This UNABRIDGED AUDIOBOOK (9 hours 23 minutes) comes to us courtesy of LibriVox.
The Picture Of Dorian Gray was first published in the July 1890 issue of Lipincott’s magazine, and then in 1891, in an expanded and revised edition. This audiobook is made from the latter publication.
The next SFFaudio Podcast will feature our discussion of it!
Posted by Jesse Willis
The SFFaudio Podcast #290 – The Legend Of Sleepy Hollow by Washington Irving; read by Chip (for LibriVox). This is an unabridged reading of the novelette (1 hour 23 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Mr Jim Moon, and John Feaster.
Talked about on today’s show:
1820 (1819), the idea behind the story, Celtic folklore, Sir Gawain And The Green Knight, the Wild Hunt, Geoffrey Crayon, Popular Tales Of The Germans, Volksmärchen der Deutschenby Karl Musäus, racing to a bridged, a shattered gourd, Sir Walter Scott, “the wizard of the north”, Tam O’ Shanter by Robert Burns, headless ghosts, Anne Boleyn, headless horses!, jack-o’-lantern, is this a Halloween story or a Thanksgiving story?, 1834, the word “coconut” (head and soul), the South Pacific, breadfruit, The Red One by Jack London, the shattered pumpkin becomes carved into a Jack-O-Lantern, Brom Bones, meta-textual inference, Washington Irving is buried in Sleepy Hollow, NY, a Hessian artilleryman, a sleepy forgotten area, Rip Van Winkle, the Dutch of New York are like the Irish of the British empire, a Connecticut Yankee teacher, sleep, bustling New York City, Tarrytown, Nathaniel Hawthorne, Irving’s loving description of the landscape is like Lovecraft’s loving description of architecture, the jokey Washington Irving, Guests From Gibbet Island by Washington Irving, pirates, Pluto, “nod, wink, and giggle”, a comedy with a great sense of mood, the many birds, Crane, pudding in their bellies, the Van Tassel larder, a low yield version of 20,000 Leagues Under The Sea by Jules Verne, an excellent ragù, an exquisitely painted portrait, Jeff Goldblum playing Ichabod Crane, the dilating abilities of an anaconda, the full orchards, the rooster with his wives, The House Of The Seven Gables, “the world’s first Scooby Doo ending”, Brom Bones is a colossal prick, anti-intellectual, having read several books all the way through, Cotton Mather, the labour of headwork, headlessness, a practical joke, the post-script, the moral (if it has one or if it needs one), The Cask Of Amontillado by Edgar Allan Poe, a deathbed confession, family portraits or a mirror, “in pace requiescat”, alternate endings, the 1999 movie adaptation with Johnny Depp, “Rip van Kolchak”, beheading an embryo, the imagery, Christopher Lee, Marvel Comics adaptations, Ghost Rider, a goblin, J.R.R. Tolkien, distinguishing between goblins and orcs, interchangeable terms, Scrooge, FOLKLORE ON FRIDAY – Headless Horsemen, a whip made of a human spine, the Comics Code Authority, Morbius: The LIVING Vampire, the gaffers at von Tassel’s quilting frolic, an old brower, the Wild Hunt (again), rivers marking town boundaries, “liminal areas”, “a marvelously gruesome book”, Vampires, Burial, and Death: Folklore and Reality by Paul Barber, vampires can’t cross running water, a Dukes of Hazzard crossover, the Disney/Bing Crosby cartoon, The Wind in the Willows, The Partially Examined Life (talking the American philosophers), walking while reading a book vs. walking while reading a phone, van Ripper, Gunpowder (the horse), anti-intellectual vs. hyper-competence, Sleepy Hollow as a vision of America (as opposed to Europe), William James, Henry James, young and different, Henry David Thoreau, Walden, the American Revolutionary War, NYC vs. NY State, Irving regretting the American revolution, Lovecraft’s nostalgia, a very American story, “the world’s turned upside down!”, Ivanhoe, enbosomed in the mountains, a debunking, Frank L. Baum’s new creations for an American fantasy, Kansas, the tin woodsman’s chopping, a cyborg version of the Ship of Theseus, written for little