The SFFaudio Podcast #355 – Jesse, Mr Jim Moon, and Paul Weimer talk about The Dream-Quest Of Unknown Kadath by H.P. Lovecraft
Talked about on today’s show:
novel or novella, would Lovecraft have published it had he lived longer?, left in a drawer, a first draft, smoothing out, an amazing talent, a fascinating fun world, The Wizard Of Oz, a tour of Lovecraft’s material, not the place to start with Lovecraft, no existential bleakness, surprisingly gentle, even Nyarlathotep is kind of nice, more adventurous, extended into nonsense, marshaling armies, Conan’s messing about is strictly small potatoes, a gregarious jolly man, a sense of fun, poems about Frank Belknap Long’s cat, more lucidity than you expect, the ghouls, the Fungi From Yuggoth cycle, three travelers who’d previously visited the dreamland, one must be the unnamed narrator of The Crawling Chaos, King Kuranes, the narrator of Hypnos, the smoking cosmic gun, The Other Gods, the priest, The Strange High House In The Mist, a night-gaunt, the mythos was largely invented by fans, the nexus point, The Statement Of Randolph Carter, is the graveyard in the Dreamlands?, other ways to get to the Dreamlands, ghoul tunnels, the ghouls are quite friendly, Warren is dead!, the enchanted wood, the Vaults Of Zin, the realm of the Gugs, The Divine Comedy, The Cats Of Ulthar, lots of cats from Ulthar, almost an anime style plot, hilarious, whimsical, swarming cats, unlocking, context, Dunsananian, Polaris, the Land Of Lomar, ahead of Robert E. Howard and Clark Ashton Smith, C.S. Lewis, J.R.R. Tolkien, Paul’s own RPG Dreamlands, slavers, fighting the Moon Men, surprisingly visual, Celephaïs and The White ship, much mining, the Moon wine, lava gatherers, chalcedony mining, Mr. Merchant, Nyarlathotep is the wizard (and the wicked witch), Sauron, Azathoth does the gnawing, Carter’s passivity, Carter’s activity, Indiana Jones in Raiders Of The Lost Ark, an explorer’s adventure, the hound is Belloq, Bryan Alexander, not a horror book, more comedy than horror, the Nigh-Gaunts sound scary but their major power is tickling, Lovecraft has a wicked dry sense of humour, playing with a caricature of himself, based on his own nightmares, squirming feelings, “there’s more of gravy than of the grave about you”, Marley’s ghost, a bit of undigested beef, A Christmas Carol by Charles Dickens, the HPLHS’ A Solstice Carol, adapting three Lovecraft stories by way of Dickens, The Festival, Pickman’s Model, The Outsider, it all connects up, Richard Upton Pickman, The Shadow Over Innsmouth, this grand tapestry, Jim’s ball of wax, The Thing On The Doorstep, a shoggoth in those pits, Night-Gaunts (the poem), not seeing the whimsical side of it, a gamer style fashion, in Deities & Demigods, that was all bullshit, Michael Moorcock’s Elric, flying on the night-winds with the ghouls, an internal Lovecraftian world, maps, the map from the Call Of Cthulhu‘s Dreamland Supplements, Sandy Petersen, Jason Thompson’s Dreamlands map, The Green Meadow, the Vaults Of Yin, the Gardens of Zin, how do they get to the Moon on this map?, straight on until morning…, dream logic supplies an endless supply of water, how much is personal and how much is external?, Carter’s Sunset City (Kadath), the gods of earth have abandoned it for Kadath, cosmic horrors, the Games of Divinity, Fungi From Yuggoth, Homecoming (Sonnet V), our experience of reading Lovecraft, Recognition, the book is the key,
The day had come again, when as a child
I saw—just once—that hollow of old oaks,
Grey with a ground-mist that enfolds and chokes
The slinking shapes which madness has defiled.
It was the same—an herbage rank and wild
Clings round an altar whose carved sign invokes
That Nameless One to whom a thousand smokes
Rose, aeons gone, from unclean towers up-piled.
I saw the body spread on that dank stone,
And knew those things which feasted were not men;
I knew this strange, grey world was not my own,
But Yuggoth, past the starry voids—and then
The body shrieked at me with a dead cry,
And all too late I knew that it was I!
, the next poem
The daemon said that he would take me home
To the pale, shadowy land I half recalled
As a high place of stair and terrace, walled
With marble balustrades that sky-winds comb,
While miles below a maze of dome on dome
And tower on tower beside a sea lies sprawled.
Once more, he told me, I would stand enthralled
On those old heights, and hear the far-off foam.
All this he promised, and through sunset’s gate
He swept me, past the lapping lakes of flame,
And red-gold thrones of gods without a name
Who shriek in fear at some impending fate.
