Locke and Key
By Joe Hill; adapted by Elaine Lee and Frederick Greenhalgh
Performed by a Full Cast
13.5 Hours – [AUDIO DRAMA]
Produced by: AudioComics for Audible Studios
Themes: / Horror / Magic / Demons / Magic Places /
I was thrilled when I heard that the team at AudioComics was adapting Joe Hill (writer) and Gabriel Rodriguez’ (artist) series of Locke and Key graphic novels as audio drama. I’m even happier now that I’ve heard it – this is high quality stuff. I love audio drama! Time to add Locke and Key to the list of reasons why.
Locke and Key tells the story of the Locke family, who moved into the family home in Lovecraft, Massachusetts after a tragedy. Teenagers Tyler Locke (played by Brennan Lee Mulligan) and Kinsey Locke (Jaime Alyse Andrews), younger brother Bode (Betsey Kenney), and their troubled mother Nina (Lisa Stathoplos) live in the house, which has a name: Keyhouse. Once there, the young Bode starts to find keys, each one of which has a special magical power. As the story progresses, the Lockes find themselves protecting the keys from the likes of a killer named Sam Lesser (Haley Joel Osment) and the terrifying demon Dodge, chillingly portrayed by Tatiana Maslany and Ian Alan Carlsen.
The story is both fascinating and horrifying, combining familiar haunted house elements with the surprising magic of the keys. Friendship, betrayal, good and evil, excellent writing, deep characters… it’s a great story as a graphic novel, and this production successfully captures it, the flawless cast and rich sound adding a new and welcome dimension to the whole.
Like I always do with good audio drama, I listened to this with good headphones. There’s a striking depth to the sound in this production. You don’t get the feeling that the actors are standing around in a room reading a script. It’s easy to believe a scene is happening in a cave, or in a house, or outside at night, or wherever. The harder you listen to the background, the more detail you hear. This was achieved by recording the actors on location, as if they were filming a movie. Check out the Featurette at the bottom of the review to see Bill Dufris (director) and Frederick Greenhalgh record groups of actors. The result is so natural. It’s marvelous.
Sound effects are used as well, but don’t dominate the production. I particularly liked the sounds used to convey the use of various keys, and the enhancement of actor’s voices, which was genuinely chilling! The score (by Peter Van Riet) is also well done. I found myself looking forward to the theme.
I had high hopes for this production and they were all met and often exceeded. I would love to hear more of this kind of thing! In the meantime, I’ll be listening to this one again.
This production contains dramatizations of all six Locke and Key graphic novels:
Book 1: Welcome to Lovecraft
Book 2: Head Games
Book 3: Crown of Shadows
Book 4: Keys to the Kingdom
Book 5: Clockworks
Book 6: Alpha and Omega
It’s available FREE from Audible until November. | GET YOUR COPY HERE |
And the Featurette I mentioned above:
Posted by Scott D. Danielson
The Aeronaut’s Windlass (The Cinder Spires #1)
By Jim Butcher; Narrated by Euan Morton
Imprint: Penguin Audio
Release Date: September 29, 2015
[UNABRIDGED] – 21 Hours and 30 Minutes
Themes: / steampunk / magic / airship / fantasy /
Since time immemorial, the Spires have sheltered humanity, towering for miles over the mist-shrouded surface of the world. Within their halls, aristocratic houses have ruled for generations, developing scientific marvels, fostering trade alliances, and building fleets of airships to keep the peace.
Captain Grimm commands the merchant ship, Predator. Fiercely loyal to Spire Albion, he has taken their side in the cold war with Spire Aurora, disrupting the enemy’s shipping lines by attacking their cargo vessels. But when the Predator is severely damaged in combat, leaving captain and crew grounded, Grimm is offered a proposition from the Spirearch of Albion—to join a team of agents on a vital mission in exchange for fully restoring Predator to its fighting glory.
And even as Grimm undertakes this dangerous task, he will learn that the conflict between the Spires is merely a premonition of things to come. Humanity’s ancient enemy, silent for more than ten thousand years, has begun to stir once more. And death will follow in its wake.
Executive Summary: Fast paced action, interesting world building, memorable characters, cool magic system. In a word: fun!
Audio book: This one was coming in with a high bar to meet. Mr. Butcher’s popular Dresden Files gets amazing performances by James Marsters. Meanwhile his Codex Alera series is done by the excellent Kate Reading.
