By Michael Crichton; Read by Scott Brick
Publisher: Brilliance Audio
[UNABRIDGED] – 13 hours
Themes: / aliens / ocean / thriller /
The gripping story of a group of American scientists sent to the ocean floor to investigate an alien ship, only to confront a terrifying discovery that defies imagination.
Executive Summary: A strong start and a pretty strong finish, but I found a lot of the last quarter or so on the slow side. This is a pretty solid 3.5 stars that could be rounded up or down depending on my mood at the time.
Audiobook: This book had been released in audio before, but for some reason Brilliance Audio seems to be (re)releasing a bunch of his books recently. Scott Brick does his usual quality job. Whenever you see Mr. Brick’s name on an audiobook, you know you’re going to get a good reading.
I came into this book thinking it was a reread. I did a handful of books by Mr. Crichton when I was in high school, and I thought this was among them. As I got further into the book, I became convinced otherwise.
I found the beginning very interesting. A psychologist is brought in to help with a crash that turns out to be a spaceship on the bottom of the ocean. I liked the mystery and investigation aspect of the story, more than the viewpoint of the main character itself though.
As the plot develops and we learn more about not only the ship, but the sphere it contains, I found my mind starting to wander. I didn’t get attached to any of the characters. I found myself annoyed by most of the scientists. Several of them seemed to be more concerned about being published and/or their place in history than the actual investigation itself. I’ve always been more of an engineer than a scientist, but I don’t know why anyone would want to deal with that.
As with the other Michael Crichton books I’ve read, this one takes science and posits some plausible seeming possibilities. He always seemed to have a knack for the techno-thriller in a way that doesn’t feel cheesy and over the top.
I’m not sure if I was disappointed with the truth of the Sphere, or if my detachment from the characters just got to me, but by about the 50% mark, I found my mind starting to wander a bit. The ending was pretty strong though, and probably saved it from me rounding down to a three.
I’ve been wanting to take a break from SFF this year, and while this is definitely still in the Sci-Fi wheelhouse, it’s more of a thriller with a sci-fi premise than a pure science fiction book. I didn’t enjoy it nearly as much as Timeline or Jurassic Park, but I’m glad I finally read it.
Review by Rob Zak.
By Michael Crichton; read by Scott Brick
Publisher: Brilliance Audio
[UNABRIDGED] 12 CD’s; 15 hrs. 9 min
Themes: / dinosaurs / adventure / cloning / DNA /
An astonishing technique for recovering and cloning dinosaur DNA has been discovered. Now humankind’s most thrilling fantasies have come true. Creatures extinct for eons roam Jurassic Park with their awesome presence and profound mystery, and all the world can visit them—for a price.Until something goes wrong.…
I can’t believe how much I enjoyed this book. I guess I’ve always had my reservations because of what an impact the movie had on me as a kid. I was about 9 or 10 when the movie first came out and it blew my mind. As the book likes to point out, boys love dinosaurs and that was true.
As a side note, I’m loving how much my son (5 y.o.) loves dinosaurs. He knows so much more about them than I do, in fact his favorite is the Giganotosaurus, a dinosaur I learned existed from him.
(the hipster’s T-Rex)
Now, I’ll be the first to admit my memory of of the movie is a tad hazy, but from what I do remember, the movie actually follows the book quite a bit, at least up until about 2/3 of the book where either my memory is bad or the books is completely different (oh and Grant loves kids in the book, which is … opposite). More than I would have guessed, which was not a lot.
There’s a little more detail to the initial attacks we see in the movie and it’s not quite as gruesome in parts (and much more gruesome in others). The girl gets attacked by the Compsognathus (little green dinos), or **”compys” as they’re known. **excuse my spelling, I listened to the audio and like Fox news, I don’t feel the need to fact check.
The park is just about ready to open and it’s time to get all the consultants together to make sure it’s on the right track. Thus, Grant and Sattler, Ian Malcolm, the attorney Jennaro, and a couple others are flown in.
Of course, nefarious doings are going on and a competitor wants in on the dinosaur action. In comes Dennis Nedry, who is pretty much spot on copied in the movie. Excellent job Wayne Knight. He’s pretty much built the entire IT system for the park and thus has quite a bit of control over pretty much everything. I don’t remember his involvement in the park being this extensive, but then again, I was 9. There’s a frikkin’ T-REX!!!
