Review of Shattered by Kevin Hearne

July 30, 2014 by · Leave a Comment
Filed under: Reviews 

SFFaudio Review

Shattered by Kevin HearneShattered (The Iron Druid Chronicles, #7)
By Kevin Hearne; Read by Luke Daniels
Publisher: Random House Audio
Publication Date: 17 June 2014
[UNABRIDGED] – 11 hours, 35 minutes

Listen to an excerpt: | MP3 |

Themes: / druids / urban fantasy / plague /

Publisher summary:

For nearly 2,000 years, only one Druid has walked the Earth – Atticus O’Sullivan, the Iron Druid, whose sharp wit and sharp sword have kept him alive as he’s been pursued by a pantheon of hostile deities. Now he’s got company. Atticus’ apprentice, Granuaile, is at last a full Druid herself. What’s more, Atticus has defrosted an archdruid long ago frozen in time, a father figure (of sorts) who now goes by the modern equivalent of his old Irish name: Owen Kennedy. And Owen has some catching up to do.

I’ll start by saying that this is my first foray into the Iron Druid series so this review is from the perspective of someone who hasn’t done the previous books. I would not suggest this book as a great place to start this series. I heard this was a great entry point into the series for fans of urban fantasy but so much of what’s going on in the plot is lost that I missed the overarching significance of what happened in the story. Now that that’s out of the way…

Shattered is an urban fantasy story about one of the last druids in the world trying to live his life while trying to survive the crazy plots of mythical creatures and gods. Hearne’s writing style flows easily and his characters are enjoyable, but I thought the story lacked focus and almost felt like two disjoint stories that didn’t really relate to one another until both ended into a third thread. I liked the use of the urban setting and the creative use of different abilities/powers that characters. There are many quotes and references to geek culture in there but so much that it kept pulling me out of the story.

The first 2/3 of the story has two different threads that are both interesting in their own right but have nothing to do with each other. One thread is about a female druid trying to stop a plague happening in India while the other follows the eponymous iron druid as he introduces someone trapped in time centuries ago to modern culture. Neither story required prior knowledge of the series but the last 1/3 of the story seemed to be a culmination of events from previous stories that was mostly lost on me. I actually thought I was almost done with the audiobook 2/3 of the way through and it felt like a bit of a false ending.

The world and characters in this story are the best part. I liked most characters, thought they were well written, and stayed true to character. I really liked the old druid getting to know modern culture and hearing his take on how he sees things. The comedy relief and quotes/references to geek culture was a bit much at times and took me out of the story too much.

As for the audio side of things, Luke Daniels does a fantastic job reading this book. On one side of things I can hardly believe he does all the voices I heard in the book, on the other side the two main characters sound an awful lot like each other and I would get confused at the beginning of a chapter sometimes until I identified who was speaking. Both voices were great and it didn’t take away from the story, I just thought it was interesting considering how different many of the other voices are. I will definitely be looking for other audiobooks narrated by Luke Daniels.

Posted by Tom Schreck

The SFFaudio Podcast #241 – READALONG: Goslings by J.D. Beresford

December 2, 2013 by · 4 Comments
Filed under: Podcasts 

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #241 – Jesse and Jenny discuss the 1913 novel Goslings: A World Of Women by J.D. Beresford and the 2013 audiobook from Dreamscape Audiobooks.

PUBLIC DOMAIN |ETEXT|

Talked about on today’s show:
Dreamscape Audiobooks, narrator Matthew Brenher, English dialects (and accents), a casual apocalypse, running out of water, “he’s going to beat his family”, “and we’re very English and we’re moving on”, a world of women,

A global plague has decimated England’s male population and the once-predictable Gosling family is now free to fulfill its long-frustrated desires. When Mr. Gosling leaves his family to peruse his sexual vices, the Gosling daughters, who lack experience and self-independence, find shelter in a matriarchal commune. However their new life is threatened by the community elders’ views on free love.

