Podcast

The SFFaudio PodcastThe SFFaudio Podcast #350 – Jesse, Scott, Jenny, and Tamahome talk about new audiobook releases and recent audiobook arrivals.

Talked about on today’s show:

Childhood’s End, The Expanse, The Magicians book adaptions on Syfy tv, Caprica, Star Wars: The Force Awakens by Alan Dean Foster, Alien by Foster is Scott’s favorite adaptation, Scott liked the Revenge of the Sith audiobook, The Tunnel Under the World by Frederik Pohl, (circled back to the Childhood’s End adaption), Arthur C. Clarke’s Guardian Angel, the original short story, on the pdf pageKing of Shards by Matthew Kressel, Dhalgren by Samuel R. Delany, narrated by Stefan Rudnicki, is it a literary marvel?, Golden Fleece by Robert. J. Sawyer is a murder mystery on a generation starship, Sawyer’s dinosaur book End of an Era, cover of Far-SeerThe Long List Anthology [of Hugo nominations], The Year’s Top Short SF Novels 5, audiobooks are the new ebooks, audio that comes before print, Welcome to Night Vale:A Novel by Joseph Fink and Jeffrey Cranor, zombies are mentioned, A Borrowed Man by Gene Wolfe, sounds like Dixie Flatline from NeuromancerThe Bands of Mourning (Mistborn #6) by Brandon Sanderson, The Seventh Bride by T. Kingfisher, scary fables, The Anubis Gates by Tim Powers, the lost episode about On Stranger Tides, I reviewed itPenric’s Demon by Lois McMaster Bujold, old audiobooks on cassette, a whole lotta Philip K. Dick short stories, what is the order?, how to consume short story collections, alien sex books!, approaching 100% PKD audio saturation, Podkayne of Mars by Robert A. Heinlein, has a feisty girl, humble-bragging, 19 Great Northern Audio titles, The Coming by Joe Haldeman, why Haldeman is good for Jesse’s brain, skim reading, SFBRP #294 – Elizabeth Moon – Trading in Danger

far-seer
Science Fiction Alien Sex Anthologies

Posted by Tamahome

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #349 – Jesse and Mr Jim Moon talk about The Ghost Pirates by William Hope Hodgson

Talked about on today’s show:
1909, from the later middle, more sophisticated than The Night Land, more tightly plotted than The Boats Of The Glen Carrig, all the letters of H.P. Lovecraft that talk about William Hope Hodgson, revisions to Supernatural Horror In Literature, a doomed an haunted ship, terrible sea-devils of quasi-human aspect, latent horrors in nature, “reaches enviable peaks of power”, the LibriVox audiobook, not as jam-packed with incident, the Carnacki stories, cosmic vistas, accessibility, a straightforward story, what it was like to being a working sailor, cliques and alliances, tremendous fun, time travel that good literature can give you, the poopiest book of all of Hodgson’s work, the taffrail, mood, a ghostly haunted ship, From Beyond by H.P. Lovecraft, Algernon Blackwood’s The Willows, an intrusion by other forces, shadows, strange figures, disappearances, underwater ships, not just a ghost, predation, dimensional drift, pirate skeletons ghosts don’t fit, its the ship that’s haunted, but not only the ship, the ship’s name is “Mortzestus”, “Sangier” (the bloodier), “I’m going to get my money out of this ship”, the pay scene in Aliens (1979), a thing from outside, bubbling below the surface is the corporatism problem, a commercial venture, mutiny, the officers want it hushed up, writing it up in the log, it is regrettable that Bryan isn’t here, why Marx wrote his works in England, the relationship between the means of production (the ship) and its sailors, taking care vs. making money, commercial considerations, historical piracy, in the lulls between sea-devils, “mate” reminds us of “comrade”, we’re all in this together mate (or comrade), why were there so many pirates?, why piracy happened, a Freudian (or Marxist) reading, the Sindey Sime illustration of The Ghost Pirates, “pale eyes”, mummified figures, are the ghost pirates a projection of the crew’s submerged collective unconscious?, the pirate articles, communism and democracy, parallels the Russian Revolution style, the captain, the quartermaster, the hatred that Hodgson had for commercial sailing, spooky, a sub-layer to the tale, the frustrations of the crew, “that old bully”, we are in trouble now, the devils take them all, the slang for the ship is “this packet”, the crew as a wrapping on the parcel, the language of spiritualism, Jessup’s theory as to what’s going on:

“Well, I’ve formed a bit of a theory, that seems wise one minute, and cracked the next. Of course, it’s as likely to be all wrong; but it’s the only thing that seems to me to fit in with all the beastly things we’ve had lately.”

