The Kingmakers (Vampire Empire #3)
By Clay Griffith and Susan Griffith; Narrated by James Marsters
Publisher: Brilliance Audio
Publication Date: 29 January 2014
[UNABRIDGED] – 14 hours, 49 minutes
Themes: / vampires / steampunk / fantasy / post-apocalpyse /
The Kingmakers is the long-awaited climactic end to the Vampire Empire trilogy.Bogged down by winter warfare in Europe, humans are suffering crushing losses to the surprisingly well-organized vampire clans of the north. The courage and commitment of the Equatorian troops and their allies cannot hold out against the overwhelming onslaught of the enemy.Treachery from within deals the Equatorian forces greater damage than any delivered by the vampire hordes. The only weapon left capable of smashing through enemy lines and annihilating the packs is the Empress Adele herself. Her geomantic talent and skills are formidable, but she is just one person, and the very forces she can bring to bear are also slowly draining her of her life-force.Prince Gareth, the vampire lord of Scotland, known as The Greyfriar to the humans, both slave and free, is at a loss. His brother, Cesare, has outmaneuvered him at every turn. Brilliant, ruthless and without honor, Cesare is confident in his ability to control destiny. His goal is to become king of kings and ruler of the world. Unless the rightful heir, Gareth, can prevent him from assuming their father’s throne, Cesare’s unified vampire clans will destroy Equatoria’s forces and set humanity, if it survives, back a hundred years.
This is the third book of what we could call a steampunk vampire trilogy. I still like the first book the best but this one competes with the second as far as things go. The story once again carries a strong sense of Beauty and the Beast mixed with Romeo and Juliet with a strong steampunk flair. If you liked the first two books, you’ll like this book since everything wraps up rather nicely in the end. One ding I had was that I still didn’t think there was a satisfactory explanation of why Gareth is different from the other vampires. More on that…
This book is very similar to the previous two books to the point that they kind of blur together in my mind when I think back on it. The steampunk aspect is kicked up a notch with some mech suit / tanks in this one but you’ll mainly see lots of swordplay, gunfire, goggles, and airships again. These are some of the things that kind of run together on me mainly because many of the same characters are involved in similar scenes but the overall plot obviously moves forward to a satisfactory conclusion.
Don’t get me wrong – there are many good things that have carried over from the previous two books. The language and prose used in the previous books still give the feel of characters stuck in the past caused by the vampire attack. The action is crazy and fun with lots of epic battles ranging across Europe. The characters are likable for the most part, although Gareth can be a bit one-dimensional sometimes (His primary motivation seems to be his love for Adele to the discount of everything else).
Speaking of Gareth, I still don’t understand why he is different from all other vampires (I guess you could say his manservant shares his values but he also seems kind of like he’s reluctantly dealing with a neurotic master). There was this whole explanation about how Gareth’s father didn’t like wasting things but that doesn’t seem to explain how he could go from seeing people as food to loving a human to the level he does. Even his friend in Paris held similar values but not to the extremes Gareth does. I’d hoped for something like what happened with Angel on Buffy but it was kind of left out there.
As for the audio side of things, I still enjoyed James Marsters’ performance this third time around. He speaks well, uses recognizable voices, and is a pleasure to listen to. I would say that I’d go out looking for books narrated by him, but that’s why I listened to this trilogy in the first place ;-).
Posted by Tom Schreck
The Rift Walker (Vampire Empire #2)
By Clay and Susan Griffith; Read by James Marsters
Publisher: Brilliance Audio
[UNABRIDGED] – 14 hours
Themes: / vampires / steampunk / fantasy / post-apocalpyse / humanism /
The Rift Walker is the second installment in the Vampire Empire book trilogy. Set in a post-apocalyptic world, this tale of courage, sacrifice, and heroism takes place against the backdrop of an age of steam and rational humanism, where the social elite have rejected religion and spiritualism as nothing more than quaint superstition.
Brutal Vampire Clans rule half the world keeping human herds for food, and Princess Adele, heir to the throne of Equatoria, is faced with grim choices. War is imminent and her marriage to the odious Senator Clark of America will cement an alliance uniting the Equatorian Empire and the American Republic. This integration of war machines is to be the opening volley in the campaign to reclaim the Northern Hemispheres. Unfortunately, Adele’s betrothed has a bloodthirsty war strategy, one the Princess finds as repulsive as the actions of the vampires they fight.
Moments in advance of the Princess’s marriage to the Senator, the Geryfriar, legendary champion of the human resistance, rescues Adele before vampire assassins can murder her. While on the run from the agents of Prince Cesare, the acting Clan Lord of the Northern Vampires, Adele seeks to discover a way to protect her beloved Equatoria and prevent the genocide Clark intends to implement, all while trying to free herself from an unwanted marriage. Meanwhile, Cesare’s agents have struck deep at the heart of Equatoria and will stop at nothing to keep Adele from ascending to the throne.
