An alien being is found frozen in the ice of Antarctica. When it is thawed, it awakens, to become a threat to the small base camp. In fact, it’s a threat to all life on earth, as it can change shape and absorb the life and bodies of every living thing it comes in contact with.
Though the original story of Who Goes There?, by John W. Campbell, has been adapted to film four times there have also been radio and audio drama adaptations.
The first was for a 1950s series entitled Exploring Tomorrow, hosted by Campbell himself, it was broadcast under the title “The Escape” – unfortunately it is a “lost” episode of that series. No recordings are known to exist.
Next, and arguably the best adaptation, is the 2002 version for the BBC Radio 4 series Chillers. Adapted by Mike Walker, it is faithful to the story except for making the Antarctic expedition British. |MP3|
A 2012 adaptation, for an aborted series called “Must Be Nice“, was adapted by Clay Dugger. It is rough, an amateur production, but not wholly unlistenable. |MP3|
The 2013 Suspense (revival) adaptation is by John C. Alsedek and Dana Perry-Hayes. It is very, very good, but bear in mind it may be too frightening to listen to at night:
Below, and at the top of the post, are the original illustrations accompanying the story’s first publication in Astounding Science Fiction, August 1938:
Posted by Jesse Willis
The SFFaudio Podcast #374 – Jesse and Bryan Alexander talk about Moby Dick by Herman Melville.
Talked about on today’s show:
reading Moby Dick to the air, Moby Dick inspiring heavy metal, terror or dismissal, when Bryan was a student, Madness, Meaninglessness, and Deviant Sexuality, drop this class now, paragraph long themes, being driven insane by writing about Moby Dick, when Bryan was a young professor, if you can teach that you’re one of us, how to proceed, becoming a Moby Dick fanatic, going to sea, revisiting the sea, a book about everything, a most excellent LibriVox narration, re-reads, one of the things really good writers do, The Man In The High Castle by Philip K. Dick, “this object” -> “book”, a message about how this book is, besmoked and deface, shades and shadows, delineating chaos bewitched, a long and limber black mass, unimaginable sublimity, a blasted heath, a hyperborean winter scene, that one portentous something, a cape-horner in a great hurricane, every sentence is beautiful, a reader’s guide, a stack of copies, this is a comedy book, the etymology, the extracts supplied by a sub-sub librarian, the extracts are freaking random, something unpublished, he did a google search for “whale”, a complete flop, what the hell is it?, Typee, a giant whaling story, reading Nathaniel Hawthorne lit his brain on fire, SYMBOLISM!, Pierre Or the Ambiguities, The Confidence-Man: His Masquerade, “Herman Melville, Insane?”, everything you hear about it gives you no hint, this novel cannot be adapted, Ray Bradbury’s adaptations, Gregory Peck, a lot like Joseph Conrad, Melville is more terrifying than Conrad, hilarious like Edgar Allan Poe, a tragedy, a disaster, the first line of the book is a lie, gut churning fear, the sharks devouring everything, a terrifying book, the science fiction aspect, the fantasy aspect, when Pip is drowned he goes to the bottom of the sea, the infinite of his soul, the unwarped primal world, the miser merman: wisdom, god’s foot on the treadle of the loom, man’s insanity is heaven’s sense, in different as is god, like a Clark Ashton Smith passage, “anyone seen pip?”, coral insects that made the stars and the planets, every chapter veers sideways, visionary and inspired, mastheads, very strange, the last chapter, what does he mean by that?, our hero disappears, the yawning gulf, the great shroud of the sea, why 5,000 years ago, the sounds of the words, interweaving the whole coffin theme, my keeled soul, one tiny metaphor, a missing Shakespeare play, theatrical, musical, through recorded history, a vast inhuman nature swirling all-round, The Narrative Of A. Gordon Pym of Nantucket, it’s death, meet it fighting, are we gonna bring each other down in the attempt to fight death, yes, we are, the Pequod is like the Enterprise on the original Star Trek, C.L.R. James, Marxist theory, Mariners And Castaways, an anti-racist book, massively cosmopolitan, a slave ship that revolts, Benito Cereno