So how does Euan Morton stack up? I’m happy to report quite well. I’ve had this pre-ordered in hardcover for months, but I think I may stick with audio if he continues as the narrator. Great voices and inflections that adds that little extra something that make an audio a great option for this book.
Jim Butcher is my favorite author. I discovered him about 8 years ago, and quickly devoured his Dresden Files books. Then I moved right into his Codex Alera series. For three blissful years there was a Dresden Files book in April and a Codex Alera book in December.
Upon completing Codex Alera, Mr. Butcher’s pace seemed to slow. I found the books as good as ever, or possibly even better, just far less frequent. At first it may anger fans of the Dresden Files that Mr. Butcher is writing something else. I’m here to tell you it shouldn’t.
This book is excellent. I’d be surprised if any fans of Mr. Butcher don’t also enjoy this. And hey, maybe writing two series at the same time will get us more excellent books to enjoy in a shorter period of time. It seems to have worked well for him in the past.
When I first heard of this series, my initial reaction was, Steampunk? Really? I must admit that I never really saw the appeal. I haven’t read a lot of the genre, but what little I had read until recently didn’t seem to be for me. My second thought was Well, I’d read Jim Butcher Twilight fan fiction if that’s what he wanted to write.
The action starts almost right from the beginning. The pace is furious, with very few points of slowing. There was never a good stopping point in my listening and I always hated to put it down. To me that’s what separates a 5 star rating from a solid 4.
We are quickly introduced to several characters. First we meet Gwen Lancaster, a young noblewoman determined to join the Spire Ark’s guard. I had a bit of a mixed reaction to her. There were times I found her frustrating, but it’s good to have a variety of characters, and Gwen helps to round things out nicely.
Next we meet Grim, the Captain of the airship Predator and various members of his crew. Grim is very much of the vein of Harry Dresden, though I see bit of Bernard from Codex Alera in him as well. He’s easily likeable, but far from the best character in my opinion.
Bridget Targwen and her cat Rawl come next. Both are fantastic, especially Rawl. All of the cats are excellent, but especially Rawl. Mr. Butcher’s cats are a bit reminiscent to me of those in Robin Hobb’s Tawny Man Trilogy. He seems to nail cats exactly. And apparently the internet is crazy for cats, so instant bestseller, right?
Finally we meet Master Etherialist Ferris, and his apprentice Folly. Folly is absolutely my favorite! She reminds me a bit of Luna Lovegood. All of her scenes are highly entertaining. She’s probably considered more of a secondary character to the first three, but I hope she continues to play a large role in the future books.
And if that’s not enough there are several other secondary and tertiary characters that are all quite good, such as Gwen’s cousin Benedict, members of the Predator: Creedy, Kettle and Journeyman and the Spire Ark himself: Lord Albion.
The antagonists are a bit cartoonish at times, especially Cavendish, but the two main Auroan soldiers felt more nuanced though.
This story is very character-driven, but Mr. Butcher has created a pretty interesting world for them to inhabit. There is very little steam powered anything though. Instead the main resource of note are Ethereal crystals. They power everything from Airships to hand weapons referred to as gauntlets.
Explanations for the world and magic systems are slowly metered out as the book goes on, but there were thankfully few info dumps. Or if there were, I was too busy enjoying myself to notice.
The book is fairly well self contained. Things end in a pretty good spot, especially considering this is the first book in a series. There are plenty of questions left to be answered, but most of the main conflicts of this book are either resolved, or put on hold nicely.
Overall if you enjoy Mr. Butcher other work, or enjoy character-driven faced paced action packed stories, pick this one up. You won’t regret it.
Now I will once again eagerly have to await the next book in two series by Mr. Butcher, much like when I first discovered him. How lucky for us all!
Fool’s Quest (Fitz and the Fool #2)
By Robin Hobb; read by Elliot Hill
Publisher: Random House Audio
Publication Date: 11 August 2015
[UNABRIDGED] – 33 hours, 13 minutes
Themes: / epic fantasy / magic /
The harrowing adventures of FitzChivalry Farseer and his enigmatic friend the Fool continue in Robin Hobb’s triumphant follow-up to Fool’s Assassin. But Fool’s Quest is more than just a sequel. With the artistry and imagination her fans have come to expect, Hobb builds masterfully on all that has gone before, revealing devastating secrets and shocking conspiracies that cast a dark shadow over the history of Fitz and his world—a shadow that now stretches to darken all future hope.
