Talked about on today’s show:
Contemporary Fantasy, Urban Fantasy, Magics, An Unwelcome Quest (Magic 2.0 #3) by Scott Meyer, Finn Fancy Necromancy by Randy Henderson, The Mermaid’s Sister by Carrie Anne Noble, Monster Hunter Nemesis by Larry Correia, Sad puppy Hugo campaign, Unseen (Unborn #2) by Amber Lynn Natusch, just read the first sentence, Claimed (Servants of Fate #2) by Sarah Fine, Hellbender (Fangborn #3) by Dana Cameron, Kate Rudd and Paul Rudd?, The Syndrome: The Kingdom Keepers Collection by Ridley Pearson
Alternative History, 1636: Commander Cantrell in the West Indies (Ring of Fire #15) by Eric Flint and Charles E. Gannon
Virtual Reality/Cyberpunk, Mountain Of Black Glass (Otherland, Book 3) and Sea Of Silver Light (Otherland, Book 4) by Tad Williams, these are chunky books
Military Sci-Fi, Gemini Cell (Shadow Ops #4) by Myke Cole, the Jump Universe and the Vicky Peterwald series by Mike Shepherd, not narrated by Matthew McConaughey, Tarnished Knight (The Lost Stars #1) by Jack Campbell, pronunciations, a new #1, Time Patrol (Nightstalkers #4) by Bob Mayer, Heir to the Jedi: Star Wars by Kevin Hearne, King of Thieves (Odyssey One: Star Rogue) by Evan Currie
Epic/Traditional Fantasy, Black God’s Kiss by C. L. Moore, she’s a woman, The Black Fire Concerto (The Stormlight Symphony #1) by Mike Allen, “ensorcelled” gains popularity, A Blink of the Screen: Collected Shorter Fiction by Terry Pratchett, Hypnogoria (Jim Moon) podcast covered Terry Pratchett, Toll the Hounds (Malazan Book of the Fallen #8) by Steven Erikson, the Circle of Magic and The Circle Opens and (later) the Immortals Quartet series by Tamora Pierce, Full Cast Audio is sort of audio drama, The Light Princess by George MacDonald, The Keeper (Watersmeet #3) by Ellen Jensen Abbott
Space Sci-Fi, Robot Dreams by Isaac Asimov, vs I, Robot, short story highlights, The Fortress in Orion (Dead Enders #1) by Mike Resnick, Under Different Stars (The Kricket #1) and Sea of Stars (The Kricket Series #2) by Amy A. Bartol, Old Venus edited by George R. R. Martin and Gardner Dozois, we can pronounce “Dozois”, Venus as it should be, S.M. Stirling
Zombies, Apocalypse, Dystopia, Steampunk, Horror (Grab bag!), The Sky-Riders by Paul Dellinger and Mike Allen, Pinkerton (detective agency), Islands of Rage & Hope (Black Tide Rising #3) by John Ringo, Firefight (Reckoners #2) by Brandon Sanderson, The Utterly Uninteresting and Unadventurous Tales of Fred, the Vampire Accountant by Drew Hayes, sexy title, The Mechanical: The Alchemy Wars #1 by Ian Tregillis, clockpunk?, The Fire Sermon (Fire Sermon #1) by Francesca Haig, twins, Cheech and Chong, The Intruder and The Hunger, and Other Stories by Charles Beaumont, Untouched by Human Hands by Robert Sheckley, readalong by Sffaudio (no Tama), Fury by Henry Kuttner, old Venus is back
Related Non-fiction, Alan Turing: The Enigma by Andrew Hodges, part of the Guardian Essential Library, apples, The Interstellar Age by Jim Bell, read by the author, Scott will review, slingshot effect, back seat drivers, The Sagas of Ragnar Lodbrok translated from the Old Norse by Ben Waggoner, Vikings
Posted by Tamahome
Filed under: Audio Drama, New Releases, Podcasts, Recent Arrivals
Talked about on today’s show:
