Locke and Key
By Joe Hill; adapted by Elaine Lee and Frederick Greenhalgh
Performed by a Full Cast
13.5 Hours – [AUDIO DRAMA]
Produced by: AudioComics for Audible Studios
Themes: / Horror / Magic / Demons / Magic Places /
I was thrilled when I heard that the team at AudioComics was adapting Joe Hill (writer) and Gabriel Rodriguez’ (artist) series of Locke and Key graphic novels as audio drama. I’m even happier now that I’ve heard it – this is high quality stuff. I love audio drama! Time to add Locke and Key to the list of reasons why.
Locke and Key tells the story of the Locke family, who moved into the family home in Lovecraft, Massachusetts after a tragedy. Teenagers Tyler Locke (played by Brennan Lee Mulligan) and Kinsey Locke (Jaime Alyse Andrews), younger brother Bode (Betsey Kenney), and their troubled mother Nina (Lisa Stathoplos) live in the house, which has a name: Keyhouse. Once there, the young Bode starts to find keys, each one of which has a special magical power. As the story progresses, the Lockes find themselves protecting the keys from the likes of a killer named Sam Lesser (Haley Joel Osment) and the terrifying demon Dodge, chillingly portrayed by Tatiana Maslany and Ian Alan Carlsen.
The story is both fascinating and horrifying, combining familiar haunted house elements with the surprising magic of the keys. Friendship, betrayal, good and evil, excellent writing, deep characters… it’s a great story as a graphic novel, and this production successfully captures it, the flawless cast and rich sound adding a new and welcome dimension to the whole.
Like I always do with good audio drama, I listened to this with good headphones. There’s a striking depth to the sound in this production. You don’t get the feeling that the actors are standing around in a room reading a script. It’s easy to believe a scene is happening in a cave, or in a house, or outside at night, or wherever. The harder you listen to the background, the more detail you hear. This was achieved by recording the actors on location, as if they were filming a movie. Check out the Featurette at the bottom of the review to see Bill Dufris (director) and Frederick Greenhalgh record groups of actors. The result is so natural. It’s marvelous.
Sound effects are used as well, but don’t dominate the production. I particularly liked the sounds used to convey the use of various keys, and the enhancement of actor’s voices, which was genuinely chilling! The score (by Peter Van Riet) is also well done. I found myself looking forward to the theme.
I had high hopes for this production and they were all met and often exceeded. I would love to hear more of this kind of thing! In the meantime, I’ll be listening to this one again.
This production contains dramatizations of all six Locke and Key graphic novels:
Book 1: Welcome to Lovecraft
Book 2: Head Games
Book 3: Crown of Shadows
Book 4: Keys to the Kingdom
Book 5: Clockworks
Book 6: Alpha and Omega
It’s available FREE from Audible until November. | GET YOUR COPY HERE |
And the Featurette I mentioned above:
Posted by Scott D. Danielson
This UNABRIDGED AUDIOBOOK (9 hours 23 minutes) comes to us courtesy of LibriVox.
The Picture Of Dorian Gray was first published in the July 1890 issue of Lipincott’s magazine, and then in 1891, in an expanded and revised edition. This audiobook is made from the latter publication.
The next SFFaudio Podcast will feature our discussion of it!
Posted by Jesse Willis
Finders Keepers (Bill Hodges Trilogy #2)
By Stephen King; Read by: Will Patton
Publisher: Simon & Schuster Audio
Publication Date: 2 June 2015
[UNABRIDGED] – 13 hours, 5 minutes
Themes: / suspense / thriller / horror /
A masterful, intensely suspenseful novel about a reader whose obsession with a reclusive writer goes far too far—a book about the power of storytelling, starring the same trio of unlikely and winning heroes King introduced in Mr. Mercedes.
“Wake up, genius.” So begins King’s instantly riveting story about a vengeful reader. The genius is John Rothstein, an iconic author who created a famous character, Jimmy Gold, but who hasn’t published a book for decades. Morris Bellamy is livid, not just because Rothstein has stopped providing books, but because the nonconformist Jimmy Gold has sold out for a career in advertising. Morris kills Rothstein and empties his safe of cash, yes, but the real treasure is a trove of notebooks containing at least one more Gold novel.
Morris hides the money and the notebooks, and then he is locked away for another crime. Decades later, a boy named Pete Saubers finds the treasure, and now it is Pete and his family that Bill Hodges, Holly Gibney, and Jerome Robinson must rescue from the ever-more deranged and vengeful Morris when he’s released from prison after thirty-five years.
