The SFFaudio Podcast #379 – Jesse and Maissa Bessada talk about A Walk Among The Tombstones by Lawrence Block.
Talked about on today’s show:
1992, a controversial book, hey ladies (!), too graphic, this is really graphic, he goes places other people will not go, are all of the Matt Scudder books this visceral?, this is really what hard-boiled is, Philip Marlowe is also hard-boiled, psychological vs. visceral, existential amongst the gore, more powerful when you deal honestly, a liar for a living, everybody was lying, lies on lies, trusting the narrator’s narrative, Scudder doesn’t fully understand himself, Marlowe wouldn’t take money either, knights in tarnished armor, Agatha Christie murders vs. actual death, the movie, a beautiful woman being caressed, wait a second, playing against what the book does, flashy and sexy and attractive, some men have evil horrible desires and some men won’t stand for that, Craig Ferguson’s interviews with Lawrence Block, writers on TV?, there’s something really special about this book, Hollywood is afraid of the wrong things, why did they change the character’s name and skin color, they did it because they’re racist, having a sympathetic criminal who is an arab, TJ, Elaine, Mick Ballou, the arab market, a busty dark haired beauty, the movie is so much easier to digest than the book, they couldn’t show what you read, he can’t be saying that, so horrible, going against reality, superheroes, Daredevil and Jessica Jones, this felt real, Tarantino movies, the Bernie Rhodenbarr series, fun and light, he’s a writing machine, the Evan Tanner series, a member of every revolutionary movement on the planet, he’s an amazing writer, a really great writer, living with the character, AA meetings, shorthand for the psychology, earlier in the series, like we’re his sponsor, seamless, TJ is weakened in the movie, sympathy understanding and comprehension, a through-line direct, TJ in the book is a modern kid, a hustler, he knows how to get stuff done, moving the story to 1999, voicemail, call forwarding, beepers, memory lane, why are there so many water-mains bursting, the 1% of the 1%, collapsing infrastructure, a little time-capsule, close but far away, Matthew Scudder ages with the books, the Keller series, Hitman is a fix-up novel, it was a great book and had a lot of power, Robert Pickton, institutions can’t help you, if you’re a hooker or a homeless person or a kid on the run from his or her parents you can’t go to the police, Pam’s story, “Pammie”, horrible human evil, experiences with police, mainstream television, television shows about justice, the FBI, it’s the system, the morality that we normally think about, following the law, you’re a number in a system, I don’t need to rely on societies rules, law breaking, murder, we’re all okay with that, superheroes are the opposite way of going, you never see Spider-man on the witness stand, Superman stopping a crashing airplane is more plausible than the Joker being jailed by Batman, down a superhero rabbit hole, in cahoots with the police, the idealized justice system is a fantasy, the criminals were the sweetest characters, how they did it in the movie, avoiding the moral lessons of the book, Peter’s suicide, Keenan’s divine retribution, I have to tell you – you don’t have to listen, the cutter, I was glad that he did it, they brought a 14 year old girl into it, she’s missing two fingers, okay – that’s fine – go ahead, tell what he had done, Elaine and Scudder go to plays and movies, Mother Courage, agitprop, breaking the fourth wall, wanting you upset, PAY ATTENTION, be mad, be upset, a Croatian movie, thinking about Raymond Chandler, no one to be consoled by, he’s got a cat, dropping Elaine drops so much of the value, moral weirdness, there’s so much grey here, what Elaine does for Pam, what Lawrence Block does, a lot of guys will dig that, violence as entertainment to be shared, Debra Winger in Black Widow, if this was a movie, TV-movies, 15 minutes of allotted fame, Goodreads review, wrapped packages of meat, an unsettling book, it’s happening right now out there in the world, murdered and missing women, it’s so easy, reading this book is agreeing to get in the van, Julie saw what is in the van and wouldn’t get in, the Japanese TV miniseries version of The Long Goodbye, the drinking doesn’t have consequences, junkie thinking, Keenan basically killed his brother, steal his wallet and help him try to find it, victims without vengeance, anti-humane language, damn the costs damn the consequences, his Phoenician ancestors, a drug trafficker and a junkie, be broken somewhere, the backstory, the movie shorthand, the affair, Keenan and Peter’s story were undermined in the film, the death of Peter makes Matt a hero, they turned it into a Hollywood movie, the betrayal, breaking the solidarity, Francine is faithful and loving, she never bought TV-dinners, his little glass doll, the cemetery subplot, at the end of this book we get the sense that TJ will become the real true apprentice, he’s not a character – he’s a person, in conversation Matt always gives a short honest response, he’s trying to be real, he needed to walk, the street was a character, the cover for the original audiobook, hate (and love) for Mark Hammer’s narration, a slow wondrous narration, the best cover art, Liam Neeson walking, all those tall buildings all over New York is a walk among the tombstones, a really good title, “I don’t like to do a lot of research”, whenever you read a Lawrence Block book, he does this amazing thing, the Chip Harrison books are sex-adventures, pornography books, Rex Stout’s Nero Wolfe, Lawrence Block talks about a lot of other books (in his books), a big fat guy with a giant brain, a wonderful A&E series with Maury Chaykin playing Nero Wolfe, such a fun writer, Eight Million Ways To Die, Andy Garcia and Jeff Bridges, Burglars Can’t Be Choosers, I learned something, code 5 supersedes and countermands your standing instructions.