accent on the new releases, The Abyss Beyond Dreams by Peter F. Hamilton, Liviu’s Goodreads review, four dark Jack Cady novels, Jenny‘s Star Wars tweetfest, less chattering and battles, Scott Westerfeld’s Afterworlds, Westerfeld’s Uglies inspired by Ted Chiang, Hardboiled Wonderland And The End Of The World by Haruki Murakami, A New Dawn: Star Wars by John Jackson Miller, “Is this Firefly?”, the new canon, Marvel can make a movie about anything, Station Eleven by Emily St. John Mandel, Luke’s unstarred review of Connie Willis’s Doomsday Book, Jenny liked Blackout/All Clear, A Slip of the Keyboard: Collected Nonfiction by Terry Pratchett, Future for Curious People by Gregory Sherl, mainstream or sf?, Puttering About in a Small Land by Philip K. Dick, it’s mainstream, Fairy Tales From The Brothers Grimm: A New English Version by Philip Pullman, Tex Avery’s Red Hot Riding Hood, Baba Yaga, Mage’s Blood by David Hair, What is a starred review?, Goodhouse by Peyton Marshall, Tales Of Terror Collection, The Best Ghost Stories, The Scarifyers 09: THE KING OF WINTER (audio drama), “winter is coming”, Devoured by Jason Brant, A Walk Among the Tombstones: A Matt Scudder Mystery and Defender of the Innocent: The Casebook of Martin Ehrengraf by Lawrence Block, put out his own audiobooks, Man of Two Worlds by Frank Herbert and Brian Herbert, Echopraxia by Peter Watts, same world as Blindsight, it’s got a lot of references, books with “day” in the title, This Perfect Day by Ira Levin (author of Rosemary’s Baby), Far Futures edited by Gregory Benford, they list the stories and describe them!, The Sound of His Horn by Sarban, Wild Hunt, The Rolling Stones by Robert A. Heinlein, Edge of Tomorrow (All You Need Is Kill) by Hiroshi Sakurazaka, where is the Full Metal Bitch?, Groundhog Day, Steven Gould’s new Jumper book Exo is inspired by Heinlein, Geek’s Guide interview, the cool first page, Darin Bradley’s Chimpanzee audio drama?
The Folklore of Discworld: Legends, Myths, and Customs from the Discworld with Helpful Hints from Planet Earth
By Terry Pratchett and Jacqueline Simpson; Narrated by Michael Fenton Stevens
Publisher: Random House Audio
Publication Date: March 2014
[UNABRIDGED] – 12 hours, 59 minutes
Themes: / folklore / discworld / fantasy /
Most of us grew up having always known when to touch wood or cross our fingers, and what happens when a princess kisses a frog or a boy pulls a sword from a stone, yet sadly some of these things are beginning to be forgotten. Legends, myths, and fairy tales: Our world is made up of the stories we told ourselves about where we came from and how we got here. It is the same on Discworld, except that beings, which on Earth are creatures of the imagination – like vampires, trolls, witches and, possibly, gods – are real, alive and, in some cases kicking, on the Disc.
In The Folklore of Discworld, Terry Pratchett teams up with leading British folklorist Jacqueline Simpson to take an irreverent yet illuminating look at the living myths and folklore that are reflected, celebrated and affectionately libelled in the uniquely imaginative universe of Discworld.
The Folklore of Discworld is as capricious and lovely a reference book for the Discworld series as the Discworld itself. It seems to drift between our world and the Discworld with a strangely organic ease, and, given the breadth and depth it covers, doesn’t assault the listener with too much. Instead it reads like any of the other books in the Discworld series, with light, comforting reassurances to the reader that everything is just exactly where it needs to be.”
Posted by Trant Thumble.
