Talked about on today’s show:
ACX, Audio Realms, Fred Godsmark, a workmanlike exposition, a terrific premise, the setup, a disability in life mirrored by an ability in the dream world, all of the spoilers, Life Is A Dream by Pedro Calderón, a prophecy in the court of Poland, raised in a cave, juice of the poppy, an Elizabethan era court, A Midsummer’s Night’s Dream, the Induction in The Taming Of The Shrew, a Shakespearean hobo, the play with the play, the dream story is improved because of the framing, a secret dream girl, building the dream mansion, a memory palace, is it a horror novel?, a fantasy novel with some gore, Paul’s theory of horror, The Burning Dark by Adam Christopher, splatterpunk, horror is something you put on to something, dark fantasy, urban fantasy, the mean streets of Atlantic City, surgical detail, two kinds of horror: body horror and moral horror, Greek tragedy, how many fingers into his orbits, the Bacchae and Pentheus, oh my god the parents are monsters, H.P. Lovecraft’s Dreamquest Of Unknown Kadath, but rather Dreamscape (1984), the symbolism, Dennis Quaid is a psychic trained as a dreamwalker, Inception, seeing Nancy Regan being exploded by a nuclear bomb in New York City, a rare phenomenon, an internet of dreams, Roger Zelazny’s Dreammaster, a whole sequence of dream stories, stories on both sides of the fence, assassination at the bus station, no body to go back to, coma, afraid to go to sleep, Dreamwalker would make a very good movie, picturing Atlantic City, no salt water taffy, what does Twin Moon city look like?, how does it get built?, the shared landscape, Second Life, virtual reality, how seriously do you take your dreams?, retreating from day-life into dream, Pete, depressed people sleep, Moby Dick has a lot of mass, it gets better as it goes along, self-contained, Pete is a sympathetic figure, visual processing disorder, libraries turning into caves, we all have visual processing disorder in dreams, dream house, dream girl, lucid vision in the dreamworld, sequel dreams, alternate New York, the geography of dreams, littering the landscape with so many (undercooked?) seeds, the furniture all thrown out on to the street, Who Knows? by Guy de Maupassant, furniture fleeing a home, to flee his fleeing furniture, checking into an insane asylum, the furniture of your mind, the taxis with two crossed palm-trees, is Twin Moon City in the Caribbean?, an alternate Port-au-Prince, Jesse’s illustration, Nameless Street, is Reyna supposed to be white? she’s blonde, Pete is supposed to be white too right?, the good girl is a black guy too, What Dreams May Come, reflecting an essential truth, what would Russell James say?, in dream people blend together, a love hate relationship with Haiti, Ithaca (NY), moving to Philadelphia, she has a ship, retelling the novel from another character’s POV, “dream girl”, his view of her, following her sister into death, the scene with the antelope, what’s the range of dream wifi?, inquiring minds, a sequence at the bus station, overhearing the soldier’s, a smile that the son will never see, a foreshadowing of Tommy’s return, what happened to the assassin (the hit-woman), an entertainment book, not designed to languish in a drawer for sixty years, this is what a modern meat and potatoes working writer book looks like, amazingly deep, Six Characters In Search Of An Author, Henry The IV by Luigi Pirandello, harmonies and reverberations, what is reality, narration, so many voices, you’re everybody, Geoffrey Holder (Baron Samedi), a deep deep voice, Live And Let Die, The Serpent And The Rainbow, voicing the main character, a mature me and a younger me, buy the book it deserves more listeners, especially neglected, food for thought, a thinking book, a popcorn book with a different premise, Dark Inspiration, Dark Vengeance, rural horror, Wayne June, Audio Realms picks great narrators.
Posted by Jesse Willis
Reading, Short And Deep #022
Eric S. Rabkin and Jesse Willis discuss Hymn To Beauty by Charles Baudelaire
Hymn To Beauty was first published in French in 1861 as Hymne à la Beauté.
Here’s a link to the PDF of the poem (the translation is by Clark Ashton Smith).
Podcast feed https://sffaudio.herokuapp.com/rsd/rss
Posted by Scott D. Danielson
The SFFaudio Podcast #376 – Jesse, Julie Davis, and Maissa Bessada talk about Journey To The Center Of The Earth by Jules Verne.
