SFFaudio News

Riot New MediaThe Riot Ad Network, a division of Riot New Media, is closing shop and will no longer be operating after September 2017.

Riot Ad Network has provided website ads in competition with Google AdSense since at least 2013.

SFFaudio.com uses both Google AdSense ads and Riot Ad ads to generate revenue to cover hosting costs (Riot Ad Network ads have been in place on SFFaudio.com since the Fall of 2013).

Riot Ad revenue payments started promisingly, beginning with $138.54 USD for November 2013 impressions but ended with $17.89 USD for May 2017 (the most recent payment).

From an email:

Riot New Media Group will be discontinuing the Riot Ad Network as of September 30, 2017.

The economics of a niche display ad network are challenging and have eroded further over the past year. It is time for us to exit this business.

Thank you for being part of the Riot Ad Network.

Posted by Jesse Willis

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #437 – The Turning Wheel by Philip K. Dick, read by Mike Vendetti (this audiobook comes to us courtesy of Mike Vendetti). This is a complete and unabridged reading of the story (52 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Paul Weimer, Mr Jim Moon, Marissa, and Mirko Stauch.

Talked about on today’s show:
clearness be with me, novelette, Science Fiction Stories, issue 2, 1954, the far future of The Faith Of Our Fathers, an ambush ending, Brian Aldiss, I wish he wasn’t on speed, adrenaline or heroin hit, really funny, the most hilarious thing ever, walking around Hollywood, cruel glee, Sigma 2 Foxtrot, full of ideas, building a world step by step, small hints, not Dick’s best story, The Philip K. Dick Fans page, baffled by, pointing to something, the plot, what are we supposed to make of the ending, another turn of the wheel, penicillin, a return to reality, false beliefs, the next world, the tinkerists, a parade, a secular meeting, taken on too much, a racist and anti-racist story, awkwardness in his own body, PKD was a cauc, an interest in the numinous, a repairman, ambivalence, crapsack future, post apocalyptic dystopia, a Yellow Peril story, Indians ascendant, the lowly caucs, rotations of karma, circles within circles, humour, the PKD stand-in character, “my mind is still impure”, denial of education, entertainment, food, bardley class, some sort of satire, Scientology, Dianetics, A.E. van Vogt, John W. Campbell, there’s not much science in it, self-helpy, therapy replacement, psychotherapy for the afflicted, did Dick ever go to a Scientology meeting, Lawrence Sutin, phhh, Elron Hu (Bard), pretty crazy, in the center, e-meters, Aleister Crowley, apocryphal stories, Lester del Rey, founding a religion, Michael Shermer, the Robert A. Heinlein anecdote, the Harlan Ellison anecdote, what is religion for?, The Man In The High Castle, even the caucs of Detroit, the colonial governor, what is the purpose of religion?, how strange a man, a born liar, a similar mentality to Trump, a serious mental illness, a system, persuasion, the appeal of any religion, offering answers, tradition, social structure, what do they say?, they look with their blank stares, creepy, free test, no eye contact, Sung Wu, this is what the real world’s like, so much fear, it will jangle you, deprogrammed, the medicine, bad days, mental crisis, free floating anxiety, existential angst, this electronic device is not going to hurt you, free (at first), haters, every cult, the Westboro Baptists, Cults!, rusty and unoiled, a jammed disposal slot, any stable society is menaced by cults, are we stable society, teetering on the brink, blind to the rot, rationalize, this is fine, do not repair, do not fix, shooting bullets with a rusty gun, deterministic nature of their faith, predetermined, divine will, a cheap argument, the lowest