Despite a bit of a slow start, I think I liked this one slightly better than Mr. Mercedes. It’s hard to put my finger on why. Morris Bellamy isn’t nearly as terrifying as Brady Hartsfield, but he’s still a fascinating character. I really enjoyed Pete Sauberg as well.
It might be the premise of this that I think is better. It all centers around reading, and obsession with fictional worlds/characters. That is something I can understand to a lot more than a crazy person with mommy issues.
The first half or so focuses largely on the new characters. For me, things really stepped up once we get back to Bill, Holly, and Jerome. I especially love Holly. She might be one of my favorite characters than Mr. King has written.
Much like its predecessor, this book is certainly more thriller or mystery than Horror. Often times people see Stephen King’s name on a book and assume horror.
The book geek in me really wants to read the Jimmy Gold novels. Or at least the plot summaries. We get dribs and drabs of it as the book unfolds, but not a ton. They sound more literary than my usual fare, but it would be interesting to see Mr. King do a more in depth write-up on the series within the series.
Will Patton is a perfect fit for this series. He does a bit of voices for some of the characters, but really it’s just his normal reading voice that is just the right tone.
Overall, another solid novel from King that makes for great summer reading, and I’m already looking forward to the final novel in the trilogy.
Review by Rob Zak.
THE BLUMHOUSE BOOK OF NIGHTMARES: The Haunted City
Edited by Jason Blum; Read by Various
Publisher: Random House Audio
Publication Date: 7 July 2015
[UNABRIDGED] – 14 hours
Themes: / horror / short stories / ghosts / demonic possession / violence / murder /
Emmy Award-winning producer Jason Blum has ushered in a new dawn of horror with franchises like Paranormal Activity, The Purge, Insidious, and Sinister. Now he presents THE BLUMHOUSE BOOK OF NIGHTMARES: THE HAUNTED CITY, a stunning collection of original, terrifying fiction from a unique cast of master storytellers.
“Geist” by Les Bohem
“Procedure” by James DeMonaco
“Hellhole” by Christopher Denham
“A Clean White Room” by Scott Derrickson and C. Robert Cargill
“Novel Fifteen” by Steve Faber
“Eyes” by George Gallo
“1987” by Ethan Hawke
“Donations” by William Joselyn
“The Old Jail” by Sarah Langan
“The Darkish Man” by Nissar Modi
“Meat Maker” by Mark Neveldine
“Dreamland” by Michael Olson
“Valdivia” by Eli Roth
“Golden Hour” by Jeremy Slater
“The Leap” by Dana Stevens
“The Words” by Scott Stewart
“Gentholme” by Simon Kurt Unsworth
Do you enjoy ghost, demon, and gore-lit? If yes, then you’ll enjoy this collection of stories ranging from psychological horror to down and dirty violent bloodletting. I feel this anthology does a nice job at covering the various bases in this subgenre, and for those of you interested in such reading material, I think you’ll enjoy the reading experience.
I’m not averse to reading stories that are violent or haunted by ghosts, but I need good writing. Some of these tales are fine examples of solid craft and storytelling. “A Clean White Room” by Scott Derrickson and C. Robert Cargill was a delight in the forward lean immediacy of the story. “Gentholme” by Simon Kurt Unsworth is an excellent story rendered in a pleasing unfolding of character exploration, and while the ending is a little flat, it was a pleasure to read.
Regarding recommendations? Yes, if you are a fan of these types of stories. No, if you are only an occasional horror reader. This is not a good collection to start on. It is a great collection if you’re looking to add to your already substantial horror reading catalog.
Several different narrators collaborate on this audiobook. I couldn’t find a list of the readers, but I think all deliver an outstanding reading. I was impressed with the audio quality.
Posted by Casey Hampton.
Themes: / young adult / survival / horror /
A teenage girl awakens to find herself trapped in a coffin. She has no idea who she is, where she is, or how she got there. Fighting her way free brings little relief – she discovers only a room lined with caskets and a handful of equally mystified survivors. Beyond their room lies a corridor filled with bones and dust but no people and no answers.
She knows only one thing about herself – her name, M. Savage, which was engraved on the foot of her coffin. She finds herself in charge. She is not the biggest among them or the boldest, but for some reason the others trust her. Now, if they’re to have any chance, she must get them to trust one another.
Whatever the truth is, she is determined to find it and confront it. If she has to lead, she will make sure they survive. Maybe there’s a way out, a rational explanation, and a fighting chance against the dangers to come. Or maybe a reality they cannot comprehend lies just beyond the next turn.
