The SFFaudio Podcast #369 – READALONG: The First Men In The Moon by H.G. Wells

May 16, 2016 by · Leave a Comment
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Podcast

The SFFaudio PodcastThe SFFaudio Podcast #369 – Jesse and Juliane Kunzendorf discuss The First Men In The Moon by H.G. Wells.

Talked about on today’s show:
1900, 1901, dystopia, Looking Backward by Edward Bellamy, The Sleeper Awakes, “on the moon” vs. “in the moon”, Neil Armstrong and Buzz Aldrin, the 1964 movie, the framing story, a multinational crew, technical issues, the 2010 adaptation, putting a frame around the story, a Moon Landing fair, a grumpy old man, a kinematoscope, the “real” first Moon landing, Bedford, differences, no plants on the Moon, drugged up, introducing a woman, men acting stupid, a comedy, how Bedford and Cavor meet, passive aggressive, the three workman, almost comedic, a sinister undertone, The War Of The Worlds in reverse, a disappointing ending for the movie, a really strong ending for the book, to make it a family movie, light and amusing vs sinister and serious, coming from Elizabeth Moon’s Trading In Danger, Wells’ language, The Invisible Man, explaining some scientific principle, analogies, maybe there is something like cavorite, the detection of gravitational waves, glass, bromine solution, transparent to gravity, a dodecahedron, a glass sphere, louvered blinds of cavorite, at the bottom of an ocean of air, shooting all of the Earth’s atmosphere into space, genius, genius!, flying to the Moon, the spaceship as an eye, driving school, always look where you want to go, how eyes work, why the movies have been forgotten, the last transmission, the 2010 movie ending, symmetry, what Wells is saying with this book, the last word, ambiguity, the loneliness of humanity, lost, he’s not his identity, what Cavor is doing in those transmissions, utopia/dystopia, wrestling with our purpose as human beings on the surface of the Earth, one definition of work: activity on or near the Earth’s surface, astronauts and miners, the great mind, hive mind, so much Science Fiction afterwards, how life works, ants, on the topic of war, Bedford is the classical monster character, The Country Of The Blind, crystallized in the 1964 movie, hiding from his debts, Blake, once you start suspecting this guy, some of that story is true, putting a good spin on it, subtlety, gold chains, the Selenite’s head broke just like an eggshell, turning the moon into another colony, the whole history of humanity, fighting over useless things, a mirror in front of humanity, the Native Americans, scientific naivety, are we gonna reform our ways?, WWI, giving ultimatums, honor, respect to warriors, (in vino veritas), the surplus population, later SF, Brave New World by Aldous Huxley, the latter half of this book, the brain, the dictionary, the one who likes to draw, one who is really good at metaphor, off in lala land thinking lala thoughts, the communication specialist, the one who knows all the stuff, the illustrations, the alphas the betas the gammas the deltas, the three worker specialists, the joiner, the earth worker, the metal worker, the name Cavor – caver?, it sounds good, caver vs. cavor, the Lord Bedford, claiming the Moon for the Queen, the BBC audio drama, a very serious book, the Mooncalves, the word “mooncalf”, “abortive fetus of a cow or other farm animal”, all sorts of resonances, a scene that makes vegetarians, the reading material that Bedord brings: TidBits (magazine), selling fishknives, Cavor brings the complete works of William Shakespeare, another connection to Brave New World, The Tempest, a story of colonialism, the only native occupant is Caliban, he’s funny and wise in his untutored way, one of the insults that Prospero throws at , the title of Brave New World, an ironic usage, the one slip-up that Wells mad that Huxley picks-up, Bedford’s play, it would work as a play, act 1, act 2, act 3, the flight as an interlude, trying to find the sphere again, two hours left to go?, another interlude in space, an epilogue, how you would stage it, the gold that he brings back from the Moon, living in Italy, published in The Strand, very meta, you can really see the staging, Cosmopolitan, November 1900 first then The Strand, December 1900, serialized as he wrote it, the end of the Cosmopolitan serialization, an elaborate suicide, a dream, Moon gold, a most extraordinary communication, alive in the Moon, is he hoaxing me here?, The War Of The World radio drama, how the spaceship disappears, the boy who disappears into space, Bedford In Infinite Space, at least 10 days, something weird about time, Einsteinian relativity, time works differently when you travel, criticism of this book, C.S. Lewis’ objections, one world government, new world order, a fascistic totalitarian society, lets look at this, other writers do their own version, a sign of a good book, taking the essence, other interpretations, audio drama as a soporific, two dreams, dreaming the ending of The First Men In The Moon, that’s exactly what happened!, my unconscious or semi-consciousness heard it, such a great ending, left for dead, did Bedford feel guilty for leaving Cavor on the Moon?, not the kind of person to have self-doubts, not very charitable, how it actually went, the best possible spin, this is just the way he is as a human, humans are terrible, his nature, Jesse’s secret, The War Of The Worlds, one of Juliane’s first SF books, the illustrations, reading it with the old serialized magazines, chapter endings, what a great end, did Wells have an influence on the illustrations, how adaptations will always take away the plants on the Moon, The Lost World by Sir Arthur Conan Doyle, seeing dinosaurs with skin, a resultant mistake, dinosaurs in popular culture arent shown with feathers, Jurassic Park and Jurassic World, a false picture of the reality, we’ll never be able to get passed this point, daylight savings time, were stuck unable to shift out of a system that doesn’t work, we’re stuck, were stuck with war, when Bedford is completely alone he loses his particular niche, if you zoom out, we’re nothing, what are we that we have to fight each other, we’re all stuck here with gravity, why those interludes are so important to the book.

