Talked about on today’s show:
1970, one of Marissa’s favourites, get going, where is he going with this?, ohhhkay, Do Androids and Ubik, Morbid Chicken, similar scenes, the space jalopy scenes, this guy is crazy, the Philip K. Dick fans page, Kim Stanley Robinson’s Conspiracy ’87: “…Robinson came up with some refreshingly intriguing ideas. For instance, he sees Dick in A MAZE OF DEATH, deliberately murdering the cast of characters he has used in his books, and grown sick of since SOLAR LOTTERY. There is a different, new cast after MAZE”, the bevatron, various realities, dying one by one, hating each other for their worlds, that house!, all the religions in a blender, a signpost, The Cosmic Puppets, this far and no farther, endlessly spinning wheels about what God is like, prayer transmissions, the Walker On Earth, Seth has ascended, virtual reality, dolphin people, Kurt Vonnegut wrote that book: Galapagos, cynical, he’s going to bite his tongue off, sea-lion people, Margaret Atwood, Oryx And Crake, an episode: Books Jesse Hates, recycled or re-themed, the tench things: T.E.N.C.H. = tensions, tension apprehension and dissension have begun, Alfred Bester, I can’t stand you ANYMORE!, so depressing, stuck in a bottle forever, a Hell, Seth Morley escapes Hell, suicide, “oh god, that’s life!”, and then we play videogames and read books, Faith Of Our Fathers, which is the reality, overlapping possibilities, the weird gnostic twist, purposely plunging into fake reality, a metaphor, drug addiction, Seth Morely’s apotheosis, Delmak-O, is it too soon to bring up The Matrix?, the machines tried to give humans paradise, you weren’t satisfied with it, acting out, it’s a “dead star” not a “black hole”, right to the edge, it literally would be hell, Event Horizon, frozen forever, the Disney movie The Black Hole (1979), they wished they had had star wars, an R2-D2 character, Maximilian, see the movie anyway, a really fun kid’s movie, Roddy McDowell, Anthony Perkins, the overture, Virtuality, a murder happens, a Civil War world, a holodeck, musician/superhero, sounds Philip K. Dicky, follow me down the rabbit hole, Paul’s guess, “Heading for a lawsuit…”, “ripped off from Joe Haldeman’s SF novel “Old Twentieth”, Frozen Journey by Philip K. Dick (1980), you are in a faulty cryonic suspension, Vanilla Sky, Abres Los Ojos, in Philip K. Dick’s Exegesis, the Walker On Earth as the protagonist, I don’t trust Philip K. Dick, interpretations, we’re all the Walker On Earth, they’re all Dick, I have to sleep with all the men, he really loves women, unrealized motivations, group therapy, couples therapy, so impressionable, empathizing with everybody’s point of view, he’s working out his own psychology, seeing one person’s attempt to reconcile all the weirdness that’s in his mind, H.P. Lovecraft, that’s his psychology, always being honest, this is what fascinates and obsesses them, PKD doesn’t like it either, “this is life we’re all sort of trapped in orbit around a dead star”, “why the fuck did you do that, you asshole?”, we’re so annoying, escaping to heaven, Heaven would be the most boring fucking place in the entire universe, change, coming to appreciate it, they’re all blurring together, The Game-Players Of Titan, haning out with people who are annoyed with each other, Philip K. Dick’s Agatha Christie novel, Ten Little Indians, Murder On The Orient Express, wow I had no idea this was coming!, “click here for a big spoiler”, too dense or too sick, did you realize what was going on beforehand?, Paul started to suspect, is this an Eye In The Sky sort of thing?, red herrings, a government experiment, an oceanologist and no ocean, an economist, their concentrating all the idiots together, a bunch of people with degrees they couldn’t use, a noser, a squib, a punishment planet, I don’t think Philip K. dick knows what’s going to happen, take me to my last destination, this has Printers in it, a hint early on where the conversations repeat, 1977, kind of like this podcast, it’s long and everybody’s babbling away, just like the podcast, you’re thrown a little bit, what is going on?, an author’s forward,
The theology in this novel is not an analog of any known religion. It stems from an attempt made by William Sarill and myself to develop an abstract, logical system of religious thought, based on the arbitrary postulate that God exists. I should say, too, that the late Bishop James A. Pike, in discussions with me, brought forth a wealth of theological material for my inspection, none of which I was previously acquainted with.
