Filed under: Audio Drama, New Releases, Podcasts, Recent Arrivals
Talked about on today’s show:
many sins, paperbooks, The Architect Of Aeons by John C. Wright, Tor Books, The Voyage Of The Basilisk by Marie Brennan, beautiful illustrations and blue text, cover art, a bias against bad art, the way kids talk about book covers, fonts and graphic design, stock photos, don’t mix serif’d fonts, use classic art in the public domain, don’t muddy it up, Graysun Press Class M Exile by Raven Oak, Star Trek, Self Made Hero, I.N.J. Culbard, The Shadow Out Of Time, The Case Of Charles Dexter Ward, The Dream Quest Of Unknown Kadath, the difficulty of promotion for small press publishers, Horror!, The Scarlet Gospels by Clive Barker, John Lee, Macmillan Audio, Pinhead, Hellraiser, random bloody body horror, The Midnight Meat Train, Bradley Cooper, the way Clive Barker’s stuff works, Audio Realms, Limbus, Inc. Book 2, a shared world anthology by Jonathan Maberry, Joe R. Lansdale, Gary A. Braunbeck, Joe McKinney, Harry Shannon edited by Brett J. Talley, space for creativity, David Stifel’s narration of The Monster Men by Edgar Rice Burroughs, The Island Of Doctor Moreau meets Frankenstein done Burroughs style, The Man Without A Soul, David Stifel knows everything about Edgar Rice Burroughs, Jurassic Park by Michael Crichton, read by Scott Brick, Mad Max: Fury Road, 3D is a gimmick, Vampire Horror! by M.R. James, John Polidori, F. Marion Crawford, Anthony Head, M.R. James is the country churchyard ghost story guy, John Polidori was Byron’s Doctor, Mary Shelley won the contest, The Vampyre by John Polidori, Lord Ruthven is kind of based on Lord Byron, an autobiographical fantasy horror, music!, all the good D words, Survivors by Terry Nation, Doctor Who, Blake’s 7, who wrote House, M.D.?, writing credit in the UK, a familiar premise, the original TV series and the remake, The Walking Dead, all the fun stuff we like about post-apocalyptic storytelling, simultaneous existence, The Death Of Grass by John Christopher, A History Of The World In Six Glasses by Tom Standage, our dependence on grasses, The Road, canned food isn’t a long term plan, Station Eleven by Emily St. John Mandel, deer in the woods, the high price put on poaching, the other solution is cannibalism (also not very sustainable), The Water Knife by Paolo Bacigalupi, cutting water, this is already how things are, the atomic bomb scenarios are played out, the water problem, the new dust bowl, North Carolina and South Carolina, Seattle and Vancouver, Dr. Bloodmoney by Philip K. Dick, read by Phil Gigante, a comic version of Doctor Strangelove, Marissa Vu, Paul Weimer, The Gold Coast by Kim Stanley Robinson, Pacific Edge by Kim Stanley Robinson, Luke Burrage’s reviews of the Orange County books, Find Me by Laura van den Berg, silver blisters?, Guy de Maupassant style, The End Has Come edited by Hugh Howey and John Joseph Adams, Carrie Vaughn, Megan Arkenberg, Will McIntosh, Scott Sigler, Sarah Langan, Chris Avellone, Seanan McGuire, Leife Shallcross, Ben H. Winters, David Wellington, Annie Bellet, Tananarive Due, Robin Wasserman, Jamie Ford, Elizabeth Bear, Jonathan Maberry, Charlie Jane Anders, Jake Kerr, Ken Liu, Mira Grant, Hugh Howey, Nancy Kress, Margaret Atwood’s serial, Science Fiction in Space and the Desert, Seveneves by Neal Stephenson, read by Mary Robinette Kowal and Will Damron, very sciencey, too many Jesses, Rob’s commute, Nova by Margaret Fortune, read by Jorjeana Marie, a human bomb, Imposter by Philip K. Dick, The Fold by Peter Clines, read by Ray Porter, another Philip K. Dick story called Prominent Author, a joke story, 14 by Peter Clines, Expanded Universe, Vol. 1 by Robert A. Heinlein, read by Bronson Pinchot, Blackstone Audio, Robert A. Heinlein is a weird idea man, Nemesis Games by James S.A. Corey, Hachette Audio, Sword & Laser, The Darkling Child (The Defenders of Shannara) by Terry Brooks, read by Simon Vance, Casino Royale by Ian Fleming, larger than life voices, The Red Room by H.G. Wells, the accents, BBC audio dramas of James Bond books, the David Niven Casino Royale, The Brenda & Effie Mysteries: Brenda Has Risen From the Grave! (4), Bafflegab, Darwin’s Watch: The Science of Discworld III: A Novel by Terry Pratchett, Ian Stewart and Jack Cohen, read by Michael Fenton Stevens and Stephen Briggs, Uprooted by Naomi Novik, read by Julia Emelin, The Invasion of the Tearling by Erika Johansen, read by Davina Porter, Sarah Monette’s The Goblin Emperor, coming of age in a fantasy world, librarians recommend!