by Herman Melville, slavers as props, the exhumed skeleton of Christopher Columbus, “Follow Your Leader”, a great novel of friendship, the sperm squeezing scene, the gayest and queerest book ever written, burly men squeezing sperm with each other, thumping each other, the universal thump, the barking insane chapter, Loomings, sharing a bed with a harpooner, he’s off selling his head, I’m not going to be the wife, a head in one hand and an axe in the other, hilarious, as if I was Queequeg’s wife, his bridegroom clasp, a hatchet-faced baby, so shockingly obvious, a giant block of time in which homosexuality was taboo, suicide, I quietly take to the ship, astonishing, if this book came out this year, shelved in the gay fiction section, where Ahab the queer old guy, white bone leg, rallying the troops, the three harpooners with their harpoons out, sharp and heavily polished, this is super-gay, like Gothic knight of old, a fresh lance, the three boats, Tashtego is from Gay Head (Martha’s Vineyard), Antarctic in their glittering expressions, his lithe snaky limbs, the son of the prince of the powers of the air, now hes taking to sea, the Science Fiction part, global economy, forward looking, the new global enterprise, Daggoo with his lion-like tread, masculine men, a powerful image, this is the 19th century power industry, you never need to read another book about whales, powering every home, anointing an new king with sperm oil, it’s called sperm-oil because it looks like sperm, touching each other lovingly under the sperm, there’s a library to keep up with Moby Dick, homo-social, Starbuck’s skepticism, going back to the whale, the whale as female or male, a fool’s errand, [recording broken] so much trouble with a book, The Tempest is just too big, what kind of fool was I think I could do a Moby Dick show?, we being repeating ourselves, Thomas Mann, necrophilia, imagine writing a review, contemporary reviews, people were smarter back then, attacking a book from the outside in, Garth Ennis’ Preacher, a big epic story, Alan Moore’s Watchmen, foreigners coming in and telling the American story, Breaking Bad, the noir journey, a lot darker than Moby Dick, Ahab going to his grave, The Oblong Box by Edgar Allan Poe, the American Renaissance, one of the ships at the Spouter Inn is from The Narrative Of A. Gordon Pym Of Nantucket, the 19th century anxiety about being buried alive, a grave with a window, part of the American Gothic heritage, like the Nostromo in Alien, abandoned military fortresses, haunted house, nature Gothic, prairies Gothic, the psycho-geographical features, a castle in the middle of the South Pacific, a secret crew, like Rochester’s secret wife, The Fall Of The House Of Usher, Usher II by Ray Bradbury, our sacred horrors, the mighty walls rushing asunder, a tarn at my feet, reading quotes, Ahab’s soliloquies, reading quotes, he’s dying, more palmy than the palms, the Pequod is him, The Haunted Palace, Star Trek II: The Wrath Of Khan, Khan’s obsession with Kirk, if Kirk was out there for revenge it would have been a very different show, The Balance Of Terror, a giant Berserker in space, The Doomsday Machine, Jesse Cuter is on a mission to kill God, Norman Spinrad, the whale lives on buried together in the sea, the greatest adventure writing of all time, action dialogue, the last soliloquy, he’s not afraid to make this book go all these places, so post-post modern, in uncharted territory, like Satan, Tashtego is the primordial American, claiming the doubloon, the head becomes his coffin, the ship, the hearse, the second hearse!, its wood could only be American, From The Earth To The Moon by Jules Verne, eternal malice, on their bull-like necks, sudden realization, slowly suddenly realizing, the hidden crew, The Secret Sharer by Joseph Conrad, Parsees, Persians, the foreign and the domestic, The Prophet, did you see those shadows going on to the ship?, a raucous ride from one kind of book to another kind of book, like a Gothic horror novel, with one survivor to tell the tale, burn it down, The Castle Of Otranto, so many things get brought into play, the sharks like are vultures following a battle, tiger yellow, words best omitted here, a little censorship, you live in a blessed evangelical land, anti-racist book, The Gold Bug, H.P. Lovecraft, death of beautiful