The SFFaudio Podcast #293 – Carmilla by J. Sheridan Le Fanu; read by Elizabeth Klett (for LibriVox). This is an unabridged reading of the novelette (3 hours 7 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Mr Jim Moon, and Elizabeth Klett.
Talked about on today’s show:
1871, 1872, Elizabeth’s first solo for LibriVox, a per-adolescent kid, Dracula, a novella and not a novel, Dracula is obsessed with its own structure, dictaphone, the manner of the telling, The Dark Blue magazine, the framing device, the Dr. Martin Hesselius framing device, wee have the papers to prove it, not with that ending, so chilling, eight years after the major events, three hundred, Duke Charles, CBS Radio Mystery Theater adaptation, the setting, the nearest inhabited village is twenty leagues away, the ruins of Karnstein, white lilies, swans, perch, in the moat, the story within the story, Spielsdorf’s letter, Millarca and her “mother”, fete, a masked ball, a vampire scam, a glamour on the father, pulling Laura’s father aside, is she glamouring him?, so lonely, giving in to her whim, why don’t the vampires not immediately suck some folk dry?, preying on the village girls, Varney The Vampire, the name as an anagram, the blue mark, the lonely vampire, “you’re going to die into me”, “I live into your warm life and you’ll die sweetly into mine”, Laura has been stalked since she was six, enchanted by the pretty lady, needles, “just a blue spot”, the father and the doctor are shielding Laura, shielding Mina from the truth ends up hurting her, the female characters in both stories are more capable than the male characters give them credit for, religion, the crucifix doesn’t figure into Carmilla, the complicated layering of imagery, Carmilla’s escape from the castle, enclosure, Carmilla can transcend enclosures, transcendent confinement, an extra-transmissive female, the Mountebank peddlar, the little dog, amulets for protection against the oumpire, a very sharp tooth like a fish, a transaction through a window, a liminal space, invading the domestic space, well educated in trickery and juggling, the mountebank half-recognizes Carmillas as a vampire, a clever recipe, Harker’s shaving mirror, Markheim by Robert Louis Stevenson, Carmilla thinks of herself as a product of nature, “all things proceed from nature”, girls as caterpillars while they live in the world, relying on God to take care of us is naive, a post Darwinian perspective, Dracula’s Guest by Bram Stoker, Horror Europa with Mark Gatiss, Nosferatu was nearly destroyed by copyright claims, the invasion of the home, Eric Rabkin, vampires are for aristocrats whereas werewolves are for peasants, The Odyssey as a series of stories about the host-guest relationship, Carmilla’s only virtue is that she’s pretty, Bertha, the striking image of Carmilla crawling onto Bertha’s bed, a phallic sword, there’s no hiding the fact that this is all sex sex sex, The Vampire Lovers, Hammer Horror with nudity, the British Board of Film Censors, “this is literature”, The Killing Of Sister George, Richard LeStrange from Cork, adaptations of Carmilla, the servants, a quick snack on the peasants, bathing in seven inches of blood, Elizabeth Bartolde, floating of coffins in blood, entirely shielded from ghost stories and fairy tales, languorous and dream-like, languorous and languid, a code word for sensual, sated, façade, interest in beauty, metamorphosis, your chrysalis is your coffin, how vampires leave their graves, revenants, Karnstein = fleshstone, out of folklore and into proto-science fiction, turning Laura into a vampire, one of the great questions in Carmilla – who is her mother? who is the man in black, the cuckoo nest scenario, who are these people?, the “broken” carriage charade, the cuckoo in the nest, pushing the other chicks out of the nest, a wonderful horrible story, Laura Palmer in Twin Peaks, a lot of Laura victims, lesbianism and incest, corruption beneath the veil of respectability, why the mother is missing, the doom to come, Morella by Edgar Allan Poe, Ligeia, Berenice, all up in the creepy, all possessing consumption, waiting for the fruit to be ripe, Blood And Roses, the petals of the rose, is it like a venereal disease?, M.R. James, the lens of distance,
“Magia Posthuma,” “Phlegon de Mirabilibus,” “Augustinus de cura pro Mortuis,” “Philosophicae et Christianae Cogitationes de Vampiris,” by John Christofer Herenberg; and a thousand others
the rules for vampires, Count Alucard, the writing itself, vic-fic, the clarity and economy of Le Fanu’s prose, clear but evocative, he doesn’t over-egg the pudding.