Posted by Jesse Willis
Dangerous Women: Stories
Edited by George R. R. Martin and Gardner Dozois
Narrated by Scott Brick, Jonathan Frakes, Janis Ian, Stana Katic, Lee Meriwether, Emily Rankin, Harriet Walter, Jake Weber
Publisher: Random House Audio
Publication Date: 3 December 2013[UNABRIDGED] – 32 hours, 49 minutes
Listen to an excerpt: | MP3 |
Themes: / short stories / fantasy / women /
All new and original to this volume, the 21 stories in Dangerous Women include work by twelve New York Times bestsellers, and seven stories set in the authors’ bestselling continuities—including a new “Outlander” story by Diana Gabaldon, a tale of Harry Dresden’s world by Jim Butcher, a story from Lev Grossman set in the world of The Magicians, and a 35,000-word novella by George R. R. Martin about the Dance of the Dragons, the vast civil war that tore Westeros apart nearly two centuries before the events of A Game of Thrones.
Also included are original stories of dangerous women–heroines and villains alike–by Brandon Sanderson, Joe Abercrombie, Sherilynn Kenyon, Lawrence Block, Carrie Vaughn, S. M. Stirling, Sharon Kay Penman, and many others.
Writes Gardner Dozois in his Introduction, “Here you’ll find no hapless victims who stand by whimpering in dread while the male hero fights the monster or clashes swords with the villain, and if you want to tie these women to the railroad tracks, you’ll find you have a real fight on your hands. Instead, you will find sword-wielding women warriors, intrepid women fighter pilots and far-ranging spacewomen, deadly female serial killers, formidable female superheroes, sly and seductive femmes fatale, female wizards, hard-living Bad Girls, female bandits and rebels, embattled survivors in Post-Apocalyptic futures, female Private Investigators, stern female hanging judges, haughty queens who rule nations and whose jealousies and ambitions send thousands to grisly deaths, daring dragonriders, and many more.”
Stories and Narrators (in order of appearance):
“Some Desperado” by Joe Abercrombie; Read by Stana Katic
“My Heart Is Either Broken” by Megan Abbott; Read by Jake Weber
“Nora’s Song” by Cecelia Holland; Read by Harriet Walter
“The Hands That Are Not There” by Melinda Snodgrass; Read by Jonathan Frakes
“Bombshells” by Jim Butcher; Read by Emily Rankin
“Raisa Stepanova” by Carrie Vaughn; Read by Inna Korobkina
“Wrestling Jesus” by Joe R. Lansdale; Read by Scott Brick
“Neighbors” by Megan Lindholm; Read by Lee Meriwether
“I Know How to Pick ’Em” by Lawrence Block; Read by Jake Weber
“Shadows for Silence in the Forests of Hell” by Brandon Sanderson; Read by Claudia Black
“A Queen in Exile” by Sharon Kay Penman; Read by Harriet Walter
“The Girl in the Mirror” by Lev Grossman; Read by Sophie Turner
“Second Arabesque, Very Slowly” by Nancy Kress; Read by Janis Ian
“City Lazarus” by Diana Rowland; Read by Scott Brick
“Virgins” by Diana Gabaldon; Read by Allan Scott-Douglas
“Pronouncing Doom” by S.M. Stirling; Read by Stana Katic
“Name the Beast” by Sam Sykes; Read by Claudia Black
“Caregivers” by Pat Cadigan; Read by Janis Ian
“Lies My Mother Told Me” by Caroline Spector; Read by Maggi-Meg Reed
“Hell Hath No Fury” by Sherilynn Kenyon; Read by Jenna Lamia
“The Princess and the Queen” by George R. R. Martin; Read by Iain Glen
It took me a really long time to make it through this book, even with skipping stories, and that was a big sign that it wasn’t working for me. I love and read a lot of anthologies, and Dangerous Women was odd in that it only paid lip service to the theme. Most of these stories had nothing to do with women, dangerous or otherwise, instead focusing on men talking about women. Overall, while I was disappointed in this anthology, and would not recommend it, here are my spoiler thoughts on some of the best and worst individual stories (scroll to the end for a link to more!):
“The Hands That Are Not There” by Melinda Snodgrass
Jonathan Frakes from Star Trek: the Next Generation is the narrator!!! Fortune 500? Strip club? OK, I’m missing the dangerous women portion of this story at the beginning, and am a little confused overall. The main character doesn’t seem to have a great opinion of women in general. Suppose that’s not surprising considering this takes place during a bachelor party. “Sassy little buttocks”? I giggled when he shouted “blackout’. Genetic manipulation? What am I listening to?