Then a black gulf with sea-sounds in the night:
“Here was your home,” he mocked, “when you had sight!”
then we get The Lamp, Zaman’s Hill, The Port, The Courtyard, XX. Night-Gaunts, XXI. Nyarlathotep, XXII. Azathoth, XXV. St. Toad’s, seeking after visions, XVI. The Window, I.N.G. Culbard’s adaptation of The Dream-Quest Of Unknown Kadath, this is a poem as well, word choices for assonance and alliterative sound, very aural, a pleasure to listen to, meant to be read aloud, Carter looks a lot like Lovecraft (in I.N.G. Culbard’s adaptation, Jason Thompson’s adaptation of The Dream-Quest Of Unknown Kadath, from Dunsany and Poe, it all goes back to Poe with his Dream-land poem, Ulalume, The Narrative Of Arthur Gordon Pym Of Nantucket by Edgar Allan Poe,
by Edgar Allan Poe
By a route obscure and lonely,
Haunted by ill angels only,
Where an Eidolon, named NIGHT,
On a black throne reigns upright,
I have reached these lands but newly
From an ultimate dim Thule—
From a wild weird clime that lieth, sublime,
Out of SPACE—Out of TIME.
Bottomless vales and boundless floods,
And chasms, and caves, and Titan woods,
With forms that no man can discover
For the tears that drip all over;
Mountains toppling evermore
Into seas without a shore;
Seas that restlessly aspire,
Surging, unto skies of fire;
Lakes that endlessly outspread
Their lone waters—lone and dead,—
Their still waters—still and chilly
With the snows of the lolling lily.
By the lakes that thus outspread
Their lone waters, lone and dead,—
Their sad waters, sad and chilly
With the snows of the lolling lily,—
By the mountains—near the river
Murmuring lowly, murmuring ever,—
By the grey woods,—by the swamp
Where the toad and the newt encamp,—
By the dismal tarns and pools
Where dwell the Ghouls,—
By each spot the most unholy—
In each nook most melancholy,—
There the traveller meets, aghast,
Sheeted Memories of the Past—
Shrouded forms that start and sigh
As they pass the wanderer by—
White-robed forms of friends long given,
In agony, to the Earth—and Heaven.
For the heart whose woes are legion
’T is a peaceful, soothing region—
For the spirit that walks in shadow
’T is—oh, ’t is an Eldorado!
But the traveller, travelling through it,
May not—dare not openly view it;
Never its mysteries are exposed
To the weak human eye unclosed;
So wills its King, who hath forbid
The uplifting of the fring’d lid;
And thus the sad Soul that here passes
Beholds it but through darkened glasses.
By a route obscure and lonely,
Haunted by ill angels only,
Where an Eidolon, named NIGHT,
On a black throne reigns upright,
I have wandered home but newly
From this ultimate dim Thule.
the double negative, seeing the mysteries of the dreamlands with the eyes unclosed, protean quality, an evolution of that Dream-Land, the seed that took root in Lovecraft’s mind, pools with lolling lilies, Eldorado, a prodigious dreamer, Tweeting dreams, “I’m prodigious dreamer.”, keeping a dream diary, deeper and more vivid, a dream New York City, Jesse recounts dream of swimming through the streets, a sea-monster, rafts, tables, wonderful wonderful comic books, it is very difficult to read books in dreams, #nightmare, forgetting that he is dreaming, close to waking, dreams while dreaming, Dennis Quaid, Dreamscape (1984), if we can just get the internet of dreams working, awesome and amazing, Waking Life (2001), dreams as prison, Curanes story is in the middle, Curanes has trained a bunch of locals to act English, totally Wizard Of Oz, the magic of three, The Crawling Chaos by H.P Lovecraft and Winifred Virginia Jackson, some sort of plague, opium, he’s inside his own head and walks into the Dreamlands, all cities of amber and chalcedony, deserted cities, amazing imagery, inside baseball, once you’re deep into the trenches…, The Graveyard Book by Neil Gaiman has the same kind of ghouls, the way ghouls get their names (the first person they eat), maybe Pickman got eaten by a ghoul (retcon), meeps or glibbers, planning the assault on Kadath.