In the novel, Maggie Walsh’s experiences after death are based on an L.S.D. experience of my own. In exact detail.
The approach in this novel is highly subjective; by that I mean that at any given time, reality is seen–not directly– but indirectly, i.e., through the mind of one of the characters. This viewpoint mind differs from section to section, although most of the events are seen through Seth Morley’s psyche.
All material concerning Wotan and the death of the gods is based on Richard Wagner’s version of Der Ring des Nibelungen, rather than on the original body of myths.
Answers to questions put to the tench were derived from the I Ching, the Chinese Book of Changes.
“Tekel upharsin” is Aramaic for, “He has weighed and now they divide.” Aramaic was the tongue that Christ spoke. There should be more like him.
what the hell does this mean?, it’s the Gotterdammerung!, this lady’s an embodiment of Freya, that guy’s an embodiment of Thor, archetypes of Biblical characters, the table of contents:
1 In which Ben Tallchief wins a pet rabbit in a raffle.
2 Seth Morley finds out that his landlord has repaired that which symbolizes all Morley believes in.
3 A group of friends gather together, and Sue Smart recovers her faculties.
4 Mary Morley discovers that she is pregnant, with unforeseen results.
5 The chaos of Dr. Babble’s fiscal life becomes too much for him.
6 For the first time Ignatz Thugg is up against a force beyond his capacity.
7 Out of his many investments Seth Morley realizes only a disappointing gain– measured in pennies.
8 Glen Belsnor ignores the warnings of his parents and embarks on a bold sea adventure.
9 We find Tony Dunkelwelt worrying over one of mankind’s most ancient problems.
10 Wade Frazer learns that those whose advice he most trusted have turned against him.
11 The rabbit which Ben Tallchief won develops the mange.
12 Roberta Rockingham’s spinster aunt pays her a visit.
13 In an unfamiliar train station Betty Jo Berm loses a precious piece of luggage.
14 Ned Russell goes broke.
15 Embittered, Tony Dunkelwelt leaves school and returns to the town in which he was born.
16 After the doctor examines her X-rays, Maggie Walsh knows that her condition is incurable.
maybe all this stuff did happen!, other realities, the economist goes broke, that’as another Philip K. Dick novel: The Cosmic Puppets, true in a metaphorical way, he’s playing a game, Jesse unearths a mysterious object, Rupert, stories told in four levels, “In Which Rupert Finds A Lost Boy” rhyming couplets, prose text, leveling of reading, on one level it’s a murder mystery (and science fiction novel), if you play long enough with Philip K. Dick…, a long game, not the book to start with, late Dick but not bad at all, the comedy and the descriptions and atmosphere of the planet, more polished, Three Stigmata, communities of protagonist, reading about a bunch of dickheads, he’s kind of an asshole sometimes, stressing each other out, the original title: The Hour Of The Tench, the manuscript, no revision, no moving things around, no third and fourth drafts, getting it right the first time, knowing how to hit the beats, Lawrence Block, Donald Westlake, how well the topic can be played out, a cute topic won’t be a great novel, as he was going it developed into that and started playing it up, How I Rose From The Dead And So Can You, forty god-worlds, mot-scientific means, a big clue, a biblical number, rather than revise, interplaneast and interplanwest, Dick loves Germany, Waking Life, are you the story?, he’s living the books, why is he always obsessed with printers?, their all in an insane asylum, One Flew Over The Cuckoos Nest, little cups with pills, where do the pills come from?, when they don’t work properly and make me feel weird, buy a new car and suddenly entropy happens, the fight against entropy, the Printers are cool because…, other writers or Star Trek deal with replication, what will that do to the economy, a post scarcity future, anti-entropy machine: DNA, I make a kid and he’s not a little mini-me, even this awesome amazing thing that is life even it can’t win, every printer we’ve ever met in any story has been a dying printer, like fairies they’re always dying, deep and creepy, the computer is the Bible, the Bible as our programming, everything