Talked about on today’s show: a vintage podcast with Scott, R.I.P. RadioArchive.cc, Radio Downloader app, audio drama, Brad Lansky and the Alien at Planet X is full of sound, it’s like Ruby, Richmond Smokes a Joint, The Cleansed, are movies the most respected art form?, Pacific Rim: The Official Movie Novelization by Alexander Irvine, postmodernism, Death of the Author by Roland Barthes, The Best Horror of the Year, Vol. 4 edited by Ellen Datlow, Murder of Crows by Anne Bishop, a group of crows is murder, Night Watch #2 and #3 by Sergei Lukyanenko, the Night Watch series discussed on A Good Story Is Hard To Find #57 podcast, “a three volume novel“, Dickens serial novels, Blood Oranges by Kathleen Tierney, what Michael Jackson says at the end of songs, The Line by J. D. Horn, Jenny is studying Turkish, Sky Raiders by Brandon Mull, kids at schools love him, Raising Steam (Discworld #40) by Terry Pratchett, regular narrators for series, The Companions (The Sundering #1, Legend of Drizzt #24, Forgotten Realms) by R. A. Salvatore, Dungeons and Dragons, many Dragonlance books by Margaret Weis and Tracy Hickman, Jesse read them!, what is your D&D Alignment??, vs the Ultima eight virtues, “he’s got cool eyes”, Magic’s Promise by Mercedes Lackey, William Shakespeare’s The Empire Striketh Back by Ian Doescher, purists won’t like it, more alignment talk, Z 2135 (Z 2134 #2) by David Wright and Sean Platt, Fractured by D.J. Molles, Little Fuzzy by H. Beam Piper, The Rift by Bob Mayer, The Runestone Incident by Neve Maslakovic, To Honor You Call Us by H. Paul Honsinger, The Folklore of Discworld by Terry Pratchett and Jacqueline Simpson (a folklorist!), The Age of Radiance: The Epic Rise and Dramatic Fall of the Atomic Era by Craig Nelson, Lockstep by Karl Schroeder, who was on Geek’s Guide #106, can’t find it in my local bookstore, was serialized in Analog, His Share of Glory: The Complete Short Science Fiction of C. M. Kornbluth, Pickman’s Model by Lovecraft, guess who had that made?, H.G. Wells’s The Time Machine‘s missing chapter, The True Detective was inspired by The King in Yellow by Robert W. Chambers, Galveston: A Novel by Nic Pizzolatto (creator of True Detective), Words Of Radiance by Brandon Sanderson is longer than all of C.M. Kornbluth’s work, Terpkristin gave it five stars on Goodreads, Luke’s alignment, Brian K. Vaughan’s Saga comic with the Lying Cat, Mask Of The Red Panda graphic novel, it’s an audio drama podcast too at Decoder Ring Theatre, Julie’s alignment, Martians Go Home by Frederic Brown, Screaming Mimi and Honeymoon In Hell as well, The Frightened Fish (Doc Savage) from radioarchives.com, Doc Savage is a comic from Dynamite too, “hair is like a helmet”, Haldeman’s Forever Peace, Work Done For Hire, Haldeman’s quote about “write what you know”, Haldeman’s Star Trek novels, Jesse thinks he’s f’ing awesome, Seth likes Neal Stephenson, Project Hieroglyph, Robert J. Sawyer’s WWW trilogy, in the optimistic axis, The Woman In Black by Susan Hill (and original film)
Posted by Tamahome
Themes: / fantasy / Discworld / machines /
Change is afoot in Ankh-Morpork. Discworld’s first steam engine has arrived, and once again Moist von Lipwig finds himself with a new and challenging job.
Like other novels in the Discworld series, Raising Steam has a tasty mix of internal referencing, matter-of-fact world bending, and playfulness. Exploring the idea of what the industrial revolution may have been like in a world with magical powers and
creatures beings (oh the trollmanity), Pratchett also somehow manages to sneak in the occasional sharply satirical quip (quite a feat given the fantastic nature of the Discworld).
I found that the reader in the audiobook provided a good listening experience as his reading neither distracted from the plot nor made the book boring. Raising Steam was an overall good reading experience that seemed to slide easily into its place among the Discworld series.
Posted by Trant Thumble.
A Discourse in Steel
By Paul S. Kemp; Read by Nick Podehl
10 hours 11 minutes [UNABRIDGED]
Publisher: Angry Robot on Brilliance Audio
Themes: / sword and sorcery / magic / adventure / fantasy city
My first encounter with the sword-and-sorcery genre came when I discovered Fritz Leiber’s Fafhrd and the Gray Mouser stories, neatly packaged into audiobooks at Audible with introductions from no less a figure than Neil Gaiman. How could I refuse? While Leiber’s world-building was top-notch, though, I found fault with his lack of any real character development. Now, I know what you’re thinking: Seth, characters in a sword-and-sorcery novel aren’t supposed to be developed! While I agree in principle that the genre is supposed to thrive on antiheroes like Michael Moorcock’s Elric, there’s a vast difference between making an intentional authorial decision not to develop characters, or to develop them in an unconventional way, and simply neglecting the care and feeding of a protagonist. Of this I found Leiber guilty. So I set the genre aside in hopes of finding a specimen more suited to my predilections.