Treachery abounds; friendship, loyalties, and allegiances are tested. Will Princess Adele be able, with the help of her beloved Greyfriar, her devoted guard and faithful officer Anhalt, and her mentor Mamarou, to turn the tide before human civilization is forever shattered?
This review is going to read a lot like that of the first book in the series, The Greyfriar. If you read that book and enjoyed it, you’ll like this one too. Where the first book was kind of (Zorro + Beauty and the Beast + Vampires), this one kind of leans more toward Romeo and Juliet. The protagonists love each other but everyone from their respective houses pretty much hates on the other. Wrap all that up with another fantastic narration by James Marsters and this book is over before you know it.
I still like the way these books are written. The vocabulary and use of idioms gives the story an older feel that matches the semi-steam punk world where the story takes place. More of the less important characters even show a bit more depth in this story which was pretty nice. I like that there was clearly a bit of a plan in writing the trilogy and that some things were revealed in this book that I was wondering about since the first one.
I had some minor plot issues with the story but overall the whole thing went by very fast. This is in the description of the book so whatever: I don’t understand why the Greyfriar swoops in to the save the princess when he uncovers a plot to kill her and her betrothed….instead of trying to save them both or ration out the situation without making frenemies. I’m sure it’s something like “all he could think about was saving her” or “he didn’t know who to trust” but the way it was carried out didn’t really work well for me. There were a few other moments like this but they’re minor gripes at best.
As for the audio side of things, James Marsters did a fantastic job. You’ll once again hear many voices you recognize from Dresden but I didn’t have any problem keeping things straight in my head. I started this series because it’s read by him and I’m definitely not sad at the decision.
Book 3 here I come!
Posted by Tom Schreck
Themes: / vampires / steampunk / fantasy /
1870. A time known as The Great Killing.The vampire clans arose and slaughtered humanity with unprecedented carnage in the northern parts of the world. Millions perished; millions were turned into herd animals. The great industrialized civilizations of the world were left in ruin. A remnant fled south to the safety of the ever-present heat which was intolerable to vampires. There, blending with the local peoples, they rebuilt their societies founded on human ingenuity, steam and iron.The year is now 2020. The Equatorian Empire, descendant of the British Empire, stretches from Alexandria to Cape Town. Princess Adele, quick witted, combat trained, and heir to the throne, is set to wed the scion of the American Republic, a man she has never met. Their marriage will cement an alliance between the nations and set the stage for war against the vampires in an attempt to retake the north. Prepared to do her duty, she finds herself caught in a web of political intrigue and physical danger. The Greyfriar, a legendary vampire hunter from the north, appears ready to rescue the Princess and return her home—but he harbors secrets of his own. As the power struggle between the vampires and humans increase, Adele and the Greyfriar are caught in the middle, on the run, being hunted and fighting for not just their own lives, but for the future of humanity.
The Greyfriar is a surprisingly good book. I listened to this book mainly because I like James Marsters as a narrator and wasn’t sure what to expect from the story. The authors came up with an interesting way of treating vampires that thankfully does not involve making them out to be some sex symbols as seems to be the norm these days. The story makes use of several familiar tropes but they are combined to good effect and in such a way that the story was quite good. The authors’ prose and choices of wording give the book an aged tone that fits the setting of the story.
The premise of the story is that vampires attacked in great numbers just before humans had the industrial revolution and much of the human populace has been wiped out. There are some surviving empires/governments that have lasted the 100 or so years since the attack and mankind is ready to go to war to reclaim what they’ve lost. The story is not urban fantasy but more like…vampire steampunk as best I can describe it. The humans aren’t so advanced in technology that they completely outclass the vampires and the vampires aren’t so powerful that humans can’t have some successes in fighting back.
Vampires in the Vampire Empire series are not exactly your normal vampire – and that’s a good thing. Much of what you and I would think are traits of vampires turn out to be silly human superstitions cultivated over a century of fighting and/or staying isolated from them. They don’t die in the sun, they have retractable claws and fangs, can change their body mass so they can fly, can heal rapidly, etc. These traits leave the authors plenty of room for aerial fights on air ships and all kinds of fun scenes.
While I liked how the groundwork for the world was set up, the characters themselves were probably the weakest part for me. Everyone except for a few of the main characters were fairly one dimensional and caricatures of the proper English nobility, the American cowboy, etc. The main characters make up for this in how they grow through the course of the book but man. The majority of humans harbor some strange prejudices on vampires that’s kind of hard to believe (the biggest for me was that they seem to think they’re not much more intelligent than animals). This was a stretch just because they’re clearly in contact with people who know better and have plenty of evidence to the contrary. These were minor complaints and I’m still looking forward to starting the next book.