Long ago, Fitz and the Fool changed the world, bringing back the magic of dragons and securing both the Farseer succession and the stability of the kingdom. Or so they thought. But now the Fool is near death, maimed by mysterious pale-skinned figures whose plans for world domination hinge upon the powers the Fool may share with Fitz’s own daughter.
Distracted by the Fool’s perilous health, and swept up against his will in the intrigues of the royal court, Fitz lets down his guard . . . and in a horrible instant, his world is undone and his beloved daughter stolen away by those who would use her as they had once sought to use the Fool—as a weapon.
But FitzChivalry Farseer is not without weapons of his own. An ancient magic still lives in his veins. And though he may have let his skills as royal assassin diminish over the years, such things, once learned, are not so easily forgotten.
Now enemies and friends alike are about to learn that nothing is more dangerous than a man who has nothing left to lose.
Executive Summary: I loved this book. It’s everything I had hoped Fool’s Assassin would have been. There are a things I didn’t like, that will understandably be much more off putting for some than they were for me.
Audio book: Elliot Hill once again does an excellent job. He does a variety of voices and inflections that make doing this book in audio a good option.
I absolutely loved Fool’s Fate. I’d have been perfectly content if the series ended there. Last year’s Fool’s Assassin was enjoyable, but not as much as I’d have liked. It left me apprehensive for this book. I shouldn’t have been. That isn’t to say bad things don’t happen to our beloved Fitz. Any fan of the Ederling books won’t be surprised by that. Ms. Hobb sure loves to torment Fitz, though probably not as much as he torments himself.
This book grabbed me from the start, and never let me go. I hated every time I had to stop listening. In fact once my hardcover copy arrived, I augmented my audio time by reading the print as well.
For reasons I can’t fathom, many people seem to skip the excellent Liveship Traders series and more have skipped the quite enjoyable Rainwild Chronicles. While I wouldn’t call it a prerequisites for this book, I would highly recommend reading those books first. There are so many great rewards in the book for people who have. If you haven’t, I doubt you’ll be lost, but you won’t get the same enjoyment in my opinion.
It’s pretty much impossible for me to get into why I loved this book more than the last one without massive spoilers, however I suspect most longtime fans will share my excitement.
That said, despite getting one of my rare 5 star ratings (this is only the second book by Ms. Hobb I’ve given that to), there are some complaints. Or maybe not complaints so much as things I wish weren’t in this book. I found them very upsetting. I’d have preferred some kind of alternative reason used to drive the plot forward. I suspect some people may be more upset than I was, and others may be more indifferent.
Overall though, those were very minor things to me in an absolutely fantastic book. I will warn that if you hate cliffhangers, you may wish to avoid reading this book until we’re much closer to the release of the next book. It is a pretty big one. With it being the second book of a trilogy, and how the first book ended, I can’t say I’m very surprised.
Much like the last one, I am both nervous and excited to read the next one and see what Ms. Hobb has in store.
Review by Rob Zak.
Talked about on today’s show:
Book 4, from The Taming Of Smeagol to the end of The Two Towers, or “Don’t get tangled-up with a spider”, or “Frodo slogging through the marshes forever”, or “nothing but a bunch of people walking”, Jesse’s least favorite, so gloomy, poems, flora, fauna, stew, Julie thinks it’s necessary, encounters, the overall gloom, the purification of Frodo, also Sam, carry-on and finish-off, Sam as the hero, Sam telling the story, Sam is the lowest of the low, the evolution of Sam, Sam is jealous of Gollum, Jesse loves the meta-stuff, “Mr Frodo, sir”, Smeagol must save them both, once upon a time, “Tell me more about Sam, dad.”, the huge elf warrior, Gollum’s story, we’re never the villain, what inspired Richard K. Morgan’s The Steel Remains, seeing it from the orcs’ point of view, how well structured, looking forward and looking back, nuanced and multi-layered, Tolkien’s reputation, a very black and white moral sensibility…, the other point of view, the creation of orcs, Melkor, one of the seven gods of Middle Earth, the blight of Mordor, the flowers on the crown, dark and light, Frodo and Gollum, old and beautiful vs. old and pitiable, they could have been each other, the argument between Gollum and himself, the editing, why is Gollum bad, stinker and slinker, Sam’s apology to Smeagol, Smeagol is passive aggressive, the timing as the greatest tragedy of the whole book, Cory Olsen, the lost opportunity, twisting the promise, what the ring has promised him, Gollum the great could eat fish three times a day!, his modest dreams, like a dog off a leash, he’s like a dog in every way, guilty dogs, dogs turning on their masters, fish are sweet to Gollum, everything that we like he hates, calling Gandalf’s words to mind, the big picture, the eye is looking for you, Smeagol’s contribution, even the worst evil, chance if chance you call it, diverting evil to good, the deal with Faramir, another structural thing, three travelers in a land, Riders Of Rohan, who be you, it is totally a mirror, Aragorn and crew, revealing vs. being discovered, the righteous, blindfolded again, a foreshadowing of Éowyn, well the Rohirrim are great but…, bear that in mind, Faramir’s mind reading power, who are the Númenóreans?, Jesse thinks it is wisdom, not so much about race, it’s because he’s full of lore, the mind reading thing, Galadriel’s telepathy, “No”, “come hither”, ESP?, character vs. race, country first (Borimir) vs. wisdom first (Faramir),
I do not love the bright sword for its sharpness, nor the arrow for its swiftness, nor the warrior for his glory. I love only that which they defend.