Talked about on today’s show:
title variations, they don’t go to the center of the Earth, Arne Saknussemm, Lit2Go, the Tim Curry narration, how did the paperwork get out of the Earth?, he was too specific, the knife, what happened to Arne Saknussemm?, barometer, manometer, dead servants, taciturn servants, would you like some bacon cooked on the lava (magma), overdosing on adaptations, comic adaptations, the 2008 Brendan Fraser version (3D movie), fluffy, the nephew-uncle dynamic, a page turner, adding a female expeditionary member, inspiration vs. adaptation, inspired by this book, The Lost World by Sir Arthur Conan Doyle, the same setup, irascible professors, going for a girl, a forerunner (a person who went before), Maplewhite vs. Saknussemm, dinosaurs, underground journey, subterranean, fun, huge science expositions, Around The World In Eighty Days, the Fantastic Voyages (or Journeys) series, 20,000 Leagues Under The Sea, Five Weeks In A Balloon, Jules Verne wrote 66 novels!, one of the things he’s doing, visit every place in the world and characterize every nation, Germans and Icelanders and Danes, national personalities, everyone is a cartoon, “stereotype”, a crazy uncle, a light comedy, science vs. adventure, Verne takes us on tours, touring Copenhagen, vicarious travel, adventurous passion, not to poop all over this book, At The Earth’s Core by Edgar Rice Burroughs, this book is missing a 12-foot giantess cave-girl girlfriend, standing on the ceiling of the basement, a vast hollow sphere, Pluto and Porcupine (the roman equivalent of Persephone), Jules Verne’s spelling of Edgar Allan Poe (he called him Edgard Allan Poe), referencing everything, The Sphinx In The Ice, Verne was Poe’s #1 fan, a beautiful tradition, The Green Girl by Jack Williamson, biological phases compared to geological phases, looking at the stars and the earth you’re looking backward in time, the science, the original french version of this book was in 1864, 10 years later the relationship with Germany is fundamentally different, the mechanistic world, 10 years made a hell of a difference, this is a very international book, the humor, I was in love with her, “you could say I adored her (if any such word exists in the German language)”, he’s right about us, Verne is very sly, just like the professor, languages, Verne’s dad tried to make him a lawyer, trying not to be provincial, Virgil and Homer and Shakespeare, “You monument to ignorance”, a zinger in every chapter, “great as it is that asylum is it is not big enough to contain all of Professor Lidenbrock’s madness”, you have no vision, “I care nothing about seeing magnificent spectacles”, a walking tour of Copenhagen, crawling up the stairs, Axel’s maturity (or lack thereof), the names, Henry vs. Axel, Lidenbrock vs. Hardwigg, the different translations [the Professor’s name is a pun], a secret history, the Saknussemm document becomes the Jules Verne novel in the 2008 movie, the 1959 movie makes the professor Scottish, translations and adaptations to make it more relevant for the audience, Gretchen -> Grauben -> Gretel, bad translations, learning about eiderdown and eiderdown hunters, stealing nest fluff, the science is pretty damn good, you can’t have an adventure to the center of the Earth if the Earth’s center is hot, EVIDENCE!, “everyone is laughing at me, here’s a pterodactyl”, “science is composed of errors, but errors that are right to make”, the ball-lightning, St. Elmo’s fire, the compass problems, almost realistic, Stromboli was Tolkien’s model for Mount Doom, we will not tell them how we actually got here, they said they were shipwrecked (and it is kind of true), dense with humour, history, architecture, an enduring classic, Hans was the opposite of the uncle, characters exchanging personalities, a process of maturation, an inveterate coward and then he craters, the seeds of what he will become, Axel will become like his uncles when he grows older, Verne shows a character’s worst and best sides, a giant fur covered creature pounding his chest -> it’s King Kong!, 16 foot giant bones discovered, a skull the size of a Volkswagen, a moral panic, a real newspaper article, Jesse does an Icelandic accent, The Odyssey, like Professor Challenger, The Poison Belt, aliens, Hans has to get paid every Sunday, Icelandic life is hard, Icelanders are Eskimos without the benefits of being Eskimos, Master, Verne’s racism is a sympathetic racism, Conan Doyle’s internationalism is very different, Burroughs’s characterization, what Verne is doing