that’s not what it feels like, what do the women want?, Thrail and his perspective, the Gosling’s perspective, Thrail’s journal, an implicit trust in the British authorities, fathoming an empty world, what is Mother Gosling’s ultimate fate?, a very gentle book, the cruelest moment in this book is the confrontation at the tobacconist’s, “you stupid slut”, a gentle apocalypse, 70% of the population dies, The Stand by Stephen King, exploding heads, Earth Abides, the war of all against all, almost all the men die, the harem, Thrail is asexual, a dalliance with a coquette, Jenny blames Father Gosling, the proximal cause, “we’re wasting the potential of women”, Eileen (aka Lady Eileen), marriage never really protected women, a world of slaves, men can be feminists too, why does it take a man to write a book about a world of women?, J.D. Beresford modeled Thrail on H.G. Wells, Jack London, the 1910s, the Bolshevik revolution, Mastering The Art Of Soviet Cooking, Mastering the Art of Soviet Cooking: A Memoir of Food and Longing by Anya Von Bremzen, an anti-disestablishment bill, the Anglican Church, church and state, the fundamentalist religious people in this book, so many critiques, a very thoughtful book, intellectualism, “you don’t want books, keep your eyes open and think”, Thrail worked on every continent, Thrail is needed for his manly skills (not just his sperm), “the Jewess”, is this casual racism?, this is a weird book because its about fashion, a Science Fiction novel about FASHION!, the clothing, pants, work clothing, Thrail is the Beresford mouthpiece, Thrail’s Dr. Watson, “you’re so mighty!”, women want to attract mates but their worried about what other women think, and men are into fashion too, a vigorous bike ride, “get out of the city”, the suppressed lech, “I saw the god in the father”, a transition back to nature, Sterling, the ending, what’s going on in America, this story would never work now, Goslings is completely of its time, a really well written book, Beresford wrote a book about H.G. Wells, Neil Gaiman, the neat ending undercuts the book, a new way to be, why do we like these downer books, Jenny likes to see what happens when things get torn apart, a farm commune, the thieving, the religious group, class distinctions, fashion and class, Louis Vuitton, a signifier of class, men are not the oppressors, people are oppressing themselves, we weren’t even slaves to intelligence and efficiency, a strong educated woman, a funny utopian book, utopia/dystopia, compared to the end of Earth Abides, the war bride phenomena, think of the children, Virus (1980) aka Day of Resurrection (PUBLIC DOMAIN), an inversion of the situation in Goslings, rape is not okay, how do we rebuild the world with only eight women and eight hundred men?, The Best Of All Possible Worlds by Karen Lord, On The Beach by Nevil Shute, Gooses?, Ganders?, goslings grow up, growing up, Blanche is the elder daughter, Millie becomes a harem girl, beautiful hair, “if you stop I’m gone”, Thrail doesn’t want to suffer the fools, sex in that bush, the women are jealous, “history is a series of stories about the worst fucking people in the world”, bastard after bastard, asshole after asshole, “slut” is the insult word for women, etymology of swear words, bitch, bastard, a term of unworthiness, men worry about bastard children, women are worried about having sluts near their husbands, the terms don’t apply anymore, religious sects that don’t sexually reproduce, the Shakers, the rapture, J.D. Beresford was agnostic and then a theosophist, Paris intellectuals, Madame Blavatsky, the universal over-soul, séances, the cause, the 19th century, “newspapers newspapers newspapers”, disposable income, social negotiations, the girls could push their dad’s buttons, when the hard truth comes…, Jean Claude Van Damme, Jenny plows her own fields, “more beets, less kale”, the prepper phenomenon, a seed bank, all the planting zones are shifting, growing beets and kale in Antarctica, there are only two flowering plants in Antarctica.

Dreamscape Audiobooks Goslings by J.D. Beresford

Posted by Jesse Willis

Goslings: A World Of Women by J.D. Beresford

November 14, 2013 by · Leave a Comment
Filed under: News 

SFFaudio News

We’re planning a podcast discussion of a nearly forgotten utopian novel:

J.D. Beresford’s Goslings: A World Of Women.