children, the heart is more important than the brains, Brom Bones as the hero, Ichabod mucks-in, haunted tulip tree, Major Andre, an unselfconscious hero, corporal punishment, Wackford Squeers from Nicholas Nickleby by Charles Dickens, a wise-schoolmaster, spare the rod and spoil the child, “six of the best when they were ten”, dancing around the issue, squishing, Starship Troopers by Robert A. Heinlein, “if this were the middle ages and he were a viking…”, Sons Of Anarchy vs. Vikings, bearded vengeance, ichthyology, von Ripper, von Brunt, von Tassel, von Brunt Colonel Ichabod Crane, The Castle Of Indolence by James Thomson, Gothic credentials, autumn, the sleepy hollow boys, Twin Peaks and the Bookhouse boys, the good old boys, more references to NASCAR, Brom Bones as an archetype, the Sleepy Hollow TV show, we can’t CGI our way out of bad writing, “Alan Moore-esque”, “nice, self-contained, and pretty much done”, Katrina as a master manipulator, singing lessons, it’s been haunted forever (maybe 30 years), belief in hauntings vs. belief in ghosts, a haunted green shag carpet, the stain, something was dragging itself on the ground, “The Stone Tape” hypothesis, “creeped by some creepy creepness”, a bad place, Salem’s Lot by Stephen King, poltergeist activity, Brom Bonesey, the 1790 setting, a haunted beach?, Center Lake, a hat sodden with blood, a headless borrower, a local Jimmy Hoffa, folklore becomes enmeshed, why does she settle for Brom Bones?, “a man of great parts”, Shakespeare: “Ale promoteth the desire but taketh away all performance”, Diogenes: “If only I could alleviate my hunger by rubbing my belly”
Posted by Jesse Willis
The SFFaudio Podcast #241 – Jesse and Jenny discuss the 1913 novel Goslings: A World Of Women by J.D. Beresford and the 2013 audiobook from Dreamscape Audiobooks.
PUBLIC DOMAIN |ETEXT|
Talked about on today’s show:
Dreamscape Audiobooks, narrator Matthew Brenher, English dialects (and accents), a casual apocalypse, running out of water, “he’s going to beat his family”, “and we’re very English and we’re moving on”, a world of women,
A global plague has decimated England’s male population and the once-predictable Gosling family is now free to fulfill its long-frustrated desires. When Mr. Gosling leaves his family to peruse his sexual vices, the Gosling daughters, who lack experience and self-independence, find shelter in a matriarchal commune. However their new life is threatened by the community elders’ views on free love.
that’s not what it feels like, what do the women want?, Thrail and his perspective, the Gosling’s perspective, Thrail’s journal, an implicit trust in the British authorities, fathoming an empty world, what is Mother Gosling’s ultimate fate?, a very gentle book, the cruelest moment in this book is the confrontation at the tobacconist’s, “you stupid slut”, a gentle apocalypse, 70% of the population dies, The Stand by Stephen King, exploding heads, Earth Abides, the war of all against all, almost all the men die, the harem, Thrail is asexual, a dalliance with a coquette, Jenny blames Father Gosling, the proximal cause, “we’re wasting the potential of women”, Eileen (aka Lady Eileen), marriage never really protected women, a world of slaves, men can be feminists too, why does it take a man to write a book about a world of women?, J.D. Beresford modeled Thrail on H.G. Wells, Jack London, the 1910s, the Bolshevik revolution, Mastering The Art Of Soviet Cooking, Mastering the Art of Soviet Cooking: A Memoir of Food and Longing by Anya Von Bremzen, an anti-disestablishment bill, the Anglican Church, church and state, the fundamentalist religious people in this book, so many critiques, a very thoughtful book, intellectualism, “you don’t want books, keep your eyes open and think”, Thrail worked on every continent, Thrail is needed for his manly skills (not just his sperm), “the Jewess”, is this casual racism?, this is a weird book because its about fashion, a Science Fiction novel about FASHION!, the