Posted by Jesse Willis
Dangerous Women: Stories
Edited by George R. R. Martin and Gardner Dozois
Narrated by Scott Brick, Jonathan Frakes, Janis Ian, Stana Katic, Lee Meriwether, Emily Rankin, Harriet Walter, Jake Weber
Publisher: Random House Audio
Publication Date: 3 December 2013[UNABRIDGED] – 32 hours, 49 minutes
Listen to an excerpt: | MP3 |
Themes: / short stories / fantasy / women /
All new and original to this volume, the 21 stories in Dangerous Women include work by twelve New York Times bestsellers, and seven stories set in the authors’ bestselling continuities—including a new “Outlander” story by Diana Gabaldon, a tale of Harry Dresden’s world by Jim Butcher, a story from Lev Grossman set in the world of The Magicians, and a 35,000-word novella by George R. R. Martin about the Dance of the Dragons, the vast civil war that tore Westeros apart nearly two centuries before the events of A Game of Thrones.
Also included are original stories of dangerous women–heroines and villains alike–by Brandon Sanderson, Joe Abercrombie, Sherilynn Kenyon, Lawrence Block, Carrie Vaughn, S. M. Stirling, Sharon Kay Penman, and many others.
Writes Gardner Dozois in his Introduction, “Here you’ll find no hapless victims who stand by whimpering in dread while the male hero fights the monster or clashes swords with the villain, and if you want to tie these women to the railroad tracks, you’ll find you have a real fight on your hands. Instead, you will find sword-wielding women warriors, intrepid women fighter pilots and far-ranging spacewomen, deadly female serial killers, formidable female superheroes, sly and seductive femmes fatale, female wizards, hard-living Bad Girls, female bandits and rebels, embattled survivors in Post-Apocalyptic futures, female Private Investigators, stern female hanging judges, haughty queens who rule nations and whose jealousies and ambitions send thousands to grisly deaths, daring dragonriders, and many more.”
