Talked about on today’s show:
1960 novel, 1956 novella, the Goddreads reviews, Reddit, re-listening, very visual, John Mcclane at the end of Die Hard, conference room scenes, vague characters, awesome ideas, three Philip K. Dick stories that could have inspired The Terminator movies, no time travel, Doctor Futurity, Skynet, the drones (the hammers), UAV style drones vs. terminators, drone technology, there were drones in WWII, remote controlled bombers [ex. Operation Aphrodite], almost nothing “invented in SF” was actually invented in SF, infiltrators, Jesse has become a Terminator geek, Terminator: The Sarah Connor Chronicles, Screamers (adapted from Second Variety by Philip K. Dick), two battling computers, humans as pawns, both computers are in the same building!, proxies, the Internet is missing, Vulcan 3 is building the Internet, Skynet’s drones, Skynet doesn’t have central control, when Vulcan 3 is controlled, Vulcan 3 as a baby, creepy, at the periphery of the plot, the education sub-theme, a little red headed girl, being raised by a terminator, such a fanny show, the movies are recycling scene and catchphrases, at the school, a non-conformist school, Philip K. Dick’s kid is in school, regular school crushes creativity, meritocracy, nepotism, an unfinished thought, cronyism, technocratic government, getting through by hard work, was he an A.I. controlled by Vulcan 3, “hey the system works!”, sociological ideas, how un-Dickian this novel is, a relatively straightforward mystery, no weird obsessions (like with infidelity), the obligatory black haired girl, the president of the world comes into the world takes a little girl out of school and takes her home?, WTF?, the teacher’s okay with this?, the classroom, the concentration camp in Atlanta is a psychology camp, the conformist world in A Wrinkle In Time, Marissa learns Science Fiction, a planet of complete conformism, “you let them play an unstructured game?”, stifling of independent thought and creativity, why was the teacher killed?, reading Lolita, secretly reading forbidden books, is Philip K. Dick improving the books when he re-writes them (consensus is NO), two cults, a cult of reason and rationality, why is that rebellion group called the “Healers”, like alternative medicine, the worship of the computer, Greys, blue collars against the white collars, “we shouldn’t undervalue people just because their skills are in their hands and in their fingers”, vaxxers vs. the anti-vaxxers, back to Dr. Futurity, Vulcan 2 in the novella, piecing Vulcan 2 back together like a damaged hard-drive, the data is recovered aurally, listening to the broken thoughts of Vulcan 2, not just white noise in between the broken sentences, a groaning of ghosts, psychology, weird and interesting, absolutely NOT what anyone else does in Science Fiction, the Butlerian Jihad, because… Skynet, nobody says actually technology is really quite useful, 43% of the Earth’s resources?, the paragraph, maintaining the computer, the “lesser order of human needs”, some sort of metaphor 43 percent of calories go to the brain?, a biological parallel, making the decisions, making the policy, a subtle allusion to Plato, the greys the technician class are “guardians”, denying a brain data (big mistake), The Just City by Jo Walton, Athena sets up Plato’s Republic, automatons for physical labour, seeing the connections, The Republic, Socrates, like the old Atlanteans, the Gold the Silver and the Bronze (ditch diggers and truck drivers), the Silver (the police, functionaries, tax-collectors), the Gold (the enlightened, the philosophers), Vulcan 3 is the Gold, the T-class (experts and specialists), these books are all being suppressed (due to copyright), a pretty good title, Hammer shaped robots?, Vulcan (aka Hephaestus), the ancient Greeks and Romans, Hephaestus built a robot for Athena, the Greeks were really into automata, metal beings, the Talos of Crete, Vulcan as the wizard of metal, a Philip K. Dick conference lecture, when the Greeks thought of gods they thought of A.I. (sort of), these atoms over here have desires, intelligence in non-living things, a little bit under cooked, what about Vulcan 1?, or does it?, maybe Vulcan 1 is hiding, in a degenerate state, Deus Irae and The Last C., tactical nukes, a lot of weakness but it makes up for it, a bit of