Talked about on today’s show:
1915, Blackwood’s Magazine, a propaganda novel, the propaganda ministry, pro-empire, Buchan’s later job, Hitchcock’s The 39 Steps, the Orson Welles adaptation, Mercury Theater, Welles’ propaganda pieces, Nazis invading Canada (Nazi Eyes On Canada), ultima thule, if Operation Sea Lion had worked…, Nazis in Antarctica, Kerguelen Islands, Isle de Crozet, the coolest island ever, Jules Verne, why does our hero go to Scotland?, veldcraft, Greenmantle, Richard Hannay, the comic, Brian thought it was a riot, a brisk read, elegant prose, the BBC Radio documentary on John Buchan, judging everything, “subjective”, coincidences, sooo convienient, the human civilization, The Riddle Of The Sands by Erskine Childers, another sneaky German plot, the Patrick O’Brian books, the invasion novel genre, mining British harbours, u-boats, a shocking incident, Scapa Flow, Winston Churchill, Rogue Male by Geoffrey Household is the WWII version of The Thirty-Nine Steps, Constantine Karolides, war was inevitable, popular in the trenches?, Hannay eats well on the run, cliffhangers, Adrian Praetzelis, a semi-bald archaeologist, Jesse’s dream theory, tired of London …. not enough exercise … lo and behold a murder plot… sleep and dream and wake, a Freudian sense of everything being really nearby, the climax became surreal, Do Androids Dream Of Electric Sheep?‘s fake police station, how to deal with those in between, The Prisoner Of Zenda, “honestly this is impossible”, boys own adventure, James Bond, Dracula, how do these things work in detail, I’m pretty good with disguise, a sign of good writing, villain to do lists, don’t lock the hero in a room filled with explosives, act like you belong there, the roadman scenes, the milkman was a precedent, disguise as psychology, ridiculous of imposture, the speaker at the liberal candidates meetings scene, Australia or free-trade, Asquith, Liberals, free-trade within the empire, as satisfying as a mortician, the eloquence of an emigration agent, a ripping speech Twizden, Hammond, something that always changes is the meaning of the title, the Black Stone (Schwartz Stein), when you’re Lord Tweedsmuir…, Jonathan Harker, ordinance survey maps, the corridors of power, having the power of the British Empire at your back, the reward, doubt about British command, yesterday 100 years ago, the Gallipoli campaign, unilateral disarmament, the secret pact, the French are hyper-competent, playing along, just go over the top, your reward is to go to the Western Front, Greenmantle is the direct sequel, the supremely confident at veldcraft, the Germans had found a Muslim prophet, Islam as a powder-keg, the Mesopotamian campaign, a very personal battle while armies clash, a secret history, Jonathan Strange & Mr Norrell by Susanna Clarke, The Duelists by Joseph Conrad, His Majesty’s Dragon by Naomi Novik, The Red Panda Adventures by Gregg Taylor, Scott Pilgrim Vs. The World, Captain Canuck, Declare by Tim Powers, Kim Philby, Brian’s WWI kick, the Eastern front (Turkey vs. Russia), Duel For Kilimanjaro: Africa 1914-1918, Paul von Lettow-Vorbeck, the opening antisemitism (an international banking conspiracy) is just a smokescreen, crazy conspiracy theories, you only believe the unbelievable tale, a wink to the audience, The Protocols of the Elders of Zion, The United States Of Paranoia by Jesse Walker, the “stab in the back theory”, conspiracies, the Black Hand, seeing the novel in its context, period magazines, stepping into a time machine, having perspective, don’t have secret treaties with France, a landward in Asia, The DaVinci Code, The Grove of Ashtaroth, the Canaanite goddess, Rhodesia, clearing of the land, a weird fiction version of colonialism, Buchan wrote 101 books, Witch Wood (BBC Radio drama), big in to Buchan, Huntingtower, Mr Standfast, The Wasteland by T.S. Elliot, Lovecraft’s parody “Wastepaper”, a pre-modern guy, unthinking ideas, a moral victory over the enemy, panache or élan, Memory Hold-the-Door by John Buchan, Canada’s current Governor General (David Johnston), Hillary Clinton’s autobiography, “chloroform in print”, Mark Twain, Fred’s novel is in beta (The Devil’s Dictum), wait fifty years and read the Wikipedia entry, our assessment of things, Shakespeare was too sad or too gory, why teach Julius Caesar? because it has no sex, the Hugos blew up, Ancillary Justice, changing the markets, Bowdlerizing the past, The Tempest, classic science fiction info dump, Miranda is falling asleep, Mr Jim Moon’s take on The Thirty-Nine Steps, the mystery run-around, the Jason Bourne films, stalking on-the-run travelogue format, Ian Fleming, Dennis Wheatley, a British form of pulp, adaptations, North By Northwest, the 2008 TV adaptation the u-boat in a loch, Alfred Hitchock, The Man Who Knew Too Much, The Ring, the lack of women, adding women, shoveling women into adaptations, it’s all for Fred’s mom, there’s a gun in the pram, Hannay has an afro in the 1978 adaptation, the ministry of espionage, Mr Memory, the comics adaptation, a bridge to far, The Private Life Of Sherlock Holmes, with access to itching powder…, expansive imagination, in the Twilight books the heroine is a complete cipher, WWI books, WWII books, Armed Forces Editions, the post war interest in H.P. Lovecraft, Jack Vance in the South Pacific.