Stories and Narrators (in order of appearance):
“Some Desperado” by Joe Abercrombie; Read by Stana Katic
“My Heart Is Either Broken” by Megan Abbott; Read by Jake Weber
“Nora’s Song” by Cecelia Holland; Read by Harriet Walter
“The Hands That Are Not There” by Melinda Snodgrass; Read by Jonathan Frakes
“Bombshells” by Jim Butcher; Read by Emily Rankin
“Raisa Stepanova” by Carrie Vaughn; Read by Inna Korobkina
“Wrestling Jesus” by Joe R. Lansdale; Read by Scott Brick
“Neighbors” by Megan Lindholm; Read by Lee Meriwether
“I Know How to Pick ’Em” by Lawrence Block; Read by Jake Weber
“Shadows for Silence in the Forests of Hell” by Brandon Sanderson; Read by Claudia Black
“A Queen in Exile” by Sharon Kay Penman; Read by Harriet Walter
“The Girl in the Mirror” by Lev Grossman; Read by Sophie Turner
“Second Arabesque, Very Slowly” by Nancy Kress; Read by Janis Ian
“City Lazarus” by Diana Rowland; Read by Scott Brick
“Virgins” by Diana Gabaldon; Read by Allan Scott-Douglas
“Pronouncing Doom” by S.M. Stirling; Read by Stana Katic
“Name the Beast” by Sam Sykes; Read by Claudia Black
“Caregivers” by Pat Cadigan; Read by Janis Ian
“Lies My Mother Told Me” by Caroline Spector; Read by Maggi-Meg Reed
“Hell Hath No Fury” by Sherilynn Kenyon; Read by Jenna Lamia
“The Princess and the Queen” by George R. R. Martin; Read by Iain Glen
It took me a really long time to make it through this book, even with skipping stories, and that was a big sign that it wasn’t working for me. I love and read a lot of anthologies, and Dangerous Women was odd in that it only paid lip service to the theme. Most of these stories had nothing to do with women, dangerous or otherwise, instead focusing on men talking about women. Overall, while I was disappointed in this anthology, and would not recommend it, here are my spoiler thoughts on some of the best and worst individual stories (scroll to the end for a link to more!):
“The Hands That Are Not There” by Melinda Snodgrass
Jonathan Frakes from Star Trek: the Next Generation is the narrator!!! Fortune 500? Strip club? OK, I’m missing the dangerous women portion of this story at the beginning, and am a little confused overall. The main character doesn’t seem to have a great opinion of women in general. Suppose that’s not surprising considering this takes place during a bachelor party. “Sassy little buttocks”? I giggled when he shouted “blackout’. Genetic manipulation? What am I listening to?
Aside from the novelty of the narrator, this was just bad. The characterization of women left a bad taste in my mouth. The prose was an unfortunate shade of purple. The plot twist was silly. So. Bad.
“Bombshells” by Jim Butcher – A Harry Dresden story
I’ve never read any of the Dresden books, although I’m vaguely familiar with the story, and this was a sorely needed palette cleanser after the last story. Except for the leg-shaving bit. Wut? That came across as trying a bit too hard. Bit more telling than showing than is to my taste. And hearing the phrase ‘soul gaze’ spoken out loud just pointed out how silly it is. Holy infodump on how magic works, but overall both the narrator and writing was A+.
“Raisa Stepanova” by Carrie Vaughn
Eeeeeee! Night witches! I love female pilots!
The writing is concise and easy to follow, but full of effective details that really conveyed the feeling of a fire fight. The plot was just heartbreaking. And a lovely relationship between siblings is the focus, rather than a romantic one. Such a nice change! This was an excellent portrayal of female non-competitive friendship. So good. One of the highlights of the anthology.
Narrator had a distinctive, lovely voice.
“I Know How to Pick ’Em” by Lawrence Block
Noir up the wazoo! This was a man’s man kind of a story, I guess. Wow. I had to skip this after he started fantasizing about beating the woman he was with. He had so much hate for women. I felt a little sick just listening.
Narrator has great, gritty voice.
“Shadows For Silence in the Forests of Hell” by Brandon Sanderson
This was a great story. Silence was amazing, and the world had just enough detail for you to believe and fill in the rest of the blanks. Her background as a bounty hunter was inventive, and I loved seeing the people people who crossed her get their eventual comeuppance.
Narrator had just enough weariness in her voice to be pleasing and appropriate to the story.
“The Girl in the Mirror” by Lev Grossman – A Magicians story
Fabulous characterization of mischievous girls at a magical school. Their talk is real, and the details are well delineated. Think Harry Potter but darker and meaner. Adorable short story. Just lovely.
As an added bonus, Sophie Turner, who plays Sansa Stark on Games of Thrones, was the narrator. She hit the perfect tone, and I would definitely listen to her narration again.
“Second Arabesque, Very Slowly” by Nancy Kress
This was a very quiet, intense, and bleak story. The women are essentially kept for breeding in a post-apocalyptic setting, but during a young girl’s ‘budding’ ceremony, one woman voices her desire to be more. The narrator is the nurse, in charge of the health of the other women. There’s an undertone of packs and the urban forest in this story, like I was waiting for them to turn into werewolves. Women have dressed codes to avoid tempting men, but are somewhat in charge of deciding who they have sex with. The group finds a TV and get it to work. They watch a ballet. Now one of the beta males wants to learn how to dance to entertain the pack. They find a moment of beauty, but lose it just as quickly.