Dreamscape Audiobooks Goslings by J.D. Beresford

First published 100 years ago, this story of a global pandemic, and its impact upon the survivors, will remind you of later novels like The Death Of Grass and Earth Abides. The difference here is the emphasis on gender.

The audiobook, as read by Matthew Brenher, is available from Dreamscape Audiobooks (and Audible.com and Downpour.com). I’ve heard the whole thing and it is excellently narrated.

Here’s the official description:

A global plague has decimated England’s male population and the once-predictable Gosling family is now free to fulfill its long-frustrated desires. When Mr. Gosling leaves his family to peruse his sexual vices, the Gosling daughters, who lack experience and self-independence, find shelter in a matriarchal commune. However their new life is threatened by the community elders’ views on free love.

There’s also a FREE ebook version available via Archive.org.

Posted by Jesse Willis

Review of The Scarlet Plague by Jack London

October 15, 2013 by · Leave a Comment
Filed under: Reviews 

SFFaudio Review

DREAMSCAPE AUDIOBOOKS - The Scarlet Plague by Jack LondonThe Scarlet Plague
By Jack London; Read by Drew Ariana
Approx. 2 Hours 13 Minutes [UNABRIDGED]
Publisher: Dreamscape Audio
Published: August 20, 2013
Themes: / Science Fiction / San Francisco / Plague / Post-Apocalypse / Disease / Philosophy / Politics / Class Conflict /

The year is 2013 and plague has struck. Not a wannabe killer like SARS or the Spanish flu, but a tsunami type devastation that swallows every living thing, check that, every person, in its path. Its nickname is the red death because at its arrival the first thing that happens to the infected person is they start sporting a red face – like a beacon for everyone else around them to – RUN. The next thing that happens is they die. Well a little more goes on in between, numb feet, numb hands, a heart so numb it stops. All within an hour, or a few hours if the person is lucky/unlucky enough to have it drag out that long. Then for fun what’s left of the numbed, red faced, ex-person, immediately starts decomposing, falling apart before the eyes of anyone still around to witness it, practically shooting decomposing germs into the air like a plant shooting its spores. There are two classes of people, the ultra rich and everyone else. As the ultra rich jump into their airships to get as far away as possible, they just carry death with them – first class. Everyone else simply falls down and dies where they are. The devastation’s full name is Scarlet Plague. Sixty years into the future when the very few last contenders of what was once the mighty human race hear tell about it, they can’t even decipher what scarlet means because language (like life) has degraded to the point of only holding on to what’s necessary. Scarlet is red. Counting only needs to go as high a ten. The squiggles on money and books are meaningless, but that’s of no consequence because neither books nor money are in use anyway. Apologies, I’m getting ahead of myself. About 160 years ahead.

The Scarlet Plague by Jack London, published in 1912 is about the plague that will strike 100 years from his time, told from a perspective 60 years hence by the last man alive who’s ever seen an airship or read a book. 2013, a hundred years into the future for Jack London, is today and yesterday, this week. Hearing this story now, is like what it was to read (or re-read) 1984 in 1984. Sort of surreal. Interestingly 1984 is a year that was mentioned in the story of the plague. Did George Orwell choose that year with a tip of his hat? Probably. I’ve heard George was a fan.

Back to Jack. What did he get right? What did he miss? Commercial airships? Instant wireless communication? Check, check. About 8 billion people planet wide? Check. The ultra rich and everyone else, hmmm, not that far off the mark, probably pretty close considering he was most likely exaggerating a little to make a point. The work didn’t actually feel like science fiction, it felt contemporary, the section that describes this part of the century anyway. Like his projection to 2073 started from here, not from a century ago. Because the today part of the story is so right, it makes the rest of the story worse.