women, Melville is in love with every colour of man, Saint Elmo’s fire turns the ship into candles, Ahab’s razors, the blue in Queequeg’s head, Tashtego’s shark white teeth which strangely gleamed, he’s powerful, holding the chain, blood against fire!, supernaturally tapped into the whale, he can smell the whale, in partial telepathic connection, forehead to forehead, changing from chapter to chapter, Thomas Pynchon, as Shakespearean as anybody has been, extreme states of being, we repeat ourselves, a bottle episode, Ozymandias, that is the devastation, a land epic, he’s in Lima (Peru), the strangest city, the white veil, a rigid pallor, two things that make Jesse sad, despair for humanity, when “net worth” is the autocomplete, despair despair!, ticket sales, desperate search answers for the pop-quiz, destroyed destroyed!, Bone is impossible to stop reading, running gags, trying to get people to read Moby Dick (and they fall asleep), petrified by his aspect, all your oaths are as binding as mine, the mark for thunderbolts, lightning power, the epithet for Captain Ahab is “old thunder”, this is not a book about the plot, we should never see Ishmael, seeing the world under the arm of Queequeg in his bed, it should never be adapted, cinematic to begin with, the storyteller is the frame, illustrated quotes, Fred Heimbaugh, Ahab is the Captain of the Black Freighter from Watchmen, an Alan Moore style book, the ebook for Jerusalem by Alan Moore, Jesse doesn’t read ebooks, traveling, a completely global book, a little map of the whaling ports of New England, the terrible old man in H.P. Lovecraft’s The Terrible Old man in Ishmael, the doubloons in The Dunwich Horror, did I review the book using the text of the book, no [actually, yes], accidentally on purpose, the same effect can be wrought, my illustration of the painting in the Spouter Inn, all the religion in the book, a member of the First Congregationalist Church, you are a preacher yourself, worshiping Wojo, all works turn to comment on themselves, when movies show up in the movies, Hitchcock movies, Tristram Shandy, the novel is doing this, sounding to bottom, Scarface, the American story, the American dream, The Sopranos, The Hunt, dark water is mystery, Gothic 101, the birds, the birds!, he profoundly saw, the undiscoveredable bottom, an open door marbled tomb, a tomb hunting for you, we never see it from the whale’s point of view, the whale as a force of nature, the honours heaped upon warriors (and those not heaped upon whalers), we fight battles no lesser men could ever fight, man against nature, man against himself, the candles, oh thou omnipotent, oh thou foundling fire, leap up and lick the sky, I worship thee, I glory in my genealogy, he’s killing his father, he despairs at his life at sea, 40 years at sea, best go out in a blaze, repeating the description of the Spouter Inn’s be-smoked oil painting, a church that is also a ship, unaccountable masses of shades and shadows, a nameless yeast, what does the marvelous novel mean?, you’re being harpooned, Macbeth, Bryan Alexander (for example), an exasperated whale, the ship is the bread, the sea is the wine, the white whale as the lamb of god, Orson Welles, The Grasshopper Lies Heavy, Eric S. Rabkin’s idea of Fantasy, was it bitten off below the knee or above?, maybe it’s only his own ivory there, nobody has written a prequel, Peter Watts’ The Things, a funny thing about The Thing From Another World, John W. Campbell ripping off H.P. Lovecraft, the prequel sequel remake of The Thing was pretty damn good, watching cartoons, In The Walls Of Eryx, At The Mountains Of Madness, condensed Olaf Stapledon, The Shadow Out Of Time, astronomy, tone and effect, psychological science, The Pit And The Pendulum, Arthur Machen, World War I, the Angels of Mons
Posted by Jesse Willis
Talked about on today’s show:
Weird Tales, April 1929, set in 1928, the Wikipedia entry, “one of the few tales Lovecraft wrote wherein the heroes successfully defeat the antagonistic entity or monster of the story”, the heroes were a nice family who kept to themselves, hounding the downtrodden, the story structure, the lily white mom, a virgin birth to an extraordinary son, an invisible brother, the holy trinity, it’s Jerusalem all over again, another fallen world, Dostoevsky’s The Grand Inquisitor, she’s sooo virginal, towards racism, non-human entities, deeply inset, the whole of Dunwich is inbred, more sanctified, extreme exogamy, Wilbur Whateley’s literary model, Frankenstein’s monster, yellow skin, lustrous black hair, hounded by the community, nudism is not a sin on your own land, they’re non-Christians, persecution, one of the great problems of Frankenstein, the creation of new life in a socially horrible way, for lack of a better appendage, some of the things Wizard Whateley says are troubling, Wilbur’s strangeness, reserve books, deny all access to this kid, the Call Of Cthulhu RPG is modeled on this story, Yog-Sothoth’s appearances in other stories, Through The Gates Of The Silver Key by E. Hoffman Price and H.P. Lovecraft, the opener of the way, Randolph Carter, Wilbur’s diary, the clearing off of the Earth, a lonely teenager, contempt for his mom, her albinism, somewhat deformed, gestures and hints, her unnamed son, Wilbur is dark, another step down the albinism route, The Invisible Man by H.G. Wells, the Alan Moore and Jacen Burrows Providence adaptation (issue 4), Robert Black, the Wilbur stand-in is Willard, the audio drama, family photos, the madwoman in the attic (the mad brother in the attic), dad’s always feeding him, he’s just a big kid, wonderfully atmospheric, he’s a horror writer, the normal way to read this story, weird fiction, The Colour Out Of Space, science fiction, Providence, Rhode Island, Athol, dread and horror, straight-up horror, Lovecraft and race, Lovecraft and class, poor white people are monstrous and horrific, inbred and weak, a fun Malcolm Gladwell piece, To Kill A Mockingbird demonized poor white folk, Trump-bashing, Oswald Spengler’s The Decline Of The West, have we peaked?, patronizing the poor, this is shocking, Theodore Dreiser, Jacob Reese’s How The Other Half Lives, Dracula by Bram Stoker, Degeneration: Fear Of The White Race Declining, war, we’ll all be Teddy Roosevelt and Baden-Powell, WWI, prohibition, the first U.S. propaganda committee, the end of The Shadow Over Innsmouth, rural threat, The Terrible Old Man, a cultural flip-flop, the rural folk as the other, the tipping point, urban migration, canary women in munition factories, the yeoman past, the gold doubloons, where did that money come from?, practicing alchemy?, Keanu Reeves, a ghurka knife, Dracula’s money belt, poor Wilbur, dogs wanna eat him!, dogs are mean, barking at things we cannot see, the dog as index of character, good people feed you bad people eat you, unlike the whippoorwills?, The Great God Pan by Arthur Machen, Wilbur is a little goaty, concepts and styles, the gods having union with humans and birthing the monstrous, a neuroscientist, a gibbering wreck, a trail of destruction, literal devolution, absolute corruption in human form, Helen Vaughn, a mystery story, disturbing hints, an enturely different story with entirely different tropes, a classic bad seed story, a giant monster on the loose story, a New England kaiju story, the Moodus Noises, hollow earth stories, lost race stories, Edward Bulwer-Lytton’s The Coming Race, ravines of problematic depth, Lovecraft casts a spell upon the reader, entranced by the language, landscape description, Elmore Leonard, stage-setting, the river as a serpent, oddly suggestive, feeling uneasy, the weird tale aspect, a little too round and a little too even, pulling down all the stones on all the hilltops, At The Mountains Of Madness, Dreams Of Animals, other families, the etymology of panic, somebody’s panic face, red scares, yellow perils, bank panics, the god Pan,
The word derives from antiquity and is a tribute to the ancient God, Pan. One of the many gods in the mythology of ancient Greece: Pan was the god of shepherds and of woods and pastures. The Greeks believed that he often wandered peacefully through the woods, playing a pipe, but when accidentally awakened from his noontime nap he could give a great shout that would cause flocks to stampede. From this aspect of Pan’s nature Greek authors derived the word panikon, “sudden fear,” the ultimate source of the English word: “panic”.
multiples of Pan:
Pan could be multiplied into a swarm of Pans, and even be given individual names, as in Nonnus’ Dionysiaca, where the god Pan had twelve sons that helped Dionysus in his war against the Indians.
