Filed under: New Releases, Podcasts, Recent Arrivals
Talked about on today’s show:
Aftermath: Star Wars (Journey to Star Wars: The Force Awakens) by Chuck Wendig, read by Marc Thompson, not a curse fest, the crawl, grief, The Geeks Guide To The Galaxy, one star reviews, diversity up down left and sideways, a pink lightsaber, a rainbow lightsaber, Timothy Zahn, sounds like Star Wars names, Heirs Of Empire by Evan Currie, read by Deric McNish, Brilliance Audio, it sounds like a Stars Wars book (but isn’t), a 47 North Novel, The Three Stigmata of Palmer Eldritch by Philip K. Dick, read by Luke Daniels, drugs!, sounds trippy, re-reading Philip K. Dick (for The SFFaudio Podcast), different assumptions, by the inventor of Science Fiction… In the Days of the Comet by H.G. Wells, read by Walter Covell, the salvation of the human race, cynical then preachy, The Star by H.G. Wells, The Poison Belt by Sir Arthur Conan Doyle, 1906, The World Set Free, The Sea Lady by H.G. Wells (a mermaid in Edwardian society), Stranger In A Strange Land by Robert A. Heinlein, a comedic bicycling novel, military SF, David Weber, The Child by Keith F. Goodnight, read by Nick Podehl, Tam’s macho voice, Adam Christopher’s The Burning Dark, Event Horizon, hyperspace as a Hellraiser universe, this all goes back to H.P. Lovecraft’s From Beyond, drugs plus radar shadowing, a terrific adaptation The Banshee Chapter, the 1980s adaptation of From Beyond, fear of the dark in a lighted world, The Oncoming Storm by Christopher G. Nuttall, read by Lauren Ezzo, the youngest captain in naval (future) history, what is 47 North? it’s Amazon’s publishing house, synergy, PlayStation has it’s own TV show (based on a comic book called Powers), an Honor Harrington novel with the serial numbers filed off, fantasy (non epic), Locke And Key by Joe Hill, adapted by Elaine Lee and Frederick Greenhalgh, audio drama, AudioComics, 13.5 hour audio drama, Gabriel Rodriguez, Paul needs to get Welcome To Lovecraft, horror, dark fantasy, hyper-imaginative, Joe Hill looks and writes like his dad (Stephen King), kids in a creepy situation, the manipulation of power, more fantasy elements, the origins of the keys at Key House, back stories, Fred Greenhalgh as a champion of field recorded audio drama, a film production unit without cameras, listening with headphones, this could be the star of something really amazing, the business model, word-of-mouth then the long tail?, Elaine Lee’s Starstruck, William Dufris, epic fantasy, Twelve Kings In Sharakhai (Song of Shattered Sands #1) by Bradley P. Beaulieu, read by Sarah Coomes, Paul is a fan of Bradley P. Beaulieu’s writing, “his best novel yet”, it is impossible to promote books you aren’t enthusiastic about, “the ones that sing to the song in your blood”, Paul is a long term epic fantasy fan, true confessions, Robert Jordan, Brandon Sanderson, epic fantasy as a lifestyle choice, Kate Elliot, The Cinder Spires: The Aeronaut’s Windlass by Jim Butcher; read by Euan Morton, Penguin Audio, urban fantasy, airships!, a new steampunk secondary world, beautiful endpapers and maps Priscilla Spencer, books in the middle of series: Darken the Stars (Kricket #3) by Amy A. Bartol, read by Kate Rudd, The Ciphers of Muirwood (Covenant of Muirwood #2) by Jeff Wheeler, read by Kate Rudd, Unholy War (The Moontide Quartet #3) by David Hair, read by Nick Podehl, Dryad-Born (Whispers from Mirrowen #2) by Jeff Wheeler, read by Sue Pitkin, Jenny’s favourite section “dystopia, unrest, destruction, apocalypse”, an interesting theory about zombies and dystopias, it fits in with the Christian end times, Revelations and rapture theology, the 1950s optimism, we’re not in Star Trek times anymore, 2 Walking Dead TV series and Z Nation, zombies never die, The Heart Goes Last: A Novel by Margaret Atwood, read by Cassandra Campbell and Mark Deakins, an economic and social collapse, the “Positron Project”, what is the point of the premise?, allegory not SF?, an Asimovian word, she doesn’t really care about the consequences of science, people who are interested in