The Dragonbone Chair (Memory, Sorrow, & Thorn #1)
By Tad Williams; Narrated by Andrew Wincott
Publisher: Penguin Audio
Publication Date: 5 July 2016
[UNABRIDGED] – 33 hours, 19 minutes
Themes: / fantasy / sorcery /
A war fueled by the dark powers of sorcery is about to engulf the peaceful land of Osten Ard – for Prester John, the High King, slayer of the dread dragon Shurakai, lies dying. And with his death, an ancient evil will at last be unleashed, as the Storm King, undead ruler of the elvishlike Siti, seeks to regain his lost realm through a pact with one of human royal blood. Then, driven by spell-inspired jealousy and hate, prince will fight prince, while around them the very land begins to die.
Only a small scattered group, the League of the Scroll, recognizes the true danger awaiting Osten Ard. And to Simon – a castle scullion unknowingly apprenticed to a member of this League – will go the task of spearheading the quest for the solution to a riddle of long-lost swords of power…and a quest that will see him fleeing and facing enemies straight out of a legend maker’s worst nightmares!
This is the first book in a trilogy from Tad Williams. The story was originally published in the late 1980’s, and it’s good to finally have it available in audio. The audio is likely coming in advance of a new trilogy from Williams, a sequel to the Memory, Sorrow, and Thorn trilogy that this book is the first in.
The book is set in Williams’ world of Osten Ard, and from what I can tell (based on the names and words used in the book), Osten Ard is a Nordic country/world. This first book, The Dragonbone Chair, is a sort of coming of age tale for main character Simon, as he struggles to survive in a world that’s rapidly changing.
The main story arc is familiar to those who read a lot of fantasy, or those familiar with Joseph Campbell’s writings on mythology. In the first part of the book, the reader (listener, in my case) is introduced to the world of Osten Ard, specifically Hayholt Castle, where Simon is born and raised. His father is mysterious and his mother died in childbirth, Simon works as part of the serving staff in the castle under King John Presbyter. As a teenager, Simon begins to take instruction from the wizard Morganes, and through this lens the reader learns a lot of the history of the world.
When the king dies, though, and his eldest son Elias takes over ruling the land, the world seems to turn. There is a drought and plague, and the roads no longer seem safe. Some blame this on Elias’ advisor, the red priest Pyrates. Elias’ brother, Josua, is one of those, and escapes the Hayholt to head north to gather troops to take on Josua. Morganes and Simon help Josua escape, and Morganes dies in punishment from Elias, allowing Simon to escape into the world to try to join Josua. Thus begins Simon’s adventure and growth into a man as he struggles to survive in a very difficult time in the world of Osten Ard.
On his travels, he meets a troll, Binabik, and accidentally saves a “Sithi,” one of the old race from the north of Osten Ard. Binabik becomes his traveling companion and they make their way to Josua. When they arrive, an old priest reveals that the terrors being wrought upon the world are the work of the spirt of Ineleuki, a terrible magician from 500 years prior. The northerners fear that the end of the world is near if they cannot stop this black magic. Here, the reader learns about three swords that, united, may be able to turn the tide. One sword, Sorrow, is in Elias’ posession. Another, Minneyar (Memory?), is lost, and the third, Thorn, is believed to be even farther north in the land of what remains of the Sithi and the trolls (two different races). Simon begins a second quest, along with Binabik and some men from Josua’s court, to find this third sword, while evil remains in the world and Elias mounts an attack on Josua.
The story, while familiar, is engrossing. Having read some of Williams’ other works, I’ve found that there are times that they can feel a little plodding, a little drawn out. The Dragonbone Chair never felt this way. Scenes move swiftly and there is always action. Fighting scenes kept me on the edge of my seat and nervous for what would happen next. I also enjoyed looking for parallels in this work to others, such as the tales of King Arthur, as well as trying to piece together what would be next in store for the heroes, just as they were piecing it together.