class, off to Spain, a silent messenger, the basic catechisms, busy mixing, a hairy cauc sweating and galumphing around like a neanderthal, one of PKD’s wives must have called him an neanderthal, Mary And The Giant, technos, pale and unhealthy like nocturnal insects, othering the Caucasians, I’m pretty hairy myself, lascivious looks, human dimensions, incessant whining, laughing and wincing, full of hypocrisy, the robots, “clearness be with you”, welded to its waist, some tinkerist, a plow, legacy leftovers, the TV repairman part of PKD, science is good and engineering is great aspect, hoping for recycling, monorails everywhere, nuclear war, open sores, farming the ruins of Detroit, a cool image, Time Pawn, revisions, world-building, wanted more meat, nicotine or copper, insecticide, our brothers, reacting to Eastern Mythology, gnostic, I Ching, of course not, reading the Dick’s Exegesis, jangled with spirits of murders, Thetans, I wanna murder you right now, not my best self, externalize, a lascivious bastard, getting clear, on a spectrum, mental issues, so productive, maybe this will work, a marketable madness, negative thoughts, that’s the bad part, panic attacks, agoraphobia, depressions, the link between graphomania and mental depression, you wouldn’t see anything, sitting on Philip K. Dick’s shoulder, across the street with binoculars, it must be frightening, nobody has the answer, a powerful ending, a lot of reflection of our society, making animals suffer is bad, sorry spider, take it to the limit, hairy and sweaty, ultimately we’re smart and we have science and engineering, he ultimately believes that American industrialism is a good thing, penicillin is awesome, his only real giant point, its about empathy, kipple or gubble, back into organized states, old religions, a new world order, out of the ruins of the old society, deeply symbolic, they could make the same mistake, primitively wise, they suborn ’em, expiration dates on drugs, unpacking the brushed over, how do we know that it works?, a poor little fly on an alien planet, a self-deluded cult that’s taken over the world, we have no guarantees, to reboot Scientology, it would be VR, you’re jangled!, VR as a treatment for PTSD, I remember all of Blade Runner, I don’t need to watch it again, the Vangelis soundtrack, the cause of my jangles, that room, put yourself in a basket, the Mercer cult machine, no decent self-respecting woman, incredibly hairy, like apes!, ape-like, dealing with racism, a yellow man criticizing white men, a white ascendancy, a horizontal ascendancy, we’ll have to share the same outhouse, oh my Hubbard!, the black empathy box, Wilbur Mercer, an Empathy box, an E-Box, the virtual reality of Perky Pat, a regular person, you have to have so much knowledge going in, Roog, deciding to become a vegetable, what is he saying here?, did his wife say something to him?, why would anyone publish this?, no movie will be made of this (as it is), wishing it were a lot longer, Piper In The Woods, the Green Man, what’s he getting at here?, New Wave, why is that guy doing that?, is he New Wave before his time, Gonna Roll Them Bones by Fritz Leiber, things are like huh, Day Million by Frederik Pohl, pre-inoculated for the changes to come, a boy goes to prison for treason and comes out a girl (Chelsea Manning), turmoil and rage, I was thinking about this two decades ago, fifty years ago, a story aimed squarely at the heterosexual male, stick with me, still a love story, there’s something going on there, not meant for the ages, for lining your bird cage with, we’re clear, and marked as suppressive persons, vegans, what you gonna stop eating fruit, totally put off, kind of cute, The Misfits, is abstaining from alcohol a religion, not having to lie, the religious fervor has passed, 27 year old Toyota,