this is the guy, the BBC radio drama, you ran all the way to me!?, Tolkien is teasing us, an echo of Galadriel, grey eyes glinting, not if I found it on the highway, “It’s not a romance novel, Julie.”, “Wow, what a guy!”, David Wenham, Aragorn is a ranger of the North and Faramir is a ranger of the South, Sam’s oliphant, what false promises did Sauron make to these guys?, dressed like Robin Hood and the merry men of Sherwood, one of the most religious things in The Lord Of The Rings, a meeting in the secret lair, Sam’s overspeaking reflecting Frodo’s overspeaking back in the Prancing Pony, heart over head, another geographical reflection, behind a waterfall, Helm’s Deep, seeing Rohan, seeing the storm, the dark skies, Minas Tirith and Minas Morgul, the chapter titles, The Passage Of The Marshes, The Black Gate Is Closed, Of Herbs And Stewed Rabbit, ruin the conies, the homely things, pots and pans, the phial of Galadriel, the Checkov’s shotguns, the belt that Borimir was given, the magic items, used once, Hobbits learn to cook before they speak, the rope!, Shelob stings Frodo like when Frodo is stung by the morgul blade back at Weathertop, running blindly on the bridge, Cirith Ungol, Shelob is Ungoliant’s daughter, the children of Shelob inhabit Mirkwood, South African spiders, how many time has the ring been worn?, Bilbo at the party, Frodo at the Prancing Pony, Frodo at Weathertop, Frodo at Amon Hen, Frodo at Borimir’s confrontation, Sam at Shelob’s lair, the ring’s effect on Sam, different people are effected differently by the ring, Frodo’s power with the ring would be to command, the ring is like a computer, if you think google is the internet…, the ring gives invisibility as a basic power, it gives Sam the power of sharp hearing and translation, Frodo can see more, Sam’s superpower is listening (he was an eavesdropper), as they approach Mordor the ring gets heavier and more powerful, leap from a precipice into a fire, it also blinds Frodo, the ring’s perception, “the master’s back”, because it is linked to Sauron, like a dog?, back to the magic items, if you play Dungeons and Dragons, a bow of plus to killing orcs, even Borimir’s gift, Sam’s dirt, Frodo’s phial, Sting from Frodo to Sam, leaving the Mithril armor, and then there’s the rope, the tying of the rope, is it a magic rope?, Galadriel’s rope?, that’s not her gift, words have power, another manifestation, “We got rope” [says some random elf], cloaks, rope, and bread, who is following?, is Gollum really allergic to the rope, if somebody tied me up, he can’t eat the lembas, he hates light, the ropes, and the nice things, climbing down Dracula-style, he knows his knots, the mystery from the previous, what happened to the entwives?, back in the Green Dragon Inn, “oh those tales”, the Ents tell where the Entwives went, the Brown Lands are brown, Jesse found a thread somewhere on the internet, Teleporno, a lot of digital ink was spilled, the last paragraph of page 258, just after watching the storm, “the skirt of the storm”, primed for finding the entwives, looking at Fanghorn,
At last they were brought to a halt. The ridge took a sharper bend northward and was gashed by a deeper ravine. On the further side it reared up again, many fathoms at a single leap: a great grey cliff loomed before them, cut sheer down as if by a knife stroke. They could go no further forwards, and must turn now either west or east. But west would lead them only into more labour and delay, back towards the heart of the hills; east would take them to the outer precipice.