Posted by Jesse Willis
The SFFaudio Podcast #285 – Jesse, Scott, Luke, and Jenny talk about The Girl Who Was Plugged In by James Triptree, Jr.
Talked about on today’s show:
Alice Sheldon, why no audiobook?, how James Triptree, Jr. died, the award, the Virginia Kidd agency, the PDF version, who owns it?, James Tiptree, Jr.: The Double Life of Alice B. Sheldon by Julie Phillips, Her Smoke Rode Up Forever, she was a spy, Racoona Sheldon, a murder/suicide or a suicide pact?, nearly blind, what would Seth think of that?, Huntington D. Sheldon, OSS -> CIA, Cordwainer Smith, Jesse is glad “new wave” is dead, re-reading, you must pay close attention, grammar, a potential audio version, caps and italics, Scott’s proto-cyberpunk, story summary, holographic TV, a “waldo” system, product placement advertizing, the 1998 TV adaptation for Welcome To Paradox (was very faithful), emotional, internal, the weird framing style device, is it NEW WAVE?, J.G. Ballard, an ancient version of the singularity, the reader needs to do a lot more work, Day Million by Frederik Pohl, who is the narrator talking to?, “Listen zombie, believe me…”, the truth is in question, Scott is falling down the Jesse Well, Evel Knievel, media and money, someone goes time traveling, the sharp faced lad, Luke goes biblical, why do we need firm ground?, P. Burke, a media controlled dystopia, post-modern stream of consciousness, its set in the 1970s, “Nixon Unveils Phase 2”, a loopy temporal anomalyizer project, bringing the horrible future into being, investment opportunities, what do people do in this future?, the Wikipedia entry on product placement, “gods”, media consumers, Kyle Marquis @Moochava tweet: “Yearly reminder: unless you’re over 60, you weren’t promised flying cars. You were promised an oppressive cyberpunk dystopia. Here you go.”, dystopic is this?, reserving the word dystopia, “a bad place”, Nineteen Eighty-Four by George Orwell, a world community, “the world is a dystopia for poor people”, buying into it, required consumption, a softer opt-in dystopia, Wool by Hugh Howey, the lack of truth, the six people in the GTX tower, Rupert Murdoch, government control vs. corporate control, biography of Anonymous, Wikileaks, Amazon.com, PayPal, MasterCard, Visa, Russia, Jony Ive, Jeff Bezos, Google, this one person, this relationship, the emotional part of the story, a suicide attempt, “her eyes leak a little”, the godlings, media stars, Fahrenheit 451 by Ray Bradbury, the family and the fourth wall, a tax-dodge marriage, the narrator is full of contempt for everything, a soap opera and the show around that, Jean Harlow‘s story, the actress in that movie vs. the person in that life, her Prada bag, her Jimmy Choo, her iPhone 6, the meta-story, the movies remind us why they’re famous, South America, they’re just shows that happen to love soap (not soap operas), another allusion, Green Mansions by William Henry Hudson, Rima the Bird Girl, Audrey Hepburn, tragic end, “your brain is a dystopia for you”, tragedy, what of the empty body?, the best expression of the system, a plastic brain, a red herring?, was she trying to kill her biological body?, plugged in emotionally, I Will Fear No Evil by Robert A. Heinlein, old man becomes young woman, grandfatherly lust, P. Burke thinks she is Delphi, The Matrix, if this is the start of the technology, The Beautiful People by Charles Beaumont, Scott Westerfeld’s Uglies series, vat-grown avatars, Wii miis, World Of Warcraft, Team Fortress 2, unique trumps beauty, the second smartest man in the world, scars are cool, trans-humanism, did anyone enjoy this book (story)?, Jenny loves this story, Scott liked it, the value of short fiction, James Triptree, Jr. writing is not like other people’s, it feels like an artifact, hey you daddy-o, Luke is the dissenting voice, Luke doesn’t like short fiction very much, Rudy Rucker’s Software and Wetware, Cory Doctorow, the futuristic patois, Luke doesn’t like the punk in cyberpunk, “it kind of just flops there”, KCRW’s Bookworm, Reading Like A Writer by Francine Prose, using people, “the real hairy thing…love?”, the narrator’s cynicism, Isaac Asimov’s thoughts on New Wave, New Wave as the literary version of SF, style over content, what Rudy Rucker was doing, what is the first cyberpunk book?, Anne McCaffrey’s short story The Ship Who Sang, what it’s not, who wants straightforward?, addressing the reader directly, Peter Watts, infodumping, “As you know Jim…”,