The narrator has an understated style that worked really well for this.
“Pronouncing Doom” by S.M. Stirling – An Emberverse story
This was the most unpleasant part of this whole experience.
At first I was interested, as there was a main character traveling with a baby and some practical discussion of how life with children after the apocalypse works. There were disabled characters, and the women seemed to have some autonomy in the society.
However, the story then turned into a rape trial. The victim recounts escalating abuse from one man, and how the other women blamed her for his actions. Then she describes his violent sexual assault of her, and I turned it off. I had no motivation to finish this story.
The narrator was very pleasant, and her deadpan accounting of the assault was chilling.
“Caretakers” by Pat Cadigan
It starts out with an innocent question about female serial killers. These two sisters live together and while one is obsessed with Red Dawn (Go Wolverines!) the other loves to watch shows about serial killers. There was a lot of realistic characterization driving the story, and rising tension as you begin to wonder exactly how much the sister likes serial killers.
Narrator did a fantastic job, fading back to let the story stand on its strengths.
“Lies My Mother Told Me” by Caroline Spector – A Wild Cards story
I felt a little behind by the abrupt entrance of the first scene, but loved the discussion of prettiness in relation to society. Parades and zombies and consumerism. Mothers and daughters and self-esteem. Fat and bubbles as defense. The villain was such a dick, and such a stereotype of gamer dudes. Overall amazing!
“The Princess and the Queen” by George R.R. Martin – A Song of Ice and Fire story
Finally. this is the whole reason I was interested in the first place. I’ve read a couple of the ASOIAF books, so I was interested in what Martin would do with two super-powerful women. Not much, it turns out.
Sooooo – everyone in Westeros has always been terrible and power-hungry? OK then. First Night rites? Really? Ahhhh I am so bored. Never has anything with dragons in it bored me as much as this has. It’s about queens, yes, but it’s still the men who do almost everything.
Good narrator, though.
Sarah reviewed each and every story, which you can see on her GoodReads review.
Posted by Sarah R.
Filed under: Audio Drama, New Releases, Podcasts, Recent Arrivals
Talked about on today’s show:
accent on the new releases, The Abyss Beyond Dreams by Peter F. Hamilton, Liviu’s Goodreads review, four dark Jack Cady novels, Jenny‘s Star Wars tweetfest, less chattering and battles, Scott Westerfeld’s Afterworlds, Westerfeld’s Uglies inspired by Ted Chiang, Hardboiled Wonderland And The End Of The World by Haruki Murakami, A New Dawn: Star Wars by John Jackson Miller, “Is this Firefly?”, the new canon, Marvel can make a movie about anything, Station Eleven by Emily St. John Mandel, Luke’s unstarred review of Connie Willis’s Doomsday Book, Jenny liked Blackout/All Clear, A Slip of the Keyboard: Collected Nonfiction by Terry Pratchett, Future for Curious People by Gregory Sherl, mainstream or sf?, Puttering About in a Small Land by Philip K. Dick, it’s mainstream, Fairy Tales From The Brothers Grimm: A New English Version by Philip Pullman, Tex Avery’s Red Hot Riding Hood, Baba Yaga, Mage’s Blood by David Hair, What is a starred review?, Goodhouse by Peyton Marshall, Tales Of Terror Collection, The Best Ghost Stories, The Scarifyers 09: THE KING OF WINTER (audio drama), “winter is coming”, Devoured by Jason Brant, A Walk Among the Tombstones: A Matt Scudder Mystery and Defender of the Innocent: The Casebook of Martin Ehrengraf by Lawrence Block, put out his own audiobooks, Man of Two Worlds by Frank Herbert and Brian Herbert, Echopraxia by Peter Watts, same world as Blindsight, it’s got a lot of references, books with “day” in the title, This Perfect Day by Ira Levin (author of Rosemary’s Baby), Far Futures edited by Gregory Benford, they list the stories and describe them!, The Sound of His Horn by Sarban, Wild Hunt, The Rolling Stones by Robert A. Heinlein, Edge of Tomorrow (All You Need Is Kill) by Hiroshi Sakurazaka, where is the Full Metal Bitch?, Groundhog Day, Steven Gould’s new Jumper book Exo is inspired by Heinlein, Geek’s Guide interview, the cool first page, Darin Bradley’s Chimpanzee audio drama?