Posted by Jesse Willis
Talked about on today’s show: H.P. Lovecraft’s essay Supernatural Horror in Literature; the House as a character in the novel; the novel’s memorable characters; The Scarlet Letter is “a sentence, a trial unto itself”; the novel’s modern resonance; Jim Crow gingerbread; setting and character trump plot; the rambling plot imitates life; Hawthorne’s subtle use of humor; Hepzibah = Lovecraft?; the family chickens, Chanticleer is an allusion to Chaucer’s Nun’s Priest’s Tale; Chanticleer dredges up John’s horrible memories of Rock-a-doodle; comparison to various Lovecraft stories; Hawthorne’s characters are concepts, but well-drawl concepts; allegory with depth à la Tolkien; atavistic guilt; hypnotism, mesmerism, and phrenology, oh my!; phenomena as fads in science fiction and popular culture; Edgar Allen Poe’s work, especially The Facts in the Case of M. Valdemar and Fall of the House of Usher; Arthur Conan Doyle is to spiritualism as Glenn Danzig is to Satanism; The X-Files, “I Want to Believe”; John Keats’s theory of negative capability; Mark F. Smith’s LibriVox narration; man’s identity tied to real estate; a Marxist reading of the novel; the house as metaphor for the human heart; Pennsylvania and the great American land grab; the novel’s peculiarly Puritan nature; real-life Pynchon family ancestors of author Thomas Pynchon; inspiration for the fictional house now a tourist attraction; Hawthorne’s defense of writing a romance in the novel’s preface; the novel’s horrendous screen adaptations and slightly better comic book adaptations; The Haunting of Hill House; the power of interpretive haunting; revival of the Gothic tradition e.g. in The Duchess of Duke Street; Hawthorne plays amazing tricks with point of view; “guns are America’s pit bulls”; Joe Hill’s Locke and Key.
Posted by Jesse Willis
Talked about on today’s show:
The 1818 edition versus the 1831 edition, the half-made up prologue, Leaves Of Grass, are there any body changes?, “the corpus”, Downpour.com’s version with Simon Templeman, Anthony Heald, Stefan Rudnicki, Frankenstein vs. the monster, creature, wretch, demon, insect, incoherent with rage, face to face, moving on, the fainting hero or heroine, swooning, Lovecraftian fainting, cosmic horror, Herbert West: Re-Animator, Young Frankenstein, Cool Air by H.P. Lovecraft, Edgar Allan Poe, M.R. James, becoming god, why are we reading a book by a teenager from almost 200 years ago, Edinborough, the broken reader, Sir Walter Scott, Ivanhoe, etymology, Paradise Lost, Gulliver’s Travels, Percy Shelley, William Shakespeare, Macbeth, Caliban, The Tempest, Science!, hey I’m killing your family and stuff, Spirits!, Russia, the Arctic, Prospero, Caliban the dogsbody, Sycorax, the pre-science world to the science world, Christopher Marlowe, “I’ll burn my books!”, the education of young Victor, religious swearing, Brian Aldiss, spark, the electrical element, Galvani and the frog’s legs, more chemical (than electrical), the Romantics, the heart of the the book, “the modern Prometheus”, nature, the North Pole, Siberia, Things As They Are; Or, The Adventures of Caleb Williams by William Godwin, berries and nuts, vegetarianism, the bringing of fire, The Wonderstick (the coming of the bow) “spooky action at a distance”, fire as technology, Eric S. Rabkin, fire -> knowledge -> enlightenment, the blasted oak, the family tree destroyed, this mortal clay, body stealing, Burke and Hare (are a lot of fun), ‘there are some things man was not meant to know’, a motherless monster, Young Frankenstein, what’s so cool about Young Frankenstein is that it solves the problems caused by previous movie adaptations, “Hey there handsome”, is the creature really hideous?, “a very Jewish movie”, “this is a boy that the world will love”, community, Victor had no Igor, Eyegor, or Fritz, well