“My idea is, that this ship is open to be boarded by those things,” I explained. “What they are, of course I don’t know. They look like men— in lots of ways. But—well, the Lord knows what’s in the sea. Though we don’t want to go imagining silly things, of course. And then, again, you know, it seems fat-headed, calling anything silly. That’s how I keep going, in a sort of blessed circle. I don’t know a bit whether they’re flesh and blood, or whether they’re what we should call ghosts or spirits.”

this ship is “open”, what happened on this ship that “opened it up”, The Haunted Jarvee (a Carnacki story), there’s something about the ship, there’s a crack in it, a tear in the fabric of reality, a sitting duck for otherworldly buccaneers, what is the goal of the sea-devils, what are they doing up in the rigging, four ghost ships, aliens?, aliens from the ocean?, are they Doctor Who sea-devils?, are they deep ones?, a parallel reality, From Beyond, Crawford Tillinghast is turning up ghosts, vestigial organs, ultra-violet,

“What do we know,” he had said, “of the world and the universe about us? Our means of receiving impressions are absurdly few, and our notions of surrounding objects infinitely narrow. We see things only as we are constructed to see them, and can gain no idea of their absolute nature. With five feeble senses we pretend to comprehend the boundlessly complex cosmos, yet other beings with wider, stronger, or different range of senses might not only see very differently the things we see, but might see and study whole worlds of matter, energy, and life which lie close at hand yet can never be detected with the senses we have. I have always believed that such strange, inaccessible worlds exist at our very elbows, and now I believe I have found a way to break dawn the barriers.

if this was adapted today it would be explained by the cargo, an intra-dimensional material from atomic tests, 1920, The Dreams In The Witch House, 1934, The Banshee Chapter (2013), From Beyond (1986), a Freudian reading, Bill Clinton, in the language of apology, venereal disease, drugs, a found footage film, the framing story, believe it or not, The Ghost Pirates would make a great audio drama, showing the figures, crystallizing, Carnacki’s explanation in The Haunted Jarvee:

‘Well,’ replied Carnacki, ‘in my opinion she was a focus. That is a technical term which I can best explain by saying that she possessed the “attractive vibration” that is the power to draw to her any psychic waves in the vicinity, much in the way of a medium. The way in which the “vibration” is acquired – to use a technical term again – is, of course, purely a matter for supposition. She may have developed it during the years, owing to a suitability of conditions or it may have been in her (“of her” is a better term) from the very day her keel was laid. I mean the direction in which she lay the condition of the atmosphere, the state of the “electric tensions,” the very blows of the hammers and the accidental combining of materials suited to such an end – all might tend to such a thing.

making a magnet by hammering a nail, it’s not a person, it’s not something on the ship, it is the ship, electrical technology, a blend of science and the supernatural, BPRD: Plague Of Frogs, Mark Turetsky, slaves in chains at the bottom of the sea, a ship on its last voyage, the detritus of previous voyages, a Marxist resentment of the treatment of every crewman brought to the ship, end the of The Willows by Algernon Blackwood, working the same mine of feeling, the preface to the original edition, The House On The Borderland, certain conceptions of elemental kinship, flinging open the door wide, a kaleidoscope, scene upon scene, the door is open only a crack, speculation, what was the purpose, four shadowy galleons, the four ships below, are they mirrored (upside-down in the water), visualizing it is shocking, the Red Scare, they’re going to come here and take what we have, the Spartacus rebellions, an inter-dimensional idea, overwhelmed and pulled down, the other side of the veil, working a different passage in a nether dimension, if Neil Gaiman were to take this book as inspiration…, the surface of the sea, scraping along the surface of another world, the power of nautical ghost stories is in that liminal space between an ocean of air and an ocean of water, water as a liminal place in folklore, “where two elements meet strange things may intrude”, an inverted frog-men version of our world, are the sails like fins?, trade routes, how you portray the shadow ships, invisible would be fun, mirror world beneath the waves, the covers of various editions, skull and crossbones with a cutlass, whatever you see when you see through the eyes of Jessup, a fishy version of the pirate captain, mood effect, what the hell’s going on with those pig men?, a short novel, extended novellas, “I AM A NOVEL”, the Wikipedia entry, the unfinished novel, had Hodgson lived longer…, Captain Dang, the Sargasso Sea, the dawn of the pulp era proper, embracing the 20th century, The Hog, a complete collection.