Posted by Jesse Willis

Podcast

Reading, Short And DeepReading, Short And Deep #082

Eric S. Rabkin and Jesse Willis discuss Finis by Frank Lillie Pollock

Here’s a link to a PDF of the story.

Finis was first published The Argosy, June 1906.

Podcast feed https://sffaudio.herokuapp.com/rsd/rss

Posted by Scott D. Danielson

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #436 – Jesse, Paul Weimer, Bryan Alexander, and Maissa Bessada talk about When Worlds Collide by Edwin Balmer and Philip Wylie

Talked about on today’s show:
1933, Ira Levin, Gladiator, the first superhero novel, Odd John by Olaf Stapledon, Superman, fleeing a dead world, the sequel: After Worlds Collide, the illustrations in The Passing Show (magazine) serialization, not the only ship, Bronson Beta, Blue Book, the very last page (February 1933), “these daring pilgrims”, remake a world, George Pal’s plans for a sequel, Cecil B. DeMille’s plans for a film, Pal’s would pale, the official adaptation is the least good adaptation, that crappy matte shot, Ransdall smooching his girl while flying his aircraft, Guardians Of The Galaxy, his Kryptonian origin story, spinoffs, Flash Gordon, Buck Rogers, football, a religious moment, good birth and breeding, the W.A.S.P., precursors and follow-ups, an amazing book, its hard to gage how big a book it was, the “queen of the pulps”, the premier way of getting (fiction) content to the people, the middle of The Depression, daily life-sucks, the Roosevelt administration, the work programs, making the unemployed work, is it simpler than that?, Arkham House, The Outsider And Others by H.P. Lovecraft, maybe it helps to have something worse in mind, The Star by H.G. Wells, Nemesis by Isaac Asimov, Finis by Frank Lillie Pollock, gravitational waves, earthquakes, cooking the earth (microwave style), a long tradition, The Star by Arthur C. Clarke, biblical collections, A Pail Of Air and The Wanderer by Fritz Leiber, Deluge (1933), S. Fowler Wright, the motif of the destruction of of Fantastic Universe, a thugee-romance plot, Meteor (1979), Sean Connery as an SDI scientist, Armageddon, Independence Day, Twitter, Fred, Deep Impact (1998) started life as a remake of When Worlds Collide, the crowning adaptation of is 2012 (2009), so ridiculous, it knows its stupid, the ‘neutrinos mutated’, Battlefield Earth is Ed Wood with a budget, The Room, Birdemic: Shock and Terror (2010), Lars Von Trier’ Melancholia, Kirsten Dunst and Keifer Sutherland, Forge Of God by Greg Bear, “I have bad news.”, rescued by good aliens, watching the destruction of the Earth, Lucifer’s Hammer, Footfall, fan fiction of themselves, Hammer Of God by Arthur C. Clarke, the evolution of the plot ideas, so heavy, the religious elements, her name is EVE, Joyce, handing out sandwiches, the zillionaire, a plane-load of money, an iconic scene, why 2012 works so well, the Russian billionaire and his family, how ambivalent I feel, the role of government, what made Robert A. Heinlein wrote, super-Ayn Rand-y, The Fountainhead, robust and austere, strange-y, a broken-ness, who is funding this?, everybody is working for free, how do you get truckloads and truckloads to a certain place, economics do matter, everybody is working for free, a new metal, the nice horror tour, where did the fuel come from, if Heinlein were writing it, all in secret, how Maissa saw it, tidal waves, weird side digression, The Last Car Chase (1981), Lee Majors, Steve Austin, two theories, one funny, one dark, nouveau riche, old fortunes, just arranged, shiny upstarts get their comeuppance, steel furnaces, punishing the parvenus, so not democratic, Galt’s Gulch, we know better, the magic metal, our ingenuity, weird sexual purity, part of the old money righteousness, South Africa in 1933, no more lions, rich white guys in South Africa, Chapter 8: Marching Orders For The Human Race, ugly houses, the spawn who inhabited it, pollution, 125th street in New York (Harlem), immigration bans, the Lovecraftian racial horror moment, “God himself had sickened with their selfishness”, squalid horror, the golden age of eugenics, the “Jap”, purifying the race, a giant eugenics exercise, even if a cashless economy you have to trade, Close Encounters Of The Third Kind, a conspiracy, the first episode of The X-Files, the paean to the Vanderbilt family, set in the mid-20th century, his sister went to school with my mother, the elite, should Jesse bring it up?, huh this is a novel for Hillary voters, its the east coast elites, what is everybody’s problem? why can’t they vote for the right person?, WWI, lining up the machine guns and mowing down the plebes, retreating to their spacecraft and cooking the earth of all the people, a fantasy of many people, it is good to escape the death of the Earth, 2012 addresses all the horror vs. Deep Impact (the government is here to save you), the heroes in space, pathos, way to much love with MSNBC, saccharine horror, cynical comedy, the Paris Hilton looking girl, even Oliver Platt (the baddie) is just trying to get shit done, even the billionaire comes off pretty well, really fun, such a page turner, it’s so good (but it doesn’t deserve