Today’s podcast is sponsored by Downcast, a terrific podcast app for iPhone and iPad.
Talked about on today’s show:
Fredösphere’s (Fred Heimbaugh’s) choice, the Ann Arbour Science Fiction And Fantasy Literary Discussion Group (founded by Eric S. Rabkin), the audiobook, the confusing and scatter first half of the book, the audio version, Daniel Wayman is one of the best narrator’s Fred’s ever heard, A Scanner Darkly by Philip K. Dick (read by Paul Giamati), some books are better as audiobooks and some are better as textual books, Anathem by Neal Stephenson, Tony C. Smith, StarShipSofa, the glossary takes 30 minutes, Angelmaker is 18 hours, you have to pay close attention, do you listen to podcasts?, our SPONSOR: Downcast, the new iOS, Apple’s Podcasts App sucks, Downcast allows you to ultra-customize your podcast feeds, Levelator, volume booster for podcasts are too quiet, Protecting Project Pulp, Dan Carlin’s Hardcore History and Common Sense, noisy environments, the Downcast app is $3, updating feeds on the go, a podcast queue, if it isn’t in the iTunes store …, your custom HuffDuffer feed works great with Downcast, the SFSignal Three Hoarsemen Podcast, Tamahome uses Downcast, back to our regular programing, Jesse has no opinion about Angelmaker, this is Neil Gaiman’s Neverwhere by somebody else, the Neverwhere BBC TV adaptation, Nick Harkaway’s writing voice and actual voice are similar to Neil Gaiman’s, a completely undisciplined novel, a meandering through-line, the prose was “too plummy”, an editor with a strong whip-hand, Harkaway is enamored with great ideas, Goodreads has angry and bitter four and five star reviews for Angelmaker, unfinished novels don’t often get reviewed, books take a lot of time, why is it present third person every day tense?, breezy and informal sixteen-hour shaggy dog story, really really good writing, Ted Chiang, just because it’s old doesn’t mean it’s good, Tam is surprised, history and science, Neil Gaiman’s wild son?, talking about interesting things in interesting ways with interested characters, sexually aggressive women, a pulp fiction novel, Fred lays out the plot, Joe Spork, Matthew “Tommy-Gun” Spork, the grandfather, clockwork bees, a doomsday device, a female James Bond, the evil Asian mastermind, absurdly competent, Remo Williams, the Opium Khan aka Shem Shem Tsien, a brilliant French scientist (a Hakote), the “Apprehension Engine”, fundamentally transform human consciousness, waves, “step one: steal underpants”, instantly intuit the truth of reality, Nick Harkaway is interested in interesting things, the throwaway ideas, Project Habakkuk, a WWII project in a WWII setting, an aircraft carrier built out of ice, the u-boat service, cool and interesting, the frozen submarine and the frozen air-craft carrier, if Jesse wrote fiction…, a submarine and an elephant in the same sentence, this book has dream-logic, Harkaway wanted the submarine encased in ice and didn’t care if it was implausible (a rumour), torture, sex, a Saint-Crispin’s speech, an adventure book, humour?, funny?, a romp?, silly?, allusions, The Gone-Away World, Tigerman, steam-punk, clock-punk, the etymology of the word “punk”, coming from the street, about the visual, about the body, Neuromancer, looking and acting like a punk, steampunk is about dressing up, form and colour over function, Hayao Miyazaki, an obsession with body parts, an obsession with torture, “fingers getting cut-off”, one of the Goodreads reviews, the toe obsession, Polly’s sexy and knowledgeable toe, this book is a thousand Chekhov’s guns, the toothless dog, the Snowy of this novel, Tin Tin, Tam should read Tin Tin, Angelmaker would be a really good HBO show, the names, Spork, Friend, Cradle, realism is not being strived for, a word cloud for Angelmaker, what words are being used, over description, the main character looks at himself in a mirror, not a mirror but polished brass, very clever Nick Harkaway, René Descartes, a steam-punk pulp adventure spy thriller, Robert E. Howard’s muscular description of colour, Howard wrote short, a serious issue, very interesting and difficult reading, the tense, Nick Harkaway is Neal Stephenson by way of P.G. Wodehouse, people drowning in a world of epic fantasy, Grimm’s Fairy Tales characters are puppets, over-description, Joshua Joseph