By John Sandford and Ctein; Narrated by Eric Conger
Publisher: Penguin Audio
Publication Date: 6 October 2015
[UNABRIDGED] – 16 hours, 35 minutes
Themes: / spaceship / aliens / first contact / thriller /
For fans of The Martian, an extraordinary new thriller of the future from number-one New York Times best-selling and Pulitzer Prize-winning author John Sandford and internationally known photo-artist and science fiction aficionado Ctein.
Over the course of 37 books, John Sandford has proven time and again his unmatchable talents for electrifying plots, rich characters, sly wit, and razor-sharp dialogue. Now, in collaboration with Ctein, he proves it all once more in a stunning new thriller, a story as audacious as it is deeply satisfying.
The year is 2066. A Caltech intern inadvertently notices an anomaly from a space telescope – something is approaching Saturn and decelerating. Space objects don’t decelerate. Spaceships do.
A flurry of top-level government meetings produces the inescapable conclusion: Whatever built that ship is at least 100 years ahead in hard and soft technology, and whoever can get their hands on it exclusively and bring it back will have an advantage so large, no other nation can compete. A conclusion the Chinese definitely agree with when they find out.
The race is on, and a remarkable adventure begins – an epic tale of courage, treachery, resourcefulness, secrets, surprises, and astonishing human and technological discovery, as the members of a hastily thrown-together crew find their strength and wits tested against adversaries both of this Earth and beyond. What happens is nothing like you expect – and everything you could want from one of the world’s greatest masters of suspense.
You will want to love this book. And it’s easy to understand why. There’s a space race to Saturn, the promise of cool alien tech, and a whole mess of us versus them as China and America reach for the stars (sorry, but the pun had to be). The writing and story are solid. They don’t break new ground, but the read is fun, and if you experience disappointment, it’ll be due to what isn’t here rather than what is here. This is to say, you will look up after reading/listening and want more as opposed to wanting less. You will, in the end, like this book.
I wanted more character development. This could have occurred in a longer story, but as it is, the narrative feels too hurried. Yes, pacing in thrillers is essential, but this story would have benefited with more attention to character and less use of political stereotypes.
If you’re in the market for a fun and fast-paced space thriller that teases you with alien technology, I’m pretty confident you’ll enjoy what Saturn Run offers. In the author’s note, it calls attention to the desire to stay as near to science as possible while projecting technology into the year 2066. And so for those of you who enjoy hard science with respect to velocity and gravity, I think you might appreciate the science presented. I’m not an engineer, so I don’t know if the technical specs discussed for one of the spaceship’s engines are accurate, but they are intriguing.
Eric Conger narrates the audiobook. Conger does a fantastic job at reading and staying out of story’s way. I highly recommend the audiobook.
The first half of this book promises more than the second half delivers. And since the fun factor is slightly more than the disappointment factor, I leave feeling mildly amused and entertained.
Posted by Casey Hampton.
