I think The Terminator may be the best Science Fiction film ever made. And I think that no one person, credited or uncredited, can take all the credit for it.
In the video below, edited from an episode of Prisoners Of Gravity, Harlan Ellison explains how he got his screen credit in The Terminator:
Soldier is the first episode of Season 2 of The Outer Limits (the original series). It’s plot features a futuristic time traveling soldier who, after a thunder crack, appears in a then modern urban alley. The soldier is nearly indestructible, and is incredibly strong. Later, he breaks into a gun shop. In the ultimate scene he confronts his (also) futuristic enemy and they are both destroyed. Those are the basic plot commonalities between Soldier and The Terminator. There are many, many differences. Visually though, there are some striking similarities. These are nicely documented here and here.
That all said, Soldier‘s story plays out very differently from The Terminator, you can see a lot more connections, if you squint really hard.
For example, the solider is scarred like Kyle Reese and is sometimes unintelligible like Schwarzenegger’s T-800 – but ultimately the two, the TV episode and the feature film, are radically different in both scale and scope.
Interestingly, Demon With A Glass Hand the fifth episode of the second season of the original The Outer Limits television series, also written by Ellison, has similarities to both The Terminator and another film.
Like Soldier and The Terminator, Demon With A Glass Hand features a protagonist sent from the future into the past. But in this case, unlike in the title character in Soldier, the time travel was done quite deliberately – and done by humans in order to save mankind – more like The Terminator right?
Also similar, our hero in Demon With A Glass Hand, is nearly indestructible, can survive being shot over and over, feels no need to sleep, is being hunted by enemies also sent from the future, and he is programmed! Those are the basic plot commonalities between Soldier and The Terminator. More on that other movie a little later.
In the Starlog article (December 1984) there is no mention of The Outer Limits or Ellison. But, in it James Cameron does say: “I read all the classics, all the old Ace paperback novels.”
I do not expect that Cameron read all of the following stories. In fact I don’t think it is even necessary to know, and it isn’t crucial to my argument. Indeed, only one of the following stories was actually published in an “old Ace paperback”, (Second Variety was published in The Variable Man and Other Stories, Ace D-261).
My argument is that the story ideas and story points, even more than visuals, from the The Terminator, came very much out of 1950s science fiction.
Now before we get to the meat of my argument I’ll do a little sidestep towards another film, just to make it all the more confusing… its actually laying the groundwork for something, trust me.
Look at these images:
As you can see Demon With A Glass Hand shares something in common with Blade Runner, as much Id say as Soldier does with The Terminator.
The baddies in Demon With A Glass Hand, seen above, have racoon style eye makeup, like Blade Runner‘s Pris. Our hero in Demon With A Glass Hand, as it turns out, is an android that didn’t know he was one, just like in Blade Runner (and Do Androids Dream Of Electric Sheep?). Blade Runner was also shot in the same stylish office building in Los Angeles (the Bradbury Building*). And, the final fight of both stories ends in the same way, out the window and onto the roof of the Bradbury!
The “cybernetic organism” of The Terminator is in essence an android, a robot that looks like a human being, specifically a male human being if you want to get all technical.
Now even more than Ellison, who does have an android in Trent, the hero of Demon In A Glass Hand it is Philip K. Dick who is best known for his androids. Though robots that look like, think they are, or can pass for human aren’t unique or original to Dick, they are something he kind of specialized in. Stories like Imposter and The Electric Ant have androids and of course there is Do Androids Dream Of Electric Sheep?.
Now practically everyone knows that Do Androids Dream Of Electric Sheep? was adapted into a 1982 film called Blade Runner.
But do these folks know that the title of the Blade Runner was licensed from a book by a different author and entirely unrelated to Dick’s?
Ridley Scott acquired the rights to the title of a script based on an unrelated 1974 Science Fiction novel entitled The Bladerunner.
Why did he do this?
He didn’t have to, nobody has the legal right to claim exclusivity on book and movie titles – but as a matter of smart practice, when millions and millions of dollars are at stake, they often do such crazy things.
Now back to Philip K. Dick. He could, had he been alive in 1984, argued that his stories could have inspired The Terminator or even Demon With A Glass Hand!
