Review of Metro 2033

August 16, 2014 by · Leave a Comment
Filed under: Reviews 

SFFaudio Review

metroMetro 2033
By Dmitry Glukhovsky; Performed by Rupert Degas
Publisher: Brilliance Audio
Publication Date: 19 November 2013
[UNABRIDGED] – 21 hours

Themes: / disaster / nuclear / post-apocalypse / underground tunnels / survival /

Publisher summary:

The year is 2033. The world has been reduced to rubble. Humanity is nearly extinct and the half-destroyed cities have become uninhabitable through radiation. Beyond their boundaries, they say, lie endless burned-out deserts and the remains of splintered forests. Survivors still remember the past greatness of humankind, but the last remains of civilisation have already become a distant memory. Man has handed over stewardship of the Earth to new life-forms. Mutated by radiation, they are better adapted to the new world. A few score thousand survivors live on, not knowing whether they are the only ones left on Earth, living in the Moscow Metro—the biggest air-raid shelter ever built. Stations have become mini-statelets, their people uniting around ideas, religions, water-filters, or the need to repulse enemy incursion. VDNKh is the northernmost inhabited station on its line, one of the Metro’s best stations and secure. But a new and terrible threat has appeared. Artyom, a young man living in VDNKh, is given the task of penetrating to the heart of the Metro to alert everyone to the danger and to get help. He holds the future of his station in his hands, the whole Metro—and maybe the whole of humanity.

Without question, I would recommend this book. I strongly suggest you listen to the audiobook. You might feel a little bummed at the end, but the writing is strong enough to support its fumbled conclusion.

Dmitry Glukhovsky’s Metro 2033, book 1 in the Metro Series, offers an interesting take on the travel/road narrative. Draw your own academic conclusions, but for the most part, humans yet blindly stumble in the dark, face self-inflicted nuclear/biological disaster, and unseen things are hungry. But worry not; man yet possesses fire, fear, weapons, and hatred. What we do not possess appears to be an accurate map, foresight, or the ability to think outside our own skull.

I reveled in the atmosphere. A bunch of people crammed into underground tunnels, forced to keep watch by firelight, eating mushrooms, pork, and rodents, became nearly a corporeal experience. Different metro stations setting up their own community, the need for passports for those wishing to travel between stations, and the various creation/destruction myths surrounding each group, delivers a strong sense of fractured and desperate realism.

The story is okay, but for me, the writing is what shined brightest. The only character I felt remotely invested with was a man named Hunter. The other players in this tale, while multifaceted to a degree, lacked a depth and drive that I feel is paramount for memorable characters worth investing in. I loved the library excursion. So good! Really wished there’d been more story in this setting. The scene with the librarian playing with the flashlight was surprisingly moving.

As the narrator, Rupert Degas is amazing. His rhythm and talents for infusing mood into speech takes flight in this reading. I can’t speak for the accent accuracy, but I can tell you that Degas’s delivery drew me in and made me feel the darkness.

Posted by Casey Hampton.

The SFFaudio Podcast #226 – READALONG: The Iron Heel by Jack London

August 19, 2013 by · 1 Comment
Filed under: Podcasts 

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #226 – Jesse, Jenny, and Bryan Alexander discuss The Iron Heel by Jack London.

Talked about on today’s show:
Jenny is not an economist, a Heinlein vibe, God Emperor Of Dune, The first half of this book is talk, a terrible novel but an interesting book, The Moon Is A Harsh Mistress, the distancing narrators, 700 years into the future, the audience is for seven hundred years in the future (or is that six hundred), prizefighting, grub = food, the purpose of the footnotes, The Sleeper Awakes by H.G. Wells, Avis Everhard, alternate history, Michael Bishop, an underground book, an underground society, that Buck Rogers stuff, Armageddon—2419 AD by Philip Francis Nowlan, exchanging socialism for the Yellow Peril, Asgard, Seoul, set in the year 419 B.O.M. (Brotherhood of Men), A Thousand Deaths by Jack London, The Island Of Doctor Moreau, predictions, war with Germany, a surprise attack on December 4th, William Randolph Hearst, war economy as a solution to national surplus, Trotsky’s letter to Jack London, London had good reason to be a socialist, work conditions and natural disasters, a chaotic time, Jackson’s arm, race vs. class, Jack London’s racism, The Heathen by Jack London, the dog stories, class consciousness, grinding out the middle class between the 1% and the people of the abyss, The Shadow And The Flash by Jack London, manly overachievers, oligarchy doesn’t use race to divide people, do you want you fruit to be picked or not?, Japanese segregation in California classrooms, Canadian politics, Cooperative Commonwealth Federation, Franklin D. Roosevelt, John Steinbeck, ‘temporarily embarrassed millionaires’, the quote attributed to Abraham Lincoln:

“I see in the near future a crisis approaching that unnerves me and causes me to tremble for the safety of my country… corporations have been enthroned and an era of corruption in high places will follow, and the money power of the country will endeavor to prolong its reign by working upon the prejudices of the people until all wealth is aggregated in a few hands and the Republic is destroyed.”