Talked about on today’s show:
1953, Philip Marlowe, the long answer is no, The Big Sleep, “noir”, A Good Story Is Hard To Find, Double Indemnity, Billy Wilder, Elliot Gould, abridgements, long or too long, spending time with the detective, forgetting about plot, Ray Porter, The Maltese Falcon, Dashiell Hammett, The Big Sleep, the book, the 1978 audio drama (90 minute), the Japanese 5-part miniseries, the recent BBC audio drama, the 1973 movie, overdosed on goodbyes, this is not a noir book, typically hardboiled is with detectives, noir is typically not with detectives, hardboiled vs. noir, Greek tragedy, a basic distinction, poisonville, a certain lack of hope, the detective with a heart of gold, Mickey Spillane, the anti-Philip Marlowe, being more cynical, more punchy, twisted, he’s hitty, Chandler’s best lines, how many times “goodbye” comes up, see you in a line-up, you never say goodbye to the cops, this is just quiet enough, cynicism, he cares too much, do you ever get paid?, $1,200 in the bank, he’s got a portrait of Madison, “I’m a romantic Bernie”, “the smear”, coffee, the little wake, a mystery, remember that pigskin suitcase?, pigskin gloves, the central mystery, who murdered Terry Lennox’s wife, Wade’s wife, his test, I wish I could have killed them both at once, Sylvia, he couldn’t perform?, a more successful version of herself, femme fatale, muddled by drugs, a Linda Loring, throwing the suitcase, that’s the suitcase, Sylvia’s face, is that something Eileen could do?, she’s like the worst thing in her life, when you go crazy mad, caught in a lie, what about the blood?, we infer she beat Sylvia to a bloody pulp, why would she lie?, she wants to make it seem more real, my husband shot her then beat her, emotion and drugs, the 1973 movie, the Elliot Gould movie, the Q&A with Elliot Gould, diverged, plot and tone, weird and good, lighthearted and noir, script by Leigh Brackett (of Empire Strikes Back), a return to Los Angeles, Eileen is still alive in the movie, a conspiracy, Mrs. Wade is in love with Terry Lennox (and married to him as well), she despises him (or is she lying?), Eileen blames Sylvia for everything, the cool thing about this book is that it is very open, experiencing the mystery (rather than solving), just supposition, the mailbox, its almost as if the Mexican Terry Lennox doesn’t know what’s going on, a rotter from the beginning, what we read a lot of these books for, the mystery as the vehicle, Derek Jacobi reading The Adventures Of Sherlock Holmes, there’s a humanity to this, making different choices when in custody, Marlowe saw something in Lennox worth redeeming, if Bryan Alexander were here…, because it is a war book, huuuuhhhn, 1920s book by authors who survived WWI, which regiment was Lennox in?, the SAS in 1942 in Norway, taxi drivers and cops are vets, Chandler’s Marlowe is a vet, using the terminology, the one thing that is left unsaid, why is Terry Lennox acting this way?, his wife, he’s a wastrel, how the other characters react to Terry Lennox, the criminal in Los Vegas, Randy Starr, Manny Menendez, there’s no need, why didn’t you call sooner?, the reason he’s got those scars on his face, against my better judgement, picking up a wounded warrior, he does that for all kinds of people, Double Indemnity wasn’t fueled by war, where does that go into Some Like It Hot?, Terry Lennox is a bookend, pointing fingers and taking names, drugs and partying and corrupt police, why the analogy doesn’t work, the guy who’s not fighting during the war, James M. Cain, about rich selfish people who are wasting their lives, the plot, throwing them into relief, the contrast, seeing Terry Lennox lying on the road, what Terry Lennox has those scars for, the Japanese version, everything is inverted, he can’t be an American soldier, the enemy is the Russians, a different spin on it, dealing in the results of war, post-traumatic stress syndrome, over-the-top, over-saturated lighting, a lot of coffee, a comic book adaptation, answering unanswered questions, sympathetic, Candy is Julie’s favorite character, the war is central to the Japanese adaptation, reading it now, the first four or five Robert B. Parker Spencer books, The Godwulf Manuscript, a war novel, The Guns Of Navarone, The Lord Of The Rings as a way of dealing with WWI, talking about other things, A Voyage To Arcturus by David Lindsay, Mary Shelley’s Frankenstein, what it was like to be in the Ardennes in the winter of 1944, it was like being homeless, hoping the supply train is going to come through, why is he getting drunk all the time, hidden secrets and identities, there’s something about Marlowe, a survivor of the war of life, the drunk tank, the POW camp, Chandler thinks this is his best book, taxi drivers reading escapist science fiction magazines, if I was in that kind of condition…, we’re all in the same army, just want to make things right, to try and set some sort of reset, fix things, once