science, Ted Chiang, what if…, doesn’t that mean XYZ?, let her write her books, paranormal romance, Dark Ghost (Dark Saga #28) by Christine Feehan, read by Phil Gigante and Natalie Ross, a bounty hunter, a vampire slayer, a geologist, fairy tales, Two Years Eight Months and Twenty-Eight Nights by Salman Rushdie, read by Robert G. Slade, history and folklore, “the time of the strangenesses”, a djinn, 1,001 nights (two years, eight months, and twenty-eight nights), a Nobel Prize for Literature, a print book, Joy To The Worlds: Mysterious Speculative Fiction For The Holidays, a mix of mystery and speculative fiction and Christmas, Maia Chance, Janine A. Southard, Raven Oak, G. Clemans, upcoming authors, Andy Weir, that’s how the young people are reading, get of Tam’s lawn, House Of M, Marvel Comics, why is Thor a girl now?, Scarlet Witch can re-write reality, annoying-off people(?), the $1 floppy deals, Free Comic Book Day, The Unbeatable Squirrel Girl is fun and fabulous, her squirrel sidekick, a silver age happy go lucky superhero in our cynical grim age, she’s got squirrel blood!, writing comics for kids, Genosha, kids Squirrel Girl cosplaying looks fun, making your own costume, Princess Leia (Marvel Comics/Star Wars), there’s something wrong with Princess Leia, Disney is making so much more product than Lucas, Alan Moore and Jacen Burrow’s Providence (Avatar comics), Neonomicon, when will the first Providence trade come out, what Moore is doing and saying with Providence, an examination and meditation on H.P. Lovecraft stories, Providence doesn’t seem to have a very important plot, Herbert West’s equivalent, if you are deeply involved in Lovecraft…, if you don’t know Lovecraft can you still enjoy Providence?, the turns!, not merely visually shocking, The Dunwich Horror, a trans-dimensional invisible character, Moore is wrestling with Lovecraft, Watchmen, Alan Moore and Gabriel Andrade’s Crossed Plus One Hundred, “124C41+”, “Return Of The King”, “Glory Road”, “A Canticle For Leibowitz”, “Tyger, Tyger”, “Foundation and Empire”, the difference between crossed zombies and regular zombies, the Crossed series, Alan Moore is about thinking deeply about things, evolution, “the big surprise of 2008”, bone piles, the change of language, AFAWK, Moore has reconstructed English in the way of A Clockwork Orange or Anathem, zombies as a fear of death, zombies as a fear of loss of individual volition and personality, a fear of Alzheimer’s, we don’t talk about death, The Walking Dead Volume 12 (hardcover), everybody’s infected, no matter what happens you become a zombie, zombies as a non-scary version of momento mori, Brian K. Vaughn and Steve Skroce’s We Stand On Guard, the invasion of Canada by the United States, the only time Canada has ever been invaded was by the United States, reading for writers not for artists, the Dark Adventure Radio Theatre series, The H.P. Lovecraft Historical Society, DART The Horror At Red Hook, a straight up adaptation of The Horror At Red Hook by H.P. Lovecraft, DART Dagon: War Of Worlds, Dagon by H.P. Lovecraft, imagine War Of The Worlds not from Space but from beneath, X-COM: UFO DEFENSE, X-COM: Terror From The Deep, aliens at the bottom of the ocean, the Orson Welles style War Of The Worlds, mapping out all of Lovecraft’s squiddy watery fears, The Shadow Over Innsmouth, The Call Of Cthulhu, “I love that!”, attention to detail, if it says it in the story they take it seriously, The Whisperer In Darkness, Infocom games included props, H.P. Lovecraft The Spirit Of Revision Lovecraft’s Letters To Zealia Brown Reed Bishop, David Michelinie and Brett Blevins’ The Bozz Chronicles, originally from Epic Comics, a 19th century Sherlock Holmes alien mashup, lots of nudity, The New Mutants artist, Dover Publications, a 200 page trade-paperback for $20, a feel of the new Doctor Who, Madame Vastra, what if Sherlock Holmes was not Sherlock Holmes, Fred Saberhagen’s Bezerker story, Fred Saberhagen’s Dracula novels, Conan Red Sonja, a lack of attention to details, 1980s sensibilities vs. 20teens sensibilities.