Ellisons 1958 script for Demon With A Glass Hand has a “time mirror” – a device related to time travel – and so does a Philip K. Dick story.
For example, Dick uses what he calls a “time scoop” and a “time mirror” in a story called Paycheck (Imagination, June 1953). A time “Dip” turns up in a story named Meddler and in his novel Dr. Futurity (itself an expansion of a novella, Time Pawn) has a time “dredge.”
Here’s a snippet from Paycheck:
“It’s developed a time scoop.”
“A time scoop. It’s been theoretically possible for several years. But it’s illegal to experiment with time scoops and mirrors. It’s a felony, and if you’re caught, all your equipment and data becomes the property of the Government.” Jennings smiled crookedly. “No wonder the Government’s interested. If they can catch Rethrick with the goods –”
“A time scoop. It’s hard to believe.”
But Dick didn’t invent the idea either, a story from Amazing Stories, December 1942, has the same tech, its actually in the title!
Another story that could have inspired The Terminator is The Skull. This 1952 story was published in If: Worlds Of Science Fiction. In it the protagonist is sent back in time in order to kill a man who can’t be allowed to live. He doesn’t know the man’s identity, but the clue lies within his own head, kind of like The Terminator.
Now to get out of time travel, let me ask you, where is Skynet, the evil A.I. in either of those Ellison stories? They are absent. But, he has evil computers, ones that want to destroy humanity even, for example there’s AM, the evil A.I. from I Have No Mouth, and I Must Scream. But that story is from 1967, and is not Skynet, exactly…
Well, let me tell you about The Great C, first published in Cosmos Science Fiction and Fantasy Magazine, September 1953. This story is set in a Fallout-style post apocalyptic wasteland. Straight away we learn that a band of humans have survived underground after a global nuclear war. The plot consists of following:
One of their number as he sets off with three questions to visit what the reader infers to be a great oracle. The oracle is the titular “Great C” with “C” being short for “Computer”. But unlike the Colossus supercomputer (from Colossus: The Forbin Project) that merely threatens nuclear war, this supercomputer pulled a full-Skynet and actually used the offensive nuclear capability on it’s creators, man.
Now Second Variety, first appeared in Space Science Fiction, May 1953. And it was later adapted to film as Screamers. It is set in a post-WWIII world where killer robots, known as “Claws”, are developing newer and newer models of killer robot for human infiltration.
Check out these two illustrations from the story:
So, why did Cameron’s The Terminator have to give credit to Harlan Ellison if Scott didn’t have to give it to Blade Runner?
I suspect it all happened pretty much as Ellison said it did. That in the unpublished interview notes for that Starlog interview Cameron actually said that he “ripped-off a couple of Outer Limits segments” and perhaps even “a couple of Harlan Ellison stories.”
But it doesn’t matter to me. Credits or dollars, the only thing I really care at all about the story, and I think that The Terminator builds on great SF stories by the likes of Philip K. Dick and Harlan Ellison and Isaac Asimov and H.G. Wells, and some Outer Limits TV episodes, and maybe some other movies too.
Humans do this and it is a good thing. I’m glad so many humans had a hand in making it.
By listening to stories, and by retelling them we continue the process of story refinement. The Terminator wasn’t a “rip-off” it was a tribute, it stands alone, and it stands tall and proud next to the great SF stories that came before it, in 1950s TV, 1950s books and 1950s magazines and probably to the decades before it too.
As for the James Cameron Harlan Ellison dispute, well, Cameron may have had a “huge ego”, as Harlan Ellison put it, or maybe he didn’t – who knows – Ellison had “never met the man” – it may just have been a self-deprecating statement. We can all use a little of that, and a lot more Philip K. Dick.
Posted by Jesse Willis
*The “Bradbury” in the Bradbury Building is no relation to Ray Bradbury … or is it?