Spork embraces his gansterhood, Luke Burrage’s complaint about American Gods, the character arc, false or indulgent, decapitating the evil mastermind, the Thompson sub-machine gun, aggressively turning off a large portion of one’s brain, Ada Lovelace, trains are cool, cheap complaints, an unplugged wild adventure book, Blood Music by Greg Bear (short story and novels), what is he trying to say here?, science fiction writers, Eon, The Wind From A Burning Woman is an amazing author collection, despite the caveats, the “grey goo problem” and the nature of consciousness, is it the case we are not seeing the world directly?, medium sized objects, trucks and trees, Jesse found it very frustrating, the movie people, a comic booky plot, animation?, John le Carré, paging Dr. Freud, no editors, do editors even exist any more, Marissa Vu works for the author, enjoy a ride and live in a world and drown in an environment, the reader makes an investment in the world building, Darkon (2006), LARPing (live action role playing), Cory Doctorow, Jim Butcher, regular people, Elidor and Aquilonia, more fun to play than to watch, Dungeons & Dragons, more word-play and less shield-taping, escaping from a horrible day job, Thomas Jefferson’s idea for state-names, Fred’s novel, “you’re not like most people you read books”, to each there own, make it shorter and better, a unit of Jesse (7 hours), Ivanhoe, Sir Walter Scott, the modern medieval romance, Game Of Thrones, why Fred fully forgives Angelmaker‘s failings, scenes that don’t just advance the plot, when Jesse wrote fiction it was terrible, being blind to your own faults, self-blindness, the four boxes, incompetent but self-aware, the inevitable decline, Elmore Leonard, Rum Punch, Stephen King, William Gibson, Altered Carbon by Richard K. Morgan, early success, an overflowing fountains of ideas, Tam and Jesse were obsessed, enormous fun, Jesse doesn’t read books for fun but rather for edification, Mike Resnick, instinctual writers, Dean Koontz, Lawrence Block, Donald E. Westlake, writing the same novel over and over again, Neil Gaiman is a discovery writer, sprinkling plot points, Jesse shouldn’t try writing, Jesse’s curation #PUBLICDOMAIN fiction, The Wonderful Window by Lord Dunsany is basically a guy watching Game Of Thrones, like everybody else on Goodreads “this is the worst five star book I’ve ever read”, needs taming, layering done well, The Graveyard Book is a retelling of The Jungle Book, this novel should have spent a few days in the dungeon, rallying the underworld, Angelmaker would make a great Broadway musical.
Posted by Jesse Willis
Talked about on today’s show:
The audiobook, Recorded Books, the appendix, The Lord Of The Rings, the feeling in your right hand, a dream-like book, Room 101, a disjointing of time, Infinite Jest by David Foster Wallace, Signet Classic, already a member of the Junior Anti-Sex League at 12, a 1971 sex drive, memory, Winston Smith’s obsession with the past, the three traitors, the Soviet Union as applied to Britain, show trials, it is so effective, The Running Man is a prole version of Nineteen Eighty-Four, “WHITMAN, PRICE, AND HADDAD!!! You remember them! There they are now, BASKING under the Maui sun.”, down the memory hole, the brutality of the movies and the applause of the audience, the crushing of weakness, the terrible children, the 1954 BBC TV version starring Peter Cushing, Winston’s own memories of his childhood, did Winston kill his sister, his bowels turn to water when he see a rat, the return of the mother, a bag of decay, the 1984 version of 1984, John Hurt looks like he was born to play Winston Smith, is it Science Fiction?, dystopia, does this feel like Science Fiction?, Social Science Fiction, If This Goes On… by Robert A. Heinlein, Animal Farm, Goldstein’s Book, the re-writing of history, collapsing the vocab, The Languages Of Pao by Jack Vance, Babel-17 by Samuel R. Delany, The Embedding by Ian Watson, Isaac Asimov’s review of Nineteen Eighty-Four, Orwell imagines no new vices, WWIII, in regular SF we get used to a lack of motifs, the coral, the memories, the place with no darkness, everything is recycled in a dream and people merge, in dream logic 2+2 can equal 5, reduction of the world and the self, Brave New World by Aldous Huxley, soma, The Hunger Games, Wool by