Marvel Classics - The First Men In The Moon by H.G. Wells

Posted by Jesse Willis

The SFFaudio Podcast #300 – READALONG: Brave New World by Aldous Huxley

January 19, 2015 by · 3 Comments
Filed under: Podcasts 

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #300 – Jesse, Jenny, and Paul talk about Brave New World by Aldous Huxley

Talked about on today’s show:
Jenny Beta+, Paul (caste unknown), f-minus, double plus, A-, Beta-, 1932, double plus good, a different dystopia, Orwell read Brave New World, the Aldous Huxley radio drama (CBS Radio Workshop), negative utopia, Nineteen-Eighty Four is hella-dystopia, Paul has read Brave New World five times, drugs and sex and happiness, conditioning, programming, society engineered, identifying with Bernard, Helmholtz, the Falkland Islands, Huxley’s introduction to the CBS Radio Dramatization, 200 years (not 600) in the future, why so obsessed with Henry Ford?, This Perfect Day by Ira Levin, Christ, Marx, Wood, and Wei, Henry Ford as a political and intellectual force, efficiency, modernization, consumerism, pricing the model-t, absenteeism equals losses, Brave New World‘s society is about production efficiency, the 1998 TV movie, what society really is, no Helmholtz, Henry Foster, Lenina, Peter Gallagher, the 1980 TV movie, 1990s hipsters, the reservation, white trash zone, the outlands of Zardoz with mini-vans, The Children Of Men, Los Angeles, very few deviations in the 1980 TV movie, pushing the Shakespeare connection, whatever happened to Lenina?, a definite weakness, Mustapha Mond gave John Savage the conflict he really wanted, I want to be unhappy, the ultimate political act, the suicide solution, the little boy with the cotton balls in his ears, the hope for reform, the stability of the society, an interesting change, how unstable is the social structure, more soma, more conditioning, A World Out Of Time by Larry Niven, hydrolic empires, John as a catalyst, society returns to normalcy, soma rations forever, freethinkers are sent to outlying islands, an Omni magazine story about dissident clones being killed again and again, Edge Of Tomorrow (2014), cloning novels, this is the cloning novel, “it’s clones all the way down”, the caste-system tells us this is a dystopia, seeing the world from the alpha point of view, betas vs. alphas, are betas autistic?, the 1998 adaptation, intelligent, high-producing, and efficient, mentored and disciples, sex-slaves and baby-makers, good tech, the Malthusian belt, helicopters, WWII, a proto-flying car, their Model-T, the sign of the T, “switching on the synthetic music”, the visual medium, the character names, Bernard Marx probably isn’t named after Groucho Marx, Bernard is pathetic by the end, George Bernard Shaw, Lenin -> Lenina, Darwin Bonaparte, Mustafa Mond <- Mustafa Kemal Ataturk, so much Shakespeare, the audiobook is a weird experience, an infantilized world, I drink to the greater being, the plot, the scent organ, the feelies, the perfume tap fauceting cologne all day, drinking fountains full of Shasta, a constantly refilled mini-bar, the economy in Brave New World, overturning the soma tables, want what you can have, deltas, epsilons, the purple eyes, Amazon Prime for soma tablets, drone delivery, Lenina’s obsession, chastity means neurasthenia, plenty of pleasant vices, “engaging”, oiling the machine, a male fantasy utopia, women never say no, “promiscuity is a citizen’s duty”, no females above beta (in the book), yellow from lupus, social hierarchy, male dominance, John the Savage is sexist too, a product of Huxley’s time, a flash of semi-nudity, why the book gets banned -> children engaging in erotic play, the downfall of TV movie versions, how the world is, books old ideas and marriage are pornographic, “motherfather!”, “fight!”, “hate!”, everyone comes from a bottle, mother as a dirty word, outed as a father, a shameful thing, Miguel Ferrer was re-engineered as a delta, a Machiavellian character turned into a smiling idiot, Linda’s story, the reaction to her appearance, the Death Center, ice-cream when someone dies, such strong pathos, death brings us phosphorus, the 1998 Linda, Tommykins, A Clockwork Orange by Anthony Burgess, the first test-tube baby, birth control, freemartins, a sterilization bonus, Brave New World Revisited (is non-fiction), Walden Two by B.F. Skinner, an expanding horrible utopia, growing up in the soviet union what would we think of Brave New World?, power and control, I love Big Brother, rewind ten years, people are drugging themselves up with drugs TV and the internet, a spy-biography, why don’t they care more about the outlying society, communism, when everyone shares the vision, a step to becoming Mustapha Mond, 1984-ish, assimilation has a cost, the island of all alphas, engineered to be in that place, the temptation of the reader is subversive, are we doing this stuff?, I wanna be more like Helmholtz, Marx gets co-opted by Mond, the shit-disturbers become the leaders in This Perfect Day, you have to see it to believe it, look we’re in the future!, a sick enjoyment, no sense that this world can be destroyed, the benefit of social instability, why Shakespeare is still relevant, we have the analogues for kings and merchant princes, the feelies, a cross-between pornography and reality television, Idiocracy (2006), Three Weeks In A Helicopter, farts, one human need, surrogate pregnancy, violent passion surrogate, The Prisoner‘s secret club within a club, more surreal than it is about something, spies be weird, suddenly in dreamland with giant breasts chasing you down the beach, the world is still for men, we’ve done We and Nineteen Eighty Four

Brave New World (1980)

Posted by Jesse Willis

The SFFaudio Podcast #222 – READALONG: Nineteen Eighty-Four by George Orwell

July 22, 2013 by · 1 Comment
Filed under: Podcasts 

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #222 – Jesse, Jenny, Paul Weimer and Bryan Alexander discuss Nineteen Eighty-Four by George Orwell.