Talked about on today’s show:
1990, what was it about this book…, nothing much happens, utopia, utopian novels generally don’t exist, Brave New World, conflict, the only death in the book, if it was a literary novel, Ramona’s thighs, almost a perfect novel, “constructed”, softball, batting a thousand, light symbolism, Tom in Switzerland, so much to think about during the lazy days, a magical transformation, fascinatingly insightful, what human beings are trying to do all the time, “that’s the novel I wanted to read”, a tryptic, The Wild Shore, The Gold Coast, three Californias growing out of the 1980s, cyberpunk, Orange County, TSA, the water situation, Chinatown, machinations, evil corporations, KSR is a really smart guy, a genuine world, comparing to Heinlein’s bad guys, conflict (or lack thereof), why theater is fun, wrestling!, softball, his Mars books, baseball as a metaphor, small ball, a small ball utopia, the October of his own utopia, what are utopia, an almost meta-SF novel, Utopia by Sir Thomas More, “must redefine utopia … the process of making a better world … struggle forever”, 2065, a bigger theater, fewer baseball diamonds, starting from scratch won’t work, there’s a lot of work to be done, an underpopulated world, how we got there, emigration to Space, the understated Mars landing, the drought in California, climate change (global warming), Antarctica, Worldcon 2006, Anaheim, Luke Burrage’s review of The Gold Coast, he’s sophisticated, Shaman, the four shamanic elements: air/earth/fire/water, sooo well constructed, the mask party, great magic bullshit, not The Clan Of The Cave Bear, Prisoners Of Gravity, Harlan Ellison and Neil Gaiman, tackling a really substantial subject, an almost bullet-proof approach, the economy doesn’t work and the geology doesn’t work (in The Lord Of The Rings), the housing situation, Viking style or Haida style, its all fashion, the defining look of how any utopia can work, the economic model, socialism, Stephen Harper, [Kim Stanley Robinson] has thought of everything, the black banks, some sort of federal system?, the New Oregon Trail?, a local government utopia, it’s a certain kind of communism, Alfredo, labour taxation, another junction box, there’s still money but nobody is talking about it, the scene at the fire, the community is the fire department, no police, what do you do with criminals?, exile, Amish communities exist at the sufferance of the surrounding state, they’ve got Skype/Facetime, we have to not hate our brothers around the world, sister cities, delegations, Paul takes exception, Minneapolis, magnifying certain aspects (and shrinking others), the Greens have had there day, what’s going to happen, where’s the public library?, an ebb and flow, drag racing, Oscar’s interests, neighbors invading is the only possible hole, an ecological society, an ecology of local systems, by not competing in the way that some can compete you’re going to get crushed, if the utopia is unstable…, Kevin as the catalyst, small solutions, a feel good message, the Athenian polis approach to community, who started that fire?, the evil mustachio thing, if we asked KSR, he’s earned that, A Short Sharp Shock, the kerosene … who did it?, a happy death, let’s spend some time here, When Tam asked: “Does it get less boring?”, going back to work, how to deal with reality, moderation in all things including moderation, smoking, Kim Stanley Robinson is incredibly wise, a very wise book, relationship stigmas have been done away with, casual but not disposable, no ideology, take out the thing that you like, whatever system they seem to have…, the inevitable swinging of a pendulum, Arthur C. Clarke’s The City And The Stars (aka Against The Fall Of Night), frozen in time with a focus on art, Nineteen-Eighty Four and Brave New World are forever dystopias, “interpenetration”, a metal ceramic material, Oscar’s hike, going for walks, reality entering a body, we are a part of our environment, a religious moment, the mask party, as a motif word, every part of the community interacts, they live inside each others’ homes, a great scene of Alfredo and Kevin working shoulder to shoulder, Rattlesnake Hill is a symbol for Kevin, that’s no human nature, Jenny’s visits to former utopian society, the Shaker village in Kentucky, New Harmony, Indiana, we’re living in a utopia, how many times have you guys run for city council, campaigning is not fun, trying to convince people door to door is a horrible job, maybe its time, it IS what he’s saying, a bitter pill, KSR’s bio, Jesse’s mom, tons of meetings, we tried to go to a movie theater, the inertia of a city council is less, “turning the ship”, Jenny’s really good example, Greencastle, Indiana, no discrimination if you do business with the city, Our Angry Earth by Frederik Pohl and Isaac Asimov, get organized, maybe that sense of mobility is the problem, love the place you’re at, utopia is not a destination it’s an activity, The World Until Yesterday by Jared Diamond, staying where you were born, it goes both ways, Ted Cruz, subversive groups, Anonymous, different strategies, Last Week Tonight, Jon Oliver’s interview with Edward Snowden, Wikileaks, dick pics, high-minded people are all sold, does this program have your dick pick?, you need a comedian, LIBERTY!, go with the dick pic.