formed, euphemisms, dull yellow eye, proportionate limbs, is he veiny?, black and flowing hear, a pearly whiteness, a feminist novel, a misogynist fantasy, the framing narrative, males behaving badly, Gothic, gender coding, the curse of the Frankensteins, Frau Blücher, the Kenneth Branagh adaptation of Frankenstein, The Revolt Of Islam by Percy Bysshe Shelley, Justine (and the lack of justice she receives), Anne Rice, “I’m never going to sleep again”, the path of evil, Victor had a temper, the abnormal brain (Abbie someone), a “blank slate”, Henry Frankenstein, Young Frankenstein retcons the book and the 1931 movie (and the Hammer movies), Froderick Frankenstein, Boris Karloff, Transylvania Station, The Body Snatcher, Robert Louis Stevenson, The Black Cat (1934), Bela Lugosi, a movie from a parallel dimension, the perfect romantic character, the “noble savage” and the “blank slate”, flowery language and obfuscation, a baby story, that’s Science Fiction right there, an eight foot baby, how do we detect the world, what is light?, a blind man given sight, sphere vs. pyramid, Johann Wolfgang von Goethe, an urbane monster, the ideal syllabus, Mary Shelley is showing the heck off, Paradise Lost, The Sorrows Of Young Werther, suicide, Lives Of The Noble Greeks And Romans by Plutarch, Ruins Of Empires by Constantin-François de Volney, Frankenstein’s lab notes, Safie, the Ottoman Empire, Turkey as a proxy for European society, Olaf Stapledon, the hapless fate of the aboriginals of North America, Shelley’s hanging out with radicals, an anti-American dream, three years after the fall of Napoleon, Lord Byron, dreams, “how are we living with each other?”, Prometheus Unbound, The Last Man, Prometheus should be our hero, Harlan Ellison, Walton, Bryan’s dissertation was on Frankenstein, The Rime Of The Ancient Mariner, The Narrative Of Arthur Gordon Pym Of Nantucket, At The Mountain Of Madness, Star Trek, doppelgangers, doubles all the way down, perfectly symmetrical, The Prestige by Christopher Priest, Melmoth The Wanderer by Charles Maturin, The Saragossa Manuscript by Count Jan Potocki, the fire and ice, “in the cottage we are the monster”, lookism, when they see the monster, “as a lion rends the antelope”, Blade Runner‘s ending, all those murders, a child having a temper-tantrum, where you gonna get that wood?, standing on an ice-floe, Dante’s Inferno and the final circle of hell, Inferno by Larry Niven and Jerry Pournelle, Bryan reads Frankenstein every year, teaching Frankenstein in high-school, a perfect ending, is the monster still out there?, Edison’s 1910 film adaptation of Frankenstein (it’s 10 minutes), imagine Tesla adapting Frankenstein, a shameless self-promoter, “Victory Frankenstein fucked with Mother Nature, and She bore him a strong son”, ‘there are some things that man was not meant to know’, Walton wants to find the source of the pole’s magnetism, “it’s not just loving your family – it’s also loving your fellow being”, “if you make a mistake – own up”, Walton learns from the story, Young Frankenstein, it’s an ethics book, mad scientists, a Kennedy son, Moby Dick, C.L.R. James, a ship as a microcosm of society, “I smell readalong!”, Hitlerland: American Eyewitnesses to the Nazi Rise to Power by Andrew Nagorski, “the kids loved Uncle ‘Dolf”, “charisma leaking out all over the place”, charisma and beauty, a bear doesn’t understand charisma, real-life parallels, what is the function of Henry Clerval in the book, is he us?, a homoerotic reading, Percy and Bryon go hiking, it’s Simon Pegg and Nick Frost, World’s End, Shaun Of The Dead, Hot Fuzz, Elizabeth’s provenance and the weird relationship with her cousin/brother/owner Victor, a subterranean psychodrama, Victor’s wild dream in which Elizabeth dies and then turns into his mom, grave worms, a maternal figure and a corpse.