“A stabbing pain jolts me awake.” So begins the story of a girl on what is an exciting day in her young life; her twelfth birthday. Maybe the pain was just from a dream, she thinks. But when she realizes she is surrounded by “total darkness” and is unable to move thanks to metal bars, she is forced to make a decision. It will be the first of many choices to be made.
Scott Sigler’s Alive is all about momentum and what I like to call structured discovery. With that in mind, I am going to do my best to keep things as spoiler free as possible. Our main protagonist has virtually a blank slate and nothing to help her as she begins her journey. She is thrust into an unfamiliar situation and doesn’t even know her name. Answers will not come easy for her or anyone else she meets on her quest. The unknown is everywhere. The only way is forward. We (as listeners) are inside her head and learn things as she learns them. For the impatient, this could be frustrating, a tad jarring, and bewildering since the story is told not only in first person but in the present tense as well . If you stick with M. (as she comes to be called), you will be rewarded in time. Be prepared for a slow burn which calls to mind British films as far as the pacing is concerned. This isn’t a bad thing since we are normally conditioned to have everything presented all in a rush with no time to process. It is refreshing to have things unfold naturally. You will feel like you are thrown into the deep end but that is okay because so is M. You are not alone.
This being the audio version of the 368 page novel, the narrator is very important; this can’t be over stated. He or she has to convey all the emotions of not only M. but anyone else, help pull us into Sigler’s world, and adapt to the fluidity of the story. Luckily, Emma Galvin is more than capable of handling the various subtleties. Words change meaning, (the names of certain objects for example), as does the physical and emotional landscape. This is Scott Sigler at his best. The perilous puzzle is well constructed, contains a myriad of vivid descriptions, and keeps you guessing throughout. If this were done as a film, first person point of view would be highly appropriate for the presentation.
If William Golding’s Lord of the Flies comes to mind while you are listening as it did for me, the comparison aptly fits. Questions are explored in depth. What is a leader? What makes a good one verses a bad one? Are we destined to repeat the mistakes of those that who have gone before or can we as a society break the cycle? How and where does a religious/belief system fit into the equation? Do we follow something because of blind faith or because we connect the dots? How do we handle fear? What is the right way to address conflict? Should we hold ourselves accountable because of the choices we have made or should we chalk things up to mere accidental outcomes? When does the life of an individual outweigh the lives of the entire group?
This story doesn’t shy away from harsh realities. Long-time Scott Sigler fans may be asking themselves, “Is there gore?” The answer is a resounding, ‘Yes.” However, this isn’t bloodshed and carnage purely for the sake of it. Everything serves a purpose even if we don’t understand it’s function when we come into contact with it at first. In the same token, things are presented with a deft sensativity to the target YA audience. There are many, many lessons to be learned. There’s a lot for teachers to work with if this book were to be used in a school environment.
As far as the science in this book, I can’t say much without revealing plot points. I will say, however, that technology of all sorts is represented nicely. Scott Sigler’s attention to detail, (another one of his trademarks), is present but skillfully subdued because of the limited knowledge of the main character. Observations are kept simplistic unless finer details are absolutely necessary.
If you are looking for a complex story that has mysteries within mysteries to be solved and a well-rounded cast of characters including a strong (yet vulnerable) female protagonist, this book is definitely for you. While the slow burn approach and the first person, present tense narrative may irk some listeners, the payoffs and the overall journey getting to those rewards make it all worthwhile. This being the first book in a trilogy, there is a true sense of discovery as the scope of things expands and the stakes are raised. Loose ends are tied up to a degree by the novel’s conclusion but the dust is far from settled. It is a claustrophobic roller coaster ride with many jolts, bumps, and twists along the way. Alive by Scott Sigler gets five out of five coffins.
Posted by Allen Sale.