is cool, I’m not usually the persons who says: “You know what this needs? More romance”, mineralogists, all good characterization, Conan Doyle’s cute cynicism, Burroughs’s hero characters find girls and have them lay some eggs, H. Rider Haggard’s lost worlds were in Africa, adventure types, She!, The People Of The Mist, a White Goddess among the Zulu people, this is sort of Vernianian: science, history, literature and reveling in that knowledge, The Mysterious Island, a parody meme -> Mysterious Island, Nellie Bly, pretending to be insane to see what life in an asylum is like, Librivox, what it’s like to live in Mexico, back when newspapers paid reporters to investigate things, BBC, gravity in the center of the Earth would pull you in every direction, BBC Radio 4: In Our Time on the Earth’s core, biology is taught wrong, there names are what they do, telling rocks apart at a glance, smell, sound, taste, rocks can be tested it with your body, on the final exam in geology they give you a tray full of rocks, the ferrous iron taste of the water, Hans brock water, flood that whole compartment (luckily it was the size of the Earth), draining the Mediterranean, Verne is the second most translated author in the world, looking at it from our perspective today, Ben Hur, Lew Wallace, do your own abridging.
Posted by Jesse Willis
Reading, Short And Deep #021
Eric S. Rabkin and Jesse Willis discuss Moon-Face by Jack London
Moon-Face was first published in The Argonaut, July 21, 2016
Here’s a link to the PDF of the story.
Podcast feed https://sffaudio.herokuapp.com/rsd/rss
Posted by Scott D. Danielson
Robin Of Sherwood: The Knights Of The Apocalypse
By Richard Carpenter; Performed by a full cast
2 Hours – CD or Digital Download [AUDIO DRAMA]
Publisher: Spiteful Puppet
Published: June 30, 2016
England in the reign of King John and a dark force is intent on conquest. Only the hooded man can stand against it… The church lies impotent at the mercy of the Pope and the interdict against the kingdom. With the people living in fear and a series of disappearances that threaten the very fabric of noble society, Robin ‘i’ the hood and his band of outlaws must race to rescue the past so that the future may be protected. A journey to Huntingdon and beyond Sherwood will see them battle their most dangerous enemy yet as Herne’s son faces The Knights of the Apocalypse…
If you close your eyes you’ll see it – it being a new two part episode of the classic ITV television series Robin Of Sherwood, minus the grainy 16mm film stock. From the opening Clannad theme – you’ll see it all – that brightly lit forest green, those grey stone castles and churches, the flashing swords, the flying arrows. You’ll of course hear them all too.
Early into The Knights Of The Apocalypse we learn that England is suffering under the “Interdict”, a punishment of all of England for King John’s offence of the Catholic Church. This really happened. The titular Knights of the Apocalypse, though fictional, are said to be a breakaway branch of the Knights Templar – and the ultimate historical destruction of the Templars is very effectively retroactively-foreshadowed in this production.
The two hours, in two parts, had me struggling with the heroes, thinking deep thoughts, rallying against the heavy hand of oppression, chuckling at the baddies, laughing with the heroes, worried at what might possibly happen next, then heart-warmed, and ultimately delighted at the lightfooted sweep all the little details added up to. This is an epic as big as The Swords Of Wayland and as revolutionary as Robin Hood And The Sorcerer.
Barnaby Eaton-Jones, the producer, seems to have made it his mission to make The Knights Of The Apocalypse as true to the original show as humanly possible. Soliciting initial funding using an indiegogo campaign, Eaton-Jones paired a script by the now deceased Richard Carpenter, Robin Of Sherwood‘s creator (he also wrote some of the show’s finest episodes), and tracked down every living member of the original cast to this production. The result is truly tremendous! It is amazing to hear the voices of that old cast once again – Mark Ryan (the brooding Saracen swordsman Nasir), Ray Winstone (forever the hot-headed Will Scarlet), Clive Mantle (smiling and gentle Little John), Jason Connery (that noble second incarnation of Robin, the hooded man), curly haired Judi Trott (voicing the summer maid of Sherwood, Marian), Phil Rose (the friendly friar, Tuck), and Peter Llewellyn Williams (Much, the simple miller’s son).