The Ghost Pirates by William Hope Hodgson - illustrated by Sidney Sime

Posted by Jesse Willis

Podcast

The SFFaudio PodcastLibriVoxThe SFFaudio Podcast #348 – The Ghost Pirates by William Hope Hodgson, read by Mark Nelson.

This UNABRIDGED AUDIOBOOK (4 hours 53 minutes) comes to us courtesy of LibriVox.

The Ghost Pirates was first published in 1909.

The Ghost Pirates by William Hope Hodgson - illustration by  Lawrence Sterne Stevens
The Ghost Pirates by William Hope Hodgson - illustration by  Lawrence Sterne Stevens
The Ghost Pirates by William Hope Hodgson - illustration by  Lawrence Sterne Stevens

Posted by Jesse Willis

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #347 – Jesse, Paul, and Marissa talk about The Man In The High Castle by Philip K. Dick.

Talked about on today’s show:
1962, Jesse and Paul’s first ever Philip K. Dick novel, rush reading, Juliana Frink, the book within the book, The Grasshopper Lies Heavy, The Book Of Changes, the book that we are within, more like something Olaf Stapledon would write, future histories vs. alternate histories, what the Japanese and Nazis have done, For Want Of A Nail by Robert Sobel, Mexico, a very odd strange alternate history, a textbook from an alternate world, acharacteristic Dick, The Rise And Fall Of The Third Reich, jewelry, taken from his life, Anne Dick, a soul wrenching scene, soul churning horrific embarrassing, working retail, R. Childan is horrible, he’s a monster, the least Philip K. Dick book, not a lot of boobs (but still some), not that much coffee, why this book is so powerful, we are so close to the characters souls, sympathy, who is the main character of this book?, Juliana, R. Childan, Mr. Baynes, Frank, Mr. Tagomi, so little interaction between the characters, we don’t know it is Frank, a clever move, everybody is fake, R. Childan is not Robert Childan, he speech pattern and thought pattern are Japanese, a lack of pronouns, Dick is a chameleon, Paul and Betty, the authentic American experience, soaking up, that’s not their names, Paul and Betty Kasura are more American than the American, Juliana is a fake judo instructor, she uses a knife, Hawthorne Abendsen, we know where he lives, Hawthorne Abendsen is Robert A. Heinlein for Dick (and Dick himself), children, Heinlein’s house in Colorado, Heinlein had loaned Dick money, Dick owed money to the IRS, We Can Build You, “To Robert and Ginny Heinlein…”, Wyoming, Dick is buried in Colorado, Fort Morgan, Colorado, Riverside Cemetery, damn, Dick’s sister, mom and dad, D.C., agrarian agronomy?, California, the dedication, “To my wife Anne, without whose silence…”, the jewelry business, getting excited, a bit sulky and a little bitter, a line from Childan’s mind, this sounds like its true,