Filed under: Audio Drama, New Releases, Podcasts, Recent Arrivals
Talked about on today’s show:
many sins, paperbooks, The Architect Of Aeons by John C. Wright, Tor Books, The Voyage Of The Basilisk by Marie Brennan, beautiful illustrations and blue text, cover art, a bias against bad art, the way kids talk about book covers, fonts and graphic design, stock photos, don’t mix serif’d fonts, use classic art in the public domain, don’t muddy it up, Graysun Press Class M Exile by Raven Oak, Star Trek, Self Made Hero, I.N.J. Culbard, The Shadow Out Of Time, The Case Of Charles Dexter Ward, The Dream Quest Of Unknown Kadath, the difficulty of promotion for small press publishers, Horror!, The Scarlet Gospels by Clive Barker, John Lee, Macmillan Audio, Pinhead, Hellraiser, random bloody body horror, The Midnight Meat Train, Bradley Cooper, the way Clive Barker’s stuff works, Audio Realms, Limbus, Inc. Book 2, a shared world anthology by Jonathan Maberry, Joe R. Lansdale, Gary A. Braunbeck, Joe McKinney, Harry Shannon edited by Brett J. Talley, space for creativity, David Stifel’s narration of The Monster Men by Edgar Rice Burroughs, The Island Of Doctor Moreau meets Frankenstein done Burroughs style, The Man Without A Soul, David Stifel knows everything about Edgar Rice Burroughs, Jurassic Park by Michael Crichton, read by Scott Brick, Mad Max: Fury Road, 3D is a gimmick, Vampire Horror! by M.R. James, John Polidori, F. Marion Crawford, Anthony Head, M.R. James is the country churchyard ghost story guy, John Polidori was Byron’s Doctor, Mary Shelley won the contest, The Vampyre by John Polidori, Lord Ruthven is kind of based on Lord Byron, an autobiographical fantasy horror, music!, all the good D words, Survivors by Terry Nation, Doctor Who, Blake’s 7, who wrote House, M.D.?, writing credit in the UK, a familiar premise, the original TV series and the remake, The Walking Dead, all the fun stuff we like about post-apocalyptic storytelling, simultaneous existence, The Death Of Grass by John Christopher, A History Of The World In Six Glasses by Tom Standage, our dependence on grasses, The Road, canned food isn’t a long term plan, Station Eleven by Emily St. John Mandel, deer in the woods, the high price put on poaching, the other solution is cannibalism (also not very sustainable), The Water Knife by Paolo Bacigalupi, cutting water, this is already how things are, the atomic bomb scenarios are played out, the water problem, the new dust bowl, North Carolina and South Carolina, Seattle and Vancouver, Dr. Bloodmoney by Philip K. Dick, read by Phil Gigante, a comic version of Doctor Strangelove, Marissa Vu, Paul Weimer, The Gold Coast by Kim Stanley Robinson, Pacific Edge by Kim Stanley Robinson, Luke Burrage’s reviews of the Orange County books, Find Me by Laura van den Berg, silver blisters?, Guy de Maupassant style, The End Has Come edited by Hugh Howey and John Joseph Adams, Carrie Vaughn, Megan Arkenberg, Will McIntosh, Scott Sigler, Sarah Langan, Chris Avellone, Seanan McGuire, Leife Shallcross, Ben H. Winters, David Wellington, Annie Bellet, Tananarive Due, Robin Wasserman, Jamie Ford, Elizabeth Bear, Jonathan Maberry, Charlie Jane Anders, Jake Kerr, Ken Liu, Mira Grant, Hugh Howey, Nancy Kress, Margaret Atwood’s serial, Science Fiction in Space and the Desert, Seveneves by Neal Stephenson, read by Mary Robinette Kowal and Will Damron, very sciencey, too many Jesses, Rob’s commute, Nova by Margaret Fortune, read by Jorjeana Marie, a human bomb, Imposter by Philip K. Dick, The Fold by Peter Clines, read by Ray Porter, another Philip K. Dick story called Prominent Author, a joke story, 14 by Peter Clines, Expanded Universe, Vol. 1 by Robert A. Heinlein, read by Bronson Pinchot, Blackstone Audio, Robert A. Heinlein is a weird idea man, Nemesis Games by James S.A. Corey, Hachette Audio, Sword & Laser, The Darkling Child (The Defenders of Shannara) by Terry Brooks, read by Simon Vance, Casino Royale by Ian Fleming, larger than life voices, The Red Room by H.G. Wells, the accents, BBC audio dramas of James Bond books, the David Niven Casino Royale, The Brenda & Effie Mysteries: Brenda Has Risen From the Grave! (4), Bafflegab, Darwin’s Watch: The Science of Discworld III: A Novel by Terry Pratchett, Ian Stewart and Jack Cohen, read by Michael Fenton Stevens and Stephen Briggs, Uprooted by Naomi Novik, read by Julia Emelin, The Invasion of the Tearling by Erika Johansen, read by Davina Porter, Sarah Monette’s The Goblin Emperor, coming of age in a fantasy world, librarians recommend!
Posted by Jesse Willis