It’s hard to imagine what SFFaudio was reporting on before podcasting started in earnest, around 2005, but we somehow managed pretty well. One such show, which I’ve posted about several times over the years, is Hour25. We don’t report on it much anymore. But to say that Hour25 has podfaded is to get things very wrong – Hour25 had never been podcast and it is still, only just barely, available in MP3 format.
But, Hour25 has had great content, and among the best of it is this recording done for Halloween 2001. I wrote about Night On Mispec Moor by Larry Niven |READ OUR REVIEW| back in 2004. I still like it. It has everything, it’s Military SF, plays out like sword-and-sorcery, technically it’s Science Fiction, but it feels more like fantasy and horror – and it has zombies that don’t suck!
Night On Mispec Moor
By Larry Niven; Read by Warren James
Intro |MP3| Part 1 |MP3|, Part 2 |MP3| – [UNABRIDGED]
Created: October 31, 2001
Tomás Vatch is an “outworld mercenary” who finds himself a lone survivor of his routed army. After fleeing into a moor, his pursuers suddenly stop, they dare not follow him into “Mispec” at night.
And to spice it up all the more, check out these beautiful George Barr illustrations from the first publication in Vertex: The Magazine of Science Fiction, August 1974:
Posted by Jesse Willis
The Sum of All Men: Runelords, Book 1
By David Farland; Read by Ray Porter
17 CDs – 20.4 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Themes: / Fantasy / Epic Fantasy / Attributes / Magic / War /
I’ve read other works by this author, written under a different name, and I knew coming into this one that he was an excellent writer and storyteller. Indeed, I’ve heard him speak at conventions and workshops and have nothing but praise for him as a person and a writer.
That being said, I wasn’t sure what to expect from this book. Reading the dust cover is not always enough to know if you’ll end up satisfied at the end of the book or if you want to throw it across the room. (Okay, I’ve only thrown ONE book across the room. It was a paperback. I was so displeased with the denouement that I threw it away. I didn’t want to inflict that book upon anyone else.)
So, with a little trepidation I began to listen to the book. Could it live up to my high expectations? Would I be satisfied with the resolution? Would I want to read the next book? The answer was a resounding yes!
The book centers on Prince Gaborn Val Orden, son of Mendellas Draken Orden, king of Mystarria. He travels to Herredon to ask King Jas Laren Sylvarresta of Herredon for the hand of his daughter, Iome Sylvarresta. While en route he learns that Raj Ahten, king of Indhopal, who is also referred to as “The Wolf Lord” plans an attack on Castle Sylvarresta. Raj Ahten has taken over a number of minor kingdoms and is intent of conquering all of Rofehaven, taking endowments from as many people as he can so that he may become “The Sum of All Men,” a man who is invincible and immortal. As such, he wants to live forever and rule the world.
It is up to Gaborn, with the help and support of Iome, the Earth Warden Binnesman, Gaborn’s bodyguard Borenson and as many soldiers as he can gather, to stop Raj Ahten from achieving his goal.
Is the book good? Definitely. The characters are well developed. They have depth and personality. They are flawed. The world is rich in legends, heroes and chronicles of past events.
From time to time there will be an insert of a story from this history. It is a teaching moment, so the reader understands who the person is and why they are mentioned, or why an event is important, but it does so in a way that adds to the richness of the story. It builds on it, making the world live and breathe as much as the characters do.
The magic system is also impressive. Those who have the ability and training for magic can use the power of the elements to create magic. Runes are used to give endowments. A king or lord can take endowments from his subjects. Strength, stamina, wit, brawn, metabolism. In so doing they themselves have greater abilities, but the subject that gives an endowment must be cared for the rest of their life, or the life of their king. Such rulers are called “Runelords.” But the cost of such power is great and the reader gets a very real idea of what it costs the people who give such endowments.
There are few books that take the time to create a world that feels as real as this one does. Farland is so good at it that it feels effortless. He doesn’t beat you over the head with his world. Instead, it simply IS. You learn only what is necessary for the story, but you are left with the belief that there is so much more to the world if you had the time to explore it. He also uses herbs and herb lore to great effect. This is a world of magic, but it is also a world unique to itself.
I highly recommend this book. It’s a rich experience that will leave you both contented and wanting more. Which is a very good way to end the book. The book is not quite perfect, but on a scale of one to ten, I definitely give it a near-ten. Although I honestly don’t know if it could be improved upon.
