Reading, Short And Deep #060- Two Friends by Guy de Maupassant

March 29, 2017 by · Leave a Comment
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Podcast

Reading, Short And DeepReading, Short And Deep #060

Eric S. Rabkin and Jesse Willis discuss Two Friends by Guy de Maupassant

Here’s a link to a PDF of the story.

Two Friends was first published (in French) in Gil Blas, February 5, 1883.

Podcast feed https://sffaudio.herokuapp.com/rsd/rss

Posted by Scott D. Danielson

The SFFaudio Podcast #381 – AUDIOBOOK: Scaramouche by Rafael Sabatini

August 8, 2016 by · Leave a Comment
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Podcast

Scaramouche by Rafael Sabatini

The SFFaudio PodcastThe SFFaudio Podcast #381 – Scaramouche by Rafael Sabatini, read by Gordon Mackenzie.

This UNABRIDGED AUDIOBOOK (16 hours 50 minutes) comes to us courtesy of LibriVox.

Scaramouche was first published in 1921.

The next SFFaudio Podcast will feature our discussion of it!

Scaramouche by Rafael Sabatini

Posted by Jesse Willis

Reading, Short And Deep #017 – The Wolf by Guy de Maupassant

June 1, 2016 by · Leave a Comment
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Podcast

Reading, Short And DeepReading, Short And Deep #017

Eric S. Rabkin and Jesse Willis discuss The Wolf by Guy de Maupassant

The Wolf was first published in French in 1889.

Here’s a link to the PDF of the story.

Podcast feed https://sffaudio.herokuapp.com/rsd/rss

Posted by Scott D. Danielson

The SFFaudio Podcast #234 – AUDIOBOOK/READALONG: Who Knows? by Guy de Maupassant

October 14, 2013 by · Leave a Comment
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Podcast

The SFFaudio PodcastThe SFFaudio Podcast #234 – Who Knows? by Guy de Maupassant; read by Mark Turetsky. This is a complete and unabridged reading of the story (39 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Mark Turetsky, and Professor Chris Coski of Ohio University.

Talked about on today’s show:
One of the last Guy de Maupassant stories, fantasy podcasts, what genre is this story?, the mysterious, the macabre, the morbid, do we buy the narrator’s story?, Am I Insane? by Guy de Maupassant, the events that happen are insane, a horror story?, a satire of Gothic horror, it is a ridiculous premise, a mental institution, is he lying?, is he deluded?, the servants, very thorough thieves, the title, Maupassant is intentionally ambiguous, there’s always a grain of the opposite, a syphilitic brain crafts a masterful short story, is it a true-ish story?, Maupassant was kind of a loner, boating among other things, Maupassant liked his solitude, touring all the European cities, THE SIGN OF DEATH PRECEDES STRANGE EVENTS, “several hours”, if the furniture is taking the place of other people…, affection for objects, The Golden Braid (aka The Tress Of Hair), falling in love with an object, the writing desk and its contents, where did the writing desk go?, his letters his papers, his personal history is now gone, deracinate , visiting new places, the history of his heart, the photographs, his emotional life, the furniture is the mental faculties, the house is him,

“Then I suddenly discerned, on the threshold of my door, an armchair, my large reading easy-chair, which set off waddling [LIKE A DUCK]. It went away through my garden. Others followed it, those of my drawing-room, then my sofas, dragging themselves along like [CROCODILES] on their short paws; then all my chairs, bounding like [GOATS], and the little foot-stools, hopping like [RABBITS].”

his desk is like a wife who’s trying to run away, the repeated refrains, “imagine my feelings”, you stop being the reader and become a participant, the revolver, marauders, the doors are alive too, Rouen, his arms were there, gun nuts, the presentiments, the river Robec, the black nauseous waters, the second hotel scene mirrors the first, is the hotel an asylum, you found your mental faculties, he checks himself in (to the hotel and the asylum), are you a private gentleman?, is the asylum is a prison?, the fat bald little yellow bearded man from Rouen with a head like a moon, grammatically it doesn’t make sense, ambiguity, THE MOON, the witch’s sabbath crescent, the play “beautiful music and fairy life drama”, he’s had a spell cast on him, “a serious accident would certainly take place”, a paralytic stroke, the sound from outside his body, a humming, trains passing, clocks, marching multitudes, “the big one”, the crescendo, “Signad” in Swedish means “designed”, Sigurd, the ring cycle, dwarves, fantasy and reality mixing, were the cops playing along?, “this house communicates with it’s neighbors”, very weird, Jesse’s tweeted dream explanation: “Dreamt an explanation for WHO KNOWS? By Guy de Maupassant – the furniture was deleted, & their dissolution was confabulated.”, not a psychological interpretation, an ontological interpretation, accidentally deleting something, SimCity, ctrl-z, not a useful miracle, an incompetent higher power, “My god, my god”, “Merciful heaven”, no grudge against, Who knows?, God knows!, a murderous schoolteacher, Revenge by Guy de Maupassant, a higher power that deletes, the short story is the only form that can be perfect, there’s something perfect, any lacuna, “a missing section of text”, the oxymoron, rude gentleness, an unbalanced situation, the insane sanity or the sane insanity, the widow Bidoin,