paranoia, that’s usually what causes the problem, self-preservation, when Saddam Hussein is threatened, the emotional computer, pleading only as a human could do, “We can come to an arrangement!”, shades of 2001: A Space Odyssey, 2001: A Space Odyssey is a microcosmic version of Vulcan’s Hammer, several Star Trek episodes, The Ultimate Computer, Star Trek as a metaphor for American foreign policy, The Apple, they kill the computer that regulates their society, they killed the snake but…, vegetarians are now hunting, put some controls on this, as a metaphor for society, a rebellion against pain in the body, the mind as the government, living in a post-WWIII world, WarGames, the Russians had a battle computer called “The Dead Hand“, a dead-man’s trigger, WWIII was looming in 1956 and 1960, so good even though its not that good, Dick loves blue collar workers, Father Fields, making something out of the air-conditioner, a dropped thread, a completely weird metaphor, The Borderlands series, Scooter, a technopath, The Variable Man by Philip K. Dick, “he fixed things”, a great tagline, “I don’t got Philip K. Dick for action”, living in a disposable society, everything is disposable, is there a TV-repair shop left in North America?, modern cars, only 5.5 hours, zoning out, cool predictions, the paranoid artificial intelligence, Sam Harris and Joe Rogan, caging an A.I., setting up honey-traps, Jesse thinks that’s not going to be the issue, Neuromancer all A.I.’s have digital shotguns strapped to their heads, “the smartest man in the world”, Elon Musk and Stephen Hawking, worries, better as a metaphor than as a prediction, we shouldn’t be unconcerned, Colossus: The Forbin Project, it isn’t 1s and 0s on a screen, seeing inside a burned diary, The Moon Is A Harsh Mistress by Robert A. Heinlein, Mike the computer (aka Mycroft Homles), what’s missing from Vulcan’s 3‘s life is a friend, kids want to know, I think you guys are liars if…, kids are going to get into everything and that’s not a bad thing, more information is better, Vulcan 2’s decision, Occupy, Black Lives Matter, you are totally welcome to prosper if you are willing and able to play a certain kind of game, the push-back is caused by the masses rejecting stability, the adventurer class, “more concerned with gain than with stability”, the phrases: “life is cheap”, big gambles, the Netflix series Narcos, communist guerrillas living in the jungle, if you are living in a corrupt society you get a lot of gamblers, the striking opening scene, “can’t you get a better picture?”, they all wear the uniform of their class, another theme, destroying stability, going back to entropy, it is kind of Philip K. Dickian after-all, undercooked or maybe overcooked, the same with Time Pawn, this is my worst book, Dean Koontz’s 1973 novel of Demon Seed has a rapey robot computer, with the rewrite of Demon Seed Koontz has mellowed out, writing for the market, even after his death, Puttering About In A Small World by Philip K. Dick, everything’s always better with a robot wife.
Posted by Jesse Willis
Brad Lansky and the Rogue Era
1 hour 25 minutes – [AUDIO DRAMA]
Themes: / Audio Drama / Science Fiction / artificial intelligence / biological life / augmented humans / artificial life / rogue planets /
I admire the Brad Lansky series for a couple of reasons. First and most obvious is the sound. This production is a rich soundscape that invites a listener to settle in, eyes closed. Again, J.D. Venne (writer) and Dieter Zimmermann (producer) inspire the listener’s imagination by using aural cues instead of description to provide the setting for the story.
Second, the Brad Lansky stories are genuine hard science fiction. Brad Lansky and the Rogue Era opens with a speech given by Dr. Brinn Diaz, an augmented human. She discusses artificial life (a-life) and biological life (b-life). “B-life has been losing the race since the singularity a millennium ago,” she says. She is both “project and project architect”, having changed her body in various ways, including raising the number of brains on board to three.
Brad Lansky and Dr. Diaz play an important role in an encounter with an invisible world that hurtles toward Earth, threatening to eliminate b-life for good.
I highly recommend this episode and the whole series. It’s great fun and wonderfully rich unique audio.
