies The Swan and Waugh with his The Loved One another shake of similar bones.

Since its publication, Brave New World has been skinned and boned and borrowed from by dozens of less competent writers who saw the serious fun Huxley had with his story and couldn’t resist imitating it.

As a satire today, reread when some of the things it talked about have moved straight on into our lives, the novel suffers as indeed it did back in 1932, from being a half-job. All the good stuff is up front in the book. Toward the end the fun and the imagination of Huxley diminish. Having the Indian hang himself seemed to me, even when I was younger, a bad solution to a good novel. Even Huxley, in 1952 when I first met him, expressed some doubt about his original ending.

But on his way to the finale, let’s face it, Huxley was the only referee we had for our impeding technological game. With foresight and precision he saw the Pill coming and ducked. He circled round cloning long before it became a tv Tale show mini-debate by mini-minds pretending to offer, as a result to most of us, mini-news. The drug culture of today noon occupied Huxley’s mind at breakfast 45 years back, long before he sprinkled mescaline on his Wheaties. While he was at it, old Aldous invented and reinvented the machined pornographies that have infiltrated our cinemas to slumber us better than Nembutal and bore us more than family picnics, well beyond 1984. And if we have not as yet birthed his ‘feelies’ into our world, we are on the thin dumb rim of doing so.

If there is a zero for failure to imagine at the center of the novel, and this radio play, it is the inability of Huxley (and Orwell, too later on) to in any way recognize or prophesy Space Travel. This may well be because of the time we lived in, then, when the Space Age seemed so remote, so impossible, that it could not be entered on any imaginary ledger to tip the scales toward an equally improbable better if not happy ending.

This was revealed in a lecture which I shared with Huxley onstage at UCLA some time in the early Sixties. Speaking first, he wondered again and again, what the next great development in literature might be.

I was stunned. In sat in my chair hardly daring to rise and deliver my speech, for suddenly my evening had changed. I had intended to make a few remarks about why I wrote what I wrote, but suddenly here was Huxley asking and not answering what was, to me, anyway, an obvious question with an obvious answer. What would the next great literature be?

Science Fiction! I wanted to shout. Good Grief and Jumping Jehoshaphat! Science Fiction!

Since every problem you can name in our time has to do with science and technology (name one that doesn’t) what else us there to write about except Pills, technological drugs, automobiles, smog, nuclear power, solar energy, space travel, tv, radio, transistors, free-ways, all, all of them scientific extensions of scientific dreams.

I rose and did not shout it. But I rose and said it, quietly, out of deference to my author hero.

Huxley shook my hand after the lecture and smiled at me with that dry quiet smile of his, and we spoke of Space Travel and how it might have changed Brave New World if he had thought to consider it in the full.

I still wish today that I might take his ghost to Cape Canaveral and whisk him to the top of the Vehicle Assembly Building where I have gone to stare down, with a wildly beating heart at the topmost part of the Apollo rockets lying ready below to give us alternative futures. We are not doomed to stay on Earth and share Huxley’s Indian suicide or Orwell’s Big Brother. When the time is ripe, we will just up and ‘go’.

All this said, when we return to the radio show, here captured to remind us once more that CBS, of all the radio networks, was the most open, the most adventurous, the most creative. Considering the year it was broadcast, 1956, long before Playboy made its real impact on our country, it is a fascinating work, of much imagination and good taste.

Let me step aside now, I have shouted my quiet shout. The next voice you’ll hear, a lovely gentleman’s voice, is that of Aldous Huxley. Would that he were alive today, for anther teatime chat and another long look into a sometimes dubious, sometimes exhilarating Future.

Ray Bradbury
Los Angeles
May 16, 1979

[Many thanks to Bill Hollweg and Rick]

Posted by Jesse Willis