On this day I want to tell you about, which will be about a thousand years from now, there were a boy, a girl and a love story. Now although I haven’t said much so far, none of it is true. The boy was not what you and I would normally think of as a boy, because he was a hundred and eighty-seven years old. Nor was the girl a girl, for other reasons; and the love story did not entail that sublimation of the urge to rape and concurrent postponement of the instinct to submit which we at present understand in such matters. You won’t care much for this story if you don’t grasp these facts at once. If, however, you will make the effort, you’ll likely enough find it jam-packed, chockfull and tiptop-crammed with laughter, tears and poignant sentiment which may, or may not, be worth while. The reason the girl was not a girl was that she was a boy.
“There’s a great future there”, All You Zombies by Robert A. Heinlein, it’s not a time travel story?, newspapers, typewriters, telegrams, has writing gotten worse or is it just evolving?, brid -> bird, Luke thinks it’s all cyclical, this is just another princess, this is Princess Diana’s story, we are complicit, the message, everyone should have to read the news in a second language, being two steps removed from current events, the value of the short story (it’s short), speed dating books, good luck.
Posted by Jesse Willis
Talked about on today’s show:
Jenny is not an economist, a Heinlein vibe, God Emperor Of Dune, The first half of this book is talk, a terrible novel but an interesting book, The Moon Is A Harsh Mistress, the distancing narrators, 700 years into the future, the audience is for seven hundred years in the future (or is that six hundred), prizefighting, grub = food, the purpose of the footnotes, The Sleeper Awakes by H.G. Wells, Avis Everhard, alternate history, Michael Bishop, an underground book, an underground society, that Buck Rogers stuff, Armageddon—2419 AD by Philip Francis Nowlan, exchanging socialism for the Yellow Peril, Asgard, Seoul, set in the year 419 B.O.M. (Brotherhood of Men), A Thousand Deaths by Jack London, The Island Of Doctor Moreau, predictions, war with Germany, a surprise attack on December 4th, William Randolph Hearst, war economy as a solution to national surplus, Trotsky’s letter to Jack London, London had good reason to be a socialist, work conditions and natural disasters, a chaotic time, Jackson’s arm, race vs. class, Jack London’s racism, The Heathen by Jack London, the dog stories, class consciousness, grinding out the middle class between the 1% and the people of the abyss, The Shadow And The Flash by Jack London, manly overachievers, oligarchy doesn’t use race to divide people, do you want you fruit to be picked or not?, Japanese segregation in California classrooms, Canadian politics, Cooperative Commonwealth Federation, Franklin D. Roosevelt, John Steinbeck, ‘temporarily embarrassed millionaires’, the quote attributed to Abraham Lincoln:
“I see in the near future a crisis approaching that unnerves me and causes me to tremble for the safety of my country… corporations have been enthroned and an era of corruption in high places will follow, and the money power of the country will endeavor to prolong its reign by working upon the prejudices of the people until all wealth is aggregated in a few hands and the Republic is destroyed.”