Posted by Jesse Willis
The SFFaudio Podcast #306 – The Fall Of The House Of Usher by Edgar Allan Poe; read by Mike Vendetti. This is an unabridged reading of the story (49 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Julie Davis, Bryan Alexander, and Mike Vendetti
Talked about on today’s show:
LibriVox.org, Audible.com, a Reader’s Digest version, a ponderous vocabulary, prolixity, Poe the hoaxer, the part of him that invented the mystery short story, a corpse flower, this is what Lovecraft does, “he’s done his research!”, words made by mad men, mapping the elephant’s outline, the movies, the comics, the Wikipedia entry, The Haunted Palace by H.P. Lovecraft, the Roger Corman movie, the poem is the outline for the story, the history of the house of usher, dead trees with white trunks, New Jersey, the lutes well tuned law, porphyrogene – “born to the purple”, synecdoche, a photo negative, upside down and inverted, golden banners, the fungi, The Tell Tale Heart, The Bells, a republic society in love with aristocracy and royalty, The Masque Of The Red Death is a dystopia, Hop Frog, “its beautiful … but horrible things happen”, John Buchan, broken off pieces of themselves, Thomas A. Shippey, the Vatican astronomer, no titles allowed anymore, Queen Elizabeth II, Br. Guy Consolmagno, absentee royalty, a super-mix, “evil things in robes of sorrow”, entombed, equating architecture and person, you can’t separate Roderick from his sister, “I heard it man”, why did he dare not speak?, buried alive, twins and twinning, the 1989 adaptation of The Fall Of The House Of Usher, why they can’t just tell the story in adaptations, this is hospice care, was Roderick tormented by his twin sister?, I see a skull, the house is a skull, the trees are ribs or arm bones, a ghost, dying of old age, reason, rationality, Guy de Maupassant’s Who Knows, the furniture represents the faculties, the end of The Life Of Pi, the miasma, an unhealthy atmosphere, in awe of Poe, Everything That Rises Must Converge by Flannery O’Connor, the Usher stump, the stump of the tree of Jesse, a tottering mind, everything’s lined with copper, a Frankenstein motif, a long family line of incest, “it had put forth no enduring branch”, “so lain”, viewing it as a story about incest, set in the location of Hammer Horror, Middle Lovecraft, seeing Lovecraft through Poe, a cyclopean vocabulary, H.P. Lovecraft’s Favorite Weird Tales edited by Douglas A. Anderson, crazy complicated sentences, Walden by Henry David Thoreau, CraftLit, the prologue to The Scarlet Letter, reading Poe aloud, Supernatural Horror In Literature, oral cadence, the very summits of artistry, fictional miniaturists, Ligeia, another dead woman story, so Lovecraft, he loves his architecture, “sharing a single soul”, the crack, “the eye of a scrutinizing observer”, laughing out loud, the unnamed narrator is of the same class as Roderick, context for the story, science stories, buried alive stories, The Pit And The Pendulum, sense experience, again New Jersey, Italy, The Scarlet Letter by Nathaniel Hawthorne, weird fiction out to wazoo, why do they do that?, demented messed up stories, Young Goodman Brown, Rappaccini’s Daughter, supernatural elements, sense experience, an utter depression of soul, the after dream of the reveler upon opium, the dropping of the veil, the veil of dreams, the after-dream is after the dream?, the veil is beautiful, a shout-out to Thomas de Quincey, crawling fungi, red-litten windows, “laugh but smile no more”, coffin worms, creeping into the crypt to often, The Conqueror Worm, a foreshadowing, reasons for laughter vs. reasons for smiling, the hideous throng, Usher II by Ray Bradbury, premature burial, Buried (2010), The Death of Olivier Bécaille by Emile Zola, Weird Tales, Poe is a hilarious writer, punning and japing, Mad Trist by Sir Launcelot Canning, Dead Families 101, How To Repair Your Doomed House, The Man Who Collected Poe by Robert Bloch, wacky moments, The Cask Of Amontillado, deGrave wine, The Tomb by H.P. Lovecraft, Jervas Dudley as one of the Usher descendants, a lot more Poey, there are not a lot of sisters in Lovecraft, The Moon Pool by A. Merritt, The Moon Bog by H.P. Lovecraft, Edgar Rice Burroughs, comparing Poe to Lovecraft, The Narrative Of Arthur Gordon Pym Of Nantucket, The Dreams In The Witch House, the novella (short story) vs. the novel, it starts off as a horror tale, What The Moon Brings, Ireland, a little bit ushery,
Posted by Jesse Willis
Talked about on today’s show:
the Pulpscans Yahoo! Group, how to do copyright renewal searches properly, the tools, The Cold Equations by Tom Godwin, Astounding Science Fiction, two ways stories can be protected by copyright, before 1963, publisher renewals, author renewals, renewals after 1950 are on copyright.gov, 1923-1950, a text file for magazine renewals, and a text file for author renewals, Weird Tales, 1920s to the 1950s, OCR failures, looking for something to not be there, a very heavy burden, pseudonyms, false renewals, erroneous renewals, the pre-internet days, the Philip K. Dick estate’s copyright “pattern of abuse”, revisions, the 36 public domain Philip K. Dick stories, “they never got it wrong the other way”, a statistician could do something very interesting there, The Adjustment Bureau / Adjustment Team, the H.P. Lovecraft estate (if there is such a thing), the S.T. Joshi corrected texts, Home Brew (magazine) with Clark Ashton Smith, ebooks, paperbooks, and audiobooks, the Science Fiction Megapack, trademarking, licensing stories, horror, fantasy, golden age of science fiction, Lester del Rey, Westerns, length is not an issue in, Eando Binder, short stories in comics, Jack Binder, Captain Marvel, Whiz Comics, Captain Video, Tom Corbett, the Adam Link stories, Otto Binder, banned from Amazing Stories, “E” and “O”, unattributed short stories in comics, Fawcett Comics, Westbrook Wilson, Richard Lupoff, the space patrol stories, Joseph J. Mallard, a Nazi saboteur lost in the north woods, a dodge for a cheaper rate, silver age comics drop text stories, early DC Comics, Night Of The Living Dead, Zulu, fanzines in the public domain, Ray Bradbury in the public domain, copyright notification is no longer required, USA copyright lifetime + 70 years, 1984 by George Orwell is public domain in Canada but not yet in the USA, Donald A. Wollheim, a quasi-legal loophole, The Lord Of The Rings by J.R.R. Tolkien was briefly public domain in the USA, the scarcity of the Ace paperbacks of The Lord Of The Rings, the state of Ace doubles etc., unless it’s work made for hire, children’s books, Nancy Drew, Tom Swift, copyright compilation renewals, Analog renews a magazine…, how would we know if an author asks for his or her rights back?, the Guy de Maupassant Megapack, a victim of availability, Jules Verne, translations, a recent obsession, a gold mine [metaphor], an estimated 85% of books and stories published before 1964 are in the public domain, reading the letters pages of Weird Tales, Robert Bloch, spotty renewals, Ray Bradbury changed the name of stories a lot, pulp magazine editors, editorial meddling, respecting the text but keeping your job, annotated text links, nothing new can enter the public domain in the USA, corporate copyright to 95 years, the puppet Sonny Bono, life +70 years for authors is, 1922 and before is without question in the public domain in the USA, Mack Reynolds, buying author estates, Lester del Rey, H.B. Fyfe, unpublished manuscripts, John W. Campbell, Ellery Queen’s Mystery Magazine, archaeology for writers, 37 unpublished Mack Reynolds novels were thrown away, what is an author’s estate worth?, thousands of $$, R.A. Lafferty estate sold for $70,000.00, a major SF author’s estate was worth 1/4 million $$, the trend in ebooks, 14,000 different paperbooks and 1,100 ebooks and the ebooks earn 4 times as much as the paperbooks, the audiobook trend, Audible.com, Lois McMaster Bujold audiobooks, 200 audiobooks, a value added for authors, because Amazon owns everything…, a benign dictator forever?, when all competition is gone…, Amazon vs. Hachette, Amazon is demanding a higher and higher cut of ebook sales, 85% of ebook sales are through Amazon, a giant anti-trust situation, it’s like Highlander … there can be only one, when everything goes seamlessly into the Kindle…
Posted by Jesse Willis
Much has been said about Orson Scott Card’s novel Ender’s Game from 1985 and there is still much to discuss. Of course there is much more than the ‘Oh, the titular game was real!’ ending. This ending may appear to be a very cheap solution to the reader today. But despite this, the novel’s implications are still delivering up-to-date topics for us to discuss. When the game was manipulated by the military and the kids had been hoodwinked into committing genocide against the Buggers – we can ask ‘what does that say about grown-ups manipulating kids in general?’ Orson Scott Card’s novel remains a classic SF because it constructs ideas within us.