As we all know, everything goes to pot and we all know what goes from here. Even though the movie diverges from the book, we all know what goes on from here.
And it’s awesome. I had a blast listening to this book and Scott Brick is such a talented narrator, you don’t even notice him reading. It’s just pure story.
A couple *important* things I wanted to point out… some spoilers for the book:
1. The lawyer, Jennaro, is not as spineless as in the movie, does not get eaten while he’s sitting on the toilet by a T-Rex (okay, that was an awesome addition), and even saves the day at one point by pointing out law that doesn’t exist. (No, this sudden support for the lawyer has nothing to do with the fact that I have an Esq. on the end of my name … perish the thought)
2. Was Lex Murphy that annoying in the movie? I really don’t remember that. She’s super duper annoying in the book.
3. Ian Malcolm’s Chaos Theory should have been cut down like in the movie. There are a number of times he’s going off about it and you’re literally thinking, aren’t there dinosaurs around the corner about to eat them? Does anyone care about any theory at this time besides the theory of escaping dinosaurs? Still a great character, just weird timing of his rants about corporations and such, which I’m not disagreeing with.
(literally the only image you’re allowed to use when referring to Ian Malcolm)
4. So this book was published in 1990 and this book had maybe a total of 15 to 20 people at risk, not counting the rest of the world that could potentially be at risk by dinosaurs escaping. We’re talking people you’re honestly worried about dying or not throughout the book.
Jump to 2015, Jurassic World, and we’ve got an entire park open with thousands and thousands of people at risk. Does that say something about how our society’s penchant for destruction?
5. But seriously, back to Malcolm, Chaos Theory essentially comes down to – because dinosaurs are an unknown, and much like the weather – unpredictable – you’re all screwed and nothing will work right. And then Malcolm gloats. Even while dinosaurs are stalking him.
Now, the opposing argument in the book is that zoos exist so why can’t dinosaurs be kept in a zoo? My problem is that if everyone gave up because there was an unknown then we’d have just about nothing. People go forward with the unknown all the time. Many fail, but that’s how great success comes as well. I guess I’m saying I needed more to this theory and preferably when I can think about the theory and not when DINOSAURS ARE LITERALLY AROUND THE CORNER TRYING TO EAT YOU.
6. Jurassic Park gets lots of crap for providing false ideas as to what dinosaurs actually looked like (see raptors). While it’s true, if you ignore the story, it is explained. You know that whole science part toward the beginning, well they talk about only finding partial DNA and having to graft in DNA from other animals (which actually becomes a huge problem). This would lend toward dinosaurs that don’t actually look like they’re supposed to and I’m fine with that explanation.
I have to say, after 25 years, Jurassic Park really held up well. Lots of the communication issues would be the same problem nowadays because of the fact that they’re on a remote island that cell phones would be problematic on anyway. It helps that a book doesn’t have to actually reproduce computer screens so you can picture those as high tech as you want as long as you ignore the amounts of memory they mention. At least they’re in the gigabytes still.
And most of this I just point out because of how into the book I was. I really had a blast listening to Jurassic Park and I can highly recommend a reading of this classic. One of the few book/movie combinations where I can honestly say I loved both for their own reasons. Now, I need to go track down a copy of that movie. If only there were some online subscription service like Oyster for movies.
4 out of 5 Stars (highly recommended)
Posted by Bryce L.