Not worse as in it’s a bad story. It’s an excellent, superbly imagined, tangible story. Worse in regards to how Mr. London judged the human condition. 60 years from now, 160 years from when the book was written, James Howard Smith or Grandsir, is telling his three grandsons the story of the plague. A story that was in great demand 20 or 30 years before, is quickly becoming lost – now of passing interest to two of the boys, and of real interest to only one. For one thing Grandsir’s sentences are way too complicated, especially when he goes off into his memories and starts speaking as he used to do when he was professor of English literature at Stanford. Speech has become staccato and minimalist, the niceties of language having died off with everyone that had time for that sort of thing. The other problem is the things Grandsir talks about make no sense to the boys. Cities, cars travelling by air, exchanging things with money, wasting time with written markings, all of it is so outside of what the boys know it might as well be make believe. The ramblings of a deranged, lost, old mind. With an estimated world population of less than 500, life has become a question of survival. If you want to eat then you have to go out and kill yourself some dinner. Grandsir calls his grandsons savages. When he was a boy (one of his constant refrains) there were those who gathered food and those who ordered its gathering. His progeny has been reduced to food gatherers. Interestingly Grandsir’s still got them gathering food for him. Old habits die hard I guess.

So why was this professor of classical literature spared to help re-forge humanity? No reason. One in every few million just didn’t get red faced. Maybe death momentarily blinked as it passed them by or got distracted by the particularly amusing scene of the mountains of bodies piling up at its feet. A couple of feeble minded, the very richest most splendid woman in America, a violent, vile, wife beating chauffer who made himself her husband, our friend the professor – just a few random cards in the deck. Life’s like that. You build your magnificent cities, you spend your time creating art and pondering the great questions, and life responds by carelessly wiping itself out. Careless in that it doesn’t quite finish the job. But no matter, because life will make its way forward again.

And now we come to the worst part of the story. It’s not the plague and what happens in the aftermath. The author makes it clear that ultimately, in the long run, humanity will rally back. They’ll rebuild and create again. The worst part is what Mr. Jack London sees after that.

Drew Ariana who read the story in this recording did a good job. My only issue was the character voice he assumed for Grandsir. I didn’t have a problem with the voice, the problem was, so much of the story was told using this voice it became a little distracting. Otherwise, an easy, pleasant listen.

By the end of the book, awash in dystopia, I was seeing a little red. Too delightful not to share, here’s a little red (or Scarlet) for you. “All man’s toil upon the planet was just so much foam. He domesticated the serviceable animals, destroyed the hostile ones, and cleared the land of its hostile vegetation and then he passed and the primordial flood of hostile life rolled back again, sweeping his handy work away.”

Posted by Maissa Bessada

The SFFaudio Podcast #229 – NEW RELEASES/RECENT ARRIVALS

September 9, 2013 by · Leave a Comment
Filed under: New Releases, Podcasts, Recent Arrivals 

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #229 – Jesse, Jenny, Tamahome, and Paul Weimer talk about NEW RELEASES and RECENT ARRIVALS.

