Review of More Than Honor by David Weber, et al

SFFaudio Review

More than HonorMore Than Honor (Worlds of Honor #1)
By David Weber, David Drake, S. M. Stirling; Read By Victor Bevine, L. J. Ganser, Khristine Hvam
Publisher: Brilliance Audio
Publication Date: 21 May 2013
ISBN: 978-1-4805-2813-0
[UNABRIDGED] – 9 discs; 11 hours

Themes: / telepathic tree cats / short stories / military sci-fi / Honor Harrington /

Publisher summary:

New York Times bestselling author David Weber invites David Drake and S.M. Stirling, two of today’s top writers of military science fiction, to join him in an exploration of Honor Harrington’s universe.

 More Than Honor consists of the following four parts.

  1. A Beautiful Friendship by David Weber, narrated by Khristine Hvam.
  2. A Grand Tour by David Drake, narrated by Victor Bevine.
  3. A Whiff of Grapeshot by S.M. Stirling, narrated by Khristine Hvam.
  4. The Universe of Honor Harrington by David Weber, narrated by L. J. Ganser.

This collection starts and ends strong, but unflatteringly sags in the middle.  The story “A Beautiful Friendship” is a short work introducing Stephanie Harrington and the first bonding between humans and treecats.  It’s a powerful piece and Khristine Hvam narrates it with skill and style.  David Weber later lengthened this short story into a novel, which now is on my to-read list.  This collection is worth picking up if for no other reason than to simply read this first story.  I know for those of you who aren’t familiar with Honor Harrington and treecats, the idea of a six-legged cat might seem weird, it’s not, well not really.  Trust me on this, just go with it and all shall become groovy.

The following two works in this collection were in my opinion, unneeded baggage that added little and entertained less.  “A Grand Tour” by David Drake, narrated by Victor Bevine, tells the story of a largely forgettable cast of characters doing stuff that really doesn’t matter to anyone outside of the narrative.  Going from “A Beautiful Friendship” to this was like going from steaming jets of hot water shooting from the showerhead to being sprayed down in county lockup with a fire hose gushing ice water.  Victor Bevine as narrator gives a solid effort though at times, I felt he was overdoing it and this contributed to my overall sense of “Mehh” for this piece.  “A Whiff of Grapeshot” by S.M. Stirling, narrated by Khristine Hvam, wasn’t as bad as “A Grand Tour” but still, not great.  Stirling does tie this into the Honor Universe and Khristine Hvam gives another outstanding performance as reader.  Others may find this short story enjoyable and if you are one of these individuals, I can understand why you may like this.  I however found it lacking any sense of urgency and as a result, I felt unengaged for the duration of this short work.

This collection concludes with an appendix providing a wealth of historical reference to the Honor Universe.  For those of you who are into this series, I highly recommend reading this.  L. J. Ganser narrates this final section, “The Universe of Honor Harrington” by David Weber.  And for what it’s worth, Ganser does a great job of reading mostly historical exposition.  I found some of this material to be fascinating while some of it was dry and skim-worthy but still, good stuff to read through.

In the end, I’d say it’s an okay expansion pack but falls short of what it promises.  Sadly, this collection doesn’t even come close to scratching the military SF itch like Weber has done in the past with his earlier Honor Harrington books.  I was left wanting more treecats and more space battles.

Posted by Casey Hampton.

Review of Swarm by B. V. Larson

SFFaudio Review

Swarm Swarm (Star Force #1)
By B. V. Larson; Performed by Mark Boyett
Publisher: Brilliance Audio
[UNABRIDGED] – 10 hours

Themes: / aliens / military sci-fi /

Publisher summary:

Earth arms marines with alien technology and builds its first battle fleet! Kyle Riggs is snatched by an alien spacecraft sometime after midnight. The ship is testing everyone it catches and murdering the weak. The good news is that Kyle keeps passing tests and staying alive. The bad news is the aliens who sent this ship are the nicest ones out there…. A novel of military science fiction by bestselling author B. V. Larson, Swarm is the story of Earth’s annexation by an alien empire. Long considered a primitive people on a backwater planet, humanity finds itself in the middle of a war, and faced with extinction.

One of the fundamental challenges of writing fiction is the need to make characters and events believable without making them boring, or retreading the same ground as a dozen authors before you. This is especially difficult in genre fiction, such as military sci-fi, where so many wildly imaginative authors have already gone before. Fortunately, B. V. Larson walks the line between realism and action with near perfect balance. Swarm, the first book in his Star Force series, contains little in the way of truly original science fiction material, but the author assembles these familiar pieces into a fantastic roller coaster of a tale.