Talked about on today’s show:
The audiobook, Recorded Books, the appendix, The Lord Of The Rings, the feeling in your right hand, a dream-like book, Room 101, a disjointing of time, Infinite Jest by David Foster Wallace, Signet Classic, already a member of the Junior Anti-Sex League at 12, a 1971 sex drive, memory, Winston Smith’s obsession with the past, the three traitors, the Soviet Union as applied to Britain, show trials, it is so effective, The Running Man is a prole version of Nineteen Eighty-Four, “WHITMAN, PRICE, AND HADDAD!!! You remember them! There they are now, BASKING under the Maui sun.”, down the memory hole, the brutality of the movies and the applause of the audience, the crushing of weakness, the terrible children, the 1954 BBC TV version starring Peter Cushing, Winston’s own memories of his childhood, did Winston kill his sister, his bowels turn to water when he see a rat, the return of the mother, a bag of decay, the 1984 version of 1984, John Hurt looks like he was born to play Winston Smith, is it Science Fiction?, dystopia, does this feel like Science Fiction?, Social Science Fiction, If This Goes On… by Robert A. Heinlein, Animal Farm, Goldstein’s Book, the re-writing of history, collapsing the vocab, The Languages Of Pao by Jack Vance, Babel-17 by Samuel R. Delany, The Embedding by Ian Watson, Isaac Asimov’s review of Nineteen Eighty-Four, Orwell imagines no new vices, WWIII, in regular SF we get used to a lack of motifs, the coral, the memories, the place with no darkness, everything is recycled in a dream and people merge, in dream logic 2+2 can equal 5, reduction of the world and the self, Brave New World by Aldous Huxley, soma, The Hunger Games, Wool by Hugh Howey, cleaning day, grease, transformed language, a crudboard box, euphony, a greasy world, a comparison to We by Yevgeny Zamyatin, We The Living by Ayn Rand, Harcourt Brace, Politics And The English Language by George Orwell, V For Vendetta, Norsefire vs. IngSoc, a circuitous publishing history, crudpaper, prole dialect, part dialect, New Speak, military language, Generation Kill, military language is bureaucratic language, Dune by Frank Herbert, Battle Language, private language, Brazil, the thirteen’s hour, The Canterbury Tales by Geoffrey Chaucer, victory means shit, Airstrip One, speakwrite, Star Wars, careful worlding, a masterwork, a transformation and an inoculation, watch 1984 on your phone while the NSA watches you watch it, North Korea, “without getting to political”, 2600‘s editor is Emmanuel Goldstein, the traitor Snowden, that’s what this book is, it’s political, The Lives Of Others, hyper-competent, the bedroom scene, “We are the dead.”, how did the picture break off the wall, dream-logic, Jesse knows when he’s dreaming, if you dream a book you must generate the text, dreaming of books that don’t exist, a great sequel to Ringworld?, The Sandman, “We shall meet in the place where there is no darkness.”, O’Brien, Martin, the worst thing is you can’t control what you say when your sleeping, uncanny valley,

Whatever it was, you could be certain that every word of it was pure orthodoxy, pure IngSoc. As he watched the eyeless face with the jaw moving rapidly up and down, Winston had a curious feeling that this was not a real human being but some kind of dummy. It was not the man’s brain that was speaking, it was
his larynx. The stuff that was coming out of him consisted of words, but it was not speech in the true sense: it was a noise uttered in unconsciousness, like the quacking of a duck.

Polar Express, the book within the book, high end books, Fahrenheit 451 by Ray Bradbury, is London the capital of Oceania?, the value of the book, Stephen Fry’s character, a book that tells you only things you already knew, The Man In The High Castle by Philip K. Dick, the possibilities of other books, supercharged moments in movies, Twelve Monkeys, Dark City, Book Of Dreams, utopias within dystopias, reading in comfort and safety, the golden place, Julia is a pornosec writer, Robert Silverberg, Lawrence Block, Donald E. Westlake, Marion Zimmer Bradley, The Processed Word by John Varley, Russian humor, is there really a war?, power is the power to change reality, Stephen Colbert’s truthiness, doublethinking it, the proles seem to be happier, feeling contempt, lottery tickets depress Jesse, “renting the dream”, the proles are obsessed by lotteries, who is the newspaper for?, the chocolate ration, Larry Gonick’s The Cartoon History Of The Universe, how stable is Oceania?, guys and Guy, how stable is North Korea?, Christopher Hitchens, there’s no hope in 1984, the subversion mechanism has been subverted, changing human behavior, Walden Two by B.F. Skinner, Faith Of Our Fathers by Philip K. Dick, genocide, racial purity, are they bombing themselves?, where does Julia get all her treats?, utopia is a nice cup of coffee, The Principle Of Hope by Ernst Bloch, what’s missing from your life comrade?, is Julia playing a role?, she’s the catalyst for everything, misogyny vs. misanthropy, Nietzsche’s master morality slave morality, political excitement is transformed into sexual excitement, ‘I have a real body it occupies space (no you don’t you’re a fictional character)’, Julia’s punk aesthetic, I love you., she’s the dream girl, the romantic couple that brings down the bad order, The Revolt Of Islam by Percy Bysshe Shelley, Pacific Rim, The Matrix, Equilibrium, Mephistopheles, Mustapha Mond, Jesse thought she was in on it, the prole lady out the window, nature, ragged leafless shrubs, nature has been killed, the Byzantine Empire, the Catholic Church, cult of personality vs. an idoru Big Brother, Eurythmics, we’re nostalgic for the Cold War, the now iconic ironic 1984 Apple commercial, dems repubs NSA, has Britain been secretly controlling the world using America?, George Bernard Shaw, society and politics, SF about the Vietnam War, petition for and against the war, Judith Merril, The Forever War by Joe Haldeman, The Handmaid’s Tale by Margaret Atwood, China.