Dwight D. Eisenhower, “the military-industrial complex”, Eugene Debs, why was The Iron Heel not more popular?, The Black Hundreds, Das Kapital, Marxian fan-fiction, ‘social evolution is exasperatingly slow’, sooo sad, Marx’s essay on Napoleon III, a Darwinian model, do we live under an oligarchy?, government regulation (anti-trust and child labour laws), why socialism didn’t take hold in the early 20th century USA, Larry Summers, the Chilean cover of The Iron Heel, Salvador Allende, a novel read by revolutionaries, Science Fiction within the novel, the aesthetic end, the role of religion, the God of the Oligarchs, mostly air with a little bit of vertebra, Chicago, religious revivals and the apocalypse, Azusa Street Revival, the 1906 San Fransisco earthquake, William Randolph Hearst, Patty Hearst, John Waters, Cecil B. Demented, personal charisma and bulletproof arguments, Everhard is a porn star name, Benjamin Franklin, London’s didactic reading, Marx’s surplus theory of value, economy is not a science, power wins, the French Revolution, the Commonwealth of England, George Orwell’s review of The Iron Heel, 1984 is in The Iron Heel, coincidental dates, London’s insight into fascism, too much love from the strong and not enough love for the weak, Eric S. Rabkin, unmanning, ‘designed to be crucified’, father figures are destroyed, the chapter titles, The Call Of The Wild, a powerful beast is unmanned, builds up and builds through interaction with others, a sated king, a dominant primordial beast, The Sea Wolf, reading London is like a shot of adrenalin to the heart, surplus value, colonialism, the machine breakers, the trusts did not advertize, consumerism, Paul Krugman, petty bourgeoisie, the genocide of Chicago, the Paris Commune, gothic wooing, We by Yevgeny Zamyatin, Looking Backward: 2000-1887 by Edward Bellamy, the education of the oligarchy,

“They, as a class, believed that they alone maintained civilization. It was their belief that if ever they weakened, the great beast would ingulf them and everything of beauty and wonder and joy and good in its cavernous and slime-dripping maw. Without them, anarchy would reign and humanity would drop backward into the primitive night out of which it had so painfully emerged.”

excusing colonialism, the white man’s burden, ignoring the starving masses, the Roman Empire, steampunk, Lloyd Blankfein “doing God’s work”, Margin Call, oppositional films, “The Social Network deeply hates Zuckerberg and the online world”, Nine Inch Nails, Michael Douglas, Wall Street, the cleaning lady, why isn’t The Iron Heel more generally appealing to SF readers?, British Space Opera vs. American Space Opera, Commune 2000 A.D. by Mack Reynolds, a broken utopia, job cash vs. job love, the social end of SF, the storytelling technique doesn’t attract, the unsuccessful revolution, Winston Smith’s diary, looking back when writing doesn’t have the same power, the Goldstein Book, brainwashing, the bomb in congress, spy and counterspy, Starship Troopers is a series of lectures punctuated by gunfire, Frank Herbert, “a raving genius”, doing Dune (and Dune Messiah), Chilton Books, the boot crushing the human face forever, the leaky suspense, a Norton critical edition, how to record The Iron Heel, the footnotes are problematic, a crazy wild marvelous book, WWI, WWII, Metropolis, armoured cars or tanks, The Last Man by Mary Shelley, a terrifying future found in a cave written on leaves, A Journal Of The Plague Year by Daniel Defoe, The Scarlet Plague by Jack London, Idiocracy, The Marching Morons by C.M. Kornbluth, on Lenin’s deathbed he was read Jack London, The Cold Equations, To Build A Fire, The Empire Strikes Back,

“The cold of space smote the unprotected tip of the planet, and he, being on that unprotected tip, received the full force of the blow.”

cosmic and Lovecraftian, as snug as a Jedi in a hot tauntaun, Robert Sheckley, Metro 2033 by Dmitry Glukhovsky.

The Iron Heel by Jack London (Viva Allende)

The Iron Heel by Jack London - Capital V. Labour

Posted by Jesse Willis