The SFFaudio Podcast #299 – READALONG: Northanger Abbey by Jane Austen

January 12, 2015 by · 1 Comment
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Podcast

The SFFaudio PodcastThe SFFaudio Podcast #299 – Jesse and Julie Davis talk about Northanger Abbey by Jane Austen.

Talked about on today’s show:
North ANGER! Abbey, this is a comedy, parody and meta-gothic novel, The Mysteries Of Udolpho, an inversion, Jane Austen is hilarious, The Jane Austen Book Club (the movie), documentaries, “its very meta”, her first (and almost) last novel, the advertizement from the authoress, fashions of literature and clothing, Tilney and Thorpe, the price of everything, a braggart, going afoul, a terrible sketch,
A Jane Austen Education: How Six Novels Taught Me About Love, Friendship, And the Things That Really Matter by William Deresiewicz, don’t just believe what everybody teaches you, desperate characters, Pride And Prejudice, letting you think, going along, women are supposed to be passive, a woman’s only right is to refuse, railroaded by stronger personalities, “…born to be an heroine”, a mundane life, Catherine is living her life in the third person as a Gothic romance heroine, 1,000 alarming presentiments, romance subverted, The Mysteries Of Udolpho as a less realistic and hyped up version of Northanger Abbey, the labyrinth is society not Mrs. Radcliffe’s Apennines, Emma, Mrs. Allen, it’s just not done, Isabelle’s master list of Gothic Novels, “there’s nothing I wouldn’t do for someone who isn’t my friend”, an open conversation, “I wish we knew someone here”, she’s 15, true to human nature, the arch narrator, hands and heads in the proper number to go around for all the children, Frederick, I’ve broken with my father, just like in a Gothic novel, the (BBC) audio drama of The Mysteries Of Udolpho, “you should really try Ursula K. Le Guin”, absolutely horrid!, the black wardrobe!, a character sketch (illustrated below), “She seized, with an unsteady hand, the precious manuscript, for half a glance sufficed to ascertain written characters; and while she acknowledged with awful sensations…”, a washing bill!, Eleanor, everything is explained, the volumes, a rushed ending?, the mysterious messenger, Henry’s true character, reining in your own imagination, Washington Irving’s The Legend Of Sleepy Hollow, he’s spooking himself, the description of the birds, the slaves, New York, giving facts and making comments, we are doing a lot of the colouring, the one thing we know about readers is that they read, the reading process, the black veil <-is from The Mysteries Of Udolpho, The Minister’s Black Veil by Nathaniel Hawthorne, a very funny (as in curious) story, Castle Of Otranto by Horace Walpole, supernatural elements, the refinements, the timelessness, Phyllis Whitney, Mrs. Radcliffe, The Oval Portrait by Edgar Allan Poe, what went wrong?, The Turn Of The Screw by Henry James, Herman Melville’s Billy Budd, The Devil To Pay, Sir Walter Scott, H.P. Lovecraft, Georgette Heyer, Northanger Abbey as a modern novel by Val McDermid, a YA novel, Fahrenheit 451, serving as a feeder, everybody is reading these trashy novels, an impassioned defense of the novel, you can’t live your life as if it was a novel, two movie adaptions, the 2007 ITV production, plot shorthand, Lord Byron, something terrible coming out of London, two tombstones and a lantern on the frontispiece, all of Jane Austen’s books have soldiers in them, a timeless focus on the people, when Julie met Jenny, these are characters not plots, sitting at the piano, The Many Lovers of Jane Austen, a Texas convention, with Klingons and Kirks, WWI, cigarettes and something to read, Mansfield Park, Mrs. Allen but with an edge, Juliet Stevenson as a narrator, 170 books read (in 2014), reading speed, a stumbling savourer, The Pickwick Papers by Charles Dickens, solitary reading vs. group reading, trains boost reading, “drawing room reading like singing, piano playing, and card”, scandalous reading, reading out loud, David Timson’s Dickens narrations, dramatic readings, Dickens invented the audiobook, Charles Dickens And The Great Theatre Of The World by Simon Callow, Elizabeth Klett’s reading of Carmilla, oh my!,

I leave it to be settled, by whomsoever it may concern, whether the tendency of this work be altogether to recommend parental tyranny, or reward filial disobedience.

“Who? What? Your love? Well, that’s super”, he was not in the least addicted to locking up his daughters,

“…and he was not in the least addicted to locking up his daughters. Her mother was a woman of useful plain sense, with a good temper, and, what is more remarkable, with a good constitution.”

surrounded by children, they all have to tucked in, they’re genteel, it was wet that day, a good introduction to Jane Austen.

Northanger Abbey - Marvel Comics Adaptation

Catherine Morland - Character Sketches (1892)

Posted by Jesse Willis

The SFFaudio Podcast #298 – AUDIOBOOK: Northanger Abbey by Jane Austen

January 5, 2015 by · Leave a Comment
Filed under: Podcasts 

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #298 – Northanger Abbey by Jane Austen, read by Elizabeth Klett.

This UNABRIDGED AUDIOBOOK (6 hours 55 minutes) comes to us courtesy of LibriVox.org. Jane Austen was first published in 1817.

The next SFFaudio Podcast will feature our discussion of it!