They’re out of their minds, Childan said to himself. Example: they won’t help a hurt man up from the gutter due to the obligation it imposes. What do you call that? I say that’s typical; just what you’d expect from a race that when told to duplicate a British destroyer managed even to copy the patches on the boiler as well as—

the stamp on the boiler “Made in Aberdeen” or whatever, is this a true fact?, the objects, the pistol, Ed and Frank, the fake pistols are real pistols, the two lighters, Roosevelt’s lighter, historicity, historically interesting, the provenance, superstition of historicity, the real McCoy, you feel it, if Mr. Tagomi’s civil war era replica revolver can do the job…, Dick’s theme for the whole book, the theme that he’s always engaging, this stuff, actual facts of history, these events happened, the answer in this particular case…, historific truth, afraid to ask the question, this truth about the world, strangely meta-fictional, Tagomi escapes the meta-fictional world, a true and genuine object, the real state of affairs, cars and the freeway, our world is a nightmare, a depressing two world Cold War between the U.S. and England, C.M. Kornbluth’s Two Dooms, set in the 1940s, a future where the U.S. has lost the war, an alternate broken U.S., captured by the Germans, secret Jewish magical power, the world if we don’t is too terrible to contemplate, a repeated scene (or feeling), Mr. Baynes on the rocket, from Europe to San Fransisco, Lotze,”Oh, yes; that’s so. But racially, you’re quite close. For all intents and purposes the same.”

Lotze began to stir around in his seat, getting ready to unfasten the elaborate belts.

Am I racially kin to this man? Baynes wondered. So closely so that for all intents and purposes it is the same? Then it is in me, too, the psychotic streak. A psychotic world we live in. The madmen are in power. How long have we known this? Faced this? And-how many of us do know it? Not Lotze. Perhaps if you know you are insane then you are not insane. Or you are becoming sane, finally. Waking up. I suppose only a few are aware of all this. Isolated persons here and there. But the broad masses… what do they think? All these hundreds of thousands in this city, here. Do they imagine that they live in a sane world? Or do they guess, glimpse, the truth… ?

But, he thought, what does it mean, insane ? A legal definition. What do I mean? I feel it, see it, but what is it?

He thought, It is something they do, something they are. It is-their unconsciousness. Their lack of knowledge about others. Their not being aware of what they do to others, the destruction they have caused and are causing. No, he thought. That isn’t it, I don’t know; I sense it, intuit it. But-they are purposely cruel … is that it? No. God, he thought. I can’t find it, make it clear. Do they ignore parts of reality? Yes. But it is more. It is their plans. Yes, their plans. The conquering of the planets. Something frenzied and demented, as was their conquering of Africa, and before that, Europe and Asia.

Their view; it is cosmic. Not of a man here, a child there, but air abstraction: race, land. Volk. Land. Blut. Ehre. Not of honorable men but of Ehre itself, honor; the abstract is real, the actual is invisible to them. Die G?e , but not good men, this good man. It is their sense of space and time. They see through the here, the now, into the vast black deep beyond, the unchanging. And that is fatal to life. Because eventually there will be no life; there was once only the dust particles in space, the hot hydrogen gases, nothing more, and it will come again. This is an interval, ein Augenblick . The cosmic process is hurrying on, crushing life back into the granite and methane; the wheel turns for all life. It is all temporary. And they-these madmen-respond to the granite, the dust, the longing of the inanimate; they want to aid Natur.