a scapegoat, panic is the sense that everything around you is alive, 1806, a beautiful valley, a few cows, not interested in the modern economy, industry “didn’t take”, party line telephones, gossip, no phone at the Whateley farm, are they all practice hidden religions, The Horror Of The Burying Ground, a humor piece, an experimental embalmer, Herbert West: Embalmer, they’re alive!, everyone goes to their graves alive, gothic horror, comedy, set in Vermont?, Will Murray, Lovecraft’s revisions, tongue in cheek, blackly comic self-parody (almost), The Horror Of The Museum, Hazel Heald, in the 19th century everyone was afraid of premature burial, Edgar Allan Poe, a New York City echo, the different adaptations, the 2009 SciFi channel version, Jeffrey Combs, Dean Stockwell (Dr Yueh), the 1970 movie adaptation, a satanist movie, a lot of the story is in it, an anti-hero, Professor Armitage, Dennis Wheatley, cosmic horror, a beholder from Dungeons & Dragons gone berserk, a staff with a thunderbird totem, don’t go near the hills on certain nights of the year, a resentment, the degenerate side of the family, the opening credits, the love interest, the natural order, the big interpolation, an abomination, like Philip K. Dick, a source for films (mostly bad), The Resurrected, Blade Runner, Total Recall: 2070, Minority Report TV series, The Man In The High Castle TV series, the problem is there’s no real hope…, exactly the opposite of Dick’s idea, what that means for us, the medium shift (from book to movie), The Stone Tape (the BBC radio drama adaptation), checking out a book as a plot point, the Suspense radio drama adaptation of The Dunwich Horror, OTR, The War Of The Worlds, a Lovecraftian flavour, a sense of weirdness, using the whippoorwills, the Dark Adventure Radio Theatre adaptation, Wayne June is Mr Creeps, The Great God Pan, Out Of The Earth, The Thing In The Woods by Margery Williams, Ooze, an episode of Lovejoy, Ian McShane, regular uncursed artifacts, Deadwood, Dunwich On Sea (or In Sea?), a Swinburne poem, Stone Angel, The Ancient Track, Lovecraft’s description of other books in poems, a restatement of the Whateley family, Jesse reads a poem, Mr Jim Moon quotes from Zaman’s Hill, Lovecraft Country, Massachusetts and Vermont, very rural, Wizard Alexander, so articulate, glib stereotype, it would be childish to say it was indescribable…, a master of horror with a deep seated love of humour.
Posted by Jesse Willis
Locke and Key
By Joe Hill; adapted by Elaine Lee and Frederick Greenhalgh
Performed by a Full Cast
13.5 Hours – [AUDIO DRAMA]
Produced by: AudioComics for Audible Studios
Themes: / Horror / Magic / Demons / Magic Places /
I was thrilled when I heard that the team at AudioComics was adapting Joe Hill (writer) and Gabriel Rodriguez’ (artist) series of Locke and Key graphic novels as audio drama. I’m even happier now that I’ve heard it – this is high quality stuff. I love audio drama! Time to add Locke and Key to the list of reasons why.
Locke and Key tells the story of the Locke family, who moved into the family home in Lovecraft, Massachusetts after a tragedy. Teenagers Tyler Locke (played by Brennan Lee Mulligan) and Kinsey Locke (Jaime Alyse Andrews), younger brother Bode (Betsey Kenney), and their troubled mother Nina (Lisa Stathoplos) live in the house, which has a name: Keyhouse. Once there, the young Bode starts to find keys, each one of which has a special magical power. As the story progresses, the Lockes find themselves protecting the keys from the likes of a killer named Sam Lesser (Haley Joel Osment) and the terrifying demon Dodge, chillingly portrayed by Tatiana Maslany and Ian Alan Carlsen.
The story is both fascinating and horrifying, combining familiar haunted house elements with the surprising magic of the keys. Friendship, betrayal, good and evil, excellent writing, deep characters… it’s a great story as a graphic novel, and this production successfully captures it, the flawless cast and rich sound adding a new and welcome dimension to the whole.