Nineteen Eighty-Four by George Orwell

Nineteen Eighty-Four by George Orwell

Posted by Jesse Willis

The SFFaudio Podcast #220 – AUDIOBOOK/READALONG: The Machine Stops by E.M. Forster

July 8, 2013 by · Leave a Comment
Filed under: Podcasts 

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #220 – The Machine Stops by E.M. Forster; read by Elizabeth Klett (for LibriVox). This is a complete and unabridged reading of the story (1 hour 13 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Professor Eric S. Rabkin, and Mr. Jim Moon.

Talked about on today’s show:
Novelette or novella, novellini?, E.M Forster wrote some Science Fiction?, genre boundaries, H.G. Wells, adventure, horror, The Time Machine, a critique of English society, dystopias, diegesis, a didactic approach, The War Of The Worlds, a bogus bifurcation of the body and the spirit (or the mind), ambiguous possibility, the “Machine” of the titles, Morlocks and Eloi, a reversal, a complement, prophetic vs. appropriate, looking through my blue plate, this book is the biggest existential critique of my lifestyle, it was lovely to meet Jim and Eric, a caricature and a critique, blackberry season, a swaddled lump of flesh, a curiously intrusive narrative technique, a fable, author backchat, in C.S. Lewis’ Narnia, J.R.R. Tolkien, lampshading, breaking the fourth wall, an aural phenomena, a fable, a parable, philosophical scenarios, Plato’s Myth Of The Cave, The Republic, Socrates, ontological imaginary equivalents, The Metamorphosis by Franz Kafka, the narrator isn’t exactly human, “back chat”, man is not necessarily the measure of all things, empiricism vs. rationalism, the unanswerable questions of the stars, everyone is a lecturer in the future, “second hand ideas”, the French Revolution not as it was but as it might be in our society, Alexander The Great’s monstrous rampage through Asia, “the juice of the individual human experience”, we have many books, books as experience generators, Ion, J.R.R. Tolkien, “there is a muse”, the rhetor, aiming out of the subterranean, why are we obsessed with essays?, SAT style essays, a quasi-Aristotelian view of happiness, what does a happy horse look like?, fleet fleets make happy shipwrights, happiness verb, man is not an animal like the others, the body doesn’t matter, man is a mind, big fat babies, the wealthy vs. the working, the bloom of Victorian society (men in sheds), a satire of academia, the Logical Positivists, natural deductive logic, Mr. Jim Moon does a lot of research, rehashing, Terry Jones, Christopher Columbus, Nathaniel Hawthorne, an unexpected continent, the North-West Passage, telling powerful and relevant, the use of the word “idea”, “forms”, Rene Descartes, interpenetration, Orion, the hunter giant,” when you give a bad podcast do you ask for euthanasia afterwards?”, you’re not there for the characters, a very erudite story, Vashti (from the Book of Esther), Purim, the worst possible kind of mother, “the book”, unmechanical, religion, what is the machine exactly?, is the machine Capitalism? Google? Wikipedia? The Internet? Communism?, the beds only come in one size, the six sided cell, a hive society, command societies, totalitarianism, “machines are in the saddle and ride mankind”, the trains make us run on time, a network of machines is the Machine, a perfected machine disallows individuality, “In the dawn of the world our weakly must be exposed on Mount Taygetus”, the worship of Helios, Ancient Greece, the homeless don’t die, despite being set in the future this is a danger in human existence, a perfect social system (utopia), an inversion of the ancient Spartan technique, not to go against the Greek, an inversion of the Garden of Eden story, in real life, a very disturbing story, a hopeful ending, a white snout, sexual competition as in Dracula, have we learned our lesson?, a passion for connection, Wall-E, infantilized adults, vomitorium, Logan’s Run, We by Yevgeny Zamyatin, an anti-romantic Eden, “they give me no ideas”, “metal blind”, Brave New World by Aldous Huxley, E.M. Forster invented Skype?, pneumatic tube, Paris, Looking Backward by Edward Bellamy, the business of Science Fiction isn’t technological prediction, a totalizing synergy, the blue slates, an Edwardian future, the machine religion, humans enslaved by their own social attitude, Cory Doctorow, the mending committee doesn’t know how to fix anything, personifying and deifying the machine, Voltaire’s “The better is the enemy of the good.”, Protagoras, the Sophists, a sophist editorial cartoon, give me money and pay attention to me, an incredibly weak story with spectacularly fruitful ideas, what does it mean to say “I read something and liked it?”, The City And The Stars by Sir Arthur C. Clarke, its left to us to ponder some very deep questions, we’re not at The City And The Stars tech yet, the 1970s and the 1990s was the time for Brave New World, complementary drugs, the work and the context we read them in, recycling of knowledge and group consensus, exciting and relevant for our time, where and when we are when we first read something is important, Against The Fall Of Night, The Catcher In The Rye, To Kill A Mockingbird, Have Space-Suit, Will Travel, Little Brother, the civilized society and the outer savage, Dr. Eric & Mr. Moon.