Our protagonist is Kyle Riggs, who proves to be one of the most resourceful computer science professors in history. When alien machines invade earth he goes from being a mild-mannered single father, eating popcorn and watching movies with his kids, to a hard-hearted military commander in the course of about two weeks. By the end of the novel he is commanding full battalions of augmented marines, guiding the development of devastating weapons, and fighting toe to toe with robots the size of skyscrapers. It is a testament to the author’s skill at narration that all of these remarkable events happening to a single character only seems odd in retrospect. As the tale unfolds, each of Kyle’s actions and decisions makes sense in the moment, if not in the big picture, painting him as an everyman who is continually pulled into extraordinary circumstances.

The only real problem with Swarm is the nature of the threat that humanity faces. Essentially, the entire planet is placed at the center of a struggle between microscopic robots, which are obviously named Nanos, since they don’t have a name for themselves, and gigantic robots, which are immediately dubbed Macros. It doesn’t take long before the action of the novel descends into the most visceral, mindless sort of fights that we have seen before in countless robots versus humans films. I won’t deny that all of that is fun to read, but I couldn’t help wondering why the Nanos didn’t just build some big robots to blow up the Macros, or the Macros build some macroscopic robots and start turning everything they touched into grey goo. Or why the Nanos didn’t just infest the Macros and take them apart. Or why the Macros didn’t start strip mining the entire planet from beneath the safety of their shields, instead of fighting humanity in the field.

But that’s a debate for another time. It doesn’t matter whether the two strangely, intractably, even inexplicably different robots behave appropriately any more than it matters how an alien can have a silicon-based biology and acid for blood. I suppose we can also overlook, for this book at least, the rapid changes in Kyle’s character, the incredulous, borderline Stockholm Syndrome, relationship between Kyle and his girlfriend Sandra, and the sudden, mildly disappointing ending. What matters is that B. V. Larson uses all of these pieces to tell a fun story. I just hope to see some more character development as the series continues.

The audiobook of Swarm is produced by Audible, published on CD by Brilliance Audio, and as a whole meets the usual quality I expect from these companies. Each disc begins and ends with brief musical backgrounds which, while they do little to enhance the story, are not distracting. The last few sentences, about five to fifteen seconds, of each disc are repeated at the beginning of the next disc, which is a feature I always appreciate to draw me back into the story after pausing to change discs. Mark Boyett’s skillful narration perfectly portrays the voice of Kyle Riggs, whether he is calmly describing the procedures for programming an alien computer, or speaking in a panicked, but still clear, tone to convey the terror of facing an alien machine on the battlefield.

Posted by Andrew Linke

Review of The Sphinx by Bob Mayer

SFFaudio Review

SphinxThe Sphinx  (Area 51 #4)
By Bob Mayer; Performed by Eric G. Dove
Publisher: Brilliance Audio
11 hours [UNABRIDGED]

Themes: / military sci-fi / aliens / hybrids / nuclear /

Publisher summary:

Dr. Lisa Duncan and Special Forces officer Mike Turcotte know better than anyone that no secret is safe for long — especially one that offers untold power. Case in point: no sooner does Turcotte’s elite Area 51 team uncover a dormant alien ship in earth orbit than a group of alien-human hybrids seizes it and uses its technology to commandeer a satellite array bristling with nuclear missiles. Now they’re demanding that humankind hand over the key to an ancient stash of alien technology…or watch an entire continent be reduced to atomic rubble. Doom seems certain, as the required key is believed lost to the ages — until an unwitting anthropologist discovers the first of many clues to its hiding place. As Duncan and Turcotte race to reach the key — and the powerful treasure it can unlock — ahead of their alien foes, the quest leads them deep into a deadly maze within the Great Sphinx of Giza. The prize? Nothing less than the legendary Ark of the Covenant.

For fans of this series, Bob Mayer delivers a story that lightly scratches the military SF itch but never arrives at satisfaction.  If you don’t mind foreshadowing and rather flat characters that encounter somewhat predictable puzzles, then I think you’ll like this installment of the Area 51 series.  I’d say that Mayer has written the equivalent of a bacon cheeseburger.  You know what you’re going to get before you order it, and if you are in the mood for a run of the mill bacon cheeseburger, then I say “Dig in and don’t be shy about using napkins.”

Eric G. Dove acts as narrator and I am on the fence with his delivery.  So here’s the down and dirty with Dove.  When he reads dialogue, Dove is on top of his game and carries this audio performance.  When Dove is left to recite, I mean read exposition; he becomes the human equivalent of narrator elevator music.  Seriously, Dove reads exposition like most people might read a road map but with less enthusiasm.  But when Dove engages a character, everything changes and this somewhat average audiobook becomes almost enjoyable.

Final thoughts.  If you’re even thinking about reading this book then it’s a fair assumption to think you’ve read the previous books in this series.  If you have and are considering reading on, I encourage you to do so as I think you will be happy.  If you have read the books in the series are aren’t sure if you want to continue, then I say “Turn back when you still can.”

Posted by Casey Hampton.