it), where are all the rats?, back to World War I, the Noah thing, open the doors, the billion dollar ticket, James Cromwell’s character is a whistleblower, the truth needs to come out, secretary of finance, thinking about the economics, the word “Tony”, our hero from every Robert Heinlein story, “Tony, I’m explaining the plot, Tony.” Tony is slang for expensive, what makes it so gripping, the premise, none of the characters are worth caring about, from Deluge to Meteor, a disaster movie without screen stars, the idea is primary, a race, Edwin Balmer was editor of Red Book magazine, they know how to spin a story, Wilkie Collins: make the worry, make them wait, make them weep, Dunkirk (2017), a ticking clock, what’s in the box?, un-bribe-able, doing this story today, how academia doesn’t matter, the professors, a chief scientist at a chemical company, a private observatory, universities as research machines (since WWII), scary politics, in 1933 the USA had unions, the Battle Of Blair Mountain, the lurking socialism, Eugene Debs, labour unrest, Franklin Delano Roosevelt, we’re noble, machine gun them, then burn them, but we’re nice, the same stories are told again and again, choosing who gets to go in the Ark, Tasha Yar gives her baby to Frodo Baggins, black presidents, black Presidents, grounded in individual details, apocalypses are always about escape, an escape from communism, shade thrown on the French and the Germans, the french turn to fascism, planting the French flag for comedic effect, nationalism, labour without labour, race without race, the religious sanction, George Pal’s The War Of The Worlds, the book is big and broad and deep, 44 people and a dog, a dog in 2012 and Independence Day, for they were walking hand-in-hand, a road, the ribbon of it ran right and left, by what hands and for what feet, through Eden took their solitary, a yellow brick road, Tony the guy with no brain, they’re in Oz, the souls of those a hundred million years dead, a Nineveh a Sargon?, the fate of our world, human with bodies like our own?, The Ring, a curse, so tempting, William Blake’s The Tyger, what dread hand and what dread feet, they are the tiger, when the stars threw down their spears, what did the people on this other planet do to be knocked out of their orbit and frozen, how god has graced us with his goodness, us east coast elites, the whole universe , she has a right to my vote, Heinlein can’t be right and Rand can’t be right, it’s just too simple (but its so fun), business and military, more sex and nudeness, the love triangle, oh Tony can’t you understand I can’t make decisions for the future, the other rocket, the other half of the plane in Lost, the setup is so good, one bizarre detail, Chapter 21: Diary, the insulation (books), a first edition of Shelley, a cute idea?, the 2012 movie picks it up, John Cusack’s character, Chewitel Ejifor’s character, Yellowstone, loaded up with the signs of the elites, isn’t it funny that there’s one copy of this books and it just so happens…, in 2012 under a pile beer bottles and bourbon bottles and a copy of Moby Dick, Robert Duvall reads Moby Dick in Deep Impact, ambivalence about lots of things but everybody agrees Moby Dick is terrific, a stand in for god, providing the bees and the books, a distasteful task in the sequel, The Wonder Clock by Howard Pyle, a story about mercy, saving the kids, little moments of mercy, women doing men’s jobs, France, canaries, the radium girls, how women get the vote, when they come for our women, women as possessions, triumph of the patriarchy, the proles are coming for our women, racist and sexist, an atomic rocket in 1932, not even a nuclear reactor has been invented yet, the Chicago Pile, ten years later, Rocketship Galileo by Robert A. Heinlein, space-Nazis, so early!, countdown clocks, a race for everything, side quests, a lot being told, the illustrations, this book feels huge, 150 pages in the serial, complementing content, Eve’s mother gets killed, how quickly the veneer of civilization gets ripped off, Augustine, A Paradise Built in Hell: The Extraordinary Communities That Arise in Disaster Book by Rebecca Solnit, Bronson: the son of a brawny man, the anticipation of total war, U.S. nationalization, Prohibition, beer makers, say nothing bad about the government law, human cogs, price fixes, holding the masses, Oliver Platt’s mom in 2012, Tony’s so angsty about his mom, he wants to kill, the mobilization doesn’t matter, the migration is for nothing, the President and his cabinet in Kansas, the plebeian thing, rules for them, dignified in their way, terrorizing the plebeians, Téa Leoni’s character’s mom and dad in Deep Impact, tons of connections, waiting for the wave to come, Roland Emmerich and Harold Klausner, The High Crusade, The Thirteenth Floor, a schlockmeister of the highest order, the cultural baggage of the legacy of films gets into you whether you’ve seen them or not, you have Casablanca lurking in your cultural DNA, nobody complains we’ve already seen this movie, the end of the world blah blah blah, this novel is at the center, Noah’s Flood, Gilgamesh, wiping out the Earth for 5,000 years.