Filed under: Audio Drama, New Releases, Podcasts, Recent Arrivals
Talked about on today’s show:
many sins, paperbooks, The Architect Of Aeons by John C. Wright, Tor Books, The Voyage Of The Basilisk by Marie Brennan, beautiful illustrations and blue text, cover art, a bias against bad art, the way kids talk about book covers, fonts and graphic design, stock photos, don’t mix serif’d fonts, use classic art in the public domain, don’t muddy it up, Graysun Press Class M Exile by Raven Oak, Star Trek, Self Made Hero, I.N.J. Culbard, The Shadow Out Of Time, The Case Of Charles Dexter Ward, The Dream Quest Of Unknown Kadath, the difficulty of promotion for small press publishers, Horror!, The Scarlet Gospels by Clive Barker, John Lee, Macmillan Audio, Pinhead, Hellraiser, random bloody body horror, The Midnight Meat Train, Bradley Cooper, the way Clive Barker’s stuff works, Audio Realms, Limbus, Inc. Book 2, a shared world anthology by Jonathan Maberry, Joe R. Lansdale, Gary A. Braunbeck, Joe McKinney, Harry Shannon edited by Brett J. Talley, space for creativity, David Stifel’s narration of The Monster Men by Edgar Rice Burroughs, The Island Of Doctor Moreau meets Frankenstein done Burroughs style, The Man Without A Soul, David Stifel knows everything about Edgar Rice Burroughs, Jurassic Park by Michael Crichton, read by Scott Brick, Mad Max: Fury Road, 3D is a gimmick, Vampire Horror! by M.R. James, John Polidori, F. Marion Crawford, Anthony Head, M.R. James is the country churchyard ghost story guy, John Polidori was Byron’s Doctor, Mary Shelley won the contest, The Vampyre by John Polidori, Lord Ruthven is kind of based on Lord Byron, an autobiographical fantasy horror, music!, all the good D words, Survivors by Terry Nation, Doctor Who, Blake’s 7, who wrote House, M.D.?, writing credit in the UK, a familiar premise, the original TV series and the remake, The Walking Dead, all the fun stuff we like about post-apocalyptic storytelling, simultaneous existence, The Death Of Grass by John Christopher, A History Of The World In Six Glasses by Tom Standage, our dependence on grasses, The Road, canned food isn’t a long term plan, Station Eleven by Emily St. John Mandel, deer in the woods, the high price put on poaching, the other solution is cannibalism (also not very sustainable), The Water Knife by Paolo Bacigalupi, cutting water, this is already how things are, the atomic bomb scenarios are played out, the water problem, the new dust bowl, North Carolina and South Carolina, Seattle and Vancouver, Dr. Bloodmoney by Philip K. Dick, read by Phil Gigante, a comic version of Doctor Strangelove, Marissa Vu, Paul Weimer, The Gold Coast by Kim Stanley Robinson, Pacific Edge by Kim Stanley Robinson, Luke Burrage’s reviews of the Orange County books, Find Me by Laura van den Berg, silver blisters?, Guy de Maupassant style, The End Has Come edited by Hugh Howey and John Joseph Adams, Carrie Vaughn, Megan Arkenberg, Will McIntosh, Scott Sigler, Sarah Langan, Chris Avellone, Seanan McGuire, Leife Shallcross, Ben H. Winters, David Wellington, Annie Bellet, Tananarive Due, Robin Wasserman, Jamie Ford, Elizabeth Bear, Jonathan Maberry, Charlie Jane Anders, Jake Kerr, Ken Liu, Mira Grant, Hugh Howey, Nancy Kress, Margaret Atwood’s serial, Science Fiction in Space and the Desert, Seveneves by Neal Stephenson, read by Mary Robinette Kowal and Will Damron, very sciencey, too many Jesses, Rob’s commute, Nova by Margaret Fortune, read by Jorjeana Marie, a human bomb, Imposter by Philip K. Dick, The Fold by Peter Clines, read by Ray Porter, another Philip K. Dick story called Prominent Author, a joke story, 14 by Peter Clines, Expanded Universe, Vol. 1 by Robert A. Heinlein, read by Bronson Pinchot, Blackstone Audio, Robert A. Heinlein is a weird idea man, Nemesis Games by James S.A. Corey, Hachette Audio, Sword & Laser, The Darkling Child (The Defenders of Shannara) by Terry Brooks, read by Simon Vance, Casino Royale by Ian Fleming, larger than life voices, The Red Room by H.G. Wells, the accents, BBC audio dramas of James Bond books, the David Niven Casino Royale, The Brenda & Effie Mysteries: Brenda Has Risen From the Grave! (4), Bafflegab, Darwin’s Watch: The Science of Discworld III: A Novel by Terry Pratchett, Ian Stewart and Jack Cohen, read by Michael Fenton Stevens and Stephen Briggs, Uprooted by Naomi Novik, read by Julia Emelin, The Invasion of the Tearling by Erika Johansen, read by Davina Porter, Sarah Monette’s The Goblin Emperor, coming of age in a fantasy world, librarians recommend!