Get the audiobook, get the book, and experience the magic of David Farland for yourself.
Posted by Charlene Harmon
By Shannon Hale; Read by Mark Allen Holt and the Full Cast Family
10 Hours – [UNABRIDGED]
Publisher: Full Cast Audio
Themes: / Fantasy / War / Kingdoms /
This is the third book in the Bayern series by Shannon Hale. I fell in love with the series when the first book, “The Goose Girl” came out. Each book stands alone, but each also continues the story of the characters in the other books.
This book features Isi and Enna’s friend, Razo. He is selected to join Enna, Finn and a company of Bayern’s Own to travel with the Bayern Ambassador to ensure that the Tiran Assembly votes for peace and not to start another war.
Razo has no idea why he was included, but when he finds a burned body, he knows it is up to him to find out what is going on while keeping the deaths a secret from Tira.
The story is engrossing, entertaining and enchanting. The ending leaves you satisfied and ready to look for the next book. I love Hale’s writing style, her way with words, and I love Full Cast Audio, where every book is unabridged, family-friendly and, as the name states, full cast.
Although this book can be read without the others, I highly recommend starting with “The Goose Girl.” Then read “Enna Burning.” After you finish “River Secrets,” get “Forest born.” All are well worth your time and money. On a scale of one to ten, I give this a nine.
Posted by Charlene Harmon
This 4,712 word story may not be among Philip K. Dick’s best, but it is certainly worth looking at, and hearing!
Tony And The Beetles is a bit unusual too, having an almost juvenile or YA feel to it. Maybe that’s because it’s not nearly as horrific as many of Dick’s fantasy tales – there are some frightening elements, but the general tone is that of an ungroundedness. I see Tony And The Beetles as a kind of historical allegory and I’m not the only one. Phil Chevernet, the narrator who recorded it for LibriVox, wrote “I think [Dick] was commenting on imperialism in the 40s and 50s.” I think he’s right, but I think the comment is somewhat ambiguous, rather depressing, and almost wholly unhopeful. Dick grew up during World War II and little PKD was a very sensitive fellow, kind of like Tony.
Here’s the setup:
Young Tony Rossi has grown up on an alien world. As a child he’s known little else than bubble helmets, pressure suits, and robot pets. His playmates and schoolmates have all been the non-human children of the planet, but around him swirl the forces of history and when news of the ongoing war breaks Tony’s parents don’t seem to hold the same opinions of what it all means.
Tony And The Beetles
By Philip K. Dick; Read by Phil Chevernet
1 |MP3| – Approx. 34 Minutes [UNABRIDGED]
Published: October 16, 2012
A ten-year-old boy grows up fast when history catches up with the human race. First published in Orbit, volume 1 number 2, 1953.
And here’s a |PDF| made from it’s original publication in Orbit.
Posted by Jesse Willis
The Zombie Survival Guide: Complete Protection From The Living Dead
By Max Brooks; Read by Marc Cashman
Approx. 8 Hours 38 Minutes [UNABRIDGED]
Publisher: Random House Audio
Published: September 12, 2006
Themes: / Zombies / Humor / Horror / Apocalypse /
The next time a Class 2 zombie outbreak occurs in my neighborhood, I’ll be well-prepared to deal with the shambling corpses of hungry undead now that I’ve read Max Brooks’ The Zombie Survival Guide: Complete Protection From The Living Dead.
The Zombie Survival Guide dispels exaggerated myths and legends of the undead and instead presents the reader with unvarnished “truths” about zombies. You’ll find information on zombies’ physical strength, sight, hearing, and rate of decay, and the pros and cons of various weaponry for battling the undead (everything from medieval maces and claymores, to M-16s and flamethrowers). It describes various scenarios for identifying early signs of localized (Class 1) outbreaks, to full-blown widespread undead infestation (Class 3). You’ll find best practices for battling zombies in urban settings, in harsh desert and swamp environments, even under the sea. The Zombie Survival Guide tells you how to defend your home by stocking up with key food and supplies and moving to your second floor and destroying all staircases (recommend for Class 2), or how to survive on the run as you move to the most remote and therefore safest parts of the planet in a world-wide zombie apocalypse in which mankind is overrun (Class 4). The best vehicle should an outbreak occur? You might not guess it, but it’s a bicycle. On a bike you can easily outrun the slow, slouching pace of zombies, it will never run out of gas, you can carry a bicycle over rough terrain, and you can maneuver a bike through the inevitable traffic jams that accompany a full-on panic. Motorcycles are very good too, though their noise attracts the undead. Boats are also a secure means of travel, says Brooks, but watch your anchor line—zombies walking on the ocean floor can use it to climb up to your boat. “Hundreds” of hapless victims have died this way, Brooks tells us.