LEGOized - The Machine Stops by E.M. Forster

Which Killer Deserves To Have Been Read His Miranda Rights?

Posted by Jesse Willis

BBCR4+RA.cc: Metropolis (2006) RADIO DRAMA

October 29, 2012 by · 1 Comment
Filed under: Audio Drama, Online Audio, SFFaudio essential 

SFFaudio Online Audio

Ace Books F-246 - Metropolis by Thea Von Harbou

The Tower of Babylon in MetropolisI wrote about it airing six year ago, but I’ve just now heard it.

Metropolis, an astoundingly great radio dramatization of a famous novel that was turned into a famous movie, is nuanced, deep, surprising, and totally, idea based.

I’m astounded, really and truly astounded and amazed too at the depth and power an hour long program is able to achieve.

The script has humor, skepticism, cynicism, hope, sex, romance, informative infodumps, and a city full of pathos.

The production, acting, pacing, and composite audio experience is completely awe inspiring.

What gets me most is that even though it is based on a 1926 novel by Thea von Harbou, this version of Metropolis is, arguably, even more relevant than either Brave New World (1931) or 1984 (1949).

Those two classics don’t feel wholly and completely modern – this production of Metropolis does. It’s modernity is ripe, it’s like an episode of Black Mirror, and it should be on your radar.

Still not sold? Then imagine a Science Fiction version of Fight Club but set in the world of The Space Merchants or Judge Dredd and imagine it written by either Philip K. Dick or Frederik Pohl.

Here’s a review by Elisabeth Mahoney of The Guardian:

An audacious portrayal of a futuristic city as much as a state of mind, and an iconic film to boot, Metropolis (Radio 4, Friday) doesn’t exactly scream radio adaptation. But writer Peter Straughan and director Toby Swift, who won the Prix Italia in 2004 for their adaptation of Fritz Lang’s M, clearly aren’t put off by such hurdles. Their Metropolis was all deliciously claustrophobic intensity and dark interiority; their mega-city full of bubbling, menacing sounds you soon wanted to shut out. Without the famous visuals, you never really got a sense of the scale of Lang’s vision – you didn’t believe in the 62 million workers in Metropolis – but you did get the chilling psychological dimension of the dystopia. Edward Hogg, as Freddy, though sounding like a young Woody Allen at times, convinced as the alienated, lonely outsider who manages to subvert the mega-state from within. There were laughs, too, at least early on. “When was the last time you slept?” a therapist asks a suicidal Freddy. “About eight years ago,” says Freddy. “No,” the therapist concludes, “I don’t think that’s significant.”

Peter Straughan, the adaptor, and Toby Swift, the director, have achieved a classic for our time and for the ages – this is highly, highly recommended!