Posted by Jesse Willis
Beginning it seems in the mid-1970s Dudley Knight, a U.C. Irvine professor of drama, voiced a series called The Graveyard Shift on KPFK, Los Angeles. The purpose was to tell stories of the macabre. His broadcasts aired weekly with shows of variable length (between half and hour and two and a half hours).
Here is a list of broadcast stories, with links to audio when available:
Jan. ??, 1974- The Room In The Tower by E.F. Benson (34 min.)
May. ??, 1977 – Upon The Dull Earth by Philip K. Dick (55 min.)
Jun. 08, 1977 – I See A Man Sitting On A Chair And The Chair Is Biting His Leg by Harlan Ellison and Robert Sheckley (57 min.)
Jun. 22, 1977 – It by Theodore Sturgeon (57 min.)
Jun. ??, 1977 – Count Magnus by M.R. James (35 min.)
Jul. 06, 1977 – Children Of The Corn by Stephen King (71 min.)
Aug. 03, 1977 – Compulsory Games by Robert Aickman (56 min.)
Aug. 17, 1977 – The Yellow Wallpaper by Charlotte Perkins Gilman (37 min.)
Aug. 31, 1977 – Silent Snow, Secret Snow by Conrad Aiken (46 min.)
Sep. 21, 1977 – The Empty House by Algernon Blackwood (42 min.)
Oct. 19, 1977 – Armaja Das by Joe Haldeman (44 min.)
Nov. 08, 1977 – It Only Comes Out At Night by Dennis Etchison (33 min.)
Dec. 14, 1977 – Couching At The Door by D.K. Broster (59 min.)
Dec. ??, 1977 – The Aleph by Jorge Luis Borges (35 min.)
Jan. 18, 1978 – Suspicion by Dorothy L. Sayers (38 min.)
Jan. ??, 1978 – I Have No Mouth And I Must Scream by Harlan Ellison (41 min.)
Feb. 01, 1978 – The Gentleman From America by Michael Arlen (48 min.)
Feb. 08, 1978 – Bulkhead by Theodore Sturgeon (75 min.)
Feb. 22, 1978 – Gonna Roll The Bones by Fritz Leiber (60 min.)
Mar. 22, 1978 – Sometimes They Come Back by Stephen King (58 min.)
Apr. 05, 1978 – Three Miles Up by Elizabeth Jane Howard (42 min.)
Apr. 19, 1978 – Eine Kleine Nachtmusik by Fredric Brown (49 min.)
Jun. 07, 1978 – The Ash Tree by M.R. James (36 min.)
Jul. 26, 1978 – The Squaw by Bram Stoker (35 min.)
Aug. 30, 1978 – Batard by Jack London (39 min.)
Sep. 06, 1978 – The Game Of Rat And Dragon by Cordwainer Smith (37 min.)
Oct. 17, 1978 – The Body Snatcher by Robert Louis Stevenson (49 min.) |MP3|
Nov. 21, 1978 – The Other Celia by Theodore Sturgeon (48 min.)
Dec. 06, 1978 – Benlian by Oliver Onions (44 min.)
Jan. 03, 1979 – Before Eden by Arthur C. Clarke (32 min.)
Jan. 31, 1979 – The Haunters and the haunted by Edward Bulwer Lytton (106 min.)
Feb. 23, 1979 – Space Rats Of The CCC by Harry Harrison (37 min.)
Apr. 03, 1979 – Breakfast At Twilight by Philip K. Dick (41 min.)
Apr. 17, 1979 – Thurnley Abby by Perceval Landon (43 min.)
???. ??, ???? – The Whisperer In Darkness by H.P. Lovecraft
Posted by Jesse Willis
Mr Jim Moon, the ghost that haunts the great “Library of Dreams” over on Hypnogoria.com (and the Hypnobobs podcast), has a new Kindle book out – a collection of rare horror delicacies specially picked and catalogued for clever boys and girls like you and me. Here’s the cover – it’s haunted – can you see the hidden skull?