he is a fucking Nazi!, at this point in the book…, he says he’s Jewish, is he Jewish?, a character is introduced.. the become who they really are, Joe Cinadella is an Italian who becomes an SS Aryan assassin, he’s becoming something, his genuine self, he’s actually an Italian who changes into a Nazi, transformation not revelation, Joe tells us about his family, what kind of music he like, an elaborate provenance?, Jesse thinks that Dick didn’t know who Joe was when he began writing, he became what he was in the book and world, Mr. Baynes is transformed, they actually are that way as well, the playing out of reality is undetermined, particle-wave duality, a “waveicle”, when you measure him a certain way, the truth is “revealed” collapsing the wavefront, observation determines the reality, the characters are in superposition state until Dick cast the yarrow stalks, when the world does it, Baynes is a Swede and a Jew and a Nazi, his elaborate cover, all of the characters are like that, Abendsen deflects, “I just murdered a man for you”, it happened to Heinlein, he’s almost inviting it, everybody knows his address, why does the SS send a Nazi hitman to kill this guy?, that’s not how they work, why is he telling Mr. Tagomi?, a stalking horse, Tagomi is a chess pawn, the most humane person, when Tagomi defies the German ambassador, the guy he frees is the guy who created the object, karmic circularity, changing as they are perceived, Nazism factionalized, a lot of technical terms, Dick did a lot of reading, the Abwehr, the SD, layers of terminology, Reinhard Heydrich, basically Hitler did a shitty job, draining the Mediterranean, skulls for cups, a sequel would have to be set in the Nazi part of things, sensitive and sympathetic, Speer, “yes he did slave labor, but he didn’t enjoy it.”, the two completed chapters of the proposed sequel, Herman Goering, Admiral Canaris, that sounds like a Dick novel (and a role playing game), GURPS Infinite Worlds, spreading Nazism to other worlds, staying in the heads of all these Nazis all the time, Heydrich sent Joe, Lotze is also an SD agent, everything is fake with a secret inside, internecine-Nazi?, the pilot for the Amazon series, it almost has no connection to the book, it’s about that piece of jewelry, it’s not a book it’s a movie, for the TV series, Paul’s guess… Abendsen has a portal to our world, sign Paul up, a little bit too fluffy and light, the Minority Report TV show is a trainwreck, you can’t really adapt this book, in development for a long time, Ridley Scott, a late-70s I, Claudius version shot on videotape, as soon as you start looking at what this book is actually about…, the American antiques thing is missing, Philip K. Dick reviewing his own novel, like a pair of glasses, what the book does to us, Paul’s speech about the pin, seeing into Childan’s head, they all laughed, this crappy play, what a monster you are, he’s been made a fool, false hopes dashed, Jesse replaces the words “pin or object” with “fiction or novel” and thus find’s Dick’s review of The Man In The High Castle within The Man In The High Castle, mere content deprived of form, it somehow partakes of tao, this novel has made its peace with the universe, this book has wu, by contemplating it we gain more wu ourselves, since we last about PKD, stones rejected by the builder, a rusty beer can by the side of the road, I have pondered this novel unceasingly, isn’t that exactly what he’s doing here?, it doesn’t have form, so true, Jesse thinks Dick was wrong, Dick almost never did anything like a sequel, think about how Hawthorne Abensen, this is Dick’s first real success, “give us more of the same” (the book industry as we know it), “I’m not sad”, The Ganymede Takeover by Philip K. Dick and Ray Faraday Nelson, formless and amorphous, this plotting gels so well, the I, Ching helped him, A Scanner Darkly, taken from life, a writer who is pretending to be a criminal, an organic shape, “what’s really going on here?”, she’s saying it right here, when Joe comes back with that haircut, at the heart of this novel, the two real action scenes, when Juliana is with Joe, he is sane and she is the opposite, she goes into the bathroom to kill herself, casting those yarrow stalks, Juliana’s last decision she makes, The Grasshopper Lies Heavy Ecclesiastes 12:5, “and the grasshopper shall be a burden”, a tiny little thing will have a great weight, the title of the book itself, why is the book called “The Man In The High Castle”?, the end of Farnham’s Freehold, “barbed wire and machine guns”, a meditative smile, he’s lying, he’s going to sit down when he meets Christ, it sounds like Heinlein, Juliana is literal minded and can’t understand Abensen’s jokes, are her boobs real?, she’s in post traumatic shock, the hymn,

Let us love our God supremely,
Let us love each other too;
Let us love and pray for sinners,
Till our God makes all things new
Then he’ll call us home to heaven,
At his table we’ll sit down.
Christ will gird himself and serve us
With sweet manna all around.