clothing, pants, work clothing, Thrail is the Beresford mouthpiece, Thrail’s Dr. Watson, “you’re so mighty!”, women want to attract mates but their worried about what other women think, and men are into fashion too, a vigorous bike ride, “get out of the city”, the suppressed lech, “I saw the god in the father”, a transition back to nature, Sterling, the ending, what’s going on in America, this story would never work now, Goslings is completely of its time, a really well written book, Beresford wrote a book about H.G. Wells, Neil Gaiman, the neat ending undercuts the book, a new way to be, why do we like these downer books, Jenny likes to see what happens when things get torn apart, a farm commune, the thieving, the religious group, class distinctions, fashion and class, Louis Vuitton, a signifier of class, men are not the oppressors, people are oppressing themselves, we weren’t even slaves to intelligence and efficiency, a strong educated woman, a funny utopian book, utopia/dystopia, compared to the end of Earth Abides, the war bride phenomena, think of the children, Virus (1980) aka Day of Resurrection (PUBLIC DOMAIN), an inversion of the situation in Goslings, rape is not okay, how do we rebuild the world with only eight women and eight hundred men?, The Best Of All Possible Worlds by Karen Lord, On The Beach by Nevil Shute, Gooses?, Ganders?, goslings grow up, growing up, Blanche is the elder daughter, Millie becomes a harem girl, beautiful hair, “if you stop I’m gone”, Thrail doesn’t want to suffer the fools, sex in that bush, the women are jealous, “history is a series of stories about the worst fucking people in the world”, bastard after bastard, asshole after asshole, “slut” is the insult word for women, etymology of swear words, bitch, bastard, a term of unworthiness, men worry about bastard children, women are worried about having sluts near their husbands, the terms don’t apply anymore, religious sects that don’t sexually reproduce, the Shakers, the rapture, J.D. Beresford was agnostic and then a theosophist, Paris intellectuals, Madame Blavatsky, the universal over-soul, séances, the cause, the 19th century, “newspapers newspapers newspapers”, disposable income, social negotiations, the girls could push their dad’s buttons, when the hard truth comes…, Jean Claude Van Damme, Jenny plows her own fields, “more beets, less kale”, the prepper phenomenon, a seed bank, all the planting zones are shifting, growing beets and kale in Antarctica, there are only two flowering plants in Antarctica.
Posted by Jesse Willis
Virtually all of Bierce’s tales are tales of horror; and whilst many of them treat only of the physical and psychological horrors within Nature, a substantial proportion admit the malignly supernatural and form a leading element in America’s fund of weird literature.”
-H.P. Lovecraft, from Supernatural Horror In Literature
A 1,500 word horror tale by Ambrose Bierce, typically bundled as the final of seven short horror stories, under the collective “Some Haunted Houses”, The Thing At Nolan was first published on its own. And that’s why I’ve edited up a special The Thing At Nolan from a larger LibriVox version.
The Thing At Nolan
By Ambrose Bierce; Read by Peter Yearsley
1 |MP3| – Approx. 10 Minutes [UNABRIDGED]
First published in San Francisco Observer, August 2, 1891.
And here’s a |PDF|.
There’s also a CBS Radio Mystery Theater adaptation, adapted by actor Arnold Moss! It fills in a lot of the details from the very sketchy sketch of Bierce’s original story. Moss also takes a role!
CBSRMT #0920 – The Thing At Nolan
Adapted from the story by Ambrose Bierce; Adapted by Arnold Moss; Performed by a full cast
1 |MP3| – Approx. 44 Minutes [RADIO DRAMA]
Broadcaster: CBS Radio
Broadcast: November 20, 1978
When a father vanishes while digging a ditch in frontier Missouri, suspicions fall on the rebellious son who recently threatened him with bodily harm. His mother believes his claims of innocence, but the rest of the townsfolk do not.