Aside from the novelty of the narrator, this was just bad. The characterization of women left a bad taste in my mouth. The prose was an unfortunate shade of purple. The plot twist was silly. So. Bad.
“Bombshells” by Jim Butcher – A Harry Dresden story
I’ve never read any of the Dresden books, although I’m vaguely familiar with the story, and this was a sorely needed palette cleanser after the last story. Except for the leg-shaving bit. Wut? That came across as trying a bit too hard. Bit more telling than showing than is to my taste. And hearing the phrase ‘soul gaze’ spoken out loud just pointed out how silly it is. Holy infodump on how magic works, but overall both the narrator and writing was A+.
“Raisa Stepanova” by Carrie Vaughn
Eeeeeee! Night witches! I love female pilots!
The writing is concise and easy to follow, but full of effective details that really conveyed the feeling of a fire fight. The plot was just heartbreaking. And a lovely relationship between siblings is the focus, rather than a romantic one. Such a nice change! This was an excellent portrayal of female non-competitive friendship. So good. One of the highlights of the anthology.
Narrator had a distinctive, lovely voice.
“I Know How to Pick ’Em” by Lawrence Block
Noir up the wazoo! This was a man’s man kind of a story, I guess. Wow. I had to skip this after he started fantasizing about beating the woman he was with. He had so much hate for women. I felt a little sick just listening.
Narrator has great, gritty voice.
“Shadows For Silence in the Forests of Hell” by Brandon Sanderson
This was a great story. Silence was amazing, and the world had just enough detail for you to believe and fill in the rest of the blanks. Her background as a bounty hunter was inventive, and I loved seeing the people people who crossed her get their eventual comeuppance.
Narrator had just enough weariness in her voice to be pleasing and appropriate to the story.
“The Girl in the Mirror” by Lev Grossman – A Magicians story
Fabulous characterization of mischievous girls at a magical school. Their talk is real, and the details are well delineated. Think Harry Potter but darker and meaner. Adorable short story. Just lovely.
As an added bonus, Sophie Turner, who plays Sansa Stark on Games of Thrones, was the narrator. She hit the perfect tone, and I would definitely listen to her narration again.
“Second Arabesque, Very Slowly” by Nancy Kress
This was a very quiet, intense, and bleak story. The women are essentially kept for breeding in a post-apocalyptic setting, but during a young girl’s ‘budding’ ceremony, one woman voices her desire to be more. The narrator is the nurse, in charge of the health of the other women. There’s an undertone of packs and the urban forest in this story, like I was waiting for them to turn into werewolves. Women have dressed codes to avoid tempting men, but are somewhat in charge of deciding who they have sex with. The group finds a TV and get it to work. They watch a ballet. Now one of the beta males wants to learn how to dance to entertain the pack. They find a moment of beauty, but lose it just as quickly.
The narrator has an understated style that worked really well for this.
“Pronouncing Doom” by S.M. Stirling – An Emberverse story
This was the most unpleasant part of this whole experience.