Posted by Jesse Willis
Talked about in this episode:
1976, “hey it’s Zelazny”, Tibor and whatnot, “The Great C.“, waking from a gnostic dream of oblivion, “the book is opaque to say the least”, “on the pilg”, recommended for super Dick-fans who like religion, New Wave (basically shitty), Christianity, Ted White, the Sector General novels, mythology and religion, 80-85% Dick, post-apocalyptic story, the local A.I., the sacrifice of the Athenians to the Minotaur, like a Jeopardy game, heliocentricity vs. geocentricity, “Benford, Bear, and Brin’s new Foundation trilogy”, Hari Seldon in a chimpanzee body, The Best Of Gregory Benford, it’s a paycheck, “If you wanna read this piece of shit that’s fine … I’m getting paid.”, cynicism, looking for the truth behind things, Do Androids Dream Of Electric Sheep?, Tibor’s conversations, there’s no fixed ground, Dr. Bloodmoney, Or How We Got Along After The Bomb, the fallout from nuclear fallout, Utah, Denver, “where are they getting this coffee?”, the socio-economic underpinnings of this book are fantasy, The Man In The High Castle, is he really worried about his bottle?, Autofac, the consequences of automated production, an economic weapon a weapon of war, Gresham’s law, The Crawlers, incs = incompletes, the thalidomide baby phenomenon, Arthur C. Clarke, Of Withered Apples (and our podcast about it), the apple tree scene doesn’t pay-off, the dog, episodic feel, the parallel pilgrimage of Peter Sands, the guy with the face problem, devil from the sky, Lufteufel (from the German words “Luft,” meaning “air,” and “Teufel,” meaning “Devil”), the class of people who engage with believers but don’t believe themselves, if you go into churches…, if there is a point to this story, representation, no photos of Jesus, does it matter if we worship a false image?, drawing a symbol, “the novel is extremely gnostic”, Zelazny’s Amber series, Islam goes the opposite way, depictions of Muhammad, believers tend not to worry about such details, the Klingons, the gnostic gloss, “it works as what it is”, the miracle of the arms and legs, a vision of the Deus Irae, what’s going on with the cow?, she’s a holy cow, the authors say?, “the cow slept and dreamed – Tibor ruminated.”, mechanical arms only (no legs), the crucifixion in reverse, the endings, Lufteufel and his daughter, dissolution, he does partake in divinity, Dr. Abernathy, Luke Daniels, the ozone in the air, an Arthurian motif, the healing of the wound, The Last Defender Of Camelot, dedicated Stanley G. Weinbaum and The Martian Odyssey, connecting the books, The Martian Odyssey is important and interesting but not great, “a classic of the field”, the first Science Fiction to come out of the 1920s, mostly junk, aliens that are just alien, where it fits in the history of Science Fiction, PKD’s favourite author was A.E. van Vogt, changing things up every thousand words, a formative influence on both Dick and Zelazny?, Eric S. Rabkin, maybe they had coffee together, A Canticle for Leibowitz by Walter M. Miller, Jr., dung beetles, the lizards (Lizzies), the talking bird, “the little black boys”, I Have No Mouth And I Must Scream by Harlan Ellison, transformed by Am, another name for God or Popeye, evil turns into good, it’s all for the best, the philosophy behind Voltaire’s Candide, “it was good that we had a nuclear war”, the story of Noah, the ultimate Spring cleaning, religious people don’t tend to get stuck at that point, “maybe I’m wrong”, somebody is going to enjoy that sermon by Dr. Abernathy, the passing of good out of evil, internal arguments, “good” is not as strong as “evil”, a very clever sophistic argument that kind of works, a lot of German, allusions to other literature, and “the stars threw down their spears”, William Blake’s Tyger Tyger, a gnostic poem, the currency of half-forgotten poems, funerals and weddings call for the imagery and vocabulary of poetry, cultural tools for sealing social relationships, The Stars My Destination, what is gnosticism?, going out into a cave…, a vision quest, revelations, Jesus’ marriage, canonized gnosticism, religion as Jesus fan fiction, fan service, Galactic Pot Healer, a crisis of faith, a god needs help, a lack of editing, the meditation/drug thing, pastors can be grumpy without coffee and cigarettes, Abernathy is an asshole.