in a long while you get dead, a load of grief and a bit of money, stopping the entropy, why can he not have a normal life any more, it’d be reductionist to say it was about war, post-war USA had a hell of a lot of drinking, half gin and half Rose’s lime juice will still get you soused (a gimlet), autobiographical (Chandler’s wife was dying while he was writing The Long Goodbye), author talks, Chandler is showing us a complete look at detective work and all that it takes, they’ve all got a scam going, sold his soul to the company store, his journalist friend, working the problem, Idle Valley (where the rich people live), Marlowe as an ex-drunk, what the drunk-tank is like, the life of an alcoholic, Chandler had drinking issues, a recovering alcoholic, more coffee than gin, the 1973 movie scene, “let’s get drunk”, trying to find the truth, the F. Scott Fitzgerald connection, The Last Tycoon, more idle rich, Wade writes historical romance (instead of detective fiction), translating to Japanese culture, hentai, taking off the layers of dresses (a woman who has never taking a bath), hanging out with Wade, self-destructive not wife-destructive, he didn’t kill that woman, an incompetent femme fatale, might-have been sort of a hooker, Wade brought her out of the gutter, their Mexico is Taiwan, a period piece, he was driving an American car (left hand drive), they must have had fedoras and gimlets, a jazz version of, “it’s okay with me”, hash-brownies, Arnold Schwarzenegger with a mustache, it WASN’T okay with him, justice, Eileen Wade got to sit with it, dispensing justice, somehow it is the same story, in cahoots with the gangsters, political gain, why did Marlowe abandon Terry at the very end, re-question, red-herrings (or not red-herrings), re-framing everything, that’s how we actually live (unlike a Scooby Doo ending), I would never have come out had you not smoked me out, he puts stuff out there, I was in the commandos, you’re not hear anymore, as elegant as a fifty-dollar whore, prove to me you’re not that way, “that was the last I saw of him”, he had a chance to become better, wanting to see the truth done and the innocent people taken care of, detectives poke at things, there’s nothing inside, two empty people, one filling with alcohol one filling with drugs, both ruined by the war (or whatever), the perpetual human problem, what’s the hole that’s left inside, ya ya ya ya ya ya, full of really good quotes, Chapters (Canadian book store), this book is so much fun, [we quote from the book], one for Julie, one for Seth, a briefcase one, at the bar it was always five in the afternoon, Terry Lennox became a Mexican, a Mexican syncopation to his speech, how refreshingly unconcerned about political correctness, when a Mexican…, sooo racist, sooo genderist, it’s of the the time, the fact that he’s got a knife, a little more granular sense that he’s a little person, there’s no fake characters, heart of gold vs. cynicism, how far am I gonna go with this?, the way they dealt with each other (in the Japanese adaption), you would clean the war off me, a relationship of debt, subtitles with footnotes, the second time through, little bits of description, a bird chirping, the car was gone, a red oleander bush, a baby mockingbird, a single harsh warning chirp, birds have to learn too, priming you for all sorts of things, it’s rich, it works on more than one level, so much of their time, how much is a sandwich, drinking their night away, they didn’t think about it the way they do now, the movie Airplane!, he has a drinking problem, flashbacks to the war (WWII), out of context it’s hilarious, it still sort of true, we’re always going to have the cultural baggage, none of Jesse’s students know who the Flintstones are, Flitstone vitamins is an echo of The Honeymooners, The Simpsons, reading a book like this is kind of like time travel, tiny houses with orange trees in Los Angeles, L.A. Noire (PC game), the game reconstructs a huge part of Los Angeles, the Grand Theft Auto games, Chinatown, The Black Dahlia, L.A. Confidential, playing the game is kind of like revisiting that period, oh hey I’m in the middle of an investigation here, games vs. books, Robert B. Parker co-wrote the final Marlowe book Poodle Springs, Ray Porter’s narration, female voices, the Joe Ledger series by Jonathan Maberry, the Mexican characters, Elliot Gould’s narrations, nicely abridged, he’s a weird speaker, a Robert Altman movie, what is lost was all those Chandlerisms, a collapse of characters, well what have you got now, the movie starts with a cat, Michael Connelly, there’s something cool happening in that 3 o’clock in the morning, the cat abandons him, the cat is Sylvia Lennox, you can’t lie to a cat, they demand truth, the sunrises and the sunsets in the Japanese version, the colour of a sunset and a Japanese print, the things that they take, two BBC radio adaptations, a LIVE TV movie in 1954 (now lost).