Dwight D. Eisenhower, “the military-industrial complex”, Eugene Debs, why was The Iron Heel not more popular?, The Black Hundreds, Das Kapital, Marxian fan-fiction, ‘social evolution is exasperatingly slow’, sooo sad, Marx’s essay on Napoleon III, a Darwinian model, do we live under an oligarchy?, government regulation (anti-trust and child labour laws), why socialism didn’t take hold in the early 20th century USA, Larry Summers, the Chilean cover of The Iron Heel, Salvador Allende, a novel read by revolutionaries, Science Fiction within the novel, the aesthetic end, the role of religion, the God of the Oligarchs, mostly air with a little bit of vertebra, Chicago, religious revivals and the apocalypse, Azusa Street Revival, the 1906 San Fransisco earthquake, William Randolph Hearst, Patty Hearst, John Waters, Cecil B. Demented, personal charisma and bulletproof arguments, Everhard is a porn star name, Benjamin Franklin, London’s didactic reading, Marx’s surplus theory of value, economy is not a science, power wins, the French Revolution, the Commonwealth of England, George Orwell’s review of The Iron Heel, 1984 is in The Iron Heel, coincidental dates, London’s insight into fascism, too much love from the strong and not enough love for the weak, Eric S. Rabkin, unmanning, ‘designed to be crucified’, father figures are destroyed, the chapter titles, The Call Of The Wild, a powerful beast is unmanned, builds up and builds through interaction with others, a sated king, a dominant primordial beast, The Sea Wolf, reading London is like a shot of adrenalin to the heart, surplus value, colonialism, the machine breakers, the trusts did not advertize, consumerism, Paul Krugman, petty bourgeoisie, the genocide of Chicago, the Paris Commune, gothic wooing, We by Yevgeny Zamyatin, Looking Backward: 2000-1887 by Edward Bellamy, the education of the oligarchy,
“They, as a class, believed that they alone maintained civilization. It was their belief that if ever they weakened, the great beast would ingulf them and everything of beauty and wonder and joy and good in its cavernous and slime-dripping maw. Without them, anarchy would reign and humanity would drop backward into the primitive night out of which it had so painfully emerged.”
excusing colonialism, the white man’s burden, ignoring the starving masses, the Roman Empire, steampunk, Lloyd Blankfein “doing God’s work”, Margin Call, oppositional films, “The Social Network deeply hates Zuckerberg and the online world”, Nine Inch Nails, Michael Douglas, Wall Street, the cleaning lady, why isn’t The Iron Heel more generally appealing to SF readers?, British Space Opera vs. American Space Opera, Commune 2000 A.D. by Mack Reynolds, a broken utopia, job cash vs. job love, the social end of SF, the storytelling technique doesn’t attract, the unsuccessful revolution, Winston Smith’s diary, looking back when writing doesn’t have the same power, the Goldstein Book, brainwashing, the bomb in congress, spy and counterspy, Starship Troopers is a series of lectures punctuated by gunfire, Frank Herbert, “a raving genius”, doing Dune (and Dune Messiah), Chilton Books, the boot crushing the human face forever, the leaky suspense, a Norton critical edition, how to record The Iron Heel, the footnotes are problematic, a crazy wild marvelous book, WWI, WWII, Metropolis, armoured cars or tanks, The Last Man by Mary Shelley, a terrifying future found in a cave written on leaves, A Journal Of The Plague Year by Daniel Defoe, The Scarlet Plague by Jack London, Idiocracy, The Marching Morons by C.M. Kornbluth, on Lenin’s deathbed he was read Jack London, The Cold Equations, To Build A Fire, The Empire Strikes Back,
“The cold of space smote the unprotected tip of the planet, and he, being on that unprotected tip, received the full force of the blow.”
cosmic and Lovecraftian, as snug as a Jedi in a hot tauntaun, Robert Sheckley, Metro 2033 by Dmitry Glukhovsky.