Posted by Jesse Willis
Talked about on today’s show:
The 1818 edition versus the 1831 edition, the half-made up prologue, Leaves Of Grass, are there any body changes?, “the corpus”, Downpour.com’s version with Simon Templeman, Anthony Heald, Stefan Rudnicki, Frankenstein vs. the monster, creature, wretch, demon, insect, incoherent with rage, face to face, moving on, the fainting hero or heroine, swooning, Lovecraftian fainting, cosmic horror, Herbert West: Re-Animator, Young Frankenstein, Cool Air by H.P. Lovecraft, Edgar Allan Poe, M.R. James, becoming god, why are we reading a book by a teenager from almost 200 years ago, Edinborough, the broken reader, Sir Walter Scott, Ivanhoe, etymology, Paradise Lost, Gulliver’s Travels, Percy Shelley, William Shakespeare, Macbeth, Caliban, The Tempest, Science!, hey I’m killing your family and stuff, Spirits!, Russia, the Arctic, Prospero, Caliban the dogsbody, Sycorax, the pre-science world to the science world, Christopher Marlowe, “I’ll burn my books!”, the education of young Victor, religious swearing, Brian Aldiss, spark, the electrical element, Galvani and the frog’s legs, more chemical (than electrical), the Romantics, the heart of the the book, “the modern Prometheus”, nature, the North Pole, Siberia, Things As They Are; Or, The Adventures of Caleb Williams by William Godwin, berries and nuts, vegetarianism, the bringing of fire, The Wonderstick (the coming of the bow) “spooky action at a distance”, fire as technology, Eric S. Rabkin, fire -> knowledge -> enlightenment, the blasted oak, the family tree destroyed, this mortal clay, body stealing, Burke and Hare (are a lot of fun), ‘there are some things man was not meant to know’, a motherless monster, Young Frankenstein, what’s so cool about Young Frankenstein is that it solves the problems caused by previous movie adaptations, “Hey there handsome”, is the creature really hideous?, “a very Jewish movie”, “this is a boy that the world will love”, community, Victor had no Igor, Eyegor, or Fritz, well formed, euphemisms, dull yellow eye, proportionate limbs, is he veiny?, black and flowing hear, a pearly whiteness, a feminist novel, a misogynist fantasy, the framing narrative, males behaving badly, Gothic, gender coding, the curse of the Frankensteins, Frau Blücher, the Kenneth Branagh adaptation of Frankenstein, The Revolt Of Islam by Percy Bysshe Shelley, Justine (and the lack of justice she receives), Anne Rice, “I’m never going to sleep again”, the path of evil, Victor had a temper, the abnormal brain (Abbie someone), a “blank slate”, Henry Frankenstein, Young Frankenstein retcons the book and the 1931 movie (and the Hammer movies), Froderick Frankenstein, Boris Karloff, Transylvania Station, The Body Snatcher, Robert Louis Stevenson, The Black Cat (1934), Bela Lugosi, a movie from a parallel dimension, the perfect romantic character, the “noble savage” and the “blank slate”, flowery language and obfuscation, a baby story, that’s Science Fiction right there, an eight foot baby, how do we detect the world, what is light?, a blind man given sight, sphere vs. pyramid, Johann Wolfgang von Goethe, an urbane monster, the ideal syllabus, Mary Shelley is showing the heck off, Paradise Lost, The Sorrows Of Young Werther, suicide, Lives Of The Noble Greeks And Romans by Plutarch, Ruins Of Empires by Constantin-François de Volney, Frankenstein’s lab notes, Safie, the Ottoman Empire, Turkey as a proxy for European society, Olaf Stapledon, the hapless fate of the aboriginals of North America, Shelley’s hanging out with radicals, an anti-American dream, three years after the fall of Napoleon, Lord Byron, dreams, “how are we living with each other?”, Prometheus Unbound, The Last Man, Prometheus should be our hero, Harlan Ellison, Walton, Bryan’s dissertation was on Frankenstein, The Rime Of The