Posted by Jesse Willis
Talked about on today’s show:
Childhood’s End, The Expanse, The Magicians book adaptions on Syfy tv, Caprica, Star Wars: The Force Awakens by Alan Dean Foster, Alien by Foster is Scott’s favorite adaptation, Scott liked the Revenge of the Sith audiobook, The Tunnel Under the World by Frederik Pohl, (circled back to the Childhood’s End adaption), Arthur C. Clarke’s Guardian Angel, the original short story, on the pdf page, King of Shards by Matthew Kressel, Dhalgren by Samuel R. Delany, narrated by Stefan Rudnicki, is it a literary marvel?, Golden Fleece by Robert. J. Sawyer is a murder mystery on a generation starship, Sawyer’s dinosaur book End of an Era, cover of Far-Seer, The Long List Anthology [of Hugo nominations], The Year’s Top Short SF Novels 5, audiobooks are the new ebooks, audio that comes before print, Welcome to Night Vale:A Novel by Joseph Fink and Jeffrey Cranor, zombies are mentioned, A Borrowed Man by Gene Wolfe, sounds like Dixie Flatline from Neuromancer, The Bands of Mourning (Mistborn #6) by Brandon Sanderson, The Seventh Bride by T. Kingfisher, scary fables, The Anubis Gates by Tim Powers, the lost episode about On Stranger Tides, I reviewed it, Penric’s Demon by Lois McMaster Bujold, old audiobooks on cassette, a whole lotta Philip K. Dick short stories, what is the order?, how to consume short story collections, alien sex books!, approaching 100% PKD audio saturation, Podkayne of Mars by Robert A. Heinlein, has a feisty girl, humble-bragging, 19 Great Northern Audio titles, The Coming by Joe Haldeman, why Haldeman is good for Jesse’s brain, skim reading, SFBRP #294 – Elizabeth Moon – Trading in Danger,
Posted by Tamahome
The SFFaudio Podcast #349 – Jesse and Mr Jim Moon talk about The Ghost Pirates by William Hope Hodgson
Talked about on today’s show:
1909, from the later middle, more sophisticated than The Night Land, more tightly plotted than The Boats Of The Glen Carrig, all the letters of H.P. Lovecraft that talk about William Hope Hodgson, revisions to Supernatural Horror In Literature, a doomed an haunted ship, terrible sea-devils of quasi-human aspect, latent horrors in nature, “reaches enviable peaks of power”, the LibriVox audiobook, not as jam-packed with incident, the Carnacki stories, cosmic vistas, accessibility, a straightforward story, what it was like to being a working sailor, cliques and alliances, tremendous fun, time travel that good literature can give you, the poopiest book of all of Hodgson’s work, the taffrail, mood, a ghostly haunted ship, From Beyond by H.P. Lovecraft, Algernon Blackwood’s The Willows, an intrusion by other forces, shadows, strange figures, disappearances, underwater ships, not just a ghost, predation, dimensional drift, pirate skeletons ghosts don’t fit, its the ship that’s haunted, but not only the ship, the ship’s name is “Mortzestus”, “Sangier” (the bloodier), “I’m going to get my money out of this ship”, the pay scene in Aliens (1979), a thing from outside, bubbling below the surface is the corporatism problem, a commercial venture, mutiny, the officers want it hushed up, writing it up in the log, it is regrettable that Bryan isn’t here, why Marx wrote his works in England, the relationship between the means of production (the ship) and its sailors, taking care vs. making money, commercial considerations, historical piracy, in the lulls between sea-devils, “mate” reminds us of “comrade”, we’re all in this together mate (or comrade), why were there so many pirates?, why piracy happened, a Freudian (or Marxist) reading, the Sindey Sime illustration of The Ghost Pirates, “pale eyes”, mummified figures, are the ghost pirates a projection of the crew’s submerged collective unconscious?, the pirate articles, communism and democracy, parallels the Russian Revolution style, the captain, the quartermaster, the hatred that Hodgson had for commercial sailing, spooky, a sub-layer to the tale, the frustrations of the crew, “that old bully”, we are in trouble now, the devils take them all, the slang for the ship is “this packet”, the crew as a wrapping on the parcel, the language of spiritualism, Jessup’s theory as to what’s going on:
“Well, I’ve formed a bit of a theory, that seems wise one minute, and cracked the next. Of course, it’s as likely to be all wrong; but it’s the only thing that seems to me to fit in with all the beastly things we’ve had lately.”