To me this novel is a very particular story and after a long hiatus in the SF field I wanted to go back to the roots of my usual reading habits which used to be SF, Fantasy and Horror. I listened to the episodes of The SFFaudio Podcast and the name Orson Scott Card was sprinkled in here and there. In Cologne I went into an English bookstore named “Fine Tea and Books,” run by a very friendly guy named Christopher Potter – he also happens to be a Conan fan expert in recommending SF. He told me to read Orson Scott Card’s novel “Ender’s game” and so I did and I was immediately immersed into it.
Then I heard about a German audio drama, exclusively published by Audible. And then too I heard of an English language version. Orson Scott Card himself wrote the script for the show and it was translated into German by Andrea Wilhelm. A very experienced director of the audio drama, Balthasar von Weymarn (also well regarded as producer of the audiodrama company “Interplanar”). In addition von Weymarn is head of the Mythological RoundTable® Charter Berlin der Joseph Campbell® Foundation, and a screenwriter who no doubt knows his stuff.
Together with audio technican Jochen Simmendinger, von Weymarn had to coordinate 101 voice actors, including 40 child and teen voice actors at a recording studio in Berlin. The deadline was very tight because the German audio drama had to be released simultaneously with the start of the movie adaptatoion. The pressure was high but Baltashar von Weymarn loves challenges as he said “A challenge makes it fun.”
Von Weynarm is into the story and knows the novel well. A good director does not only consult the script, but researches much about the author and the cicrumstances around which the novel was written. Von Weynarm knows it all, he wonders why kids are trained that way, what kind of government rules Earth, and he goes deep into the story itself. And this hard thinking shows up in the production. The director’s interpretation of the audiodrama script, as well as of the novel, drives his imagination, evokes mind pictures that von Weynarm is able to explain to his actors. Perhaps every director has to work that way. However, Balthasar von Weynarm had to do it with 40 young and 61 adult actors, each one had to fulfil her or his part and the director had to explain how it all had to be done. This is an amazing achievement.
Due to the fact that the script was written by Orson Scott Card himself the director’s interpretation has it’s limits. But von Weynarm’s production maximizes the script’s power. There is no narrator. All “off-screen” information is given to us via comments by spectators of certain scenes. These spectators observe actions that are happening somewhere else and then anallyze these action right away. This is the issue director and his ensemble can show action. All that can be explained through the voice is well done. Music is also used, but shows up more between the scenes. And so as to fuel the listener’s imagination there are also addedsound effects, created by sound designer Tommi Schneefuss. Schneefuss does a terrific job because the sound effects are not intrusive nor too disturbing. They fit into the setting.
A special issue must have been the casting of the kid actors especially because there were strict specifications by the author. The central character Ender was played by 12-year-old Arne Kapfer. And because his mother was cast for this audio drama he was asked to join the cast. This is a tricky part in all audio drama productions, von Weynarm reports, because boys at that age can suddenly have their voice change. Arne Kapfer though is a pro himself, and brings in five years worth of experience as TV commercial actor. And at home his parents have their own recording studio. It was great to hear the development of Ender was transported through Arne Kapfer’s voice. His slight intonations toward sarcasm, in particular scenes in the Battle School, were very well performed. Kapfer brought in a lot of talent – though voice acting is only a hobby as he has career aspirations toward geology.