Ancient Mariner, The Narrative Of Arthur Gordon Pym Of Nantucket, At The Mountain Of Madness, Star Trek, doppelgangers, doubles all the way down, perfectly symmetrical, The Prestige by Christopher Priest, Melmoth The Wanderer by Charles Maturin, The Saragossa Manuscript by Count Jan Potocki, the fire and ice, “in the cottage we are the monster”, lookism, when they see the monster, “as a lion rends the antelope”, Blade Runner‘s ending, all those murders, a child having a temper-tantrum, where you gonna get that wood?, standing on an ice-floe, Dante’s Inferno and the final circle of hell, Inferno by Larry Niven and Jerry Pournelle, Bryan reads Frankenstein every year, teaching Frankenstein in high-school, a perfect ending, is the monster still out there?, Edison’s 1910 film adaptation of Frankenstein (it’s 10 minutes), imagine Tesla adapting Frankenstein, a shameless self-promoter, “Victory Frankenstein fucked with Mother Nature, and She bore him a strong son”, ‘there are some things that man was not meant to know’, Walton wants to find the source of the pole’s magnetism, “it’s not just loving your family – it’s also loving your fellow being”, “if you make a mistake – own up”, Walton learns from the story, Young Frankenstein, it’s an ethics book, mad scientists, a Kennedy son, Moby Dick, C.L.R. James, a ship as a microcosm of society, “I smell readalong!”, Hitlerland: American Eyewitnesses to the Nazi Rise to Power by Andrew Nagorski, “the kids loved Uncle ‘Dolf”, “charisma leaking out all over the place”, charisma and beauty, a bear doesn’t understand charisma, real-life parallels, what is the function of Henry Clerval in the book, is he us?, a homoerotic reading, Percy and Bryon go hiking, it’s Simon Pegg and Nick Frost, World’s End, Shaun Of The Dead, Hot Fuzz, Elizabeth’s provenance and the weird relationship with her cousin/brother/owner Victor, a subterranean psychodrama, Victor’s wild dream in which Elizabeth dies and then turns into his mom, grave worms, a maternal figure and a corpse.
Posted by Jesse Willis
Alternate World Recordings was a record company releasing spoken word vinyl LP albums and cassettes, featuring SFF authors reading (or interpreting) mostly their own works. Here’s a magazine ad from a mag published in late 1977 (Unearth, Winter 1978):
Posted by Jesse Willis
Filed under: New Releases, Podcasts, Recent Arrivals
The SFFaudio Podcast #229 – Jesse, Jenny, Tamahome, and Paul Weimer talk about NEW RELEASES and RECENT ARRIVALS.
Talked about on today’s show:
Tam is back, Haruki Murakami, Kafka On The Shore, magic realism, Japan, kafkaesque, surrealism, 1Q84, The Wind-Up Bird Chronicle, pretty books, Chip Kidd, rice paper, Requiem by Ken Scholes, Julie Davis, Tor, magic staff, earth in the future, The Steel Remains, “oh crap this is the future”, Gene Wolfe, Happy Hour In Hell by Tad Williams, Bobby Dollar, The Dirty Streets Of Heaven, urban fantasy, demoness tangling, Lankhmar, urban fantasy => a certain kind of fantasy, noir/detective => hardboiled, Otherland, Luke Burrage, cats, “the Walter Jon Williams effect”, MaddAddam by Margaret Atwood, mostly dystopian, Oryx and Crake, quasi-humans, The Year Of The Flood, genetic engineering, racoon-pigs, storytelling mode, listening at 2X speed, competitive debate, Margaret Atwood’s preview of a review of Doctor Sleep by Stephen King, a sequel to The Shining, Atwood’s weakness for horror and terror, “because he’s Stephen King”, Will Patton, “don’t judge me people”, is there a stigma in literary circles?, Zoomer magazine’s profile of Margaret Atwood as “Queen Of The Nerds”, Twitter, tweetalong?, a genuine literary reputation, poetry, Orson Scott Card, does it matter?, dystopia, Dreamscape Audiobooks, The Night Lands by William Hope Hodgson, The House On The Borderlands, a very daunting book, big and ambitious, Lovecraftian?, The