is decaying but not the ink, he’s taking it from another Bible: the I, Ching, Jesse’s understanding of how church works, throwing the yarrow stalks, don’t do two shows in the row exactly the same, a good fruitful passage, that’s the mystery of God!, Kings 2:4, it’s no John 3:16, Paul the altar boy, that’s the way its going to be, Jesse’s 4am dream, saving the end for the morning of, in a diner in Orange County, living in a Philip K. Dick (played by Antonio Banderas), a 1950s everyone has a special uniform world, cafe/restaurant/bookstore, a bag with two copies of A Maze Of Death, I’m pretty sure the last two chapters are going to reveal something to me, Antonio Banderas Philip K. Dick sort of smiled, just like in Delmak-O, that was only way this book could be adapted, what’s wrong with Philip K. Dick movie adaptations…, there’s no music swelling, A Scanner Darkly, successful, Blade Runner, Total Recall, Philip K. Dick can never be faithfully adapted, Adaptation, it made sense in the dream, a theory as to what’s going on in the book, that’s essentially what the dream is, an internet of dreams, the collective bevatron worlds of this dream, isolated invented worlds, a hall of puppets, Mormonism, experimenting with religions, Roger Zelazny’s Amber, Tickleufarsen, the Walker On Earth is real, he wants to believe in Jesus, stuck on the side of the highway with a flat tire (and helped by Jesus), Jesus Christ is a character (like Batman), Constantine and Council of Nicea, why religious revolutions happen, this Jesus Robin Hood figure, how is Donald Trump gonna go to heaven?, PKD is the Walker On Earth for the characters in A Maze Of Death, inviting a meta-interpretation, a philosopher who uses 1950 and 1960 paperbacks to do philosophy, possibility vs. technology, the Printer is the important part, in a peripatetic Socrates and Plato kind of way, that’s why he (Dick) is immortal, Marilyn Monroe can be reconciled, the coffee machines and the computers, Google T.E.N.C.H., that’s what we’re all striving for, the ink stays, the WORD lives on, 1s and 0s, what really happened, he saved them all, ridiculous but also true, the Total Dick-Head Blog, the cook changes, oh yeah I’m the cook, The Commuter by Philip K. Dick, we knew it from the colour of the couch, new knowledge, the game he’s always playing, it’s so subtle, nice catch!, totally re-readable, we did a show.
Posted by Jesse Willis
Filed under: New Releases, Podcasts, Recent Arrivals
Talked about on today’s show:
Aftermath: Star Wars (Journey to Star Wars: The Force Awakens) by Chuck Wendig, read by Marc Thompson, not a curse fest, the crawl, grief, The Geeks Guide To The Galaxy, one star reviews, diversity up down left and sideways, a pink lightsaber, a rainbow lightsaber, Timothy Zahn, sounds like Star Wars names, Heirs Of Empire by Evan Currie, read by Deric McNish, Brilliance Audio, it sounds like a Stars Wars book (but isn’t), a 47 North Novel, The Three Stigmata of Palmer Eldritch by Philip K. Dick, read by Luke Daniels, drugs!, sounds trippy, re-reading Philip K. Dick (for The SFFaudio Podcast), different assumptions, by the inventor of Science Fiction… In the Days of the Comet by H.G. Wells, read by Walter Covell, the salvation of the human race, cynical then preachy, The Star by H.G. Wells, The Poison Belt by Sir Arthur Conan Doyle, 1906, The World Set Free, The Sea Lady by H.G. Wells (a mermaid in Edwardian society), Stranger In A Strange Land by Robert A. Heinlein, a comedic bicycling novel, military SF, David Weber, The Child by Keith F. Goodnight, read by Nick Podehl, Tam’s macho voice, Adam Christopher’s The Burning Dark, Event Horizon, hyperspace as a Hellraiser universe, this all goes back to H.P. Lovecraft’s From Beyond, drugs plus radar shadowing, a terrific adaptation The Banshee Chapter, the 1980s adaptation of From Beyond, fear of the dark in a lighted world, The Oncoming Storm by Christopher G. Nuttall, read by Lauren Ezzo, the youngest captain in naval (future) history, what is 47 North? it’s Amazon’s publishing house, synergy, PlayStation has it’s own TV show (based on a comic book called Powers), an Honor Harrington novel with the serial numbers filed off, fantasy (non epic), Locke And Key by Joe Hill, adapted by Elaine Lee and Frederick Greenhalgh, audio