Talked about on today’s show: We help Jesse clear off his desk by discussing books in paper (dead trees and rags), “like e-books but thicker”; Tropic of Serpents by Marie Brennan, second in the Lady Trent series, gorgeously illustrated, Darwin meets dragons; why are illustrations dying out, even in e-books?; Scott Westerfeld’s Leviathan features good illustrations; The Raven’s Shadow, third in Elspeth Cooper’s Wild Hunt series; how many print pages in an hour of audio?; more from L.E. Modesitt Jr’s Imager series; John C. Wright’s The Judge of Ages, with allusions to Cordwainer Smith; The Goblin Emperor by Katherine Addison, smarter steampunk?; a tangent on translating page to screen; Tam likes more fantasy in his fantasy; a tangent on Game of Thrones; a tangent on Citizen Brick and the expiration of the LEGO patent; The Revolutions by Felix Gilman; science fiction was once planetary romance; The Prestige; Best Science Fiction and Fantasy of the Year vol. 8 edited by Jonathan Strahan, now published by Solaris, featuring a lot of great stories; and we finally reach audiobooks!; The Scottish Fairy Book, Volume 1; the timeless quality of folktales; Classics Lesson of the Day: Ovid’s a boy, Sappho’s a girl; Steles of the Sky by Elizabeth Bear; we try to puzzle out what a stele is; we praise Bear’s interview on Geek’s Guide to the Galaxy; Elizabeth Bear’s Hammered isn’t romance “because fifty-year-olds never have romance”; Without a Summer, third in Mary Robinette Kowal’s Glamourist Histories series, expertly narrated by the author; Dreamwalker by C.S. Friedman doesn’t seem to be your run-of-the-mill urban fantasy (suburban fantasy?); Indexing by Seanan McGuire, urban fantasy with a postmodern twist; mimetic incursion and Jorge Luis Borges’s Averroes’s Search; Night Broken by Patricia Briggs, eighth in her Mercy Thompson series; a tangent on midriff tattoos and names for tattoos on other parts of the body; Jenny has created a new genre, Scientific Near Future Thrillers!; in the future, iPods will be merged into our eyebrows; science and technology don’t evolve quite how we expect; Neil Gaiman discusses the influence of Ballard and other classic SF writers on the Coode Street Podcast; Sleep Donation by Karen Russell; Strange Bodies by Marcel Theroux; Boswell is Samuel Johnson’s biographer; Afterparty by Daryl Gregory is blowing up on Goodreads; pre- and post-apocalyptic fiction–no actual apocalypse this time; The End is Nigh, first in the Apocalypse Triptych edited by John Joseph Adams and Hugh Howey; the tech gremlins didn’t want us to discuss Dust, the third in Hugh Howey’s Silo series; Lagoon by Nnedi Okorafor; The Forever Watch by David Ramirez, Jesse thinks the protagonist has too many jobs; “pause resister”, WTF?; Dark Eden by Chris Beckett, already reviewed here at SFFaudio; we struggle to define Pentecostal; religious opposition to the film adaptation of Philip Pullman’s The Golden Compass; Hiroshi Sakurazaka’s The Edge of Tomorrow (originally entitled All You Need Is Kill), Groundhog Day meets Fullmetal Jacket, film adaptation features Tom Cruise; Red Planet Blues by Robert J. Sawyer, a hardboiled detective story on Mars; Noggin by John Corey Whaley; Decoded by Mai Jia; Desert of Souls by Howard Andrew Jones is a refresh of The Arabian Nights; Frank Herbert’s Direct Descent is about a library planet; novella is the best length for SF; Night Ride and Other Journeys by Charles Beaumont, a “writer’s writer” who wrote for The Twilight Zone; Christopher Moore’s The Serpent of Venice is an irreverent Shakespeare/Poe mashup.
Posted by Jesse Willis
After talking about it on the last SFFaudio Podcast NEW RELEASES/RECENT ARRIVALS episode, I decided we really needed to know exactly which classic stories were being ripped-off in the new Audible Frontiers collection entitled Rip-Off!.
I’ve also made a note of the narrator for each story. And, while I’m at it I should tell you that nearly every story is an hour long. Every story with the exception of James Patrick Kelly’s (which runs about 90 minutes) and Tad Williams’ (which runs just over 26 minutes).