When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
When Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké
WWhen Worlds Collide by Edwin Balmer and Philip Wylie - illustrated by Joseph Franké

Posted by Jesse Willis

SFFaudio Commentary

The first step to putting together a podcast is the idea.

Fafhrd and The Gray Mouser - art by Keith Parkinson

I find that ideas are connected, and that by focusing on the connections ideas flow. For example, I just did some research on comics adaptations of the Fafhrd And The Grey Mouser stories. Looking at adaptations is one of several tricks I use for figuring out what might make for a good idea for a podcast. My logic is that if a story or a novel has been adapted to another medium then someone probably saw some merit in it other than the original writer and the original publisher. That isn’t to say that an adaptation means it will definitely work, or that stories or novels without adaptations (or even subsequent re-printings) won’t make for good shows – indeed, sometimes great works have just been neglected. This technique works.

Lankhmar - City Of Adventure

Coming off a recent discussion of a Gene Wolfe novella (recorded for a future SFFaudio Podcast), I got to thinking about the city of Lankhmar, that great fictional city that is the setting for so many of Fritz Leiber’s Fafhrd And The Grey Mouser stories.

My first stop in looking for adaptations is comics and here are the results of my researches.

DC Comics - Sword Of Sorcery, Issue 4

DC COMICS – SWORD OF SORCERY (1973):
1. The Price Of Pain Ease (an adaptation)
2. Thieves’ House (an adaptation)
3. Betrayal (an original)
4. The Cloud Of Hate (an adaptation and public domain) 14pgs from Fantastic, May 1963
5. The Sunken Land (an adaptation) / The Mouse Alone (an original)

EPIC COMICS - Fafhrd And The Grey Mouser

EPIC COMICS – FAFHRD AND THE GRAY MOUSER (1991):
1. Ill Met In Lankhmar (an adaptation)
2. The Circle Curse (an adaptation) / The Howling Tower (an adaptation)
3. The Price Of Pain Ease / Bazaar Of The Bizarre (an adaptation and public domain) 28pgs from Fantastic, August 1963
4. Lean Times In Lankhmar (an adaptation and public domain) 40pgs from Fantastic, November 1959 / When The Sea King’s Away (an adaptation and public domain) 27pgs from Fantastic, May 1960

So as you can see above there have been two Fafhrd And The Grey Mouser comics series, one in 1973, the other in 1991. Of all the adaptations only The Price Of Pain Ease was adapted twice. But that story isn’t public domain (I prefer PD stories because it means we can just make an audiobook without spending weeks, hours, and centuries of often fruitless labour trying to track down the copyright holder). Of those that are PD I’m leaning towards the last couple from issue 4 of the Epic Comics run, in part because I have a vague positive memory of both). But I’m willing to have my mind changed. The next step will be to ask some narrator friends about their interest in Fafhrd And The Grey Mouser – in recorded a story and in talking about it – I seem to recall that Oliver Wyman has a deep love of Mike Mignola (who did the adaptations for Epic Comics) – that might be a good approach, but maybe that Mark Turetsky who was the Mignola lover – heck, I could ask Wayne June or Mr Jim Moon. These guys are all into comics. I’ll probably just tweet them all, cast a wide net and employ a crappy fishing metaphor (a crappie is a kind of fish) I’ll just ask them all if they’re interested in Fafhrd & the Grey Mouser and just see who bites.

Hmm… now for some reason I’m leaning towards When The Sea King’s Away.

Posted by Jesse Willis

Podcast

Reading, Short And DeepReading, Short And Deep #081

Eric S. Rabkin and Jesse Willis discuss The Dancers by Margaret St. Clair

Here’s a link to a PDF of the story.

The Dancers was first published in Planet Stories, January 1952.

Podcast feed https://sffaudio.herokuapp.com/rsd/rss

Posted by Scott D. Danielson

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