Unfortunately, the combination of the narrator’s accent and the “odd” names/places in the book made it difficult to understand at times, while listening. Sometimes, too, the narrator at times overdid the accent and/or spoke quietly (because the character was speaking quietly). I was glad that I had the physical book (a copy I’d picked up a few years ago in a book exchange) to refer to and keep track of what was being said. I think that when I listen to the next book in the series, I’ll purchase the ebook to follow along, as needed. I think Wincott did a great job with the narration, even if it was difficult to understand at times. His voice reminds me of some of the British narrators who sound a little bit like someone’s grandfather, reading a story aloud.
Despite the difficult place and character names, and even if some of the fantasy arc was “typical,” I really enjoyed this story, this introduction to the weird world of Osten Ard. I can’t wait for the next book to be released in audio.
Posted by terpkristin.kristin
Reading, Short And Deep #040
Eric S. Rabkin and Jesse Willis discuss The Night Wire by H.F. Arnold
Here’s a link to a PDF of the story.
The Night Wire was first published in Weird Tales, September 1926.
Podcast feed https://sffaudio.herokuapp.com/rsd/rss
Posted by Scott D. Danielson
The Waking Fire (The Draconis Memoira, Book 1)
By Anthony Ryan; Narrated by Steven Brand
Publisher: Penguin Audio
Publication Date: 5 July 2016
[UNABRIDGED] – 22 hours, 34 minutes
Themes: / fantasy / epic fantasy / magic /
Throughout the vast lands controlled by the Ironship Trading Syndicate, nothing is more prized than the blood of drakes. Harvested from captive or hunted Reds, Greens, Blues, and Blacks, it can be distilled into elixirs that bestow fearsome powers on the rare men and women known as the Blood-blessed.
But not many know the truth: that the lines of drakes are weakening. If they fail, war with the neighboring Corvantine Empire will follow swiftly. The Syndicate’s last hope resides in whispers of the existence of another breed of drake, far more powerful than the rest, and the few who have been chosen by fate to seek it.
Claydon Torcreek is a petty thief and an unregistered Blood-blessed who finds himself pressed into service by the Protectorate and sent to wild, uncharted lands in search of a creature he believes is little more than legend. Lizanne Lethridge is a formidable spy and assassin facing gravest danger on an espionage mission deep into the heart of enemy territory. And Corrick Hilemore is the second lieutenant of an Ironship cruiser whose pursuit of ruthless brigands leads him to a far greater threat at the edge of the world.
As lives and empires clash and intertwine, as the unknown and the known collide, all three must fight to turn the tide of a coming war – or drown in its wake.
Executive Summary: A great start to a new series. It blends a lot of different things together in an interesting way to feel original. I’m really looking forward to see where he takes things from here.
Audiobook: Steven Brand is a great narrator. He reads with good inflection, and does a few voices. In the past my main complaint about him has been he speaks too quietly. He’s either fixed that, or the people making the books are adjusting his volume up to make him a lot easier to hear than past books I’ve listened to.
I absolutely loved both Blood Song and Tower Lord. It’s possible that it made it impossible for me to love Queen of Fire. Either way, I was disappointed enough in that book, that I was reluctant to pick this one up. I had planned to wait on reviews from people I trusted to come out before getting it. Then a review copy fell into my lap.
This book is kind of a hodge podge of several things I love: Mistborn, Indiana Jones, James Bond, and Dragons. And if that’s not enough there is also high sea adventure, and pirates! That may sound like a mess, but Mr. Ryan does a great job in blending those elements together. I also can’t guarantee all of those things were influences on this book, but they are things I thought about as I was reading.
Mistborn has one of my all time favorite magic systems. This one feels similar, only a little less structured, and with only 4 known types of abilities. The main similarity is the idea of imbibing something in order to do magic, and that only a small number of people are born with the ability. Beyond that they are quite different.