Enter Paul S. Kemp’s Nix and Egil series. The eponymous heroes (it’s almost impossible to call them antiheroes) are, respectively, a sprightly little man of craft and cunning from the slums of Dur Follin, and a hulking, hammer-wielding priest of Ebenor, the momentary God. At first glance, you would be forgiven for mistaking this pair for Leiber’s Fafhrd and Gray Mouser, or, perhaps if you squint, Terry Pratchett’s Bravd and the Weasel. But where Leiber’s adventurers are often gray as the Mouser’s name, Kemp’s likable rogues flash and sparkle like a colored prism, reflecting and refracting their personae as the wheel of the story turns. And speaking of the city of Dur Follin, its twisting alleys, Low Bazaar, taverns, and guild houses are every bit as well-realized as Leiber’s Lankhmar.
I rediscovered fantasy in my teens through reading David and Leigh Eddings’s mammoth epics. While I now recognize that much of their work was middling at best, I still admire their capacity to write charming, amusing, and at times poignant dialogue. Kemp has honed this particular skill to a keen edge. The playful, good-natured banter between the two unlikely companions will have you laughing out loud one moment and pondering the mysteries of life itself the next. Their friendship is deep and genuine in the way that so many fictitious friendships simply aren’t. Nix and Egil each have their own past, present, and (it is to be hoped) future. Their hopes, fears, and regrets are writ large in the story’s pages, and this emotional element propels A Discourse in Steel beyond the mark of mere adventure into territory that far too fantasy novels explore.
You’ll notice I’ve said nothing of the plot. This is partly because I cordially dislike plot regurgitations in reviews, but also because the plot is, in a sense, unimportant. I don’t mean to suggest the plot is bad. In fact, it’s well-paced, intricate for a novel of this length, and not without its little surprises. But one comes away from reading this book with a sense that the plot served mostly as a backdrop for exploring these two remarkable characters, like set decorations in a theater performance. Of course, if all this emotional and philosophical discussion makes your eyes glaze over, and you just want to read fun stories of swashbuckling adventure, fear not, A Discourse in Steel has them in spades, or hammers. As you can probably tell by now, I am more captivated by the character development, and sometimes felt the plot barged in on a real moment of heart, but I confess that most readers will find the novel’s plot and pacing perfectly measured.
The novel isn’t without its faults. Nix and Egil are masterfully developed, but the book’s other dramatic personae, with a couple no notable exceptions, lack that same fit and finish. The villains, in particular, come across as fairly one-dimensional, even though they get a lot of stage time. Rusilla and Merelda, the tale’s damsels in distress, fare slightly better, especially towards the end, but as the series title suggests, this is the Nix and Egil show. The novel also flags a bit once the plot maneuvers the characters out of the stress of Dur Follin, which as a city is complex enough to be a character in its own right. To paraphrase one of the characters, Nix and Egil seem to belong in Dur Follin, and watching them out of their element, like fish out of water, takes a moment’s adjustment. The book’s last fault, if you could call it that, is that it ends too soon, leaving several key questions unanswered, questions about Egil and Nix, questions about the city of Dur Follin, and questions about the wider world beyond.
The audiobook is narrated by Nick Podehl, who, to me at least, has become synonymous with epic fantasy in audio, thanks in no small part to his narration of Patrick Rothfuss’s Kingkiller Chronicles. His bag of vocal tricks just seem to be a natural fit for the genre. He is able to glide smoothly between Egil’s rumbling curses and Nix’s falchion-sharp witticisms, and during the action sequences his sense of timing is impeccable. Podehl is the narrator equivalent of what’s called in Hollywood a character actor. He lacks the star power and name recognition of a Simon Vance or a William Dufris, but if you’ve listened to many audiobooks recently, you’ve probably heard his voice. He certainly does justice to Kemp’s work.
A Discourse in Steel is the second Nix and Egil adventure, but it can be read on its own, though its predecessor, The Hammer and the Blade, is nearly as good. I’m grateful to the efforts of Paul S. Kemp and his creations Nix and Egil for showing me that the sword and sorcery genre can embody both style and substance. Maybe it’s time I revisit Leiber and the other S&S greats; maybe I’ll find they’re not as soulless as I thought.
Reviewed by Seth Wilson.