BBC Radio 4RadioArchives.ccThea von Harbou’s MetropolisSFFaudio Essential
Adapted by Peter Straughan; Performed by a full cast
MP3 via TORRENT – 57 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 4 (Friday Drama)
Broadcast: March 24, 2006
Available via RadioArchive.cc
Freder, the protagonist of Metropolis is an underworked “captain” in a high level position in the futuristic consumer society of the mega city named Metropolis. Feeling suicidal, but unable to understand why, Fredor switches identities with a low level “product insertion” – a kind of telemarketing – but failing at that Fredor soon finds himself working for Maria, an imperfect beauty with all the answers. Maria plunges Fredor into the depths of her underground conspiracy to disrupt the workings of society.

Directed by Toby Swift

Cast:
Freder – Edward Hogg
Maria – Tracy Wiles
Josaphat – Damian Lynch
Schmale – Peter Marinker

Michael W. Kaluta illustration of Maria and Freder

Posted by Jesse Willis

[Use Omitron! Omitron, use it! Use Omitron, it’s great!]

Commentary: A “Top 100 Sci-Fi Audiobooks” List

September 16, 2012 by · 3 Comments
Filed under: Commentary 

SFFaudio Commentary

Sci-Fi ListsLast year somebody* pointed out that a list of “The Top 100 Sci-Fi Books” (as organized by the Sci-Fi Lists website) was almost entirely available in audiobook form!

At the time of his or her compiling 95 of the 100 books were available as audiobooks.

Today, it appears, that list is approaching 99% complete!

I’ve read a good number of the books and audiobooks listed, and while some of them are indeed excellent, I’d have to argue that some are merely ok, and that others are utterly atrocious.

That said, I do think it is interesting that almost all of them are available as audiobooks!

Here’s the list as it stood last year, plus my added notations on the status of the missing five:

01- Ender’s Game – Orson Scott Card – 1985
02- Dune – Frank Herbert – 1965
03- Foundation – Isaac Asimov – 1951
04- Hitchhiker’s Guide To The Galaxy – Douglas Adams – 1979
05- 1984 – George Orwell – 1949
06- Stranger In A Strange Land – Robert A Heinlein – 1961
07- Fahrenheit 451 – Ray Bradbury – 1954
08- 2001: A Space Odyssey – Arthur C Clarke – 1968
09- Starship Troopers – Robert A Heinlein – 1959
10- I, Robot – Isaac Asimov – 1950
11- Neuromancer – William Gibson – 1984
12- Do Androids Dream of Electric Sheep? – Philip K. Dick – 1968
13- Ringworld – Larry Niven – 1970
14- Rendezvous With Rama – Arthur C. Clarke – 1973
15- Hyperion – Dan Simmons – 1989
16- Brave New World – Aldous Huxley – 1932
17- The Time Machine – H.G. Wells – 1895
18- Childhood’s End – Arthur C. Clarke – 1954
19- The Moon Is A Harsh Mistress – Robert A. Heinlein – 1966
20- The War Of The Worlds – H.G. Wells – 1898
21- The Forever War – Joe Haldeman – 1974
22- The Martian Chronicles – Ray Bradbury – 1950
23- Slaughterhouse Five – Kurt Vonnegut – 1969
24- Snow Crash – Neal Stephenson – 1992
25- The Mote In God’s Eye – Larry Niven and Jerry Pournelle – 1975
26- The Left Hand Of Darkness – Ursula K. Le Guin – 1969
27- Speaker For The Dead – Orson Scott Card – 1986
28- Jurassic Park – Michael Crichton – 1990
29- The Man in the High Castle – Philip K. Dick – 1962
30- The Caves Of Steel – Isaac Asimov – 1954
31- The Stars My Destination – Alfred Bester – 1956
32- Gateway – Frederik Pohl – 1977
33- Lord Of Light – Roger Zelazny – 1967
34- Solaris – Stanisław Lem – 1961
35- 20,000 Leagues Under The Sea – Jules Verne – 1870
36- A Wrinkle In Time – Madeleine L’Engle – 1962
37- Cat’s Cradle – Kurt Vonnegut – 1963
38- Contact – Carl Sagan – 1985
39- The Andromeda Strain – Michael Crichton – 1969
40- The Gods Themselves – Isaac Asimov – 1972
41- A Fire Upon The Deep – Vernor Vinge – 1991
42- Cryptonomicon – Neal Stephenson – 1999
43- The Day of the Triffids – John Wyndham – 1951
44- UBIK – Philip K. Dick – 1969
45- Time Enough For Love – Robert A. Heinlein – 1973
46- A Clockwork Orange – Anthony Burgess – 1962
47- Red Mars – Kim Stanley Robinson – 1992
48- Flowers For Algernon – Daniel Keyes
49- A Canticle For Leibowitz – Walter M. Miller – 1959
50- The End of Eternity – Isaac Asimov – 1955
51- Battlefield Earth – L. Ron Hubbard – 1982
52- Frankenstein – Mary Shelley – 1818
53- Journey To The Center Of The Earth – Jules Verne – 1864
54- The Dispossessed – Ursula K. Le Guin – 1974
55- The Diamond Age – Neal Stephenson – 1995
56- The Player Of Games – Iain M. Banks – 1988
57- The Reality Dysfunction – Peter F. Hamilton – 1996
58- Startide Rising – David Brin – 1983
59- The Sirens Of Titan – Kurt Vonnegut – 1959