“My idea is, that this ship is open to be boarded by those things,” I explained. “What they are, of course I don’t know. They look like men— in lots of ways. But—well, the Lord knows what’s in the sea. Though we don’t want to go imagining silly things, of course. And then, again, you know, it seems fat-headed, calling anything silly. That’s how I keep going, in a sort of blessed circle. I don’t know a bit whether they’re flesh and blood, or whether they’re what we should call ghosts or spirits.”
this ship is “open”, what happened on this ship that “opened it up”, The Haunted Jarvee (a Carnacki story), there’s something about the ship, there’s a crack in it, a tear in the fabric of reality, a sitting duck for otherworldly buccaneers, what is the goal of the sea-devils, what are they doing up in the rigging, four ghost ships, aliens?, aliens from the ocean?, are they Doctor Who sea-devils?, are they deep ones?, a parallel reality, From Beyond, Crawford Tillinghast is turning up ghosts, vestigial organs, ultra-violet,
“What do we know,” he had said, “of the world and the universe about us? Our means of receiving impressions are absurdly few, and our notions of surrounding objects infinitely narrow. We see things only as we are constructed to see them, and can gain no idea of their absolute nature. With five feeble senses we pretend to comprehend the boundlessly complex cosmos, yet other beings with wider, stronger, or different range of senses might not only see very differently the things we see, but might see and study whole worlds of matter, energy, and life which lie close at hand yet can never be detected with the senses we have. I have always believed that such strange, inaccessible worlds exist at our very elbows, and now I believe I have found a way to break dawn the barriers.
if this was adapted today it would be explained by the cargo, an intra-dimensional material from atomic tests, 1920, The Dreams In The Witch House, 1934, The Banshee Chapter (2013), From Beyond (1986), a Freudian reading, Bill Clinton, in the language of apology, venereal disease, drugs, a found footage film, the framing story, believe it or not, The Ghost Pirates would make a great audio drama, showing the figures, crystallizing, Carnacki’s explanation in The Haunted Jarvee:
‘Well,’ replied Carnacki, ‘in my opinion she was a focus. That is a technical term which I can best explain by saying that she possessed the “attractive vibration” that is the power to draw to her any psychic waves in the vicinity, much in the way of a medium. The way in which the “vibration” is acquired – to use a technical term again – is, of course, purely a matter for supposition. She may have developed it during the years, owing to a suitability of conditions or it may have been in her (“of her” is a better term) from the very day her keel was laid. I mean the direction in which she lay the condition of the atmosphere, the state of the “electric tensions,” the very blows of the hammers and the accidental combining of materials suited to such an end – all might tend to such a thing.
making a magnet by hammering a nail, it’s not a person, it’s not something on the ship, it is the ship, electrical technology, a blend of science and the supernatural, BPRD: Plague Of Frogs, Mark Turetsky, slaves in chains at the bottom of the sea, a ship on its last voyage, the detritus of previous voyages, a Marxist resentment of the treatment of every crewman brought to the ship, end the of The Willows by Algernon Blackwood, working the same mine of feeling, the preface to the original edition, The House On The Borderland, certain conceptions of elemental kinship, flinging open the door wide, a kaleidoscope, scene upon scene, the door is open only a crack, speculation, what was the purpose, four shadowy galleons, the four ships below, are they mirrored (upside-down in the water), visualizing it is shocking, the Red Scare, they’re going to come here and take what we have, the Spartacus rebellions, an inter-dimensional idea, overwhelmed and pulled down, the other side of the veil, working a different passage in a nether dimension, if Neil Gaiman were to take this book as inspiration…, the surface of the sea, scraping along the surface of another world, the power of nautical ghost stories is in that liminal space between an ocean of air and an ocean of water, water as a liminal place in folklore, “where two elements meet strange things may intrude”, an inverted frog-men version of our world, are the sails like fins?, trade routes, how you portray the shadow ships, invisible would be fun, mirror world beneath the waves, the covers of various editions, skull and crossbones with a cutlass, whatever you see when you see through the eyes of Jessup, a fishy version of the pirate captain, mood effect, what the hell’s going on with those pig men?, a short novel, extended novellas, “I AM A NOVEL”, the Wikipedia entry, the unfinished novel, had Hodgson lived longer…, Captain Dang, the Sargasso Sea, the dawn of the pulp era proper, embracing the 20th century, The Hog, a complete collection.