At first I was interested, as there was a main character traveling with a baby and some practical discussion of how life with children after the apocalypse works. There were disabled characters, and the women seemed to have some autonomy in the society.
However, the story then turned into a rape trial. The victim recounts escalating abuse from one man, and how the other women blamed her for his actions. Then she describes his violent sexual assault of her, and I turned it off. I had no motivation to finish this story.
The narrator was very pleasant, and her deadpan accounting of the assault was chilling.
“Caretakers” by Pat Cadigan
It starts out with an innocent question about female serial killers. These two sisters live together and while one is obsessed with Red Dawn (Go Wolverines!) the other loves to watch shows about serial killers. There was a lot of realistic characterization driving the story, and rising tension as you begin to wonder exactly how much the sister likes serial killers.
Narrator did a fantastic job, fading back to let the story stand on its strengths.
“Lies My Mother Told Me” by Caroline Spector – A Wild Cards story
I felt a little behind by the abrupt entrance of the first scene, but loved the discussion of prettiness in relation to society. Parades and zombies and consumerism. Mothers and daughters and self-esteem. Fat and bubbles as defense. The villain was such a dick, and such a stereotype of gamer dudes. Overall amazing!
“The Princess and the Queen” by George R.R. Martin – A Song of Ice and Fire story
Finally. this is the whole reason I was interested in the first place. I’ve read a couple of the ASOIAF books, so I was interested in what Martin would do with two super-powerful women. Not much, it turns out.
Sooooo – everyone in Westeros has always been terrible and power-hungry? OK then. First Night rites? Really? Ahhhh I am so bored. Never has anything with dragons in it bored me as much as this has. It’s about queens, yes, but it’s still the men who do almost everything.
Good narrator, though.
Sarah reviewed each and every story, which you can see on her GoodReads review.
Posted by Sarah R.
The End is Nigh (Apocalypse Triptych #1)
Edited by John Joseph Adams and Hugh Howey (full author and performer list below)
Publisher: Broad Reach Publishing
Publication Date: 8 April 2014
[UNABRIDGED] – 15 hours, 8 minutes
Themes: / apocalypse / destruction / short stories /
Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.
But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild.
Table of contents and audiobook narrator listings copied directly from John Joseph Adams’ website. If you want more detailed summaries of each story, I found the review at Tangent very good, particularly because it is so hard to keep track of short stories when you are listening instead of reading!
The audio was an incredible asset to this anthology, although I will probably also need to buy this for my shelf o’ anthologies. The best in audio are Removal Order, BRING HER TO ME, and The Fifth Day of Deer Camp.
My favorite stories were BRING HER TO ME and Goodnight Moon.
I’m most interested in the next installment (so please let there be a next installment) of Removal Order, Pretty Soon the Four Horsemen are Going to Come Riding Through, and Spores.
What do I mean by next installment? The End is Nigh is the first volume of a triptych. It will be followed by The End is Now and The End Has Come, with some authors contributing linked stories. Very exciting concept, and as the Queen of Apocalypse there is no way I couldn’t read this.
Here are my more detailed impressions, story by story!
After talking about it on the last SFFaudio Podcast NEW RELEASES/RECENT ARRIVALS episode, I decided we really needed to know exactly which classic stories were being ripped-off in the new Audible Frontiers collection entitled Rip-Off!.
I’ve also made a note of the narrator for each story. And, while I’m at it I should tell you that nearly every story is an hour long. Every story with the exception of James Patrick Kelly’s (which runs about 90 minutes) and Tad Williams’ (which runs just over 26 minutes).
Edited by Gardner Dozois; Read by various readers
Audible Download – Approx. 12 Hours [UNABRIDGED]
Publisher: Audible Frontiers
Published: December 18, 2012
In Rip-Off!, 13 of today’s best and most honored writers of speculative fiction face a challenge even they would be hard-pressed to conceive: Pick your favorite opening line from a classic piece of fiction (or even non-fiction) – then use it as the first sentence of an entirely original short story. In the world of Rip-Off!, Call me Ishmael introduces a tough-as-nails private eye – who carries a harpoon; The Wonderful Wizard Of Oz inspires the tale of an aging female astronaut who’s being treated by a doctor named Dorothy Gale; and Huckleberry Finn leads to a wild ride with a foul-mouthed riverboat captain who plies the waters of Hell. Once you listen to Rip-Off! you’ll agree: If Shakespeare or Dickens were alive today, they’d be ripping off the authors in this great collection. As a bonus, the authors introduce their stories, explaining what they ripped-off – and why. Rip-Off! was produced in partnership with SFWA – Science Fiction & Fantasy Writers of America. Gardner Dozois served as project editor.