Hugh Howey, cleaning day, grease, transformed language, a crudboard box, euphony, a greasy world, a comparison to We by Yevgeny Zamyatin, We The Living by Ayn Rand, Harcourt Brace, Politics And The English Language by George Orwell, V For Vendetta, Norsefire vs. IngSoc, a circuitous publishing history, crudpaper, prole dialect, part dialect, New Speak, military language, Generation Kill, military language is bureaucratic language, Dune by Frank Herbert, Battle Language, private language, Brazil, the thirteen’s hour, The Canterbury Tales by Geoffrey Chaucer, victory means shit, Airstrip One, speakwrite, Star Wars, careful worlding, a masterwork, a transformation and an inoculation, watch 1984 on your phone while the NSA watches you watch it, North Korea, “without getting to political”, 2600‘s editor is Emmanuel Goldstein, the traitor Snowden, that’s what this book is, it’s political, The Lives Of Others, hyper-competent, the bedroom scene, “We are the dead.”, how did the picture break off the wall, dream-logic, Jesse knows when he’s dreaming, if you dream a book you must generate the text, dreaming of books that don’t exist, a great sequel to Ringworld?, The Sandman, “We shall meet in the place where there is no darkness.”, O’Brien, Martin, the worst thing is you can’t control what you say when your sleeping, uncanny valley,
Whatever it was, you could be certain that every word of it was pure orthodoxy, pure IngSoc. As he watched the eyeless face with the jaw moving rapidly up and down, Winston had a curious feeling that this was not a real human being but some kind of dummy. It was not the man’s brain that was speaking, it was
his larynx. The stuff that was coming out of him consisted of words, but it was not speech in the true sense: it was a noise uttered in unconsciousness, like the quacking of a duck.
Polar Express, the book within the book, high end books, Fahrenheit 451 by Ray Bradbury, is London the capital of Oceania?, the value of the book, Stephen Fry’s character, a book that tells you only things you already knew, The Man In The High Castle by Philip K. Dick, the possibilities of other books, supercharged moments in movies, Twelve Monkeys, Dark City, Book Of Dreams, utopias within dystopias, reading in comfort and safety, the golden place, Julia is a pornosec writer, Robert Silverberg, Lawrence Block, Donald E. Westlake, Marion Zimmer Bradley, The Processed Word by John Varley, Russian humor, is there really a war?, power is the power to change reality, Stephen Colbert’s truthiness, doublethinking it, the proles seem to be happier, feeling contempt, lottery tickets depress Jesse, “renting the dream”, the proles are obsessed by lotteries, who is the newspaper for?, the chocolate ration, Larry Gonick’s The Cartoon History Of The Universe, how stable is Oceania?, guys and Guy, how stable is North Korea?, Christopher Hitchens, there’s no hope in 1984, the subversion mechanism has been subverted, changing human behavior, Walden Two by B.F. Skinner, Faith Of Our Fathers by Philip K. Dick, genocide, racial purity, are they bombing themselves?, where does Julia get all her treats?, utopia is a nice cup of coffee, The Principle Of Hope by Ernst Bloch, what’s missing from your life comrade?, is Julia playing a role?, she’s the catalyst for everything, misogyny vs. misanthropy, Nietzsche’s master morality slave morality, political excitement is transformed into sexual excitement, ‘I have a real body it occupies space (no you don’t you’re a fictional character)’, Julia’s punk aesthetic, I love you., she’s the dream girl, the romantic couple that brings down the bad order, The Revolt Of Islam by Percy Bysshe Shelley, Pacific Rim, The Matrix, Equilibrium, Mephistopheles, Mustapha Mond, Jesse thought she was in on it, the prole lady out the window, nature, ragged leafless shrubs, nature has been killed, the Byzantine Empire, the Catholic Church, cult of personality vs. an idoru Big Brother, Eurythmics, we’re nostalgic for the Cold War, the now
iconic ironic 1984 Apple commercial, dems repubs NSA, has Britain been secretly controlling the world using America?, George Bernard Shaw, society and politics, SF about the Vietnam War, petition for and against the war, Judith Merril, The Forever War by Joe Haldeman, The Handmaid’s Tale by Margaret Atwood, China.