Posted by Jesse Willis
The SFFaudio Podcast #214 – The Shadow Over Innsmouth by H.P. Lovecraft; read by the fabulous Mike Bennett. This is a complete and unabridged reading of the novella (3 hours 2 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Julie Hoverson, and Mr. Jim Moon.
Talked about on today’s show:
My only holy book, Deities & Demigods, Deep Ones, Dagon, serving the will of Cthulhu, “they can only be killed by violent death”, why are they evil, seafood, miscegenation, the war on alcohol, they like to drink and wear jewelry, are there Deep Ones in Guantanamo Bay?, only crackers and soup, Innsmouth, Massachusetts, Captain Obed Marsh, persuaded to breed with a deep one, immortality, 19th century, “festering quietly”, “a nice family reunion”, why is The Shadow Over Innsmouth so cherished?, Call Of Cthulhu The Dark Places Of The Earth, a Skyrim mission, Dagon and Mother Hydra, Dagon, New England Tahitians, Walter Gilman in The Dreams In The Witch House, The Thing On The Doorstep, Doctor Who’s The Sea Devil is The Shadow Over Innsmouth with less schtupping, The Silurians, can’t go wrong with a good sea monster, The Creature From The Black Lagoon, Julie’s adaptation will have more sex!, Alan Moore’s Neonomicon, g-men, an Esoteric Order Of Dagon style-cult, a traumatic read, the end, the film of Dagon (set in Spain), Stuart Gordon, Castle Freak is one of the best dramatic Full Moon films, the Masters Of Horror adaptation of The Dreams In The Witch House, The H.P. Lovecraft Historical Society adaptation (Dark Adventure Radio Theatre), the framing story, The Statement Of Randolph Carter, who is our protagonist confessing to?, Double Indemnity, heredity and atavism, 1920s, 1930s, Zadok Allen, Julie’s adaptation of The Rats In The Walls, The Picture In The House, female characters in Lovecraft, Cool Air, Lovecraft cares about words, House Of The Dead, the San Juan Islands, the naming of islands, Lovecraft crafts with love, August Derleth!, “the full gibbous moon”?, racism, the “Gilman Inn” is a pun, The Whisperer In Darkness, he’s there for the architecture, “reluctant fascination”, that old uncle who smells weird, The Shuttered Room by August Derleth, the worst fanfic writer ever, posthumous collaboration, Fishhead by Irvin S. Cobb, The Harbor-Master by Robert W. Chambers, an inbred wild-man, local rednecks, “a bit too close to the sea”, an economic depression, isn’t it a good deal?, arranged marriages, what’s with the Innsmouth Chamber Of Commerce?, in the Octopus’ garden, Brown Monkey, Dick Dynamo: The Fifth Dimensional Man, meta, 118 Migration, Afterlives (a Bangsian fantasy), the golden era of internet audio drama, a new idea, Hypnobobs, classics vs. moderns, old books have vocabulary, Jack London, MTV saturated audiences?, Goodreads reviews of Dracula, Fifty Shades Of Grey, atheist vicars?, the stress on the importance of reading may breed bad books, teachers pick books with big social value, Little Dorrit by Charles Dickens, A Christmas Carol, turning kids off literature, Wilkie Collins, The Moonstone, using Robinson Crusoe as a guide to life, police procedural, obstreperous, The Murders At The Rue Morgue by Edgar Allan Poe, the audiobook of The Moonstone.
Posted by Jesse Willis
I’ve posted about Robert Louis Stevenson’s murderous classic, Markheim, before (the audiobook and another radio drama). But, I’ve just discovered a very good new adaptation (from 2006) available at RadioArchive.cc. The sound design is excellent, and its lengthy enough to bring out most of the nuance in the text.
Adapted from the story by Robert Louis Stevenson; Adapted by John Taylor; Performed by a full cast
MP3 via TORRENT – Approx. 45 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 4
Broadcast: February 1, 2006
On Christmas Day 1886 with London shrouded in fog, a man shadows a girl across Blackfriars Bridge towards the back streets of Holborn. His name is Markheim and his intentions are unremittingly dark.