On the audio side of things, James Marsters does not disappoint. I have enjoyed his performances in the Dresden series and you will hear many similar voices to what he uses there. His characters are easily distinguishable and his narration is clear.
Posted by Tom Schreck
Themes: / Dresden Files / urban fantasy / parkour / magic / winter queen / mab / faerie /
Harry Dresden, Chicago’s only professional wizard, is about to have a very bad day….
Because as Winter Knight to the Queen of Air and Darkness, Harry never knows what the scheming Mab might want him to do. Usually, it’s something awful.
He doesn’t know the half of it….
Mab has just traded Harry’s skills to pay off one of her debts. And now he must help a group of supernatural villains—led by one of Harry’s most dreaded and despised enemies, Nicodemus Archleone—to break into the highest-security vault in town so that they can then access the highest-security vault in the Nevernever.
It’s a smash-and-grab job to recover the literal Holy Grail from the vaults of the greatest treasure hoard in the supernatural world—which belongs to the one and only Hades, Lord of the freaking Underworld and generally unpleasant character. Worse, Dresden suspects that there is another game afoot that no one is talking about. And he’s dead certain that Nicodemus has no intention of allowing any of his crew to survive the experience. Especially Harry.
Dresden’s always been tricky, but he’s going to have to up his backstabbing game to survive this mess—assuming his own allies don’t end up killing him before his enemies get the chance….
It’s been 18 months give or take since Cold Days came out and I’ve been in withdrawal. While not quite as good as that book, Jim Butcher once again shows why he’s the king of Urban Fantasy and one of the best fantasy writers out there.
I tried to hold myself over with an Iron Druid and a Libriomancer. They just didn’t do the trick. In fact, I’ve decided that apart from Dresden Files, Urban Fantasy just really isn’t for me. Nothing else compares. Not even close.
I barely made it halfway through the first track and I was already laughing out loud. I had to spend an extra ten minutes deciding which one-liner was best to use for my status update, and just opted for one of the shorter ones because I had already stayed up too late listening.
We see a return of the Nicodemus and Order of the Blackened Denarius. By far one of the best villains of the series, if not all of fantasy. I was yelling at my book and Jim Butcher a few times. My only real complaint is that many of the questions and issues created by Cold Days go largely unanswered. It almost feels like things were put on hold for a side story. That said, the book once again combines great characters, great dialogue and great action in a way that makes it nearly impossible to put down. I always hate waiting between books, but I can’t help myself from spending every free minute reading until I finish. It’s just that good.
James Marsters once again makes this series a must listen. It’s not even the fact that he does voices for the characters that makes it great. It’s the WAY he does the voices. The emotion when Harry casts a spell. Or him actually yelling PARKOUR! instead of simply reading it. He may not be the voice I originally expected for Harry, but he sure is now.
Anyone who reads the first few books and wonders what all the fuss is about, or balks at having to read a few books before the series “gets really good” is just missing out. If for some reason you still haven’t caught up on this series after Cold Days, consider this another recommendation to get on it.
Maybe I’ll take up Parkour!
Review by Rob Zak.
Themes: / fairy / wizard / urban fantasy / near-death /
After being murdered by a mystery assailant, navigating his way through the realm between life and death, and being brought back to the mortal world, Harry realizes that maybe death wasn’t all that bad. Because he is no longer Harry Dresden, Chicago’s only professional wizard. He is now Harry Dresden, Winter Knight to Mab, the Queen of Air and Darkness. After Harry had no choice but to swear his fealty, Mab wasn’t about to let something as petty as death steal away the prize she had sought for so long. And now, her word is his command, no matter what she wants him to do, no matter where she wants him to go, and no matter who she wants him to kill. Of course, it won’t be an ordinary, everyday assassination. Mab wants her newest minion to pull off the impossible: kill an immortal. Beset by enemies new and old, Harry must gather his friends and allies, prevent the annihilation of countless innocents, and find a way out of his eternal subservience before his newfound powers claim the only thing he has left to call his own…His soul.
After a slight departure from normal Dresden Files form in the preceding Ghost Story–owing to Harry’s (near) death and all–Dresden returns to corporeal form in Cold Days. But he can’t expect a warm welcome, even from his closest friends, because he’s now fulfilling his service as Winter Knight to Mab, the fairy Winter Queen. And this novel manages to raise the stakes again, for Harry, for Chicago, for the world. There have been so many Dresden Files novels now they actually fall into categories: there are vampire novels, fairy novels, wizard council novels, undead novels, and so forth. As the series grows there is more and more crossover, but Cold Days easily qualifies as a fairy novel.