they never lived in a high castle, Abensen is fated to what will happen, this happened to Robert A. Heinlein, Stranger In A Strange Land, Popular Mechanics showed Heinlein’s house, a kid’s bicycle in the driveway, Dick gave Heinlein a kid, Heinlein tried to treat everyone with respect, for Heinlein every race is worthy, weird ideas about sex and gender, an equal rights for all races, equal dignity, the Vietnam War, when hippies start showing up on his door, just like when Juliana shows up, when Juliana calls, they don’t call the police and kick her out, pilgrims to Dick’s house, “he wants me to go to his house and say hi”, before you do that…, just to stand there and feel the historicity, where he came to rest, the final gloss, a fake high castle, the high castle is the skull, who is the man in the high castle?, the mind trapped within the skull looking out, Dick was never satisfied, zoology and philosophy, Plato’s Myth of the Cave, chained to the floor since birth, behind them are people carrying various objects on their heads and walking by, and behind them are fires, the believe the shadows on the wall are the real world, if one should manage to escape…, they wouldn’t believe, Juliana says I’m one of the few, Baynes says it too, what’s the TRUTH about this world, in fact it’s only me when writing this book, unlike Lovecraft or Poe, the intertextual thing going on, written by Heinlein or Pohl (or Kornbluth), peak performance of this particular feeling, this is the PKD book you can hand to anybody who has read a little bit of history, as the facts unfold, even that reality is fake, the George Guidall narration, the little prologue, that recording is from 1997, audiobooks at that time, the traditional market (for audiobooks) was the blind, a standard trope that has disappeared now, the back of the dust-jacket, a singular mark of American literature, an amazing book, re-reading it, so many layers, we’re done.

The Man In The High Castle by Philip K. Dick

Posted by Jesse Willis

SFFaudio Commentary

In a recent appearance on The Late Show with Stephen Colbert Sylvester Stallone recounted how he would, to help him learn the craft of writing, record the audio from movies in movie theaters.

Here’s the clip (the confession begins at 6 minutes 16 seconds):

Today, under Canadian Law (section 432 of the Criminal Code) this action would see Stallone sentenced to “a term of not more than two years” in prison.

Now you have to understand, this is not for the purposes of sale – that would get Stallone “not more than five years” in prison.

Learning the craft of writing scripts, like Stallone did, from the soundtracks of movies would make him a criminal today.

Artists who go to museums in Canada to sketch great works of art are still safe. It is only scriptwriters who go to films and record dialogue that are criminals.

The copyright laws that have been creeping into Canada from the USA are for the protection of existing copyright monopolies, and not for the protection of artists.

[Canadian Criminal code section 432]

Posted by Jesse Willis

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #346 – Jesse, Paul, and Marissa and Luke Daniels talk about The Man Who Japed by Philip K. Dick.