“He ordinarily passes his evenings at the house of a female neighbor, who is also a furniture broker, a queer sort of sorceress, the widow Bidoin”

is she married to the bald man, that Disney movie, maybe it isn’t a perfect short story, etymological searches, the tour of Africa, Sicily, Normandy, “where there hover no vague hauntings”, the missing night, a different sort of desert, Fear by Guy de Maupassant, “I had a presentiment in Africa”, “the sun dissipates it like a fog”, fear vs. panic, the spiritual gnawing of northern cultures, The Inn by Guy de Maupassant, H.P. Lovecraft, “God is dead but he never really was alive. The universe is real but we’re alone in it. Looking up at the starry night we are pointless, alone, with nothingness behind us, nothingness ahead of us, and its horrible.” he goes crazy because he’s alone, in the tumult of the crowd (with it’s light pollution), “there’s a shop for that down the street”, very very very small and unimportant, Lovecraft made it a monster, Eric S. Rabkin, light as the symbol for knowledge, inside the interesting chest cavity, a cosmic vastness and emptiness in which we are lost, solitude, Rouen, Rotomagus (round market or round plain) – but the word magus, J.R.R. Tolkien’s dwarves, great craftsmen, is the man from Roen really God?, yesterday I was in a private asylum, three months, a descent into madness, is there no lacuna in the inflexible sequence of his observations, a lacuna in which the end took place.

Qui Sait?

Who Knows by Guy de Maupassant

Stories Strange And Sinister

Pall Mall Magazine, June 1894 - Who Knows? by Guy de Maupassant - illustrated by Arthur Jule Goodman

Posted by Jesse Willis

Hypnobobs: Mother Of Toads by Clark Ashton Smith

June 8, 2013 by · Leave a Comment
Filed under: Online Audio 

SFFaudio Online Audio

Mother Of Toads by Clark Ashton Smith

The horrors of medieval witchery in rural France! Hear Mr. Jim Moon narrate the “darkly erotic” Mother Of Toads, originally censored in its Weird Tales publication, Mr. Jim Moon reads it in its “full uncut glory.”

HypnobobsMother Of Toads
By Clark Ashton Smith; Read by Mr. Jim Moon
1 |MP3| – Approx. 1 Hour 16 Minutes [UNABRIDGED]
Podcaster: Hypnobobs
Podcast: January 27, 2013
Weird and powerful was the effect on the young apprentice of the potion given him by Mere Antoinette, known by the villagers as “the Mother of Toads.” First published in Weird Tales, July 1938.

Here’s a |PDF| made from the censored version that appeared in Weird Tales.

Posted by Jesse Willis

Miss Brill by Katherine Mansfield

January 9, 2013 by · 1 Comment
Filed under: Online Audio 

SFFaudio Online Audio

Do you like really sad short stories? I promise this one will do the job.

In fact it may just be the saddest short story ever written.

I summarized it in SFFaudio Podcast #194, and then recently told it to my friend Julie Hoverson. She was taken with it, and has now kindly narrated it for us!

What I love about this recording is the genuine emotion, prompted by the story’s end, that comes into Julie’s voice for those final lines. That’s not acting! That’s the real stuff!

And if you listen closely enough you may even hear the sound of teardrops sliding down flushed cheeks – though if they are coming from Julie – or from you – may be somewhat hard to determine.

Miss Brill by Katherine MansfieldMiss Brill
By Katherine Mansfield; Read by Julie Hoverson
1 |MP3| – Approx. 14 Minutes [UNABRIDGED]
Provider: Julie Hoverson
Provided: January 2013
Miss Brill, an English teacher working in France, lives in a small room near the Jardains Publique. Every Sunday she visits the gardens and listens to the music of the band, admires the attire of her fellow park-goers, and eavesdrops on their conversations. First published in Athenaeum, November 26, 1920.

And here’s a |PDF| version.

Posted by Jesse Willis

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