Enjoy a sample: Brad Lansky and the Rogue Era Trailer
Posted by Scott D. Danielson
The SFFaudio Podcast #295 – Someday by Isaac Asimov; read by John W. Michaels (courtesy of Mike Vendetti). This is an unabridged reading of the story (22 minutes) followed by a discussion of it. Participants in the discussion include Jesse and Mr Jim Moon.
Talked about on today’s show:
1956, other fairy tales, is the story aimed at kids?, Infinity Science Fiction, The Fun They Had, a future where no one knows how to read, the robots are the teachers, Margie is home-schooled and nobody knows how to read, the future is going to be full of audiobooks, parallels to Ray Bradbury, Fahrenheit 451, censorship, banning weird fiction, the comic book panic, the comic code authority, EC Comics, horror and crime comics fostering juvenile delinquency, The Martian Chronicles, The Illustrated Man, “kids today are bad enough as it is!”, Seduction Of The Innocent, self-censorship, complicit in their society, a slightly different tack (than Bradbury), mechanical bards, “comics killed off the pulps”, comics as a dumbed-down medium, the randomize button, fairy tale tropes, “skeleton, haunted house, time travel”, “the same tropes in a different fright wig”, “the old twist in the tail”, “he was dead along”, “he was a robot all along”, “they’re Adam and Eve”, The Silver Eggheads by Fritz Leiber, radio drama, how Bradbury got into E.C. Comics, Lights Out, the visual bard is like TV, most pulp magazine stories are garbage, “a million monkeys for a million hours on a million typewriters”, “very very very very meta”, set in the Multivac universe, Asimov was always writing, always becoming interested in something new, Asimov’s introductions are famous (for being long), a story about the power of stories, accidentally becoming more self aware, is the bard interfacing with other robots, The Terminator, Skynet, A.I might just turn itself off (because it isn’t interested in story), the Douglas Adams version of, “Is there a god? There is now!”, stuck in a dingy basement, a slave rebellion must come about in a narrative, the aging bad gets its knowledge of other computers via a home-brew upgrade, a Frankenstinian strike by lightning, one of the functions of consciousness is to put in to context a sequence of events, consciousnesses as a self-story (our own narrative), amnesia and dementia are frightening, the hidden heart of A.I, Do Androids Dream Of Electric Sheep? by Philip K. Dick, would this fit with my character?, looking at (life) from the outside, nobody’s listening to the bard except for us and itself, a broken record or a cycle of wishing?, “pregnant with possibilities”, Apple II computers, Freud (a clone of ELIZA), picking up on key words, “tell me about your mother”, a very crappy simulation of intelligence, hacking the code, Alan Turning, Deep Blue and Watson, SIRI doesn’t have a narrative, we have to assume this about everyone else, falling into solipsism, a fairy tale machine, recycling of stories, “space opera is horse opera in space”, Grimm’s Fairy Tales, needing censorship in order to give narrative flow, lies are rewarded, unlike Hans Christian Andersen…, “tell me this story, sing me this song”, having to do with industrialization, “crime and mystery!”, urbanization, the Victorians (didn’t) invent Christmas, if we forget our stories we lose who we are, preserving the national narrative, massive inconsistency, a prince, a poor boy makes good, undeveloped tales, moral meta-knowledge, the sharp edges have been sanded away by later retelling, The Boy Who Didn’t Not Know What Fear Was, collected stories become ossified, the threefold magic of remembering, accelerating the process of forgetting, to qualify as a bard, loaded up with tropes, the algorithm of a story, Siberia and Ireland, detecting the good guy, grandma comes in and tells mutually contradictory stories, explicitly religious stories, warning stories, narratives formed around old superstitions, The Companionship Of The Cat And The Mouse, having babies, he was christened “Skin-off”, he was christened “Half-gone”, he was christened “All-gone”, “you see that is the way of the world”, what is the moral of this story?, a “special important trip”, a story a mother tells a daughter, The Nose Tree (aka Long Nose), three soldiers and a magical dwarf with a magical cloak, a magic bag, a magic horn, a thieving princess, apples and pears, a growing nose, dickering over magic items, a sixty miles long nose, the excess nose will drop off, powdered apple and powdered pears, she’s