Posted by Jesse Willis
Talked about on today’s show:
1987, Amazon and Goodreads reviews, what the fuck’s going on, super-clear = refreshing, mainstream, science fiction elements, a mainstream thriller with sufficently science fiction trappings, the bad guy, action and science fiction, supermarket fiction, Stephen King, Dean Koontz, Michael Crichton, flirting with the fantastic, Koontz could go deep if he wanted to, excitement and involvement, an intelligent dog, a human serial killer and the good guy is always super good, a lonely lady who needs fixing, no need for a job, Garrison, the vet, money ex machina, wish fulfillment, sniffing the books, writing instinctual, “I like books”, readers are readers, is Koontz wealth (?) an accident, the same book over and over again with different sentences, dogs, odd without a dog, back to dogs, the fictional golden retriever, service dogs, Trixie Koontz, dog POV, Travis and Nora, if I could only communicate…, five stars with more than 1,000 reviews, cat lovers, sappy wish fulfillment, clunky dialogue, Seth’s retired guide dog, emotional scenes, Einstein, emotional beats hitting home, the Outsider, slow pitch Science Fiction, the NSA, research as depth of feeling, why the eyes, the Mickey Mouse telephone, a direct philosophical descendant of Frankenstein, we must treat our creations with justice and mercy, the disfigured (?) monster, extreme violence is a turn-off, dogs as wild animals that we tamed, a glacial Frankensteinian process, dogs as infantilized wolves, a dog’s nature is to be cowardly, breeding for violence (?), no savagery gene, baboons, bonobos, the creepy cable-guy stalker, delusions of immortality (?), money, surreality, The Call Of The Wild reference, survivalists, true love with a threat, preppers, Home Alone, what do Europeans think of gun culture?, fully automatic uzi kits, the baking of the cookies, the Dean Koontz genre, Phantoms, the town of Snowfield is deserted, a sink-full of jewels, creepy with wish fulfillment, and fun, multiple bad guys (monster and otherwise), The Mysteries Of Udolpho, let’s look at the parallel structure…, snake killing, some (more) cookies, pity, the underlying strength of the book, did the Outsider think that it killed Einstein?, Dean Koontz likes: cookies, mercy, and guns, Koontz’s hair transplant, political things, the soliloquy on technology, computer hacking (prior to the web), a preoccupation with Central/South America, Lebanon, Delta Force, quasi-domestic operations, The Outsider by H.P. Lovecraft, the crappy 1988 movie of Watchers, the horror/1980s-gore aspect, Koontz and King adaptations, completely forgettable single word titles, Koontz’ preferred title would have been “Guardian”, Philip K. Dick’s first story Roog, offering urn, the education of Einstein (paralleling the education of Frankenstein’s monster), Agatha Christie, it makes you happy, 2 Jesses, “a book you will never forget!”, a candy book, The Giver, Lawrence Block, Donald Westlake, taking experiences from their own life, Ray Bradbury never had an experience that he didn’t turn into a fix-up novel, turn your brain off, smooth flowing fun, the complainers, the style of dialogue, a straw man of the dialogue, why is the Outsider after Einstein?, a “thing that should not be”, Huey, Dewey, and Louie, page turning machines, stewing in resentment, the Outsider has no bride and hasn’t read Paradise Lost, a shared love of Mickey Mouse, the yin and yang of humanity, the NSA agent’s role is like that of Detective Fix in Around The World In Eighty Days, the level of characterization, Dean Koontz is by himself on his own little island.
Posted by Jesse Willis
Talked about on today’s show:
1968, science fiction by Philip K. Dick, Blade Runner, abridged version, audiobook, repetition of theme, an introductory novel to Philip K. Dick, The Man In The High Castle by Philip K. Dick, jam packed with action, one long day, the fake police station, a classic Dick move, how many androids are there in this book?, movies, androids, legitimate slavery, Luba, minority, androids v. slaves, reality of humans, psychological tests, visuals, dialogic science fiction, Wilder Penfield, The Terminal Man by Michael Crichton, mood organ, existential humor, satire, artificial, unbelievable world, endless competition, goat glands, Sydney’s Catalog, the BBC Radio 4 audio drama by Jonathan Holloway & Kerry Shale, parallel characters, undercut truth, an animal theme, religious allusions, Mercer, Unbreakable (M. Night Shyamalan), lurker, detective story, lack of world descriptions, less striking scenes in the movie, Galactic Pot Healer by Philip K. Dick, tomb world, fraud corpses, Mercer v. Jesus, lack of introduction in the movie, Frankenstein by Mary Shelley, the maker, hope of freedom, androids as fiends, humans yet not humans, what is the definition of human?, the question, the title, empathy to androids, Deckard’s predictions, Ubik by Philip K. Dick, predestination, fake things, simulacra, electrically modified ecology, emotional drug, consumerism, The Days of Perky Pat by Philip K. Dick, Nanny by Philip K. Dick, the vale of reality, the cuckoo clock in Blade Runner, layered symbols, visualizing future technologies, Kayla Williams, unobvious connections, paranoia, suspicion of government, The Exit Door Leads In by Philip K. Dick, unimportance of religious reality, environmental awareness, Silent Spring by Rachel Carson, dehumanization in war, androids = inverted human, Fahrenheit 451 by Ray Bradbury, television, The Veldt by Ray Bradbury, 1984 by George Orwell, podcasting, Metropolis (Fritz Lang), Max Headroom, “Five Minutes Into the Future”, The Red Room by H.P. Lovecraft, haunted media.