drama, AudioComics, 13.5 hour audio drama, Gabriel Rodriguez, Paul needs to get Welcome To Lovecraft, horror, dark fantasy, hyper-imaginative, Joe Hill looks and writes like his dad (Stephen King), kids in a creepy situation, the manipulation of power, more fantasy elements, the origins of the keys at Key House, back stories, Fred Greenhalgh as a champion of field recorded audio drama, a film production unit without cameras, listening with headphones, this could be the star of something really amazing, the business model, word-of-mouth then the long tail?, Elaine Lee’s Starstruck, William Dufris, epic fantasy, Twelve Kings In Sharakhai (Song of Shattered Sands #1) by Bradley P. Beaulieu, read by Sarah Coomes, Paul is a fan of Bradley P. Beaulieu’s writing, “his best novel yet”, it is impossible to promote books you aren’t enthusiastic about, “the ones that sing to the song in your blood”, Paul is a long term epic fantasy fan, true confessions, Robert Jordan, Brandon Sanderson, epic fantasy as a lifestyle choice, Kate Elliot, The Cinder Spires: The Aeronaut’s Windlass by Jim Butcher; read by Euan Morton, Penguin Audio, urban fantasy, airships!, a new steampunk secondary world, beautiful endpapers and maps Priscilla Spencer, books in the middle of series: Darken the Stars (Kricket #3) by Amy A. Bartol, read by Kate Rudd, The Ciphers of Muirwood (Covenant of Muirwood #2) by Jeff Wheeler, read by Kate Rudd, Unholy War (The Moontide Quartet #3) by David Hair, read by Nick Podehl, Dryad-Born (Whispers from Mirrowen #2) by Jeff Wheeler, read by Sue Pitkin, Jenny’s favourite section “dystopia, unrest, destruction, apocalypse”, an interesting theory about zombies and dystopias, it fits in with the Christian end times, Revelations and rapture theology, the 1950s optimism, we’re not in Star Trek times anymore, 2 Walking Dead TV series and Z Nation, zombies never die, The Heart Goes Last: A Novel by Margaret Atwood, read by Cassandra Campbell and Mark Deakins, an economic and social collapse, the “Positron Project”, what is the point of the premise?, allegory not SF?, an Asimovian word, she doesn’t really care about the consequences of science, people who are interested in science, Ted Chiang, what if…, doesn’t that mean XYZ?, let her write her books, paranormal romance, Dark Ghost (Dark Saga #28) by Christine Feehan, read by Phil Gigante and Natalie Ross, a bounty hunter, a vampire slayer, a geologist, fairy tales, Two Years Eight Months and Twenty-Eight Nights by Salman Rushdie, read by Robert G. Slade, history and folklore, “the time of the strangenesses”, a djinn, 1,001 nights (two years, eight months, and twenty-eight nights), a Nobel Prize for Literature, a print book, Joy To The Worlds: Mysterious Speculative Fiction For The Holidays, a mix of mystery and speculative fiction and Christmas, Maia Chance, Janine A. Southard, Raven Oak, G. Clemans, upcoming authors, Andy Weir, that’s how the young people are reading, get of Tam’s lawn, House Of M, Marvel Comics, why is Thor a girl now?, Scarlet Witch can re-write reality, annoying-off people(?), the $1 floppy deals, Free Comic Book Day, The Unbeatable Squirrel Girl is fun and fabulous, her squirrel sidekick, a silver age happy go lucky superhero in our cynical grim age, she’s got squirrel blood!, writing comics for kids, Genosha, kids Squirrel Girl cosplaying looks fun, making your own costume, Princess Leia (Marvel Comics/Star Wars), there’s something wrong with Princess Leia, Disney is making so much more product than Lucas, Alan Moore and Jacen Burrow’s Providence (Avatar comics), Neonomicon, when will the first Providence trade come out, what Moore is doing and saying with Providence, an examination and meditation on H.P. Lovecraft stories, Providence doesn’t seem to have a very important plot, Herbert West’s equivalent, if you are deeply involved in Lovecraft…, if you don’t know Lovecraft can you still enjoy Providence?, the turns!, not merely visually shocking, The Dunwich Horror, a trans-dimensional invisible character, Moore is wrestling with Lovecraft, Watchmen, Alan Moore and Gabriel Andrade’s Crossed Plus One Hundred, “124C41+”, “Return Of The King”, “Glory Road”, “A Canticle For Leibowitz”, “Tyger, Tyger”, “Foundation and Empire”, the difference between crossed