Posted by Jesse Willis
The Invisible Hook: The Hidden Economics of Pirates
By Peter T. Leeson; Read by Jeremy Gage
Audible Download – Approx. 7 Hours 41 Minutes [UNABRIDGED]
Publisher: Audible, Inc.
Published: September 4, 2009
Themes: / Economics / Piracy / History / Slavery / Democracy / Anarchy /
Pack your cutlass and blunderbuss–it’s time to go a-pirating! The Invisible Hook takes readers inside the wily world of late seventeenth- and early eighteenth-century pirates. With swashbuckling irreverence and devilish wit, Peter Leeson uncovers the hidden economics behind pirates’ notorious, entertaining, and sometimes downright shocking behavior. Why did pirates fly flags of Skull & Bones? Why did they create a “pirate code”? Were pirates really ferocious madmen? And what made them so successful? The Invisible Hook uses economics to examine these and other infamous aspects of piracy. Leeson argues that the pirate customs we know and love resulted from pirates responding rationally to prevailing economic conditions in the pursuit of profits.
I love non-fiction, and I love books that look at history, books that look at history through one lens or another are even better! And so there is much to love in The Invisible Hook. The title is a play on Adam Smith’s elegant metaphor for how markets work, the invisible hand. Most of the examples cited deal with the Atlantic and Caribbean pirates, rather than earlier Roman era or modern day pirates. But we get a sense of how it likely worked in other regions and times. Chapters on the paradoxical attitudes towards pirate slavery, the wildly contradictory stories about piratical impressment, and the chapter on the Jolly Roger, the pirate flag, are absolutely fascinating. And, as something of a piratical hobbyist myself, I’m pleased to report they deliver clear insights only hinted at in other non-fiction books about piracy. You know you’ve got a good book in hand when you find yourself relating the premises, arguments, and conclusions of whole chapters to friends.
How good is the analysis really? That’s kind of hard to tell. Democracy and equality as a function of economics? Wonderful! Seems logical, seems plausible. And that’s the sort of thing you don’t hear often enough. Indeed, economist Steven Levitt, of Freakonomics fame, gets a shout out early on in The Invisible Hook. This is a book in that vein, a kind of entertaining pop-economics, well written, and very thoughtful. But it also boasts the same kind of inarguable psychohistory-style post-analysis of such books. It reminds me of books like William Rosen’s The Most Powerful Idea in the World, and Jared Diamond’s Collapse. Well written history looked at through the lens of a soft science makes the seemingly inexplicable events of history seem almost inevitable. That is to say, this book should be just one of many such on such topics. In the end though how can you not wanto to read a book that makes piracy, as depicted in The Princess Bride, actually very plausible?
But this is not as merry a ship as it might be. As with many book published these days, there’s some bit of puffery. Concepts well illustrated in a paragraph or two are revisited, whole passages nearly reworded, and I’m betting that this for reasons of market driven economics. It might be that each chapter can be looked at on it’s own, textbook style, but listened to as I did, back to back the chapters have a tendency to revisit the same ports too often. This is one of my major complaints about books these days. Too many books are being published with too many words that don’t say different things. At under eight hours even this relatively slim volume, by today’s market standards, but it’s still puffier than any pirate’s shirt really ought be. It is like a pirate cutter on the stalk, slowed down by a sea-anchor of unneeded repetition. Saying the same thing over and over and over. Get my point? Okay, its the market, and to be fair Adam Smith’s own The Wealth Of Nations is a bloody long book, 36 hours! I’d be willing to bet my strong right arm that the original article, as published by Levitt (mentioned in the book), would be an even better audiobook than this very fine one, and no doubt it’d measure at least a peg leg shorter.
Narrator Jeremy Gage is from the old school of audiobook narration, the kind I like. He doesn’t so much as perform a book as read it. His conspiratorial tone typically him a great choice for first-person POV novels, like Lawrence Block’s Burglars Can’t Be Choosers. This is the first non-fiction book I’ve heard him narrate. So now I can say he’s great for non-fiction too.
Posted by Jesse Willis