Here’s the official blurb:
From the Great Library of Dreams, Seven of Spectres: The First Hypnogoria Book of Uncanny Tales! Seven stories of unwelcome returns from the grave masters of the genre such as MR James, WF Harvey and Bram Stoker. Introduced, annotated and illustrated by Mr Jim Moon.
Mr Jim Moon discussed the creation of this collection at the 1 hour 1 minute mark of SFFaudio Podcast #197 HERE.
The Clock by W.F. Harvey
The House Of The Nightmare by Edward Lucas White
The Haunted Dolls’ House by M.R. James
The Tale of a Gas-Light Ghost by Anonymous
Man-size in Marble by E. Nesbit
The Upper Berth by F. Marion Crawford
The Judge’s House by Bram Stoker
Posted by Jesse Willis
The SFFaudio Podcast #197 – Dig Me No Grave by Robert E. Howard, read by Robertson Dean (from Tantor Media’s The Horror Stories Of Robert E. Howard). This is a complete and unabridged reading of the short story (37 Minutes) followed by a discussion of it by Jesse, Tamahome, Jim Moon.
Talked about on today’s show:
No CONAN, Cthulhu The Mythos And Kindred Horrors, H.P. Lovecraft, a Lovecraftian story in the Howard style, dressing up the scenery, Howard did research on the cheap, if Robert E. Howard were a movie maker…, Malak Tus, a mish-mash, demon elder gods you know nothing about, a Satanic pact story, immortality, Mr Jim Moon is most like the dead man on the table, revering books like a Lovecraft character, bibliophilia, “the lure of the old books”, Howard doing Dickens, Grimlin was dead…, is this a Christmasy story?, Victorian lesson, nothing happens in this story, Conrad is shocked by candles and a robe, a giant peacock in the sky, the will, yellow peril, disturbing eyes that burn like yellow coals, the demon/god’s avatar, Nyarlathotep, The King In Yellow, the emissary of the god, John Grimlin, off to a demon’s larder, the demon possesses his mortal remains (and therefore his soul?), the weird scream, the lost city of Koth, Shintoism is particularly bad?, noxious winds, this is madness heaped on madness, eight brazen towers, Turkey, “his demon worshipping devotees”, should we make much of there being no wine?, Jacob Marley, was it an accident?, what would a demon do with a county estate?, “your ancestors need money!”, burnt offerings, burn a cheque, are peacocks particularly scary?, Satan as the peacock angel, the peacock as a symbol of pride, Howard’s magpie salt and pepper approach to research, love it for what it is (the momentum of the story), Howard’s weird tales, what would Conan do?, Howard’s studies (were business), boxing stories and boxing ghost stories, the Kirowan and Conrad stories, Old Garfield’s Heart, The Thing On The Roof, the Marvel Comics adaptation of Dig Me No Grave, Mr Jim Moon’s new collection of weird stories M.R. James, Bram Stoker, E. Nesbit, every story has an illustration, introductions, afterwords, and footnotes, The Seven Of Spectres, “photoshoppery”, The Horla by Guy de Maupassant, Hypnobobs, there’s a Horla there, it’s hard to illustrate an invisible monster, a hidden skull, once you see it you’ll never unsee it, haunted pictures, an animated gif?, moving paintings (in Harry Potter), J.K. Rowling, Harry Potter books grow with the audience, what tradition is Rowling coming out of?, what makes Rowling’s writing work?, J.R.R. Tolkien, Rowling was aware of all of the traditions of fantasy, E. Nesbit, C.S. Lewis, family adventure stories, Michael Moorcock, school stories, jolly japes, the Rupert books, anthropomorphic animals, cozy humour, three layered storytelling, Voldemort, “the flight of death”, Harry Potter is structured around scenes or sets, drawing on the old traditions, the serialized page turning aspect, unique writing voices, a timeless feel, The Causal Vacancy, Hot Fuzz, what if Lethal Weapon happened here?, Shaun of the Dead, shall we go to the pub and wait it out?
Posted by Jesse Willis