The SFFaudio Podcast #496 – NEW RELEASES/RECENT ARRIVALS

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #496 – Jesse, Scott Danielson, and Paul Weimer talk about new books, audiobooks, and audio drama.

Talked about on today’s show:
a full size show, paperbooks, audiobooks newly released, stacking on desks and shelves, books a week, piling up, send me stuff season, a tonne of books being published, everybody needs publicity, organized by publisher, St. Martin’s Press, advanced readers copy, Deep Silence by Jonathan Maberry, Joe Ledger, Julie Davis, mail it to Julie, Julie’s reviews on Goodreads, a prolific reviewer, Maze Master by Kathleen O’Neal Gear, techno-thriller, retro virus, Coldfall Wood by Steven Saville, Henre The Hunter, William Shakespeare, haunting the forest outside of Windsor Castle, how to organize, piles, too many to read, Shaun Duke, Tor.com, three novellas, Vigilance by Robert Jackson Bennett, The Running Man (by Stephen King), The Haunting of Tram Car 015 by P. Djèlí Clark, The Black God’s Drums, The Test by Sylvain Neuvel, The Dream-Quest of Vellitt Boe by Kij Johnson, Irene Gallo, H.P. Lovecraft, The Dreamquest Of Unknown Kadath, The Twilight Pariah by Jeffrey Ford, a novella, are they listening to my podcast, William Morrow, Ahab’s Return, Or The Last Voyage, the premise of Moby-Dick, The Coode Street Podcast, the best of the year so-far, All Systems Red by Martha Wells, Harper Voyager, Dragonshadow by Elle Katharine White, A Study In Honor by Claire O’Dell, near future SF, civil war, a great cover, 11 hours, a mystery, world-building, a series, Temper by Nicky Drayden, similar to South Africa, twins, 14 hours, evocative of the works of…, annoying Jesse, everything in the kitchen sink, Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, And The Golden Age of Science Fiction by Alec Nevala-Lee, 1,300 newly released audiobooks, when SFFaudio Podcast started, drowning in books both good and bad, moving product, no way to keep up, a podcast listener, Tantor Audio, Blackstone Audio, The Best Of Subterranean edited by William Shaffer, Ursula K. Le Guin’s collected short fiction, The Way Of The Shield by Marshall Ryan Maresca, all-paladin-like, The Silver Scar by Betsy Dornbusch, Boulder, Colorado, post-apocalyptic Earth, The Tomorrow Factory, Pinnacle City, The Rising Moon, The Freeze-Frame Revolution by Peter Watts, The Things, The Island, Blindsight, Rogue Moon by Algis Budrys, Who?, totally do-able, Planet Stories, March 1953 by William Tenn, Gardner F. Fox, Robert Moore Williams, Ross Rocklynne, Radio Archives, the height of the science fiction magazine era, the plateau, a great way to spend six hours, Archangel by William Gibson and Michael St. John Smith, audio drama, time travel, WWII, alternate future and past, Welcome to Dystopia: 45 Visions of What Lies Ahead edited by Gordon Van Gelder, stories by K.G. Anderson, Richard Bowes, Elizabeth Bourne, Scott Bradfield, J.S. Breukelaar, Jennifer Marie Brissett, Becca Caccavo, Don D’Ammassa, Stephanie Feldman, Eric James Fullilove, Ron Goulart, Eileen Gunn, Leslie Howle, Matthew Hughes, Janis Ian, Michael Kandel, Thomas Kaufsek, Paul La Farge, Yoon Ha Lee, Michael Libling, Heather Lindsley, Lisa Mason, Barry N. Malzberg, David Marusek, Mary Anne Mohanraj, James Morrow, Ruth Nestvold, Deji Bryce Olukotun, Marguerite Reed, Robert Reed, Madeleine E. Robins, Jay Russell, Geoff Ryman, James Sallis, J.M. Sidorova, Brian Francis Slattery, Harry Turtledove, Deepak Unnikrishnan, TS Vale, Leo Vladimirsky, Ray Vukcevich, Ted White, Paul Witcover, N. Lee Wood, Jane Yolen, dystopia, A Choice Of Gods by Clifford D. Simak, a lot of Simak from Audible Studios, the central intelligence of the universe, Salvation by Peter F. Hamilton, John Lee, Tantor Audio, Tamahome, how do you write that much?, Neal Stephenson, this thing called the internet, when does he sleep?, children’s fantasy novels, in 25 years he’s written 15 (BIG) books, short stories too, a prodigious output, The HPLHS adaptations of H.P. Lovecraft stories are on Audible, CDs vs. props, separate props, the deluxe editions, printed ephemera, Tantor.com, Icehenge by Kim Stanley Robinson, the full KSR experience, The Invincible by Stanisław Lem, everybody needs a little Lem, The Cyberiad, Dichronauts by Greg Egan, Dragon’s Egg by Robert L. Forward, Maissa Bessada, with a parasite, changing the laws of physics, not meant for audio, a very Greg Egan trick, review like mad, podcasts, Wooden Overcoats, a comedy on a Channel Island, rival funeral homes, narrated by a mouse, quite delightful, The Monster Hunters, a Marvel Comics audio drama, Wolverine: The Long Hunt, full of ads, is it worth it? tell Jesse, sort of X-Files-y, Serial Box podcast, worth a listen for horror fans,