60- Eon – Greg Bear – 1985
61- Ender’s Shadow – Orson Scott Card – 1999
62- To Your Scattered Bodies Go – Philip Jose Farmer – 1971
63- A Scanner Darkly – Philip K. Dick – 1977
64- Lucifer’s Hammer – Larry Niven and Jerry Pournelle – 1977
65- The Handmaid’s Tale – Margaret Atwood – 1985
66- The City And The Stars – Arthur C Clark – 1956
67- The Stainless Steel Rat – Harry Harrison – 1961
68- The Demolished Man – Alfred Bester – 1953
69- The Shadow of the Torturer – Gene Wolfe – 1980
70- Sphere – Michael Crichton – 1987
71- The Door Into Summer – Robert .A Heinlein – 1957
72- The Three Stigmata Of Palmer Eldritch – Philip K. Dick – 1964
73- Revelation Space – Alastair Reynolds – 2000
74- Citizen Of The Galaxy – Robert A. Heinlein – 1957
75- Doomsday Book – Connie Willis – 1992
76- Ilium – Dan Simmons – 2003
77- The Invisible Man – H.G. Wells – 1897
78- Have Space-Suit Will Travel – Robert A. Heinlein – 1958
79- The Puppet Masters – Robert A. Heinlein – 1951
80- Out Of The Silent Planet – C.S. Lewis – 1938
81- A Princess of Mars – Edgar Rice Burroughs – 1912
82- The Lathe of Heaven – Ursula K. Le Guin – 1971
83- Use Of Weapons – Iain M. Banks – 1990
84- The Chrysalids – John Wyndham – 1955
85- Way Station – Clifford Simak – 1963
86- Flatland – Edwin A. Abbott – 1884
87- Altered Carbon – Richard Morgan – 2002
88- Old Man’s War – John Scalzi – 2005
89- COMING SOON (October 15, 2012)Roadside Picnic – Arkady and Boris Strugatsky – 1972
90- The Road – Cormac McCarthy – 2006
91- The Postman – David Brin – 1985
92- NEWLY AVAILABLEStand On Zanzibar – John Brunner – 1969
93- VALIS – Philip K. Dick – 1981
94- NEWLY AVAILABLE The Cyberiad: Fables for the Cybernetic Age – Stanisław Lem – 1974
95- NOT AVAILABLE AS AN AUDIOBOOK – Cities In Flight – James Blish – 1955
96- The Lost World – Sir Arthur Conan Doyle – 1912
97- The Many-Colored Land – Julian May – 1981
98- Gray Lensman – E.E. ‘Doc’ Smith – 1940
99- The Uplift War – David Brin – 1987
100- NEWLY AVAILABLEThe Forge Of God – Greg Bear – 1987

In case you were wondering, the list was compiled using the following criteria:

“A statistical survey of sci-fi literary awards, noted critics and popular polls. To qualify a book has to be generally regarded as science fiction by credible sources and/or recognised as having historical significance to the development of the genre. For books that are part of a series (with some notable exceptions) only the first book in the series is listed.”

The “Next 100”, as listed over on Sci-Fi Lists, has a lot of excellent novels and collections in it too, check that out HERE.

[*Thanks to “neil1966hardy” from ThePirateBay]

Posted by Jesse Willis

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