“There’s nothing for it but to scramble down this gully, Sam,” said Frodo. “Let’s see what it leads to!”
“A nasty drop, I’ll bet,” said Sam.
The cleft was longer and deeper than it seemed. Some way down they found a few gnarled and stunted trees, the first they had seen for days: twisted birch for the most part, with here and there a fir-tree. Many were dead and gaunt, bitten to the core by the eastern winds. Once in milder days there must have been a fair thicket in the ravine, but now, after some fifty yards, the trees came to an end, though old broken stumps straggled on almost to the cliff’s brink. The bottom of the gully, which lay along the edge of a rock-fault, was rough with broken stone and slanted steeply down. When they came at last to the end of it, Frodo stooped and leaned out.
ties it too a stump, got this rope from the elves, oh I don’t want it elf rope behind, the rope is not magic, not really high fantasy, the birch stump untied the rope!, the last of the entwives, Frodo and Sam aren’t looking out for the entwives, “10 points for creativity”, a structural argument, they untie their bonds and sit down on a stump, answering any and every question, Julie goes with Tolkien’s answer, Jesse argues for the book over the author, here’s proof that the entwives are there, every time Galadriel’s name gets mentioned, the last thing he says is Galadriel and he strokes the rope, there is no truth of the matter, we cannot go to Middle Earth except by reading this book, Jesse keeps marshaling the argument, “you will find friends”, “Elrond is right”, two hobbits sit down on a stump and are taken by a tree, on the edge of a forest, symmetrically it works, an undefeatable argument unless, if were trying to solve mysteries…, the fragrant area, it used to be, this place had its history too before it was the Brown Lands, there are things we don’t know and things Tolkien didn’t know about it, world-build the hell out of it, structurally: the time, a three day foot journey to the west and a three day foot journey to the east, near simultaneous action, the end of page 70, even the wind is mapped out, Emun Myul, “almost felt you liked the place?”, a magic talking tree, the final nail in the coffin, the birch, the word book comes from the word birch, bravo bravo, the mystery is left there, when we were talking about the word stuff, Tom Bombadil,
‘It’s a trap!’ said Sam, and he laid his hand upon the hilt of his sword; and as he did so, he thought of the darkness of the barrow whence it came. ‘I wish old Tom was near us now!’ he thought. Then as he stood, darkness about him and a blackness of despair and anger in his heart, it seemed to him that he saw… a light in his mind, almost unbearably bright at first…. Far off… he saw the Lady Galadriel… in Lórien, and gifts were in her hands. And you, Ring-bearer, he heard her say, remote but clear, for you I have prepared this.
and that happens again, Sam brings light by thought, the big theme, with this phial, brandishing this light, intolerable light, unbearable light, the infection of light, Frodo asleep becoming a phial of light, Sam seeing it in Frodo, Frodo fading?, Frodo purified?, light going through him, the pincushion effect!, Frodo the white, the trend of weariness, the fate of all the elves, Mythgard Academy, that’s a choice, The Choices Of Master Samwise, you noodle!, everything that happens in the last book, foolish choices (wise choices), signing a contract you haven’t read, who would have the ring now?, somebody cut this open, the orcs had orders, in the floaty ghosty of the eye, the black hand only has four fingers, does Sauron have a body?, rolling Frodo into a ditch, all my choices have proved ill, what good lay in choice?, the very last map in The Two Towers, the wetwang and the entwash, Rohan, the new book The Fellowship: The Literary Lives of the Inklings: J.R.R. Tolkien, C. S. Lewis, Owen Barfield, Charles Williams by Philip and Carol Zaleski, telling the story of The Inklings, Lewis’ atheism and conversion, intertextuality, reading each other’s minds, Eagle And Child pub, Hugo Dyson, an alternate theory on the entwives, the vocal mannerisms of treebeard are those of C.S. Lewis, the question is not: “where are the entwives” but rather “where are our husbands?”, Dorothy L. Sayers, a male exclusive club, christian apologetics, a shoo–in.