Posted by Jesse Willis
Coast To Coast AM: Interviews with Paul Di Filippo, Joe Haldeman, Lois McMaster Bujold, and Larry Niven
Coast To Coast AM, a long running overnight U.S. based conspiracy show has aired a nearly three hour long episode featuring interviewing with Paul Di Filippo, Joe Haldeman, Lois McMaster Bujold, Larry Niven.
Niven explains the basic premises behind Ringworld, Protector, The Soft Weapon, The Long Arm Of Gil Hamilton, The Draco Tavern, Lucifer’s Hammer – as well as 1984, The Marching Morons, The Moon Is A Harsh Mistress. Early on Technovelgy.com gets a shout out too.
Here’s the official description:
Saturday June 22, 2013
John B. Wells welcomed four highly respected science fiction authors: Larry Niven, Joe Haldeman, Lois McMaster Bujold, and Paul Di Filippo. They discussed their respective works, and how sci-fi can help us predict the future.
Host: John B. Wells
Posted by Jesse Willis
Maissa Bessada’s The Destiny Of Special Agent Ace Galaksi is very hard to tell you about. It’d be easy to say the show is just bonkers, but that’d give you the idea that it doesn’t work on a certain level that it really does. The plot is nonsensical, in the way that some of Philip K. Dick’s are. But If I said it was like a Philip K. Dick plot that’d give you absolutely the wrong idea. The Destiny Of Special Agent Ace Galaksi is far more like the Goon Show than PKD.
The Destiny Of Special Agent Ace Galaksi is naive, sharp, amateurish, polished, bizarre, insightful, childish, wise, ridiculous, and hilarious. I’ve been listening to the six half hour episodes over and over for the last three weeks and I still honestly don’t know exactly what to make of it or how even to really describe it – other than to say I like it a whole lot and I want Maissa Bessada to be my friend.
We may have to look at The Destiny Of Special Agent Ace Galaksi as a kind of work of genius, something to marvel at, something to experience. There’s a kind of damn the torpedoes specificity to the details of this show that make it an impossible project to imagine got made. And yet here it is, like a very weird dream come alive, The Destiny Of Special Agent Ace Galaksi seems to have come from an alternative universe.
But I don’t want to scare you off, it a weird experimental audio drama, in fact it’s pretty conventional, and first and foremost it’s a comedy. So let me invite you in.
Think of the great comedic audio dramas: The Hitchhiker’s Guide To The Galaxy, The Scarifyers, Steve, The First or Dick Dynamo: The Fifth Dimensional Man.
You’d say yeah, it’s a comedy like those. But then I’d say to you that, unlike Hitchhiker’s, this one’s really zany! Zany on multiple levels. And that, unlike Scarifyers, this one’s a Science Fiction comedy, that it’s really not very much interested in how things are, as much as how they could be! There’s no periodicity to it. And that, unlike Steve, this one, though totally and utterly Canadian, is full of international flavouring! And unlike Dynamo, the titular character is the straight-man to the off-the-rails flowing crazy funny world.
The Destiny Of Special Agent Ace Galaksi is crazier than a patchwork quilt of all of those shows gliding through puffs of time and space.
And although they are really completely and wholly different in every possible way The Destiny Of Special Agent Ace Galaksi reminded me most of was The Adventures of Sexton Blake. It’s not the word play, nor the lunatic pacing, it’s more the characters. And yet, the comparison still falls completely apart.
Indeed, the ears you need to appreciate The Destiny Of Special Agent Ace Galaksi require you to throw out your basic assumptions. They require a paradigmatic shift within you, an unencumbered embrace of the unfamiliar and hilarious, a removal of expectations, an open mind.
The Destiny Of Special Agent Ace Galaksi is an audio drama that cares most about the weird story that it is weirdly telling. It’s really, really fun.