Directed by John Taylor
Tommy – Mark Straker
Markheim – Jack Klaff
Girl – Abigail Hollick
Visitor – Anton Rodgers
Crispin – Anthony Jackson
And for German listeners there’s THIS sexy sounding version produced as a part of a cool series called Gruselkabinett (which translates to “Chamber of Horrors”).
There is no finer model for the study of setting than this story affords. It is three o’clock in the afternoon of a foggy Christmas Day in London. If Markheim’s manner and the dimly lighted interior of the antique shop suggest murder, the garrulous clocks, the nodding shadows, and the reflecting mirrors seem almost to compel confession and surrender. “And still as he continued to fill his pockets, his mind accused him, with a sickening iteration, of the thousand faults of his design. He should have chosen a more quiet hour.” So he should for the murder; but for the self-confession; which is Stevenson’s ultimate design, no time or place could have been better.
There is little action in the plot. A man commits a dastardly murder and then, being alone and undetected, begins to think, think, think. It is the turning point in his life and he knows it. Instead of seizing the treasure and escaping, he submits his past career to a rigid scrutiny and review. This brooding over his past life and present outlook becomes so absorbing that what bade fair to be a soliloquy becomes a dialogue, a dialogue between the old self that committed the murder and the new self that begins to revolt at it. The old self bids him follow the line of least resistance and go on as he has begun; the newly awakened self bids him stop at once, check the momentum of other days, take this last chance, and be a man. His better nature wins. Markheim finds that though his deeds have been uniformly evil, he can still “conceive great deeds, renunciations, martyrdoms.” Though the active love of good seems too weak to be reckoned as an asset, he still has a “hatred of evil”; and on this twin foundation, ability to think great thoughts and to hate evil deeds, he builds at last his culminating resolve.
The story is powerfully and yet subtly told. It sweeps the whole gamut of the moral law. Many stories develop the same theme but none just like this. Stevenson himself is drawn again to the same problem a little later in “Dr. Jekyll and Mr. Hyde.” Hawthorne tried it in “Howe’s Masquerade,” in which the cloaked figure is the phantom or reduplication of Howe himself. In Poe’s “William Wilson,” to which Stevenson is plainly indebted, the evil nature triumphs over the good. But “Markheim,” by touching more chords and by sounding lower depths, makes the triumph at the end seem like a permanent victory for universal human nature.
If the story is the study of a given situation, Markheim, who is another type of the developing character, is the central factor in the situation. We see and interpret the situation only through the personality of Markheim himself. Another murderer might have acted differently, even with those clamorous clocks and accusing mirrors around him, but not this murderer. There is nothing abnormal about him, however, as a criminal. He is thirty-six years old and through sheer weakness has gone steadily downward, but he has never before done a deed approaching this in horror or in the power of sudden self revelation. He sees himself now as he never saw himself before and begins to take stock of his moral assets. They are pitifully meager, though his opportunities for character building have been good. He has even had emotional revivals, which did not, however, issue in good deeds. But with it all, Markheim illustrates the nobility of human nature rather than its essential depravity. I do not doubt his complete and permanent conversion. When the terrible last question is put to him – or when he puts it to himself – whether he is better now in anyone particular than he was, and when he is forced to say, “No, in none! I have gone down in all,” the moral resources of human nature itself seem to be exhausted. But they are not. “I see clearly what remains for me,” said Markheim, “by way of duty.” This word, not used before, sounds a new challenge and marks the crisis of the story. Duty can fight without calling in reserves from the past and without the vision of victory in the future. I don’t wonder that the features of the visitant “softened with a tender triumph.” The visitant was neither “the devil” as Markheim first thought him nor “the Saviour of men” as a recent editor pronounces him. He is only Markheim’s old self, the self that entered the antique shop, that with fear and trembling committed the deed, and that now, half-conscious all the time of inherent falseness, urges the old arguments and tries to energize the old purposes. It is this visitant that every man meets and overthrows when he comes to himself, when he breaks sharply with the old life and enters resolutely upon the new.
Posted by Jesse Willis