Posted by Jesse Willis

Review of Archangel by Marguerite Reed

SFFaudio Review

Archangel by Marguerite ReedArchangel (Book One of the Chronicles of Ubastis)
By Marguerite Reed; Narrated by Dina Pearlman
Audible Studios via Resurrection House
Release date: 17 June 2015
[UNABRIDGED] – 11 hours, 5 minutes

Themes: / military sci-fi / grief / humanity /

Publisher summary:

The Earth is dying, and our hopes are pinned on Ubastis, an untamed paradise at the edge of colonized space. But such an influx of people threatens the planet’s unstudied ecosystem – a tenuous research colony must complete its analysis, lest humanity abandon one planet only to die on another.

The Ubasti colonists barely get by on their own. To acquire the tools they need, they are relegated to selling whatever they can to outside investors. For xenobiologist Vashti Loren, this means bringing Offworlders on safari to hunt the specimens she and her fellow biologists so desperately need to study.

Haunted by the violent death of her husband, the heroic and celebrated Lasse Undset, Vashti must balance the needs of Ubastis against the swelling crush of settlers. Vashti struggles in her role as one of the few colonists licensed to carry deadly weapons, just as she struggles with her history of using them. And when she discovers a genetically engineered soldier smuggled onto the surface, Vashti must face the nightmare of her husband’s murder all over again. Standing at the threshold of humanity’s greatest hope, she alone understands the darkness of guarding paradise.

I spent a lot of my time while listening to this book confused, which made it all the more surprising when I realized at the end that I’d liked the book, and am fairly intrigued about what will come next. A book spanning multiple topics/thoughts, it was interesting to see how the various topics mostly worked together.

I think this book served in some ways as world-building/scene-setting for future books, which may explain why I was confused at times. This may be seen as a negative, but since I liked the world, it was okay, once I realized that I hadn’t missed anything with the plot (though at times, I was convinced that I had). I also liked the main character, a researcher on the planet of Ubastis but also one of the one people on the planet with a literal license to kill…anything. So while it seemed that the plot may have moved slowly, or that I was sure I was missing things, in the end it worked out okay for me. But others, especially those who listen, might have similar confusion.