Posted by Jesse Willis
This UNABRIDGED AUDIOBOOK (4 hours 53 minutes) comes to us courtesy of LibriVox.
The Ghost Pirates was first published in 1909.
Posted by Jesse Willis
Talked about on today’s show:
1962, Jesse and Paul’s first ever Philip K. Dick novel, rush reading, Juliana Frink, the book within the book, The Grasshopper Lies Heavy, The Book Of Changes, the book that we are within, more like something Olaf Stapledon would write, future histories vs. alternate histories, what the Japanese and Nazis have done, For Want Of A Nail by Robert Sobel, Mexico, a very odd strange alternate history, a textbook from an alternate world, acharacteristic Dick, The Rise And Fall Of The Third Reich, jewelry, taken from his life, Anne Dick, a soul wrenching scene, soul churning horrific embarrassing, working retail, R. Childan is horrible, he’s a monster, the least Philip K. Dick book, not a lot of boobs (but still some), not that much coffee, why this book is so powerful, we are so close to the characters souls, sympathy, who is the main character of this book?, Juliana, R. Childan, Mr. Baynes, Frank, Mr. Tagomi, so little interaction between the characters, we don’t know it is Frank, a clever move, everybody is fake, R. Childan is not Robert Childan, he speech pattern and thought pattern are Japanese, a lack of pronouns, Dick is a chameleon, Paul and Betty, the authentic American experience, soaking up, that’s not their names, Paul and Betty Kasura are more American than the American, Juliana is a fake judo instructor, she uses a knife, Hawthorne Abendsen, we know where he lives, Hawthorne Abendsen is Robert A. Heinlein for Dick (and Dick himself), children, Heinlein’s house in Colorado, Heinlein had loaned Dick money, Dick owed money to the IRS, We Can Build You, “To Robert and Ginny Heinlein…”, Wyoming, Dick is buried in Colorado, Fort Morgan, Colorado, Riverside Cemetery, damn, Dick’s sister, mom and dad, D.C., agrarian agronomy?, California, the dedication, “To my wife Anne, without whose silence…”, the jewelry business, getting excited, a bit sulky and a little bitter, a line from Childan’s mind, this sounds like its true,
They’re out of their minds, Childan said to himself. Example: they won’t help a hurt man up from the gutter due to the obligation it imposes. What do you call that? I say that’s typical; just what you’d expect from a race that when told to duplicate a British destroyer managed even to copy the patches on the boiler as well as—
the stamp on the boiler “Made in Aberdeen” or whatever, is this a true fact?, the objects, the pistol, Ed and Frank, the fake pistols are real pistols, the two lighters, Roosevelt’s lighter, historicity, historically interesting, the provenance, superstition of historicity, the real McCoy, you feel it, if Mr. Tagomi’s civil war era replica revolver can do the job…, Dick’s theme for the whole book, the theme that he’s always engaging, this stuff, actual facts of history, these events happened, the answer in this particular case…, historific truth, afraid to ask the question, this truth about the world, strangely meta-fictional, Tagomi escapes the meta-fictional world, a true and genuine object, the real state of affairs, cars and the freeway, our world is a nightmare, a depressing two world Cold War between the U.S. and England, C.M. Kornbluth’s Two Dooms, set in the 1940s, a future where the U.S. has lost the war, an alternate broken U.S., captured by the Germans, secret Jewish magical power, the world if we don’t is too terrible to contemplate, a repeated scene (or feeling), Mr. Baynes on the rocket, from Europe to San Fransisco, Lotze,”Oh, yes; that’s so. But racially, you’re quite close. For all intents and purposes the same.”
Lotze began to stir around in his seat, getting ready to unfasten the elaborate belts.