Posted by Jesse Willis
Worldbinder, The Runelords, Book 6
By David Farland; Read by Ray Porter
11.7 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Themes: / Fantasy / Epic Fantasy / Magic / Supernatural /
After the events of Sons of the Oak, Fallion and Jaz, the sons of the great Earth King Gaborn, are living as fugitives in their own kingdom, newly invaded and secretly controlled by supernatural beings of ultimate evil. The sons are hiding until they can regain their rightful places in the land.
The book opens with Shadowath and Lady Despair setting a trap for Fallion Van Orden by using The One True Tree as bait.
The world that Fallion and his friends, Rhianna, Talon and Jaz return to is one of corruption and darkness. People using any means to usurp power and control others. It’s a world grown dark after the death of the Earth King, Gaborn Val Orden. But Fallion hopes to mend the world by combining it with another.
Sadly, this is exactly what Lady Despair wanted. The two shadow worlds are falling into darkness. The one Fallion knew where humans were turning to greed and corruption, using their Runelord powers to force their will on the people, and the other shadow world where the Warrior Clan fought the evil Wyrmlings who served Lady Despair and wished to destroy all things good, including nature itself.
Fallion, Jaz, Talon and Rhianna must find allies and forge new alliances to combat the Wyrmling threat and save both worlds from Despair.
Like Brotherhood of the Wolf, this is a dark book that leads the main characters into untenable situations. The story goes from bad to worse. And yet, you are left with the hope that all is not lost and that the worlds may yet be saved.
I admit that I had a very hard time with the ending of this book. That’s not necessarily a bad thing. I do not generally like dark stories, but the characters and story are so compelling, so well-written, that I found myself continuing with the story.
It is not all dark. Like all good tales there are ups and downs, victories and losses. This book has more losses than victories, but in the Hero’s Journey, loss is a necessary part of growth and Fallion must grow to become The Light Bringer.
Ray Porter does a wonderful job pulling you into the story and holding your attention. I’ve enjoyed listening to his telling of the tale.
Like all of the Runelords books, I recommend this one. As long as you go in knowing it’s part of a series and that the dark times prophesied in the first series are now here, it’s a great story.
The book can be read as a stand-alone, but I think reading it as a series is much better as you get the entire saga.
I give this book a 4. It sucks you in. I’m reminded of the trip to Moria in Lord of the Rings. It’s dark and gets darker, but I have great hope that all will end well.
Posted by Charlene Harmon
There were times Mike Kardec thought he could feel the magic of this place, a vague sense that just beyond his perception vast but subtle forces were at work… there was power out there, a great organic engine of death and rebirth.
Louis L’Amour (1908 – 1988) is best known for his Western novels, but for a long time I knew him only for a couple of his non-westerns. Last of the Breed (1986) was about a Native American pilot downed in Russia during the Cold War, and The Walking Drum (1984), a historical novel set in the 12th century. Later I read The Lonesome Gods (1983), which, though there were gunfights and horses, I assumed was still one of L’Amour’s atypical works. I enjoyed all of the above, which is why I greeted The Diamond of Jeru with a smile. L’Amour is a fine storyteller.
The Diamond of Jeru is also not a Western. It’s set in Borneo in 1955, where our hero Mike Kardec (played by Joel Bryant) finds himself after the Korean War. He is hired by a Helen and John Lacklan (Traci Dinwiddlie and Time Winters) to guide them deep into the island to find a diamond. There’s a touch of magic in the story, so I’d call it a fantasy adventure.
It’s presented as a “Dramatized Audio”, which I would describe as a rich audio drama with heavy narration. Joe Morton is the narrator, which is terrific because I can’t hear enough of that guy. He was perfect in some of Simon and Schuster’s Star Trek audio titles, and is excellent again here. In fact, all of the actors in this are top notch. This cast is among the highest quality group of actors I’ve ever heard doing audio drama.
On the video page of The Diamond of Jeru Audio Project site, Writer/Director Beau L’Amour and Producer/Editor Paul O’Dell discuss the making of the sound effects. Their methods sound excellent in the final production. I haven’t heard any other titles by this skilled team, but I’d love to hear one in which they rely more on the superb sound than on narration to establish setting and action. The sound had a very deep quality. Nothing out of place here.
The story retained much of the pulp quality of the original story, which was welcome. The website has an audio sample as well as a history of the story, which was written sometime in the late 1940’s or early 1950’s by Louis L’Amour, then revised and expanded to novella length by Beau L’Amour. The original, unedited story can be found |HERE|.
Posted by Scott D. Danielson