Like I always do with good audio drama, I listened to this with good headphones. There’s a striking depth to the sound in this production. You don’t get the feeling that the actors are standing around in a room reading a script. It’s easy to believe a scene is happening in a cave, or in a house, or outside at night, or wherever. The harder you listen to the background, the more detail you hear. This was achieved by recording the actors on location, as if they were filming a movie. Check out the Featurette at the bottom of the review to see Bill Dufris (director) and Frederick Greenhalgh record groups of actors. The result is so natural. It’s marvelous.
Sound effects are used as well, but don’t dominate the production. I particularly liked the sounds used to convey the use of various keys, and the enhancement of actor’s voices, which was genuinely chilling! The score (by Peter Van Riet) is also well done. I found myself looking forward to the theme.
I had high hopes for this production and they were all met and often exceeded. I would love to hear more of this kind of thing! In the meantime, I’ll be listening to this one again.
This production contains dramatizations of all six Locke and Key graphic novels:
Book 1: Welcome to Lovecraft
Book 2: Head Games
Book 3: Crown of Shadows
Book 4: Keys to the Kingdom
Book 5: Clockworks
Book 6: Alpha and Omega
It’s available FREE from Audible until November. | GET YOUR COPY HERE |
And the Featurette I mentioned above:
Posted by Scott D. Danielson
This UNABRIDGED AUDIOBOOK (9 hours 23 minutes) comes to us courtesy of LibriVox.
The Picture Of Dorian Gray was first published in the July 1890 issue of Lipincott’s magazine, and then in 1891, in an expanded and revised edition. This audiobook is made from the latter publication.
The next SFFaudio Podcast will feature our discussion of it!
Posted by Jesse Willis
Finders Keepers (Bill Hodges Trilogy #2)
By Stephen King; Read by: Will Patton
Publisher: Simon & Schuster Audio
Publication Date: 2 June 2015
[UNABRIDGED] – 13 hours, 5 minutes
Themes: / suspense / thriller / horror /
A masterful, intensely suspenseful novel about a reader whose obsession with a reclusive writer goes far too far—a book about the power of storytelling, starring the same trio of unlikely and winning heroes King introduced in Mr. Mercedes.
“Wake up, genius.” So begins King’s instantly riveting story about a vengeful reader. The genius is John Rothstein, an iconic author who created a famous character, Jimmy Gold, but who hasn’t published a book for decades. Morris Bellamy is livid, not just because Rothstein has stopped providing books, but because the nonconformist Jimmy Gold has sold out for a career in advertising. Morris kills Rothstein and empties his safe of cash, yes, but the real treasure is a trove of notebooks containing at least one more Gold novel.
Morris hides the money and the notebooks, and then he is locked away for another crime. Decades later, a boy named Pete Saubers finds the treasure, and now it is Pete and his family that Bill Hodges, Holly Gibney, and Jerome Robinson must rescue from the ever-more deranged and vengeful Morris when he’s released from prison after thirty-five years.
Despite a bit of a slow start, I think I liked this one slightly better than Mr. Mercedes. It’s hard to put my finger on why. Morris Bellamy isn’t nearly as terrifying as Brady Hartsfield, but he’s still a fascinating character. I really enjoyed Pete Sauberg as well.
It might be the premise of this that I think is better. It all centers around reading, and obsession with fictional worlds/characters. That is something I can understand to a lot more than a crazy person with mommy issues.
The first half or so focuses largely on the new characters. For me, things really stepped up once we get back to Bill, Holly, and Jerome. I especially love Holly. She might be one of my favorite characters than Mr. King has written.
Much like its predecessor, this book is certainly more thriller or mystery than Horror. Often times people see Stephen King’s name on a book and assume horror.
The book geek in me really wants to read the Jimmy Gold novels. Or at least the plot summaries. We get dribs and drabs of it as the book unfolds, but not a ton. They sound more literary than my usual fare, but it would be interesting to see Mr. King do a more in depth write-up on the series within the series.
Will Patton is a perfect fit for this series. He does a bit of voices for some of the characters, but really it’s just his normal reading voice that is just the right tone.
Overall, another solid novel from King that makes for great summer reading, and I’m already looking forward to the final novel in the trilogy.
Review by Rob Zak.