Northanger Abbey by Jane Austen (paperbacks)
Northanger Abbey illustrated by Hugh Thomson
Northanger Abbey illustrated by Hugh Thomson
Northanger Abbey illustrated by Hugh Thomson
Northanger Abbey illustrated by Hugh Thomson

Posted by Jesse Willis

The SFFaudio Podcast #293 – AUDIOBOOK/READALONG: Carmilla by J. Sheridan Le Fanu

December 1, 2014 by · 1 Comment
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Podcast

J. Sheridan Le Fanu's CARMILLA
The SFFaudio PodcastThe SFFaudio Podcast #293 – Carmilla by J. Sheridan Le Fanu; read by Elizabeth Klett (for LibriVox). This is an unabridged reading of the novelette (3 hours 7 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Mr Jim Moon, and Elizabeth Klett.

Talked about on today’s show:
1871, 1872, Elizabeth’s first solo for LibriVox, a per-adolescent kid, Dracula, a novella and not a novel, Dracula is obsessed with its own structure, dictaphone, the manner of the telling, The Dark Blue magazine, the framing device, the Dr. Martin Hesselius framing device, wee have the papers to prove it, not with that ending, so chilling, eight years after the major events, three hundred, Duke Charles, CBS Radio Mystery Theater adaptation, the setting, the nearest inhabited village is twenty leagues away, the ruins of Karnstein, white lilies, swans, perch, in the moat, the story within the story, Spielsdorf’s letter, Millarca and her “mother”, fete, a masked ball, a vampire scam, a glamour on the father, pulling Laura’s father aside, is she glamouring him?, so lonely, giving in to her whim, why don’t the vampires not immediately suck some folk dry?, preying on the village girls, Varney The Vampire, the name as an anagram, the blue mark, the lonely vampire, “you’re going to die into me”, “I live into your warm life and you’ll die sweetly into mine”, Laura has been stalked since she was six, enchanted by the pretty lady, needles, “just a blue spot”, the father and the doctor are shielding Laura, shielding Mina from the truth ends up hurting her, the female characters in both stories are more capable than the male characters give them credit for, religion, the crucifix doesn’t figure into Carmilla, the complicated layering of imagery, Carmilla’s escape from the castle, enclosure, Carmilla can transcend enclosures, transcendent confinement, an extra-transmissive female, the Mountebank peddlar, the little dog, amulets for protection against the oumpire, a very sharp tooth like a fish, a transaction through a window, a liminal space, invading the domestic space, well educated in trickery and juggling, the mountebank half-recognizes Carmillas as a vampire, a clever recipe, Harker’s shaving mirror, Markheim by Robert Louis Stevenson, Carmilla thinks of herself as a product of nature, “all things proceed from nature”, girls as caterpillars while they live in the world, relying on God to take care of us is naive, a post Darwinian perspective, Dracula’s Guest by Bram Stoker, Horror Europa with Mark Gatiss, Nosferatu was nearly destroyed by copyright claims, the invasion of the home, Eric Rabkin, vampires are for aristocrats whereas werewolves are for peasants, The Odyssey as a series of stories about the host-guest relationship, Carmilla’s only virtue is that she’s pretty, Bertha, the striking image of Carmilla crawling onto Bertha’s bed, a phallic sword, there’s no hiding the fact that this is all sex sex sex, The Vampire Lovers, Hammer Horror with nudity, the British Board of Film Censors, “this is literature”, The Killing Of Sister George, Richard LeStrange from Cork, adaptations of Carmilla, the servants, a quick snack on the peasants, bathing in seven inches of blood, Elizabeth Bartolde, floating of coffins in blood, entirely shielded from ghost stories and fairy tales, languorous and dream-like, languorous and languid, a code word for sensual, sated, façade, interest in beauty, metamorphosis, your chrysalis is your coffin, how vampires leave their graves, revenants, Karnstein = fleshstone, out of folklore and into proto-science fiction, turning Laura into a vampire, one of the great questions in Carmilla – who is her mother? who is the man in black, the cuckoo nest scenario, who are these people?, the “broken” carriage charade, the cuckoo in the nest, pushing the other chicks out of the nest, a wonderful horrible story, Laura Palmer in Twin Peaks, a lot of Laura victims, lesbianism and incest, corruption beneath the veil of respectability, why the mother is missing, the doom to come, Morella by Edgar Allan Poe, Ligeia, Berenice, all up in the creepy, all possessing consumption, waiting for the fruit to be ripe, Blood And Roses, the petals of the rose, is it like a venereal disease?, M.R. James, the lens of distance,

“Magia Posthuma,” “Phlegon de Mirabilibus,” “Augustinus de cura pro Mortuis,” “Philosophicae et Christianae Cogitationes de Vampiris,” by John Christofer Herenberg; and a thousand others

the rules for vampires, Count Alucard, the writing itself, vic-fic, the clarity and economy of Le Fanu’s prose, clear but evocative, he doesn’t over-egg the pudding.

Aricel Comics - Carmilla, issue 1

Carmilla by J. Sheridan Le Fanu

Carmilla by J. Sheridan Le Fanu

Carmilla by J. Sheridan Le Fanu

Carmilla adaptation from Creepy Magazine 19

Carmilla - illustration by Lisa K. Weber

Posted by Jesse Willis