Here’s the official premise:
After a comet of unknown origin crashes through one of God’s recycling piles, a new planet, Traa Laa Laa, forms in the aftermath. Created from a little bit of this and a little bit of that, the beings on that planet have the ability to change shape. It is CSIS special agent Ace Galaksi’s destiny to discover that those shape-changing extraterrestrials have been visiting Earth since time immemorial – and that some of those visitors left artifacts behind. One of those artifacts is as small as a seventy million year old tennis ball, another as big as the great pyramid of Giza. Certain peculiarities about the artifacts lead Ace to some startling discoveries about the very nature of existence. Unfortunately Ace Galaksi’s destiny is unclear as to whether or not he’ll be able to stay ahead of world government plots to ensure he keeps his findings to himself – permanently.
Sez scripter Maissa Bessada:
“After completing the novel version of Ace Galaksi, I realized the work had great potential as an audio play. I re-wrote it as a series of scripts, hired several talented, highly versatile actors and a Juno award winning, retired CBC producer. The show was complete. Fantastic! For about a split – or as those of us with a sci-fi bent would have it – nano-second. Then I realized that having an entertaining, thought-provoking show online wasn’t the end of my work, it was only the beginning. The next challenge was finding an audience for it.
A few weeks ago I was introduced to your podcast. In one episode Scott said in passing, ‘The best audio drama is better than a movie.’ I stopped in my tracks. (I was listening while walking the dog) and told the dog and whatever squirrels and trees that would pay attention, ‘The best audio drama is better than a movie – I couldn’t agree more!’
I’d love for you guys to listen to my show. People that choose to enjoy sci-fi in an audio format – I feel like a stranger in a strange land who has finally found home.”
Leave a comment, tell me what you think of this show.
Posted by Jesse Willis
There’s a terrific radio drama series available via torrent over on RadioArchive.cc.
Broadcast late last year on BBC Radio 4, December 17 – 21, 2012, Modesty Blaise: A Taste For Death is truly lovely listening!
I listened to the entire five part serial two or three times. That’s something I rarely do. Yet even after multiple listens this program has left me wanting more.
Blaise, as voiced by Daphne Alexander, is a confident, mysterious, and thoughtful secret agent. The supporting cast is top shelf, as is the sound design, editing, and music. This show is unmissably great.
In tone it’s probably not what you expect, being more of a cozy version of The Sandbaggers than a feminized James Bond. Not campy, exactly, as it is far too reverent for that.
Indeed, this particular adventure features far more than just 007 style espionage, romance, and action – it features friendship, teamwork, kindness, thoughtfulness, and a light-handed touch.
Best of all the producers aren’t at all above teasing the audience – the very first sounds from episode one are a total tease!
I love it.
Also cool, Modesty Blaise: A Taste For Death seems to be set in the period the novel of the same name was written (1969). Blaise, a child escapee from a WWII era displaced person camp, drives a “Jensen” (in my mind it’s a Jensen Interceptor).
Here’s the description from RA.cc:
She’s glamorous, intelligent, rich and very, very cool. Modesty Blaise has been called the female James Bond but she’s much more interesting than that. With her expertise in martial arts and unusual weapons, the ability to speak several languages and her liking for fast cars, twenty-something Modesty became a female icon long before the likes of Emma Peel, Lara Croft, or Buffy.
In Stef Penney’s brand new radio adaptation of Peter O’Donnell’s novel, Sir Gerald Tarrant, Head of a secret British agency, tempts Modesty out of retirement and into a job involving a young woman with extra sensory powers, an exotic desert location, and a larger than life public school villain, intent on murdering his way to a vast fortune. With its perfect cocktail of glamorous settings, hidden treasure, a twisting turning plot, and characters to root for, A Taste for Death is an action packed treat – and a guilty pleasure.
With an original score by Goldfrapp’s Will Gregory, arranged by Ian Gardiner, and performed by the BBC National Orchestra of Wales, conducted by Ben Foster.
Modesty Blaise ….. Daphne Alexander
Willie Garvin ….. Carl Prekopp
Sir Gerald Tarrant ….. Alun Armstrong
Simon Delicata ….. Sam Dale
Steve Collier ….. Geoffrey Streatfeild
Dinah Pilgrim ….. Samantha Dakin
McWhirter ….. Alex Fearns
Skeet Lowry ….. Jeff Mash
Sir Howard Presteign ….. Nigel Anthony
Produced and Directed by Kate McAll
Modesty Blaise’s comics origin:
And here’s the movie trailer, yikes!
Posted by Jesse Willis