My favorite character is Lizanne, who is basically Jane Bond. Her story line was always my favorite, and I really want to know more about the training she went through. I hope we get some flashbacks or possibly her training new recruits in future books, but then I’m a sucker for the magic school trope.
Clay was also a great character, and a more reluctant protagonist then Lizanne. His story was reminiscent of an Indiana Jones story, with him being basically nothing like him. If anyone is Jones it’s maybe his uncle.
The final protagonist, Lt. Hilemore was enjoyable enough, but I spent much of the book wondering how his story fit in with the other two. Rest assured it’s made clear by the end of the story, but it takes awhile. That doesn’t mean his story wasn’t interesting, it just felt disconnected from the rest of the book for me. With him you get high seas battles and pirates!
None of that even scratches the surface of the great supporting cast. Each subplot has it’s own supply of interesting characters. And if 3 interesting protagonists influenced by different elements, and a great supporting cast isn’t enough. There are Dragons. And really, isn’t that enough?
Overall, I’m glad I got this is a review copy because I really enjoyed this book. I just hope he can take his time on the sequels because I felt like his last book suffered from rushing to completion to meet a deadline. I love getting new books in a series once a year, but I’m willing to wait longer if the author needs more time. I’m hoping he’ll be able to bring this to a more satisfying conclusion than his previous series.
Review by Rob Zak.
Reading, Short And Deep #028
Eric S. Rabkin and Jesse Willis discuss The Storyteller by Saki (aka H.H. Munro)
Here’s a link to a PDF of the story.
The Storyteller was first published in Beasts And Super-Beasts (1914).
Podcast feed https://sffaudio.herokuapp.com/rsd/rss
Posted by Scott D. Danielson
Robin Of Sherwood: The Knights Of The Apocalypse
By Richard Carpenter; Performed by a full cast
2 Hours – CD or Digital Download [AUDIO DRAMA]
Publisher: Spiteful Puppet
Published: June 30, 2016
England in the reign of King John and a dark force is intent on conquest. Only the hooded man can stand against it… The church lies impotent at the mercy of the Pope and the interdict against the kingdom. With the people living in fear and a series of disappearances that threaten the very fabric of noble society, Robin ‘i’ the hood and his band of outlaws must race to rescue the past so that the future may be protected. A journey to Huntingdon and beyond Sherwood will see them battle their most dangerous enemy yet as Herne’s son faces The Knights of the Apocalypse…
If you close your eyes you’ll see it – it being a new two part episode of the classic ITV television series Robin Of Sherwood, minus the grainy 16mm film stock. From the opening Clannad theme – you’ll see it all – that brightly lit forest green, those grey stone castles and churches, the flashing swords, the flying arrows. You’ll of course hear them all too.
Early into The Knights Of The Apocalypse we learn that England is suffering under the “Interdict”, a punishment of all of England for King John’s offence of the Catholic Church. This really happened. The titular Knights of the Apocalypse, though fictional, are said to be a breakaway branch of the Knights Templar – and the ultimate historical destruction of the Templars is very effectively retroactively-foreshadowed in this production.
The two hours, in two parts, had me struggling with the heroes, thinking deep thoughts, rallying against the heavy hand of oppression, chuckling at the baddies, laughing with the heroes, worried at what might possibly happen next, then heart-warmed, and ultimately delighted at the lightfooted sweep all the little details added up to. This is an epic as big as The Swords Of Wayland and as revolutionary as Robin Hood And The Sorcerer.
Barnaby Eaton-Jones, the producer, seems to have made it his mission to make The Knights Of The Apocalypse as true to the original show as humanly possible. Soliciting initial funding using an indiegogo campaign, Eaton-Jones paired a script by the now deceased Richard Carpenter, Robin Of Sherwood‘s creator (he also wrote some of the show’s finest episodes), and tracked down every living member of the original cast to this production. The result is truly tremendous! It is amazing to hear the voices of that old cast once again – Mark Ryan (the brooding Saracen swordsman Nasir), Ray Winstone (forever the hot-headed Will Scarlet), Clive Mantle (smiling and gentle Little John), Jason Connery (that noble second incarnation of Robin, the hooded man), curly haired Judi Trott (voicing the summer maid of Sherwood, Marian), Phil Rose (the friendly friar, Tuck), and Peter Llewellyn Williams (Much, the simple miller’s son).