Talked about on today’s show:
Tam is back, Haruki Murakami, Kafka On The Shore, magic realism, Japan, kafkaesque, surrealism, 1Q84, The Wind-Up Bird Chronicle, pretty books, Chip Kidd, rice paper, Requiem by Ken Scholes, Julie Davis, Tor, magic staff, earth in the future, The Steel Remains, “oh crap this is the future”, Gene Wolfe, Happy Hour In Hell by Tad Williams, Bobby Dollar, The Dirty Streets Of Heaven, urban fantasy, demoness tangling, Lankhmar, urban fantasy => a certain kind of fantasy, noir/detective => hardboiled, Otherland, Luke Burrage, cats, “the Walter Jon Williams effect”, MaddAddam by Margaret Atwood, mostly dystopian, Oryx and Crake, quasi-humans, The Year Of The Flood, genetic engineering, racoon-pigs, storytelling mode, listening at 2X speed, competitive debate, Margaret Atwood’s preview of a review of Doctor Sleep by Stephen King, a sequel to The Shining, Atwood’s weakness for horror and terror, “because he’s Stephen King”, Will Patton, “don’t judge me people”, is there a stigma in literary circles?, Zoomer magazine’s profile of Margaret Atwood as “Queen Of The Nerds”, Twitter, tweetalong?, a genuine literary reputation, poetry, Orson Scott Card, does it matter?, dystopia, Dreamscape Audiobooks, The Night Lands by William Hope Hodgson, The House On The Borderlands, a very daunting book, big and ambitious, Lovecraftian?, The Scarlet Plague by Jack London, Earth Abides, class, mainstream post-apocalypse, Alas Babylon by Pat Frank, a toothless grandfather, Drew Ariana, Goslings by J.D. Beresford, plague talk!, The Children Of Men, Y: The Last Man, the newspapers, HiLoBooks, “Radium Age” Science Fiction, Gweek, The Road To Science Fiction, classicism, sexism, barbarism, The Iron Heel, numeracy and literacy, the size of the universe or the age of the Earth, Simon & Schuster Audio, Rivers by Michael Farris Smith, Jenny loves destroying the earth, wiping the slate clean, Fallout, Tobias Buckell, Interrupt by Jeff Carlson, Hunter Davis, Brilliance Audio, simultaneously published with print, Neanderthals, the pronunciations, Robert J. Sawyer, Discover Magazine, literally means not literally anymore, it’s figuratively raining cats and dogs, The Darwin Elevator by Jason M. Hough, Julie Davis, Simon Vance, science fiction thrillers, John Scalzi, plague, space elevator, working for the enemy?, a compressed schedule, writing 2X, a first novel!, military SF, “we’ve complinished everything”, Reflex by Steven Gould, Jumper, the physical audiobook industry (is it mostly for libraries), Paperback Audio, William Dufris, The Stars My Destination by Alfred Bester, innate teleportation, the Jumper movie, Portal, post-humans, Nightcrawler without the bad smell, BAMFless, The Clockwork Man by E.V. Odle, Ralph Lister, no introductions makes Jesse sad, are there audio previews?, Affliction: An Anita Blake, Vampire Hunter Novel (#22) by Laurell K. Hamilton, The Lord of Opium (Matteo Alacran #2) by Nancy Farmer, The Midnight Heir (Bane Chronicles #4) by Cassandra Clare and Sara Rees Brennan, building on The Hunger Games, Untouchable (Immortals After Dark #8) by Kresley Cole, Robert Petkoff, The Hunt or Capture, the reality TV version of The Hunger Games in The Hunger Games would be very boring, The Truman Show would be a very boring show to actually watch, in fiction the TV shows are without narrative, TVtropes show with an show, Hamlet, William Shakespeare did meta 500 years ago, epic traditional fantasy, traditional epic fantasy marriage, Crown Thief (Tales Of Easie Damasco #2) by David Tallerman, Giant Thief, sword and sorcery, golem or gollum?, Witch Wraith: The Dark Legacy of Shannara by Terry Brooks, Rosalyn Landor, , “Tolkien with the serial numbers filed off”, “its all about the elfstones”, The Lord Of The Rings, questing, trilogy vs. endless series, the Wikipedia entry for Shannara, a magical cataclysm, “a richer broader universe”, Revolution, S.M. Stirling, Robert Jordan, the Dragonlance series, Daniel Abraham, subverting the quest trope, The Eye Of The World, George R.R. Martin, gathering forces and subverting expectations, children’s fantasy, Roald Dahl, Matilda is read by Kate Winslet!, the musical of Matilda, The Twits, Charlie And The Chocolate Factory, Charlie And The Great Glass Elevator Futurama, Fry and the Slurm factory, Gene Wilder, great character names!, Dickensian names, The BFG, biography, crime, thriller, JFK’s Last Hundred Days: The Transformation Of A Man And The Emergence Of A Great President, Death Angel (Alexandra Cooper #15) by Linda Fairstein, The Kill List by Frederick Forsyth, George Guidall, “now it’s personal”, Penguin Audio, adding heat urgency of character development, adding a baby, Breaking Bad babies, the invisible baby or worse the artificially aging child syndrome, Mork & Mindy, Shaman by Kim Stanley Robinson, 30,000 years ago, prehistorical romance, hard edged scientific, Clan Of The Cavebear, Monsters Of The Earth by David Drake, Seanan McGuire, Soldier by Harlan Ellison, The Terminator, The Outer Limits, James Cameron, Philip Wylie, Tomorrow!, John Wyndham, When Worlds Collide, The Answer, nuclear war with angels, The End Of The Dream, The Murderer Invisible.