Posted by Jesse Willis
The SFFaudio Podcast #190 – Scott and Jesse talk about the epic poem, Beowulf (and the Tantor Media audiobook edition read by Rosalyn Landor).
Talked about on today’s show:
The Odyssey, mead, Recorded Books Modern Scholar series, Michael D.C. Drout, Norsemen in the Mediterranean, “embarrassingly subservient to their women”, Miklagard, Russia and the Rus, Vikings -> Normans -> Britons -> Crusaders, the fall of Rome, Beowulf: A Dual Language Edition by Howell D. Chickering, Jr., the king of the blanekty blanks, Seamus Heaney translation, popularity of Beowulf, the Icelandic Sagas, Greeks vs. Romans vs. Scandians, more mead halls, fewer philosophical schools, guardsman vs. tutors, action vs. xenia, thanes just wanta band up, “they’re Klingons”, The 13th Warrior, Eaters Of The Dead by Michael Crichton, biker gangs, Hrothgar, Scyld Scefing, Unferth (un + frith = “mar peace”), Herot, the challenging retainer who gives the hero a sword, the swimming contest, Beowulf (the 2007 Roger Avary/Neil Gaiman adaptation), the visual composition, Babylon 5, Wiglaf, “badasses must compete”, Eric S. Rabkin, nine hours underwater, Grendel -> Grendel’s Mom -> The Dragon, the hoards, “a story to tell while you’re drinking mead”, “story is at the primacy”, “she’s got tentacles!”, the spawn of Cain, “Cain’s clan”, Beowulf is a poem about pagans by a Christian, the historicity of Beowulf (literally “bee” + “wolf” = “bear”), The Iliad, The Odyssey, historical King Arthur, J.R.R. Tolkien, what kind of poetry is it? It’s EPIC!, Tantor Media’s version of Beowulf (translated by Francis B. Gummere), the LibriVox version of Beowulf, Brian Murphy, “whale road” vs. “whale path”, Kevin Crossley-Holland, “foundling” vs. “waif”, Caesar -> Kaiser and Czar, The Hobbit is like Beowulf told to children, rapine warriors vs. cute dwarves, The Lord Of The Rings, golden rings and magic swords, breaker of swords, visual parallels Grendel’s arm + socket -> Beowulf’s arm + socket, “movies excel at visual metaphors”, “the thirteen dwarfs is not a good idea”, heavy going, watch the movie first then read the poem, Beowulf’s death, “often when one man follows his own will many are hurt”, “his high destiny”, a Talmud for Beowulf, having it every way, arguing the Bible, the etymology of “Homer”, we’re fans, Brendan Gleeson, Wiglaf’s choice, why Grendel’s got a grudge, monsters as externalizations of horror within, Viking men and their bastard sons, kings need heirs, the sins of the father (and Original Sin), the family of Cain, why did Cain kill Abel, capturing the reasons hidden within the story, Robert Zemeckis, adaptations of Beowulf, why put Beowulf in the future, the Christopher Lambert Beowulf, The Monarch Of The Glen by Neil Gaiman, Fragile Things, Grendel by John Gardner, Eaters Of The Dead |READ OUR REVIEW|, The Herot Series by Larry Niven, Steve Barnes, and Jerry Pournelle, Sons Of Anarchy, Hamlet, overturning the mead benches, named swords, Hrunting
Posted by Jesse Willis