A lot of folks probably think of Alan Rickman as the most iconic Sheriff of Nottingham – he was terrific – but for me the worst (and by that I mean best) Sheriff of Nottingham will always be Nickolas Grace. Grace is back to his old tricks; playing that cowardly cartoon of law, that malefactor of injustice, all the while wonderfully dripping contempt and venom from every sour word. We get Grace in several scenes, including some with his equally contemptible brother, the Abbot Hugo, played wonderfully once again by Philip Jackson. A few of the voices are new, filling in for the deceased Robert Addie (Guy of Gisbourne) and Daniel Abineri (Herne, now played by his son). But we also get some audio drama stars like Colin Baker and Terry Molloy playing guest villains.
The Knights Of The Apocalypse is a magical experience. Its story will satisfy, so much so that it could slip-in right next to that final TV episode that aired June 28, 1986. No, this is not a reboot, not re-imagining, not a rerun – this is a reunification. You’ll be reunited in righteous camaraderie with the merry folk of Sherwood – doing the work that must be done, for the good of the people, and breaking the law as needs must.
In reading some of the other early reviews I think they’ve short-shrifted both the historicity and the timeliness (or maybe the timelessness) of what’s going on in The Knights Of The Apocalypse. This really isn’t just a story about how a cute cult TV show got a little fan service 30 years after the last episode aired. No, this is a story about power, politics, economics, about religion. This is a story about class and class struggle, human virtue and human vice. For who is King John, that off-screen terror, if not the hubristic government the governs for the rich and not for all? Who is the Sheriff of Nottingham if not a cynical functionary enforcing the unjust laws unequally, and for his own gain? And why is it, exactly, that an old folktale about a band of heroes who break the law for the good of the people so very, very resonant exactly 30 years (or approximately 550 years) after they were first told?
Here’s a recent piece of publicity:
Posted by Jesse Willis
In the city of Sharakhai, Çeda fights in the pits to scrape by a living. She, like so many in the city, pray for the downfall of the cruel, immortal Kings of Sharakhai. Then on the holy night when the powerful yet wretched creatures known as the Asirim wander the city and take tribute in order to protect the Kings, one of them tells Çeda the origin of their dark bargain. And this dangerous secret may be the very key she needs to throw off the iron grip the Kings have had over Sharakhai….
Stunning, immersive world………………check
Deep, rich history……………………..check
So why only 3 stars if this books scores so well on so many levels? Well, it comes down to the characters. I really didn’t feel much for them. Ceda starts out really cool and compelling. She’s the mysterious “White Wolf” who beats the crap out of an abuser in the fighting pit. How much cooler can you get?
But then as the story moves on, she pretty much gets her butt handed to her by just about every single person. She’s not clever and doesn’t say clever things, and she’s, frankly, annoying after a while.
Emre is the other main character and he’s equally as bland. He’s got a great history and great reasons to be a great character, he grew up on the street, helped save Ceda from the street and had it rough. But there’s not much to him. He seems to have trained Ceda in being boring and that’s it.
Now, the ending to this book is great, but had I not listened to this on audiobook I don’t know if I ever would have gotten this far.
And speaking of the audio, the narrator, Sarah Coomes, did do an excellent job. Her accents were, for the most part, on point although she has a tendency to make all older men sound just about the same, not to mention older women, especially seers or spiritual types. They sounded just about the same.
On the whole, I was really impressed with this book … until I started getting bored and the more I started to get bored the more I realized it was because of the main characters, I just didn’t care if they achieved their goals or not and only slightly cared whether they lived to do it or not.
Posted by Bryce L.