zombies and regular zombies, the Crossed series, Alan Moore is about thinking deeply about things, evolution, “the big surprise of 2008”, bone piles, the change of language, AFAWK, Moore has reconstructed English in the way of A Clockwork Orange or Anathem, zombies as a fear of death, zombies as a fear of loss of individual volition and personality, a fear of Alzheimer’s, we don’t talk about death, The Walking Dead Volume 12 (hardcover), everybody’s infected, no matter what happens you become a zombie, zombies as a non-scary version of momento mori, Brian K. Vaughn and Steve Skroce’s We Stand On Guard, the invasion of Canada by the United States, the only time Canada has ever been invaded was by the United States, reading for writers not for artists, the Dark Adventure Radio Theatre series, The H.P. Lovecraft Historical Society, DART The Horror At Red Hook, a straight up adaptation of The Horror At Red Hook by H.P. Lovecraft, DART Dagon: War Of Worlds, Dagon by H.P. Lovecraft, imagine War Of The Worlds not from Space but from beneath, X-COM: UFO DEFENSE, X-COM: Terror From The Deep, aliens at the bottom of the ocean, the Orson Welles style War Of The Worlds, mapping out all of Lovecraft’s squiddy watery fears, The Shadow Over Innsmouth, The Call Of Cthulhu, “I love that!”, attention to detail, if it says it in the story they take it seriously, The Whisperer In Darkness, Infocom games included props, H.P. Lovecraft The Spirit Of Revision Lovecraft’s Letters To Zealia Brown Reed Bishop, David Michelinie and Brett Blevins’ The Bozz Chronicles, originally from Epic Comics, a 19th century Sherlock Holmes alien mashup, lots of nudity, The New Mutants artist, Dover Publications, a 200 page trade-paperback for $20, a feel of the new Doctor Who, Madame Vastra, what if Sherlock Holmes was not Sherlock Holmes, Fred Saberhagen’s Bezerker story, Fred Saberhagen’s Dracula novels, Conan Red Sonja, a lack of attention to details, 1980s sensibilities vs. 20teens sensibilities.
Posted by Jesse Willis
Filed under: Audio Drama, New Releases, Podcasts, Recent Arrivals
Talked about on today’s show:
many sins, paperbooks, The Architect Of Aeons by John C. Wright, Tor Books, The Voyage Of The Basilisk by Marie Brennan, beautiful illustrations and blue text, cover art, a bias against bad art, the way kids talk about book covers, fonts and graphic design, stock photos, don’t mix serif’d fonts, use classic art in the public domain, don’t muddy it up, Graysun Press Class M Exile by Raven Oak, Star Trek, Self Made Hero, I.N.J. Culbard, The Shadow Out Of Time, The Case Of Charles Dexter Ward, The Dream Quest Of Unknown Kadath, the difficulty of promotion for small press publishers, Horror!, The Scarlet Gospels by Clive Barker, John Lee, Macmillan Audio, Pinhead, Hellraiser, random bloody body horror, The Midnight Meat Train, Bradley Cooper, the way Clive Barker’s stuff works, Audio Realms, Limbus, Inc. Book 2, a shared world anthology by Jonathan Maberry, Joe R. Lansdale, Gary A. Braunbeck, Joe McKinney, Harry Shannon edited by Brett J. Talley, space for creativity, David Stifel’s narration of The Monster Men by Edgar Rice Burroughs, The Island Of Doctor Moreau meets Frankenstein done Burroughs style, The Man Without A Soul, David Stifel knows everything about Edgar Rice Burroughs, Jurassic Park by Michael Crichton, read by Scott Brick, Mad Max: Fury Road, 3D is a gimmick, Vampire Horror! by M.R. James, John Polidori, F. Marion Crawford, Anthony Head, M.R. James is the country churchyard ghost story guy, John Polidori was Byron’s Doctor, Mary Shelley won the contest, The Vampyre by John Polidori, Lord Ruthven is kind of based on Lord Byron, an autobiographical fantasy horror, music!, all the good D words, Survivors by Terry Nation, Doctor Who, Blake’s 7, who wrote House, M.D.?, writing credit in the UK, a familiar premise, the original TV series and the remake, The Walking Dead, all the fun stuff we like about post-apocalyptic storytelling, simultaneous existence, The Death Of Grass by John Christopher, A History Of The World In Six Glasses by Tom Standage, our dependence on grasses, The Road, canned food isn’t a long term plan, Station Eleven by Emily St. John Mandel, deer in the woods, the high price put on poaching, the other solution is cannibalism (also not very sustainable), The Water Knife by Paolo Bacigalupi, cutting water, this is already how things are, the atomic bomb scenarios are played out, the water problem, the new dust bowl, North Carolina and South Carolina, Seattle and Vancouver, Dr. Bloodmoney by Philip K. Dick, read by Phil Gigante, a comic version of Doctor Strangelove, Marissa Vu, Paul Weimer, The Gold Coast by Kim Stanley Robinson, Pacific Edge by Kim Stanley Robinson, Luke Burrage’s reviews of the Orange County books, Find Me by Laura van den Berg, silver blisters?, Guy de Maupassant style, The End Has Come edited by Hugh Howey and John Joseph Adams, Carrie Vaughn, Megan Arkenberg, Will McIntosh, Scott Sigler, Sarah Langan, Chris Avellone, Seanan McGuire, Leife Shallcross, Ben H. Winters, David Wellington, Annie Bellet, Tananarive Due, Robin Wasserman, Jamie Ford, Elizabeth Bear, Jonathan Maberry, Charlie Jane Anders, Jake Kerr, Ken Liu, Mira Grant, Hugh Howey, Nancy Kress, Margaret Atwood’s serial, Science Fiction in Space and the Desert, Seveneves by Neal Stephenson, read by Mary Robinette Kowal and Will Damron, very sciencey, too many Jesses, Rob’s commute, Nova by Margaret Fortune, read by Jorjeana Marie, a human bomb, Imposter by Philip K. Dick, The Fold by Peter Clines, read by Ray Porter, another Philip K. Dick story called Prominent Author, a joke story, 14 by Peter Clines, Expanded Universe, Vol. 1 by Robert A. Heinlein, read by Bronson Pinchot, Blackstone Audio, Robert A. Heinlein is a weird idea man, Nemesis Games by James S.A. Corey, Hachette Audio, Sword & Laser, The Darkling Child (The Defenders of Shannara) by Terry Brooks, read by Simon Vance, Casino Royale by Ian Fleming, larger than life voices, The Red Room by H.G. Wells, the accents, BBC audio dramas of James Bond books, the David Niven Casino Royale, The Brenda & Effie Mysteries: Brenda Has Risen From the Grave! (4), Bafflegab, Darwin’s Watch: The Science of Discworld III: A Novel by Terry Pratchett, Ian Stewart and Jack Cohen, read by Michael Fenton Stevens and Stephen Briggs, Uprooted by Naomi Novik, read by Julia Emelin, The Invasion of the Tearling by Erika Johansen, read by Davina Porter, Sarah Monette’s The Goblin Emperor, coming of age in a fantasy world, librarians recommend!
Posted by Jesse Willis
The SFFaudio Podcast #245 – It’s our -The Best of 2013! episode. For it we invited SFFaudio fans, SFFaudio reviewers, and SFFaudio participants to share their listening highlights of 2013. We asked folks to tell us about their favourite audiobook or podcast episode.
If you don’t see your favourites listed below, feel free to add them as a comment. And remember, it needn’t be a podcast or audiobook from 2013, only one you heard in 2013.
And if you leave a comment in the first week (and a way to contact you) you’ll also be eligible for a a FREE PRIZE audiobook mailed to your home (anywhere in the whole universe*)!
- The Stand by Stephen King, Read by Grover Gardner (Random House Audio)
- The Magicians and The Magician King by Lev Grossman, Narrated by Mark Bramhall (Penguin Audio)
- Hard Magic by Larry Correira, read by Bronson Pinchot (Brilliance Audio)
- Boy and Going Solo by Roald Dahl; Read by Dan Stevens (Penguin Audio)
- The Ocean at the End of the Lane by Neil Gaiman, Read by Neil Gaiman (Harper Audio)
- The SFF Audio Podcast #222 – Jesse, Jenny, Paul Weimer and Bryan Alexander discuss Nineteen Eighty-Four by George Orwell.
- The Golem and the Jinni by Helene Wecker, Read by George Guidall (Harper Audio)
- Shades of Milk and Honey by Mary Robinette Kowal, Read by Mary Robinette Kowal (Macmillan)
- Gone Girl by Gillian Flynn, Read by Julia Whelan and Kirby Heyborne (Random House Audio)
- The SFFaudio Podcast #232 – Scott, Jesse, Jenny, and Tamahome talk about The Prestige by Christopher Priest
- The SFFaudio Podcast #233 – Scott, Luke Burrage, and Jenny talk about Oryx And Crake by Margaret Atwood
- Neverwhere by Neil Gaiman, dramatized by Dirk Maggs, BBC Radio 4
- World War Z by Max Brooks, multiple readers (Random House Audio)
- The Prestige by Christopher Priest, Read by Simon Vance (Blackstone Audio)
Posted by Jenny Colvin
*Mirror universe inhabitants need not apply
The SFFaudio Podcast #237 – Jesse, Tamahome, Julie Davis, Seth, and Jimmy Rogers talk about podcasts.