Talked about on today’s show:
When did Luke record The Man Who Japed?, a spate of Dicks, a good six months, generic knowledge, Dick’s writing is like Jack Kerouac’s, Now Wait For Last Year, Dick’s favorite The Man Who Japed, not Marissa’s favorite The Man Who Japed, post nuclear war, censorship and morality, the three-way war before Earth the Starmen and the Reegs, JJ-180, swimming through time, Eric Sweetscent, Alan Purcell, minor-Dick, it’s a big jape, the novels blend together, classic Dick, Allen’s ambivalence, it feels long for a short book, the corporate stuff, Dick’s women are never “flat” they are either “dumpy or perky”, girls and gals, full present or drugged up there’s always a wife, they love each other, loyal and sweet, home development, something pedantic and yet timely, something you’ve never seen, what’s happening in China at the time, living in a condo…, when I first moved into my conapt, a note under the door, “you have ruined my marriage”, using new found powers to search for nude women, you teach a man how to fish he has sex with that fish, council meetings, gossip, condominium apartments, how do people live together, overpopulation world, his bedroom turns into a kitchen, she’s putting her clothes in the oven, Billenium by J.G. Ballard, Make Room Make Room by Harry Harrison, Hokkaido is a radioactive wasteland, Newer York vs. New New York, drugs, how Dick writes the book, undercooked, free will, “it just happened”, a former NHL enforcer, the psychiatrist, memory, A Scanner Darkly, his propaganda job, the juveniles (the robots), “inDickitave”, a society running on fumes, extra-Solar colonies, you don’t want to stand all the way do you?, the big jape, how Dick’s vocab works, the title if it was written today “The Man Who Punked”, the alternate reality, Talking Heads’ Once In A Lifetime, the consequences here, the ending, the faces of the teenagers, as a narrator, what is Allen seeing in the faces of those teenagers?, Allen was always trying to protect people, immigration to Canada in 1988, how harsh the immigration officials were, skimming off the cream, oh you’re an audiobook narrator… ok, a couple Brit narrators are up in the seed vault in Svalbard, The Prisoner episode “A Change Of Mind”, unmutual, conforming drugs, writhing, adultery can get you kicked out of your lease, Mao as Major Streiter, The Three Body Problem, The Red Violin, juveniles -> Juvenal (the Roman satirist), teenagers as opposed to juveniles, the Cultural Revolution was pushed by kids, everything pulling toward the center, The Americans, the world “soviet” means committee, the cohorts (are kids), how Nazi Germany worked, Nazi youth in The Netherlands, kids acting like little-SS, witch hunts, more American than Dick admits, V, a very soft version, no-death camps, slave labour, nobody watches TV in the colony worlds, the spire and the statue of Major Streiter, Colonel Gaddafi character, General Washington and the Washington Monument, can you imagine state TV making fun of Ronald Regan, humour vs. the dictatorship, every authoritarian government, Mr. Whales is rewarded with another apartment, oomphalos, the center, the more morec you are, anti-morec, in anticipation of the big jape…, Dick japes the reader, active assimilation, the cultural revolution, like evil-BBC, the poll, this is the emperor’s new clothes, Jonathan Swift, it’s something Ronald Regan would do!, if it was good enough for the founding fathers…, if John Adams and the founding fathers were all cannibals, it was a different time, he was really good to his slaves (food), turning it into a joke, society is obsessed with propriety, is this the start of the fall of this society, dystopia, optimistic ending, when the cohorts arrived their reaction was to laugh, “Repent Harlequin!” Said The Tick-Tock Man by Harlan Ellison, like Metropolis, infected with laughter, this happens all the time in SF, science fiction like satire, Dick was going on and on about not being a Marxist, timelessness, a crapsack world, a tiller, The Space Merchants, that’s Madison Avenue taking over society, food isn’t really food anymore, the food is always in quotation marks, simulated “baked Alaskan”, we have all the things he was writing about, an artificial meat, tofu has long been with us, simulant meat, Secret Army, ‘Allo ‘Allo!, this isn’t real coffee, WWII is the really big start of all artificial foods, chicory coffee, after WWII Korea and Japan get Spam, Spam restaurants, Minnesota is the home of Spam, it reminds you of your youth, coming to love the crappy stuff that you have, we come to love the crappy worlds Dick creates, the radioactive island, Hokkaido is full of ideas, where’s the government?, society is just kind of null, not total totalitarianism (bottom up), there isn’t a death in the book, a surprisingly soft dystopia, busy-bodied woman, anything over 20mph is terrifying, milquetoast, The Coming Of The Quantum Cats by Frederik Pohl, a pro-Muslim Christian American theocracy, a prim 38mph, the Harvard Law review (on the Black Market), I The Jury by Mickey Spillane, “I Shot Her In The Uterus”, The Killer Inside Me by Jim Thompson, Guy de Maupassant, “breasts like two cones of white marble”, James Joyce, $10,000 for Ulysses, the sickness, The Grifters, Donald Westlake, how to advance your career in business by killing people, the mental health planet, an alternate world that’s not real, “but I only have $50!”, the missing 15,000 words, getting stuck in debt is a kind of dystopia, Mavis, taking care of cows, clean activities, soul sucking grinding horrible, the interrogation that happens there…, full of resentment, anonymous accusers, an open marriage, a c-class Dick novel, needs a little more spiced, not fully poached,

It is hard not to write Satire. For who is so tolerant
of the unjust City, so steeled, that he can restrain himself…

and

Pathic men that pretend to be moral exemplars are much worse than those who are open about their proclivities.

he’s talking about Republicans, the “wide stance”, puritanism, strider -> Streiter, making choices, that’s what this book is about, just wing it, self-assured hubris, “he’s an idea, not a man”.

The Man Who Japed by Philip K. Dick
Le Profanateur by Philip K. Dick
Word Cloud for The Man Who Japed by Philip K. Dick

Posted by Jesse Willis

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