Dreamscape Audiobooks - Goslings by J.D. Beresford

Posted by Jesse Willis

Review of Breakdown by Katherine Amt Hanna

May 8, 2013 by · 1 Comment
Filed under: Reviews 

SFFaudio Review

breakdownBreakdown
By Katherine Amt Hanna; Performed by Ralph Lister
Publisher: Brilliance Audio (Audible)
12 hours [UNABRIDGED]

Themes: / post-apocalypse / plague / influenza /

Publisher summary:

In a world ravaged by a deadly pandemic, former rock star Chris Price leaves New York and sets out on a long journey home to England. It’s been six years of devastation since the plague killed his wife and daughter, and Chris is determined to find out if any of his family has survived. His passage leaves him scarred, in body and mind, by exposure to humankind at its most desperate and dangerous. But the greatest ordeal awaits him beyond the urban ruins, in an idyllic country refuge where Chris meets a woman, Pauline, who is largely untouched by the world’s horrors. Together, Chris and Pauline undertake the most difficult facet of Chris’s journey: confronting grief, violence, and the man Chris has become. Together, they will discover whether the human spirit is capable of surviving and loving again in a world of unparalleled desolation.

All I knew about this book when I started it was that it was a post-apocalypse story, so I went into with no expectations except that maybe it would probably be a survival story with moments of action and horror. Instead, it was a beautifully written drama set in a time of global recovery after a massive influenza plague.

The plot itself is character-driven and more mainstream than I usually read, but I was drawn in quickly and hooked by the great writing, tormented characters, and dark setting. Katherine Amt Hanna tells the story from multiple characters’ points of view, and always from a very close psychic distance so you are dropped straight into the character’s thoughts and get to know them very well. The way the characters interact is so realistic (with all their personal triggers and subtext and unsaid things) that I wondered if the author had a psychology background. I couldn’t find anything about this when I checked her bio, so perhaps she’s just one of those very keen observers of human behavior.

I also appreciated how carefully she had thought through how a post-plague would look with the survivors cautiously rebuilding their societies and getting the most essential services like the post and transport running again. There were also some interesting thought experiments about what it would be like to be a survivor in a cut-off place with family and friends scattered in different countries but no electronic communications.

The narrator of the audiobook, Ralph Lister, reminded me a lot of Steven Pacey, who gave one of my favorite audiobook readings ever for Let the Right One In. I love his narrative voice, and even though a couple of the character’s voices bugged me (Brian’s perpetual enthusiasm felt a bit out of place at times, and Pauline’s voice didn’t always strike true for me), he had a massive task to express so many different voices (and if there was any major fault with this book, it was that there were just too many characters). The few voices were pretty minor things in an otherwise awesome reading, and his great narration was one of the reasons I was always looking forward to getting back to this audiobook.

Since this story is character-driven rather than plot-driven, it moves at a very leisurely pace that might be too slow for some people, but the writing is beautiful and there is this quiet dramatic tension through the whole novel, like something terrible could happen at any moment. I love that is a first novel and independently published. This is one of those books that proves self-published titles can be just as professionally written as traditionally published works. It was a memorable read and I recommend it if you’re looking for something gentle but dark, and a little out of the ordinary.

Posted by Marissa van Uden

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