Annotated table of contents:
Introduction by John Scalzi, read by Scalzi
Fireborn by Robert Charles Wilson – Introduction by Wilson, inspired by a “Rootabaga” story by Carl Sandburg – Read by Khristine Hvam
The Evening Line by Mike Resnick – Introduction by Resnick, inspired by Pride And Prejudice by – Read by L.J. Ganser
No Decent Patrimony by Elizabeth Bear – Introduction by Bear, inspired by Edward II by Christopher Marlowe – Read by Scott Brick
The Big Whale by Allen M. Steele – Introduction by Steele, inspired by Moby Dick by Herman Melville – Read by Christian Rummell
Begone by Daryl Gregory – Introduction by Gregory, inspired by David Copperfield by Charles Dickens – Read by Jonathan Davis
The Red Menace by Lavie Tidhar – Introduction by Tidhar, inspired by The Communist Manifesto by Karl Marx – Read by Stefan Rudnicki
Muse Of Fire by John Scalzi – Introduction by Scalzi, inspired by Henry V by William Shakespeare – Read by Wil Wheaton
Writer’s Block by Nancy Kress – Introduction by Kress, inspired by Paul Clifford by Edward Bulwer-Lytton – Read by David Marantz
Highland Reel by Jack Campbell – Introduction by Campbell, inspired by Macbeth by William Shakespeare – Read by Nicola Barber
‘Karin Coxswain’ Or ‘Death As She Is Truly Lived’ by Paul Di Filippo – Introduction by Di Filippo, inspired by Huckleberry Finn by Mark Twain – Read by Dina Pearlman
The Lady Astronaut of Mars by Mary Robinette Kowal – Introduction by Kowal, inspired by The Wizard Of Oz by L. Frank Baum – Read by Allyson Johnson
Every Fuzzy Beast of the Earth, Every Pink Fowl of the Air by Tad Williams – Introduction by Williams, inspired by the Book of Genesis by anonymous – Read by Marc Vietor
Declaration by James Patrick Kelly – Introduction by Kelly, inspired by The Declaration Of Independence by Thomas Jefferson – Read by Ilyana Kadushin
Posted by Jesse Willis
The SFFaudio Podcast #178 – An unabridged reading of The Yellow Wallpaper by Charlotte Perkins Gilman (32 minutes, read for LibriVox by Michelle Sullivan) followed by a discussion of it. Participants in the discussion include Jesse, Tamahome, Jenny Colvin, and Julie Hoverson.
Talked about on today’s show:
Charlotte Perkins Gilman vs. Charlotte Perkins Stetson, wall-paper vs. wallpaper, a seminal work of feminist fiction, a ghost story, a psychological horror story, the Wikipedia entry for The Yellow Wallpaper, Alan Ryan, “quite apart from its origins [it] is one of the finest, and strongest, tales of horror ever written. It may be a ghost story. Worse yet, it may not.” postpartum depression, “the rest cure”, phosphates vs. phosphites, condescending husbands, infantilization of women, superstitions, is she dangerous?, is she only pretending to go insane or is she actually mad?, will reading The Yellow Wallpaper drive you to insanity?, an androcentric society, Titus Andronicus by William Shakespeare, Life by Emily Dickinson
MUCH madness is divinest sense
To a discerning eye;
Much sense the starkest madness.
’T is the majority
In this, as all, prevails.