A lot of folks probably think of Alan Rickman as the most iconic Sheriff of Nottingham – he was terrific – but for me the worst (and by that I mean best) Sheriff of Nottingham will always be Nickolas Grace. Grace is back to his old tricks; playing that cowardly cartoon of law, that malefactor of injustice, all the while wonderfully dripping contempt and venom from every sour word. We get Grace in several scenes, including some with his equally contemptible brother, the Abbot Hugo, played wonderfully once again by Philip Jackson. A few of the voices are new, filling in for the deceased Robert Addie (Guy of Gisbourne) and Daniel Abineri (Herne, now played by his son). But we also get some audio drama stars like Colin Baker and Terry Molloy playing guest villains.
The Knights Of The Apocalypse is a magical experience. Its story will satisfy, so much so that it could slip-in right next to that final TV episode that aired June 28, 1986. No, this is not a reboot, not re-imagining, not a rerun – this is a reunification. You’ll be reunited in righteous camaraderie with the merry folk of Sherwood – doing the work that must be done, for the good of the people, and breaking the law as needs must.
In reading some of the other early reviews I think they’ve short-shrifted both the historicity and the timeliness (or maybe the timelessness) of what’s going on in The Knights Of The Apocalypse. This really isn’t just a story about how a cute cult TV show got a little fan service 30 years after the last episode aired. No, this is a story about power, politics, economics, about religion. This is a story about class and class struggle, human virtue and human vice. For who is King John, that off-screen terror, if not the hubristic government the governs for the rich and not for all? Who is the Sheriff of Nottingham if not a cynical functionary enforcing the unjust laws unequally, and for his own gain? And why is it, exactly, that an old folktale about a band of heroes who break the law for the good of the people so very, very resonant exactly 30 years (or approximately 550 years) after they were first told?
Here’s a recent piece of publicity:
Posted by Jesse Willis
In this sequel to Randy Henderson’s acclaimed debut novel, Finn Fancy Necromancy, Finn Gramaraye is settling back into the real world after his twenty-five-year-long imprisonment in the otherworld of the Fey. He’s fallen in love again with Dawn, the girl next door who waited for him. He’s proved his innocence of the original crime of Dark Necromancy, and he’s finding a place in the family business – operating a mortuary for the Arcane, managing the magical energies left behind when an Arcane being dies to prevent it from harming the mundane world.
This is one of those “if you liked the first book, you’ll like this one” types of sequels. I have a great time with Henderson’s humor and his story is a unique, geekier urban fantasy than normal. It has many of the same urban fantasy tropes, but his twist adds something … less sexy, but filled with humor that mostly works.
And I say “mostly” because, and this could just be me, he’s also one of those author’s obsessed with the ’80s for some reason. I know, write what you know, but it’s almost like some authors (maybe just Henderson and Ernest Cline for all I know) think that you only have street cred if you’re an ’80s geek. Knowing other types of geekery is not at the same level and beneath ’80s geekery.
Now, admittedly, the Finn Fancy series has to do with a guy who gets outcast when he’s a kid during the ’80s and comes back in the present so that’s pretty much all he knows. So I get it, I get why, but at the same time I’m tired of it now. And now that we’re on book two, did we still really need to name all the chapters with ’80s lyrics or songs? I mean, the protagonist is now learning about what happened since his exile.
But those complaints aside, I really did enjoy Bigfootloose and Finn Fancy Free. Henderson’s humor shines with or without ’80s references and it’s a lot of fun. I like his whole mythos with the fae, fae-bloods, arcana, and any other magical you can think of. It’s a great world and well presented.
For the audio, Todd Haberkorn, the narrator, presents Finn well – relatable, silly, and serious all when he needs to be.
The Finn Fancy series is recommended if you enjoy urban fantasy, but you’ve done the same vampires/wizards/werewolves stories and you need something new…with those same creatures… I promise it’s different too.
3.5 out of 5 Stars (recommended)
Posted by Bryce L.