The producer of the audio drama is the Lauscherlounge company that works together with most of the best voice artists in Germany – many of whom t apper in “Ender’s Game.” Take for example one of my all-time-favourite voice actors Udo Schenk, who played Colonel Graff. Schenk is the voiceover artist for Garry Oldman, Ralph Fiennes, David Morrissey, Ray Liotta and many more. Timmo Niesner for Chamrajnagar (who dubs Elijah Wood), and Erich Rauker as Mazer Rackham (artist for Will Patton). Their talents form a neat audio drama that is both enjoyable and the very essence of the novel. Does this audiodrama replace the book? No, but it enlarges the listener’s understanding of the novel and it’s a whole lot of fun to hear. The seven hours pass almost too quickly.
Until recently the book itself was long out of print in Germany but because of the movie it was re-published in the general SF section of the Heyne Verlag and not marked out as a YA book.
Posted by Mirko
Dan Stevens on Narrating the Audible’s new audiobook version of Frankenstein by Mary Shelley
Posted by Jesse Willis
Talked about on today’s show:
Jonathan Davis, Pat Fraley, Scott Brick is the Brad Pitt of audiobooks and Simon Vance is the George Clooney of audiobooks, how Simon Vance got started, reel to reel tape recorder, Winnie The Pooh, BBC Radio 4, 1980s, Brighton, RNIB, Grover Gardner, George Guidall, The Book At Bedtime, Margaret Thatcher, California, San Francisco, Christian and devotional audiobooks, “we sound more intelligent (but we’re not)”, Stieg Larsson, Dracula by Bram Stoker, Audiofile Magazine, Earphone Awards, England, Sweden, The Girl With The Dragon Tattoo, the apprenticeship, Market Forces by Richard K. Morgan, a classic dystopia, Thirteen (aka Black Man), The Steel Remains, The Cold Commands, artfulness and in-artfulness of narration, Doctor Who, overwhelming music -> overwhelming emotion, The Lord Of The Rings, the good narrators do the unexpected, “boo”, Dune by Frank Herbert (the full-cast audiobook), Goodreads.com, Simon Prebble, V For Vendetta by Steve Moore, the comic + the movie + Simon Vance = great audiboook, Natalie Portman was awesome, Stephen Rea, most novelizations are terrible, Hugo Weaving, James Bond, Ian Fleming, AudioGo, Blackstone Audio, the Green Knowe books, Listen And Live, Kate Fleming, The Prestige by Christopher Priest, a complicated book, a second chance, The Science Fiction Book Review Podcast review of The Prestige (episode #177), the movie of The Prestige, a final trick, one of the best Science Fiction movies of the last ten years, a thinking man’s book (and movie), The Illusionist, stage magic vs. CGI magic, The Magic Circle, Left for Dead: The Untold Story Of The Tragic 1979 Fastnet Race by Nick Ward and Sinead O’Brien, survival, Antarctica, fiction vs. non-fiction, a cabinet of heads, WWII, the Patrick O’Brian books (the Aubrey–Maturin series), Master And Commander, the incomplete book 21, Robert Hardy and Tim Piggot-Smith, what SFF Simon Vance book should we check out?, The Darwin Elevator by Jason M. Hough, The Exodus Towers, The Plague Forge, zombie apocalypse, aliens, “good honest adventure”, Pan Books Of Horror, c, Rama, Rama II, The Man In The High Castle, Philip K. Dick, Mark Twain, Anthony Trollope, Charles Dickens, a PDF listing Simon Vance’s audiobooks, out of print audiobooks, Audible.com, Christopher Priest’s other audiobooks are done by other audiobook narrators, Peter Ganim, Robert J. Sawyer, The Player Of Games by Iain M. Banks, rights issues, keep your audiobooks.
Posted by Jesse Willis