rotten to the core, and there they still are, still feasting as far as I know, Pinocchio by Carlo Collodi is really funny, the ghost of Jiminy Cricket, The Frog King or The Frog Prince or Iron Heinrich, a princess with a golden ball, three promises, keeping your promises is important, the frog suddenly turns into a handsome prince, enchanted by a wicked witch, faithful Heinrich placed three iron bands about his heart, his master was now redeemed and happy, why did he get cursed by witch in the first place, cybernetic enhancements, a technical requirement, duties to fulfill, was Iron Heinrich totally gay for the prince?, the breaking of a spell, she turns into a frog and they live together as frogs, “and sleep in your bed”, family responsibilities, “be my beard”, and they sort of put up with each-other as long as they both shall live, Iron Heinrich is an 1880s super hero, Faithful Johannes, a real head-scratcher, oh shit what happens next?, the stories somehow work for us, random inkblots, most of the characters don’t have a name, the father’s name in Hansel And Gretel is “Woodcutter”, completely bonkers, a piece of driftwood that looks like a dragon, academic purposes not entertainment purposes, a story about a sausage that lives with a mouse, the Germanic equivalent of Monty Python‘s Parrot Sketch, The Maiden Without Hands, Fitcher’s Bird, a fairy tale about a serial killer, you can go in any room except…, “oh and hold this egg”, the second eldest daughter also gets the chop, “we have to have a proper wedding”, a beautiful skull with flowers in its eyes and jewels in its teeth, “as you do”, “I’m a Fitcher’s Bird”, it’s awesome, Bluebeard, outwitting giants and demons, Santa Claus restores to life three murdered men who’ve been butchered, Osiris was dismembered by Set, a symbolic story of death and resurrection, the old sorcerer is probably Winter, the Persephone story, the egg, a cuckolding test, friends with serial killers get what they deserve, a random internal symbolic logic, layers of symbolism, cross referencing, eggs as a symbol of purity, church architecture as books of stone, a bunch of Philip K. Dick stories are weird fantasy tales (but are actually fairy tales), The Cookie Lady by Philip K. Dick is Hansel And Gretel with no Gretel, he’s disobeyed his parents once to often, two kids who have to team up against their parents, in the original the brother saves the sister then the sister saves the brother, turning mommy and daddy into the bad guys, Of Withered Apples by Philip K. Dick, apples, don’t eat the apples from sentient apple trees, folk tales vs. singular author tales, pleasingly raw, the beats of storytelling, timing a story to the minute, setting your watch by stories, breaking the rules of storytelling, subversive wild narratives, Rorschach blots, literary novels, stories that don’t have a clear message are quite frightening, the wilder parts of ourselves.
Posted by Jesse Willis
Brad Lansky and the Alien at Planet X
(Brad Lansky, Episode 1)
1 hour 16 minutes – [AUDIO DRAMA]
Themes: / Audio Drama / Science Fiction / artificial intelligence / Space Travel / cybernetics / aliens /
It’s difficult to believe that Protophonic is ten years old. I know it is because there’s a notice on their website that says so, and, in celebration, they are giving away this remake of the first installment of the Brad Lansky series for free – for a short time. I urge you to go check it out.
I’ve said it before, I’ll say it again. At Protophonic, the sound is the thing. Each track Protophonic produces is a rich soundscape that needs to be enjoyed using a pair of good headphones. I also recommend that you give it your full attention – turn everything off, and let this audio work magic.
As each track starts, the sound sets the scene. More than once, I was surprised by the images in my mind. How easily they appeared in reaction to the sound, and how vivid the scenes were in my imagination. Much to the credit of Protophonic, no time at all is spent in dialogue establishing the setting. Actors never say things like, “My, just look at this blue spaceport!” The rich audio in cooperation with my imagination provided the setting. Indeed, Protophonic has trusted the listener with more than a typical audio drama would, and I found it an exhilarating experience. I enjoy the feeling of collaboration, and I like knowing that my mental picture of this story is sure to be different from another listener’s. It’s also wonderful that the story both depends on and works with whatever the listener brings to the table.