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Jenny is the husband’s sister (or mistress?), “gymnasium or prison, she doesn’t know she’s living in a short story”, does the family think she’s crazy a the story’s start?, biting the bed is a bit suspicious, barred windows, suicide, has she forgotten that she’s the wrecked the wallpaper to begin with, a haunted house vs. a haunted woman, is the supernatural only within minds?, Julie goes crazy without something to read, first time motherhood can be a struggle, duplicity, crazy people are known to make unreasonable requests, “why is the cork on the fork?”, Dirty Rotten Scoundrels, what’s the rope for?, “all persons need work”, counting the holes, are women moral by default?, Herland by Charlotte Perkins Gilman, utopia, “everything is both beautiful and practical”, the eighteenth amendment to the U.S. Constitution (prohibition), the husband faints (and so she wins?), creeping vs. crawling, the creepiest ending, smooch vs. smudge, neurasthenia, William James (brother of Henry James), “Americanitis”, the fashion of being sick, hypochondria as a fad, the “fresh air” movement, Kellogg’s cereal 9and other patented medicines), a yogurt colonic, mental illness is shameful in Asia, mental illness vs. oppression, an absolutely unreliable narrator, Stockholm syndrome style thinking, “You think you have mastered it, but just as you get well under way in following, it turns a back-somersault and there you are. It slaps you in the face, knocks you down, and tramples upon you.” worrying a tooth, tooth loss as an adult is horrific, as a kid it’s fun, why are we rewarded by the tooth-fairy?, is the tooth-fairy universal?, was chronic fatigue syndrome a fad?, fame is popular, Münchausen’s syndrome (the disease of faking a disease), take up a hobby!, distinguishing genuine from real, syndrome (symptoms that occur together) vs. disease (dis-ease), “which is worse…”, how to look at doctors, Tam’s doctor is nicer than House, M.D., witch doctors, non-invasive cures, gallium, Vitamin C, The Disappearing Spoon: And Other True Tales of Madness, Love, and the History of the World from the Periodic Table of the Elements by Sam Kean, Julie Hoverson’s reading of The Yellow Wallpaper, the unnamed narrator (let’s call her Julie), “what’s with the plantain leaf?”, a modern version of The Yellow Wallpaper would be set at fat camp (is that The Biggest Loser), starts off, Flowers In The Attic by V.C. Andrews, arsenic doughnuts (are not Münchausen syndrome by proxy), The Awakening by Kate Chopin, civilizing influence, bathing!, “men know what side their sex is buttered on”, In The Next Room (or The Vibrator Play) by Sarah Ruhl, Changeling (screenplay by J. Michael Straczynski), what is your Yellow Wallpaper?, fiction is Jesse’s wallpaper, ‘tv, videogames, comics … none of these make you crazy’, heroin chic, Julie has many yellow papers, Tam’s yellow wallpaper is the bookstore, Sebastian Junger vs. J.G. Ballard, 1920s, The Great Gatsby by F. Scott Fitzgerald, posing gowns, identical wigs, Jenny’s yellow wallpaper is dreams, The Evil Clergyman (aka The Wicked Clergyman) by H.P. Lovecraft, nice wallpaper, authorial self-interpretations, Eric S. Rabkin, re-reading as an adult something you read as a kid, The Prince Of Morning Bells by Nancy Kress, The Portrait Of A Lady by Henry James, The Lord Of The Rings by J.R.R. Tolkien, old time radio comedies, should you read fiction from the beginning? Start with Canterbury Tales by Geoffrey Chaucer?, Hyperion by Dan Simmons, Jonathan Swift, Peter F. Hamilton, E.E. ‘doc’ Smith, Mastermind Of Mars by Edgar Rice Burroughs.
Posted by Jesse Willis
The Alloy of Law by Brandon Sanderson, read by Michael Kramer
The Hum and the Shiver by Alex Bledsoe, read by Emily Janice Card and Stefan Rudnicki
The Apothecary by Maile Meloy, read by Cristin Milioti
Why Read Moby Dick? by Nathaniel Philbrick, read by the author
The Walking Dead: The Rise Of The Governor by Robert Kirkman and Jay Bonansinga, read by Fred Berman
Psycho 2 by Robert Bloch, read by Paul Michael Garcia
Steel and Other Stories by Richard Matheson, read by Scott Brick
We’re Alive: Season Two by Kc Wayland, performed by full cast
Bad Moon Rising by Jonathan Maberry, read by Tom Weiner
Beggars Ride by Nancy Kress, read by Judy Young
Vacation by Matthew Costello, read by Peter Macon
To Sail Beyond the Sunset by Robert A. Heinlein, read by Bernadette Dunne
Posted by Jesse Willis