Edited by Gardner Dozois; Read by various readers
Audible Download – Approx. 12 Hours [UNABRIDGED]
Publisher: Audible Frontiers
Published: December 18, 2012
In Rip-Off!, 13 of today’s best and most honored writers of speculative fiction face a challenge even they would be hard-pressed to conceive: Pick your favorite opening line from a classic piece of fiction (or even non-fiction) – then use it as the first sentence of an entirely original short story. In the world of Rip-Off!, Call me Ishmael introduces a tough-as-nails private eye – who carries a harpoon; The Wonderful Wizard Of Oz inspires the tale of an aging female astronaut who’s being treated by a doctor named Dorothy Gale; and Huckleberry Finn leads to a wild ride with a foul-mouthed riverboat captain who plies the waters of Hell. Once you listen to Rip-Off! you’ll agree: If Shakespeare or Dickens were alive today, they’d be ripping off the authors in this great collection. As a bonus, the authors introduce their stories, explaining what they ripped-off – and why. Rip-Off! was produced in partnership with SFWA – Science Fiction & Fantasy Writers of America. Gardner Dozois served as project editor.
Annotated table of contents:
Introduction by John Scalzi, read by Scalzi
Fireborn by Robert Charles Wilson – Introduction by Wilson, inspired by a “Rootabaga” story by Carl Sandburg – Read by Khristine Hvam
The Evening Line by Mike Resnick – Introduction by Resnick, inspired by Pride And Prejudice by – Read by L.J. Ganser
No Decent Patrimony by Elizabeth Bear – Introduction by Bear, inspired by Edward II by Christopher Marlowe – Read by Scott Brick
The Big Whale by Allen M. Steele – Introduction by Steele, inspired by Moby Dick by Herman Melville – Read by Christian Rummell
Begone by Daryl Gregory – Introduction by Gregory, inspired by David Copperfield by Charles Dickens – Read by Jonathan Davis
The Red Menace by Lavie Tidhar – Introduction by Tidhar, inspired by The Communist Manifesto by Karl Marx – Read by Stefan Rudnicki
Muse Of Fire by John Scalzi – Introduction by Scalzi, inspired by Henry V by William Shakespeare – Read by Wil Wheaton
Writer’s Block by Nancy Kress – Introduction by Kress, inspired by Paul Clifford by Edward Bulwer-Lytton – Read by David Marantz
Highland Reel by Jack Campbell – Introduction by Campbell, inspired by Macbeth by William Shakespeare – Read by Nicola Barber
‘Karin Coxswain’ Or ‘Death As She Is Truly Lived’ by Paul Di Filippo – Introduction by Di Filippo, inspired by Huckleberry Finn by Mark Twain – Read by Dina Pearlman
The Lady Astronaut of Mars by Mary Robinette Kowal – Introduction by Kowal, inspired by The Wizard Of Oz by L. Frank Baum – Read by Allyson Johnson
Every Fuzzy Beast of the Earth, Every Pink Fowl of the Air by Tad Williams – Introduction by Williams, inspired by the Book of Genesis by anonymous – Read by Marc Vietor
Declaration by James Patrick Kelly – Introduction by Kelly, inspired by The Declaration Of Independence by Thomas Jefferson – Read by Ilyana Kadushin
Posted by Jesse Willis
Stories by Elizabeth Bear, James Cambias, Jeffrey Ford, Dominic Green, Daryl Gregory, Ian McDonald, and Michael Swanwick
Read by Amy Bruce and J.P. Linton
4.5 Hours – [UNABRIDGED]
While we patiently wait for the next Year’s Top Ten Tales of Science Fiction, Allan Kaster and Infinivox offer this cool anthology. NOW AVAILABLE!
This is a collection of seven contemporary robot tales written by some of today’s most acclaimed science fiction authors. A sentient war machine combs a beach for trinkets to create memorials for its fallen comrades in the Hugo Award winning story, “Tideline,” by Elizabeth Bear. In “Balancing Accounts,” by James Cambias, a small-time independent robotic space tug is hired by a mysterious client for a voyage between two of Saturn’s moons. “The Seventh Expression of the Robot General,” by Jeffrey Ford, involves a robot general coming to grips with his position in a world that no longer requires, or even understands, his role. A city awakens its ancient guardian as it is about to be invaded by a mining company in “Shining Armour” by Dominic Green. In “The Illustrated Biography of Lord Grimm,” by Daryl Gregory, a country ruled by a super villain comes under attack by American super heroes. In “Sanjeev and Robotwallah,” by Ian McDonald, a young boy becomes enamored with the armed robots that do the fighting in a Civil War and the celebrity boy-soldiers who pilot them. A robot acting as a scarecrow could be a desperate young boy’s one chance of staying alive in “The Scarecrow’s Boy” by Michael Swanwick. These are unabridged readings by Amy Bruce and J. P. Linton.
Posted by Scott D. Danielson