Talked about on today’s show:
Jimmy’s Synthetic Voices, Jenny’s Forgotten Classics and A Good Story is Hard to Find, podcasts are a house of mirrors, we have reached the podcast singularity, Julie’s podcast highlight feature, Edgar Allan Poecast, Dickens and Hawthorn podcasts on Julie’s wishlist, Jimmy’s podcast group meetup, Washington Science Fiction Association, Jimmy’s segment on StarShipSofa, the value of curated podcasts about podcasts, Luke Burrage’s geek Venn diagram (see below), Julie on the intimate nature of podcast listening, Jesse on the rarity of finding people who speak like they write, podcasts invite listeners into the conversation, “Tam listens to all podcasts”, SFSignal, Sword & Laser, mainstream podcasts, Security Now, ABC News, Agony Column, Jesse wants to hit Margaret Atwood again, 99% Invisible funded by KickStarter, Julie scans the new releases section in iTunes, KCRW’s DnA and Martini Shot, Inside the New York Times Book Review Podcast, NPR’s Car Talk, Wait! Wait! Don’t Tell Me!, Nature podcast, Science Update, Encounters, 60 Minutes is tightly edited (and that’s how it is!), Vice podcast (HBO show tie-in) and Dennis Rodman, Freakonomics, Day 6, Dan Carlin’s Common Sense and Hardcore History, CBC embraces podcasters, Garrison Keillor’s Writer’s Almanac makes Seth sound smart, audio drama, the Lovecraftian Welcome to Night Vale, Nerdist podcasts, Twin Peaks, Wormwood, Decoder Ring Theatre‘s shows, Julie Hoverson’s 19 Nocturne Boulevard, Leviathan Chronicles, podiobooks, Scott Sigler‘s BloodCast and Rookie series, J.C. Hutchins, Mur Lafferty‘s Heaven series, We’re Alive zombie podcast, Julie educates us on the Texas definition of “fine”, The Monster Hunters is zany UK comedy (not related to Larry Correia‘s Monster Hunters International), Plants vs. Zombies, HG World (not related to H.G. Wells), Ace Galaksi features Douglas Adams humour, meritocracy in podcast recommendations, “podcasting makes anyone a celebrity”, so does blogging (Julie’s Happy Catholic blog), Seth is the new intern (but can’t afford the Night Vale intern shirt), CromCast discusses Robert E. Howard whilst eating Chinese food, the nature of an author’s writing informs the nature of podcasts about them, H.P. Lovecraft Literary Podcast, Philip K. Dick Philosophical Podcast (not just on Facebook anymore), the importance of a well-researched podcast, Mr Jim Moon’s Hypnogoria, Peter Kushing, Chop Bard Shakespeare podcast, Julie challenges Jesse to do a podcast on The Tempest, SFFAudio’s Odyssey podcast series, Julie’s Genesis podcast series (based on Robert Alter‘s translation and commentary), Uncle Tom’s Cabin, Born Yesterday history podcast featuring an objective history of the gay bar, History According to Bob, British History Podcast, History of Philosophy without any gaps, Mike Duncan‘s History of Rome and Revolutions podcasts, When Diplomacy Fails, alternative iOS podcast apps, Stitcher, Swell Radio is Pandora for podcasts, Downcast ($0.99) is chock full of functionality, Huffduffer creates custom podcast feeds, if you don’t have RSS it’s not a podcast!, Free MP3 Downloader, fiction podcasts, Escape Artists Network (Escape Pod for SF, PodCastle for fantasy, and PseudoPod for horror), StarShipSofa’s Tales to Terrify, Clarkesworld Magazine, John Joseph Adams’s Lightspeed Magazine, Nightmare Magazine, DrabbleCast, different approaches to horror narration, Night of the Living Dead, don’t listen to horror before bed, Journey Into podcast, Seeing Ear Theatre on archive.org, Jimmy and Tam like to support creators of new content (but, asks Jesse, is new necessarily better?), CraftLit is way more than just knitting, podcasts about writing (Jesse hates them), Mur Lafferty’s I Should be Writing, Writing Excuses (Brandon Sanderson, Howard Tayler, Dan Wells, Mary Robinette Kowal), NaNoWriMo, Neil Gaiman on writer’s block, writing podcasts offer writers a sense of community, Adeventures in Science Fiction Publishing, Terry Pratchett “just makes things up”, the importance of writers reading classic works, Jimmy argues that ‘short stories offer writers more opportunity to extemporize and gives readers a sense of