I have two equal and opposite reviews in mind for Cold Days, and instead of choosing which to write, I’ll write both.
The first review argues that Cold Days, the fourteenth installment in the Dresden Files, suffers from serious series fatigue. With a few exceptions, it features largely the same cast of characters, the same locales, and the same themes that readers have grown accustomed to. Despite some glimpses of growth, development, and transformation, Harry Dresden is largely the same smart-mouthed, down-on-the-heel practicing wizard he was in Storm Front. His all-too-frequent pop culture references that once seemed amusing now strike a chord of annoyance. The frenetic action sequences that a few novels ago felt exhilarating now come off as trite and paint-by-numbers. In short, the novel makes me feel as if my once solid relationship with The Dresden Files has fallen a bit flat.
Some of the problems present in Cold Days are inherent in the stagnant conventions of urban fantasy as a whole. Except for a few quick jaunts to Edinburgh or Mexico, the entire series has largely taken place in Chicago. While Aristotle’s unity of place might be best practice for a play or even a novel, it certainly doesn’t work for a series of this length. This reader, at any rate, longs to see the heroes face other challenges in far-off lands. Worse, the single, small, isolated locale undermines the severity of the universal threats posed by the series’ villains. It’s difficult to take seriously a dangerous entity bent on world destruction when the only destruction in evidence takes place within a few city blocks.
With all the storylines introduced over the course of thirteen previous novels, it’s inevitable that not all of them can be picked up or carried along in a sequel, nor should they be. However, a pretty major development took place in book 12, Changes, prior to Harry’s apparent death, that is surprisingly absent from Cold Days, even in Harry’s continuous flow of internal monologue. He makes oblique references to it a few times, but I’d hoped that particular surprise would herald a shift in the series rather than merely the plot for a single novel. It is to be hoped that Jim Butcher will pick up this important thread in future novels.
The other review in my head praises Cold Days as a worthy installment to the Dresden Files series. This is largely on account of Jim Butcher’s vigorous writing style and strong characterization. Pop culture reference overload notwithstanding, Butcher’s writing, like a fine oak-aged whiskey, has only improved with age. Though the action sequences as a plot device are overused, there’s no denying they’re well-written. There’s a knock-down drag-out bar fight early in the novel, and you really can feel every shotgun blast and flying bar stool. The witty, flippant language that jaunts through the novel makes the few moments of gravity or pathos all the more powerful. There’s an exchange between Harry and his friend/love interest (to quote Facebook, “it’s complicated”) Karin Murphy that’s poignant and dramatic enough you’d expect to find it in a Scorsese flick.
And while Harry Dresden himself might wear thin at times, the host of supporting characters still haven’t lost their charm and complexity. Harry’s half-brother Thomas, his apprentice Molly, and polka-infused Medical Examiner Butters all make welcome and notable experiences. These characters crackle with life, personality, and possibility. For me, fantasy and science fiction novels, however wonderful their locales and however revolutionary their ideas, are only as strong as their characters. In a series of this length, the importance of characters increases exponentially. And even if some, including the protagonist, rub me the wrong way at times, they’re still characters I know and care about.
So, two equal and opposing reviews–how to break the tie? Simple: will I read the next Dresden Files novel? The answer is a definite yes. I don’t say this lightly. It takes a lot to keep me, and probably most readers, invested in a long-running series, especially in a sub-genre I don’t usually read. (Incidentally, the fact that I don’t often enjoy urban fantasy means you should take my first, negative review with a pinch of salt.) I bowed out of Robert Jordan’s Wheel of Time series after book seven, and I put down Charlaine Harris’s Sookie Stackhouse novels after the third installment. Blasphemous as it sounds, I’m even losing patience with George R. R. Martin’s A Song of Ice and Fire. Yet through thick and thin I’ve stuck with The Dresden Files for fourteen novels filled with great characters and complex supernatural elements. And I’m eager for a fifteenth.
The audio edition marks the return of James Marsters, best known as Spike from the Buffy the Vampire Series TV series, as narrator. Ghost Story, the previous novel, was narrated by John Glover. I feel sorry for narrators who have to pick up a series mid-stream, like John Lee who stood in for Roy Dotrice in narrating George R. R. Martin’s A Feast for Crows. John Glover performed admirably in his reading of Ghost Story, and if he had read the series from the beginning there would have probably been no cause for complaint. But for the previous twelve novels, James Marsters was Harry Dresden. His dry, sometimes deadpan style perfectly fits the Chicago detective noir tone of the novels. So his return to the series is a welcome breath of fresh air. Also, major props to Marsters for hitting the sustained high notes in the dialogue of the minuscule fairy underlings.
Posted by Seth