The Zombie Survival Guide serves as a perfect gateway to Brooks’ highly recommended World War Z |READ OUR REVIEW|. If for nothing else, and you find Brooks’ post-apocalyptic strategems and survival tactics tedious, I’d recommend this book simply for the highly entertaining “Recorded Outbreaks” section. Here Brooks describes various zombie outbreaks throughout history, from ancient tales recorded in chilling primitive artwork, all the way up through living eyewitness accounts from the early 21st century. These are written in the economical journalism style that Brooks’ employs so effectively in World War Z, lending these “outbreaks” a documentary-style feel, which makes them seem more realistic and terrifying. According to Brooks there have been many zombie outbreaks throughout history—perhaps even in my neighborhood, hence my need to be ready—but these have been largely laughed off by skeptical media, ascribed to outbreaks of disease, localized madness, or industrial pollution, or covered up by governments or the CDC, fearful that public knowledge would result in full-scale panic.
For all its earnestness you have to take The Zombie Survival Guide with a heavy dose of salt. While it’s written in a deadpan style and never descends into farce, and purports to be a “real” guide for complete protection against the walking dead, when you read passages like “If you want to know the true danger of an airborne (parachute) attack against zombies, try dropping a square centimeter of meat on a swarming anthill. Chances are, that meat will never touch the ground. In short, air support is just that—support. People who believe it to be a war-winner have no business planning, orchestrating, or participating in any conflict with the living dead,” you can’t help but laugh (I did laugh out loud, several times). While not as well-written or as compelling as World War Z, for zombie aficionados The Zombie Survival Guide is nevertheless a must-read.
Marc Cashman narrates with a dry, clipped voice that perfectly suits the how-to nature of The Zombie Survival Guide. There’s a touch of William Shatner in his delivery, with dramatic pauses in odd places, but that only adds to the fun.
Posted by Brian Murphy
It took me two attempts to get into this Fritz Leiber audiobook. Part of the issue was that the first person protagonist is female and the audiobook’s narrator is male. Phil Chenevert, the narrator, is a talented voice actor but he still sounded male. This bothered me all the way up to chapter four when I had my growning indignity balloon deflated by this choice paragraph:
I swung back to the play just at the moment Lady Mack soliloquizes, “Come to my woman’s breasts. And take my milk for gall, you murdering ministers.” Although I knew it was just folded towel Martin was touching with his fingertips as he lifted them to the top half of his green bodice, I got carried away, he made it so real. I decided boys can play girls better than people think. Maybe they should do it a little more often, and girls play boys too.
Despite my loss of that criticism, I am still not fully satisfied with the story. Like The Big Time |READ OUR REVIEW| before it, No Great Magic is well written fluff – with not even the shape of a plot beginning until the very end.
It may just be that No Great Magic, and perhaps a good deal of other time travel related SF, are of a kind of “cozy” Science Fiction story that I just don’t fully embrace.
Still, the first person narration by the amnesiac heroine and Chenevert’s narrative skill make No Great Magic worth checking out – and perhaps your tastes and my tastes will differ.
Chenevert, incidentally, put it this way in a LibriVox forum post:
“I hope you have been involved in the theater somewhere in your past or present because this story smells heavily of greasepaint.”
No Great Magic
By Fritz Leiber; Read by Phil Chenevert
8 Zipped MP3 Files or Podcast – Approx. 1 Hour 53 Minutes [UNABRIDGED]
Published: May 27, 2012
They were a traveling group of Shakespearean players; perfectly harmless, right? wrong. For one thing, why did they have spacemen costumes in their wardrobes,right next to caveman ones? Why was the girl in charge of backstage suffering from amnesia and agoraphobia? No Great Magic is needed to perform the plays they put on, but sometimes great science. No matter where, or when. First published in Galaxy Science Fiction, December 1963.
Podcast feed: http://librivox.org/rss/6656
iTunes 1-Click |SUBSCRIBE|
Here’s a |PDF| with the original illustrations from Galaxy.
Illustrations by Nodel:
[Thanks also to DaveC]
Posted by Jesse Willis