Am I racially kin to this man? Baynes wondered. So closely so that for all intents and purposes it is the same? Then it is in me, too, the psychotic streak. A psychotic world we live in. The madmen are in power. How long have we known this? Faced this? And-how many of us do know it? Not Lotze. Perhaps if you know you are insane then you are not insane. Or you are becoming sane, finally. Waking up. I suppose only a few are aware of all this. Isolated persons here and there. But the broad masses… what do they think? All these hundreds of thousands in this city, here. Do they imagine that they live in a sane world? Or do they guess, glimpse, the truth… ?
But, he thought, what does it mean, insane ? A legal definition. What do I mean? I feel it, see it, but what is it?
He thought, It is something they do, something they are. It is-their unconsciousness. Their lack of knowledge about others. Their not being aware of what they do to others, the destruction they have caused and are causing. No, he thought. That isn’t it, I don’t know; I sense it, intuit it. But-they are purposely cruel … is that it? No. God, he thought. I can’t find it, make it clear. Do they ignore parts of reality? Yes. But it is more. It is their plans. Yes, their plans. The conquering of the planets. Something frenzied and demented, as was their conquering of Africa, and before that, Europe and Asia.
Their view; it is cosmic. Not of a man here, a child there, but air abstraction: race, land. Volk. Land. Blut. Ehre. Not of honorable men but of Ehre itself, honor; the abstract is real, the actual is invisible to them. Die G?e , but not good men, this good man. It is their sense of space and time. They see through the here, the now, into the vast black deep beyond, the unchanging. And that is fatal to life. Because eventually there will be no life; there was once only the dust particles in space, the hot hydrogen gases, nothing more, and it will come again. This is an interval, ein Augenblick . The cosmic process is hurrying on, crushing life back into the granite and methane; the wheel turns for all life. It is all temporary. And they-these madmen-respond to the granite, the dust, the longing of the inanimate; they want to aid Natur.
he is a fucking Nazi!, at this point in the book…, he says he’s Jewish, is he Jewish?, a character is introduced.. the become who they really are, Joe Cinadella is an Italian who becomes an SS Aryan assassin, he’s becoming something, his genuine self, he’s actually an Italian who changes into a Nazi, transformation not revelation, Joe tells us about his family, what kind of music he like, an elaborate provenance?, Jesse thinks that Dick didn’t know who Joe was when he began writing, he became what he was in the book and world, Mr. Baynes is transformed, they actually are that way as well, the playing out of reality is undetermined, particle-wave duality, a “waveicle”, when you measure him a certain way, the truth is “revealed” collapsing the wavefront, observation determines the reality, the characters are in superposition state until Dick cast the yarrow stalks, when the world does it, Baynes is a Swede and a Jew and a Nazi, his elaborate cover, all of the characters are like that, Abendsen deflects, “I just murdered a man for you”, it happened to Heinlein, he’s almost inviting it, everybody knows his address, why does the SS send a Nazi hitman to kill this guy?, that’s not how they work, why is he telling Mr. Tagomi?, a stalking horse, Tagomi is a chess pawn, the most humane person, when Tagomi defies the German ambassador, the guy he frees is the guy who created the object, karmic circularity, changing as they are perceived, Nazism factionalized, a lot of technical terms, Dick did a lot of reading, the Abwehr, the SD, layers of terminology, Reinhard Heydrich, basically Hitler did a shitty job, draining the Mediterranean, skulls for cups, a sequel would have to be set in the Nazi part of things, sensitive and sympathetic, Speer, “yes he did slave labor, but he didn’t enjoy it.”, the two completed chapters of the proposed sequel, Herman Goering, Admiral Canaris, that sounds like a Dick novel (and a role playing game), GURPS Infinite Worlds, spreading Nazism to other worlds, staying in the heads of all these Nazis all the time, Heydrich sent Joe, Lotze is also an SD agent, everything is fake with a secret inside, internecine-Nazi?, the pilot for the Amazon series, it almost has no connection to the book, it’s about that piece of jewelry, it’s not a book it’s a movie, for the TV series, Paul’s guess… Abendsen has a portal to our world, sign Paul up, a