immediacy’, writing for deadline, Adventure magazine, Lord of the Rings, Tolkien Professor Podcast, J.R.R. Tolkien, Jane Austen, the Budweiser frogs, advertising as a source of drama, commercialization and ownership of brands, Jimmy on how podcasts build community, an intense debate about layering spoken word audio over music, This Week at NASA, DribbleCast is a fan spin-off of DrabbleCast, The NoSleep Podcast just won Parsec Award for Best New Podcast, Classic Tales Podcast (links are ephemeral), we all love podcasts–surprise!, Warrior Queen of Mars by Alexander Blade, if Doctor Who were a podcast the audience could request an episode with tribbles, Rappuccini’s Daughter by Nathaniel Hawthorne, The Cricket on the Hearth by Charles Dickens, podcast production has left overhead than traditional media offering greater flexibility and responsiveness.
Posted by Seth Wilson
MaddAddam (MaddAddam #3)
By Margaret Atwood; Read by Bernadette Dunne, Bob Walter and Robbie Daymond
Publisher: Random House Audio
Publication Date: 3 September 2013
[UNABRIDGED] – 13 hours, 23 minutes
Listen to an excerpt: | MP3 |
Themes: / post-apocalypse / survival / religion / genetic engineering / megalomania / mythology /
Months after the Waterless Flood pandemic has wiped out most of humanity, Toby and Ren have rescued their friend Amanda from the vicious Painballers. They return to the MaddAddamite cob house, newly fortified against man and giant pigoon alike. Accompanying them are the Crakers, the gentle, quasi-human species engineered by the brilliant but deceased Crake. Their reluctant prophet, Snowman-the-Jimmy, is recovering from a debilitating fever, so it’s left to Toby to preach the Craker theology, with Crake as Creator. She must also deal with cultural misunderstandings, terrible coffee, and her jealousy over her lover, Zeb.
Zeb has been searching for Adam One, founder of the God’s Gardeners, the pacifist green religion from which Zeb broke years ago to lead the MaddAddamites in active resistance against the destructive CorpSeCorps. But now, under threat of a Painballer attack, the MaddAddamites must fight back with the aid of their newfound allies, some of whom have four trotters. At the center of MaddAddam is the story of Zeb’s dark and twisted past, which contains a lost brother, a hidden murder, a bear, and a bizarre act of revenge.
“There’s the story, then there’s the real story, then there’s the story of how the story came to be told. Then there’s what you leave out of the story. Which is part of the story too.”
Preach, Mother Atwood. This past week has had me reimmersed into the MaddAddam trilogy, starting with a fifth re-read of Oryx and Crake since we discussed it for a readalong.
When you read all the books of a trilogy close together, and you already know the story having read each of them at least once before, it is a lot easier to fill in the gaps and see the intricate detail that Atwood has built into this world. It isn’t just the Waterless Flood causing the dilemmas the Crakers are born into, the world was going to hell for decades before that. This book tells more of that story. While Oryx and Crake and The Year of the Flood were parallel narratives, MaddAddam starts from where those books end, and then traces back around to tell the story of Zeb. His story is told largely by Toby, to the Crakers, in the form of myth-like bedtime stories. What is the power of myth? The minute someone tells it, it has a high likelihood to change, whether that is to protect the listeners or to make it easier on the storyteller. There is so much about story in this novel.
“People need such stories, Pilar said once, because however dark, a darkness with voices in it is better than a silent void.”
I scanned these books for questions I had from the first novel, and I won’t include my discoveries here, but there are definitely answers in this novel. And more questions.
The audiobook is a real treat – the three narrators do not share the job evenly, and by the time the third narrator comes along, there is a wonderful reason why he has waited so long. Highly recommended, but do start with Oryx and Crake!
Posted by Jenny Colvin