It’s hard to describe what the book is “about” since Archangel covers so many topics. The book is set sometime in the future after the Earth has been effectively destroyed/overused by humans. Humans seem to have escaped to space, though it’s not clear that they had to go far to find other places to live. The book mentions a station at L5, which I presume is the L5 Lagrange point that people who’ve studied physics/astrophysics and sci-fi lovers alike will probably recognize. L5 has long been thought of as a place where space colonization might be feasible, so it seems as if it fits and that it’s not some L5 in relation to the world in the book, separate from our own system. Many humans seem to live in space, while a small handful live on Ubastis. Ubastis is a planet that has seen small waves of colonists; the first two waves of colonists were trained primarily as a military would be trained, though the job was to scout areas of the planet and start setup for more colonists in the future, to establish it as its own world. The other aspect of the colonists’ life is to study the planet and understand the resources it has and the balance between the natural ecosystem and those resources–the colonists do not wish to make Ubastis into another Earth, and so immigration to the planet is heavily controlled, only up for discussion once every 10 years. Archangel takes place just prior to one of these votes, and there is a heavy contingent of “off-worlders” lobbying for the strict limits to be lifted, to open immigration to the planet. In the book, human engineering is also not only possibly but heavily used, and most people have some level of genetic modification; most to dull aggression and many for vanity reasons.

The main character, Dr/Commander Lauren Vashti, is a “natural,” a non-genetically modified human. She was one of the people in the second group of colonists to come to the planet. Her husband was one of the leaders of that second group, and the pair are seen in many ways as a literal mother and father (and in the case of her husband, even a saint) of the planet and its resources. Vashti’s husband was killed by a highly-engineered “assault human,” a BEAST, one who was specifically genetically modified to be a soldier of sorts. This brings me to the first of the interleaved topics that the book touches on–motherhood and, to some extent, single motherhood. Vashti spends much of the book seemingly at odds with her dual role on the world. She has a literal daughter, a toddler, but often sees that being a literal mother is incompatible with being a leader, a voice for the planet as a whole. Because of her natural gifts as well as the reverence given to her, Vashti is also a literal mother to many Ubastians (and off-worlders?), as her eggs were frozen and used to create other offspring. There were striking scenes in the book where Vashti’s grief/memories of her husband are interrupted by her daughter, perfectly capturing the issues with motherhood. Later in the book, as she realizes that she is in some way a mother to the planet, similar memories are jarringly interrupted by the politics of the planet, things she must stand up for.

Obviously, another topic in the book is that of genetic engineering and the…sense…in doing so. I won’t go into details, but Vashti being a “natural” woman actually has a fairly important aspect in the plot. In particular, it seems that BEASTs can only really be “controlled” by natural humans, those without genetic modifications. This speaks volumes to the topic of genetic modification in general, but the topic is also touched upon by human nature. Because Vashti is a “natural,” she has a “normal” level of aggression/willingness to kill. It seems that many people have that particular knob turned down. Vashti is looked down upon by outsiders because she is in fact willing to kill to study the fauna native to Ubastis and willing to kill in self defense. It seems that most others find killing repugnant in general, something to be psychologically educated-away/re-educated away. The people of Ubastis (and also the off-worlders, I believe) are vegetarian. In fact, many are Muslim, though it was never really clear to me why it was important that so many were Muslim (the rest seemed to be Christian of some sort).

Another topic commonly dealt with in science fiction is that of resource use/protection of a planet/avoiding a runaway situation like we have on Earth/that eventually dooms Earth in many books…this book is no different. In her role as scientist and “mother” on Ubastis, Vashti preaches for conservation and minimization of the human footprint on the planet. The Earth is looked to as a sign of the worst that can happen.

In all, Archangel is a book about revolution. There are many types of revolution in the story, both personal revolution for Vashti, but other aspects of revolution, too. Once I came to terms with being “confused” every now and then, it was actually a fun read. The narrator, Dina Pearlman, is one whose name is familiar but I can’t find any other books that I’ve listened to that she’s narrated. Her narration had an odd cadence that was particularly difficult to follow at first. I found speeding up the audio playback helped that significantly, though her pacing may also have contributed to my confusion at times. Once I got “used” to it (at the faster playback speed), I got more into the book, but it did take awhile.

This book might not be for everybody–and certainly might not be for everybody in audio form–but as for me, I’m looking forward to seeing what happens next on Ubastis.

Posted by terpkristin.