little bit too fluffy and light, the Minority Report TV show is a trainwreck, you can’t really adapt this book, in development for a long time, Ridley Scott, a late-70s I, Claudius version shot on videotape, as soon as you start looking at what this book is actually about…, the American antiques thing is missing, Philip K. Dick reviewing his own novel, like a pair of glasses, what the book does to us, Paul’s speech about the pin, seeing into Childan’s head, they all laughed, this crappy play, what a monster you are, he’s been made a fool, false hopes dashed, Jesse replaces the words “pin or object” with “fiction or novel” and thus find’s Dick’s review of The Man In The High Castle within The Man In The High Castle, mere content deprived of form, it somehow partakes of tao, this novel has made its peace with the universe, this book has wu, by contemplating it we gain more wu ourselves, since we last about PKD, stones rejected by the builder, a rusty beer can by the side of the road, I have pondered this novel unceasingly, isn’t that exactly what he’s doing here?, it doesn’t have form, so true, Jesse thinks Dick was wrong, Dick almost never did anything like a sequel, think about how Hawthorne Abensen, this is Dick’s first real success, “give us more of the same” (the book industry as we know it), “I’m not sad”, The Ganymede Takeover by Philip K. Dick and Ray Faraday Nelson, formless and amorphous, this plotting gels so well, the I, Ching helped him, A Scanner Darkly, taken from life, a writer who is pretending to be a criminal, an organic shape, “what’s really going on here?”, she’s saying it right here, when Joe comes back with that haircut, at the heart of this novel, the two real action scenes, when Juliana is with Joe, he is sane and she is the opposite, she goes into the bathroom to kill herself, casting those yarrow stalks, Juliana’s last decision she makes, The Grasshopper Lies Heavy Ecclesiastes 12:5, “and the grasshopper shall be a burden”, a tiny little thing will have a great weight, the title of the book itself, why is the book called “The Man In The High Castle”?, the end of Farnham’s Freehold, “barbed wire and machine guns”, a meditative smile, he’s lying, he’s going to sit down when he meets Christ, it sounds like Heinlein, Juliana is literal minded and can’t understand Abensen’s jokes, are her boobs real?, she’s in post traumatic shock, the hymn,
Let us love our God supremely,
Let us love each other too;
Let us love and pray for sinners,
Till our God makes all things new
Then he’ll call us home to heaven,
At his table we’ll sit down.
Christ will gird himself and serve us
With sweet manna all around.
they never lived in a high castle, Abensen is fated to what will happen, this happened to Robert A. Heinlein, Stranger In A Strange Land, Popular Mechanics showed Heinlein’s house, a kid’s bicycle in the driveway, Dick gave Heinlein a kid, Heinlein tried to treat everyone with respect, for Heinlein every race is worthy, weird ideas about sex and gender, an equal rights for all races, equal dignity, the Vietnam War, when hippies start showing up on his door, just like when Juliana shows up, when Juliana calls, they don’t call the police and kick her out, pilgrims to Dick’s house, “he wants me to go to his house and say hi”, before you do that…, just to stand there and feel the historicity, where he came to rest, the final gloss, a fake high castle, the high castle is the skull, who is the man in the high castle?, the mind trapped within the skull looking out, Dick was never satisfied, zoology and philosophy, Plato’s Myth of the Cave, chained to the floor since birth, behind them are people carrying various objects on their heads and walking by, and behind them are fires, the believe the shadows on the wall are the real world, if one should manage to escape…, they wouldn’t believe, Juliana says I’m one of the few, Baynes says it too, what’s the TRUTH about this world, in fact it’s only me when writing this book, unlike Lovecraft or Poe, the intertextual thing going on, written by Heinlein or Pohl (or Kornbluth), peak performance of this particular feeling, this is the PKD book you can hand to anybody who has read a little bit of history, as the facts unfold, even that reality is fake, the George Guidall narration, the little prologue, that recording is from 1997, audiobooks at that time, the traditional market (for audiobooks) was the blind, a standard trope that has disappeared now, the back of the dust-jacket, a singular mark of American literature, an amazing book, re-reading it, so many layers, we’re done.
Posted by Jesse Willis