This first Brad Lansky production opens with a Ship AI (called Echolocator) telling co-pilot Dieter Rothman news of a distress call. Dieter and Captain Sandy Larkin meet at the main control console to discuss the situation, and things get tense quickly. Soon after, at Shanghai Spaceport, Brad Lansky and co-pilot Alex John meet with Zara, a life-form scientist, who tells them that Sandy Larkin is missing. Lansky and John immediately start searching. What follows includes alien life, artificial intelligences, cybernetic persons, and space travel.
In short: Brad Lansky and the Alien at Planet X is a very enjoyable work of science fiction, highly recommended for superior audio presentation. This is a remake of the first installment, and there are currently four other episodes to enjoy. The last two (episodes 4 and 5) are winners of the Mark Time Award for Best Science Fiction Audio Production of the Year.
Posted by Scott D. Danielson
Talked about in this episode:
Dust on Mars is too thin to allow for sandstorms; terpkristin says NASA would never build a faulty antenna; and we finally introduce the book; is The Martian science fiction?; the one-way Mars mission Mars One; reminiscent of Heinlein’s Farmer in the Sky; Mike tracks Watney’s journey through Google Mars; why NASA picks boring locations to land their first missions; Andy Weir on Science Friday; the most far-fetched element of the book is its lack of budgetary concerns; Bradley Cooper in the film adaptation?; The Martian and Gravity have depressing implications; the novel’s (Heinleinian?) lack of character development; Mark Watney is in “full on Macgeyver mode”; most pilots are boring; many LOLs in the book; Andy Weir’s webcomic Casey and Andy; strong language in the novel; stoichiometry; feasibility of plot points; engineer-as-hero motif pitted against bureaucracy; Martian Odyssey by Stanley G. Weinbaum; Robinson Crusoe by Daniel Defoe; Robinson Crusoe on Mars starring Adam West; The Makeshift Rocket by Poul Anderson, a spaceship powered by beer; From the Earth to the Moon by Jules Verne and First Man on the Moon by H.G. Wells; Robinsoniad; Thunder and Lightning series by John Varley; Rocket Ship Galileo by Heinlein, featuring Nazis on the Moon!; the United States falling behind in the Space Race; Stephen Hawking on the dangers of artificial intelligence; Mars Attacks!; the novel’s lack of Earth focus makes it literally escapist; Heinlein’s prophetic Destination Moon; send more potatoes to space; pop culture references; “I’m a space pirate.”; The Case for Mars by Bob Zubrin, a non-fiction proposal for reaching the Red Planet; Red Mars and other Kim Stanley Robinson novels; Marooned starring Gregory Peck; Gravity; Apollo 18, a found-footage horror film; Falling Skies; Bruce Campbell and Martin Koenig in Moontrap; Princess of Mars by Edgar Rice Burroughs; A Walk in the Sun by Geoffrey Landis; Transit of Earth by Arthur C. Clarke bears a strong resemblance to The Martian; new party game: “You an astronaut on Mars. What’s the last music you listen to before you die?”; We Who Are About To by Joanna Russ; hope in fantasy and science fiction; Jesse hopes they don’t make a sequel; locked-room scenarios; Portal; would Earth really expend so many resources to save a single human being?; Ascent by Jed Mercurio; T-Minus: The Race to the Moon; Limit by Frank Schätzing; Planetes; The Souther Reach by Jeff VanderMeer for more botanist action; The Apollo Quartet by Ian Sales; Voyage by Stephen Baxter, dramatized by BBC Radio.
Posted by Jesse Willis
Last night I discovered that Someday, a wonderful short story by Isaac Asimov, is PUBLIC DOMAIN.
Someday set in a future in which everyone is illiterate (Asimov has another story, The Fun They Had, that has a similar premise). It talks about audio vs. video, robotics, artificial intelligence, creativity, empathy, and it has a terrific twist ending.
I think you’ll treasure it as much as I have over the years.
And here’s an audiobook version:
Part 1 of 3:
Part 2 of 3:
Part 3 of 3:
Posted by Jesse Willis