Scarlet Plague by Jack London, Earth Abides, class, mainstream post-apocalypse, Alas Babylon by Pat Frank, a toothless grandfather, Drew Ariana, Goslings by J.D. Beresford, plague talk!, The Children Of Men, Y: The Last Man, the newspapers, HiLoBooks, “Radium Age” Science Fiction, Gweek, The Road To Science Fiction, classicism, sexism, barbarism, The Iron Heel, numeracy and literacy, the size of the universe or the age of the Earth, Simon & Schuster Audio, Rivers by Michael Farris Smith, Jenny loves destroying the earth, wiping the slate clean, Fallout, Tobias Buckell, Interrupt by Jeff Carlson, Hunter Davis, Brilliance Audio, simultaneously published with print, Neanderthals, the pronunciations, Robert J. Sawyer, Discover Magazine, literally means not literally anymore, it’s figuratively raining cats and dogs, The Darwin Elevator by Jason M. Hough, Julie Davis, Simon Vance, science fiction thrillers, John Scalzi, plague, space elevator, working for the enemy?, a compressed schedule, writing 2X, a first novel!, military SF, “we’ve complinished everything”, Reflex by Steven Gould, Jumper, the physical audiobook industry (is it mostly for libraries), Paperback Audio, William Dufris, The Stars My Destination by Alfred Bester, innate teleportation, the Jumper movie, Portal, post-humans, Nightcrawler without the bad smell, BAMFless, The Clockwork Man by E.V. Odle, Ralph Lister, no introductions makes Jesse sad, are there audio previews?, Affliction: An Anita Blake, Vampire Hunter Novel (#22) by Laurell K. Hamilton, The Lord of Opium (Matteo Alacran #2) by Nancy Farmer, The Midnight Heir (Bane Chronicles #4) by Cassandra Clare and Sara Rees Brennan, building on The Hunger Games, Untouchable (Immortals After Dark #8) by Kresley Cole, Robert Petkoff, The Hunt or Capture, the reality TV version of The Hunger Games in The Hunger Games would be very boring, The Truman Show would be a very boring show to actually watch, in fiction the TV shows are without narrative, TVtropes show with an show, Hamlet, William Shakespeare did meta 500 years ago, epic traditional fantasy, traditional epic fantasy marriage, Crown Thief (Tales Of Easie Damasco #2) by David Tallerman, Giant Thief, sword and sorcery, golem or gollum?, Witch Wraith: The Dark Legacy of Shannara by Terry Brooks, Rosalyn Landor, , “Tolkien with the serial numbers filed off”, “its all about the elfstones”, The Lord Of The Rings, questing, trilogy vs. endless series, the Wikipedia entry for Shannara, a magical cataclysm, “a richer broader universe”, Revolution, S.M. Stirling, Robert Jordan, the Dragonlance series, Daniel Abraham, subverting the quest trope, The Eye Of The World, George R.R. Martin, gathering forces and subverting expectations, children’s fantasy, Roald Dahl, Matilda is read by Kate Winslet!, the musical of Matilda, The Twits, Charlie And The Chocolate Factory, Charlie And The Great Glass Elevator Futurama, Fry and the Slurm factory, Gene Wilder, great character names!, Dickensian names, The BFG, biography, crime, thriller, JFK’s Last Hundred Days: The Transformation Of A Man And The Emergence Of A Great President, Death Angel (Alexandra Cooper #15) by Linda Fairstein, The Kill List by Frederick Forsyth, George Guidall, “now it’s personal”, Penguin Audio, adding heat urgency of character development, adding a baby, Breaking Bad babies, the invisible baby or worse the artificially aging child syndrome, Mork & Mindy, Shaman by Kim Stanley Robinson, 30,000 years ago, prehistorical romance, hard edged scientific, Clan Of The Cavebear, Monsters Of The Earth by David Drake, Seanan McGuire, Soldier by Harlan Ellison, The Terminator, The Outer Limits, James Cameron, Philip Wylie, Tomorrow!, John Wyndham, When Worlds Collide, The Answer, nuclear war with angels, The End Of The Dream, The Murderer Invisible.
Posted by Jesse Willis