Posted by Jesse Willis
Talked about on today’s show:
thinking about doors, individual phenomena, a phenomenological way, white and purity, water, Edmund Husserl, an intensional act of consciousness, the conquistadors, when did WWII happen?, what kind of a phenomenon is a door?, doors are artificial, Narcissus and the lake, a boundary, passages for the whole body, windows, two-way passages, quicksand, horizontal movement, four qualities, the story of Oedipus, the riddle of the Sphinx, man -> mankind, the founding myth of Western culture, Aristotle, from one world to another, Eric in his professorial mode, the word world, were = man, the age of Man, in the world of…, the social domain that human beings create for themselves, prisons, doors as phenomena are artificial boundaries between two different worlds, social changes from one side of a door to another, doors as a phenomenon represent changes from consciously defined worlds, outdoors vs. indoors, inside and outside the gingerbread house, the morning thesis, the idea for this show, windows as opposed to doors, The Wonderful Window by Lord Dunsany, wanting to turn windows into doors, a rich example, sliding doors vs. sliding windows, in Science Fiction…, Robert A. Heinlein, defining the writing style of Science Fiction, the ideal Science Fiction sentence, Beyond This Horizon, “The door dilated and a voice from within said ‘Come in Felix.'”, wasting energy, one little change makes it a Science Fiction world, Heinlein invented the word “slideway”, Friday, from the reader’s armchair world it the fantastic world, folklore, liminality, crossing rivers, wandering into the forest, a wild world with gods and monsters, agrarian rural society -> industrial living, the wardrobe, The Door In The Wall, The Gable Window by H.P. Lovecraft and August Derleth, Dreams In The Witch-house, a locked-room mystery, The Secret Garden, a Wellsian door in the wall, what’s behind the door could be anything, mythical monsters, vampires need your permission to cross your threshold, Dracula comes in through the window, defying gravity and the phenomenology of windows, an instant subliminal marker, ho ho ho, Murders In The Rue Morgue by Edgar Allan Poe, the lore of changelings, leaving the house by the chimney, Little Red Riding Hood, “dispatched by typical female means” (cooking), Alice In Wonderland and Through The Looking Glass, Alice is fantasizing before she leaves the bank of the river, the river side is a liminal domain, dazing, daisies, crossings, protective imagination, opening the door for a sequel, Neverwhere by Neil Gaiman, a girl named Door, London’s underclass, being homeless is living outdoors, a hunter named Hunter, Door’s father is Lord Portico, a door back into Heaven, another rich text, worlds within worlds, the word hinge, ideas hinge upon something, stiles aren’t like doors, stiles don’t have hinges, lichgates and side doors to churches, the dead enter the church through a different door than the living, The Superstitious Man’s Tale by Thomas Hardy, shades of everybody, fourteen saints, a holiday in Germany, the blood of a sacrificial lamb, Exodus, keeping death from the door, all saints day, Jack-O-Lanterns scare off the returning dead, nature, walking through a gate, spirits pass through, how do gates function in keeping out the spirits of the dead, gates as territorial boundaries, “you come in through here”, the laws of territoriality, a keeper of the gate, the gate is the cover of the book, the door is what we cross “Once upon a time…”, “the second page of the first paragraph of a famous book”, why round?, why the exact center?, why green?, Eric’s eyes are green, The Door In The Wall has a green door, magic doors are often green,
The Magic Door The Green Door (aka The Little Green Door) by Mary E. Wilkins-Freeman, horrible and messy and smelly, fundamental jokes in the Shrek series, Shrek is green too, kids love farts, About Time (2013), Domhnall Gleeson going through doors, “doors are amazing”, The Phantom Tollbooth by Norton Juster, the Chinese Scholar’s garden at Snug Harbour cultural center, moon gates, gates post signs, gates offer viewpoints, from The Haunted Palace by Edgar Allan Poe:
And all with pearl and ruby glowing
Was the fair palace door,
Through which came flowing, flowing, flowing
And sparkling evermore,
A troop of Echoes, whose sweet duty
Was but to sing,
In voices of surpassing beauty,
The wit and wisdom of their king.
But evil things, in robes of sorrow,
Assailed the monarch’s high estate;
(Ah, let us mourn!—for never morrow
Shall dawn upon him, desolate!)
And round about his home the glory
That blushed and bloomed
Is but a dim-remembered story
Of the old time entombed.
And travellers, now, within that valley,
Through the red-litten windows see
Vast forms that move fantastically
To a discordant melody;
While, like a ghastly rapid river,
Through the pale door
A hideous throng rush out forever,
And laugh—but smile no more.
the mouth as a door for voice and wisdom (and later a gate for flies and maggots), orifices, doors are artificial, eyes as windows, windows as natural, calm water as a window, the night sky as a window into the universe, window = wind and eye, a metaphor switching meaning, a heart is like a pump and a pump is like a heart, Babylon 5, star-gates, the Twilight Zone show inside Futurama: The Scary Door, Fredric Brown: “The last man on Earth sat alone in a room. there was a knock on the door.”, William F. Nolan’s the door problem, a seventy-foot bug, the imagination trumps revelation, film, Shiley Jackson’s The Haunting Of Hill House (in the book and the film), banging vs. knocking, the unopened door, the end of The Monkey’s Paw by W.W. Jacobs, The Psychoanalysis Of Fire by Gaston Bachelard, “fire: fine servant, horrible master”, poor little rich boys, the ultimate irony: Arbeit Macht Frei, an open gate, the phenomena interpenetrate, Rubicon (lost and found), The Cold Equations by Tom Godwin, “h amount of fuel will not power an EDS with a mass of m plus x”, uni-directional time travel as a kind of rubicon, Julius Caesar’s crossing, Alea iacta est (“The die is cast”), suicide, Jean Paul Sartre, Rip van Winkle, rubicons are natural, driving in Los Angeles county, counties and shires divided by rivers, the mouth as a (mostly) one way door into the body, Protector by Larry Niven, the tree of life root is a one way door (a rubicon), The King In Yellow by Robert W. Chambers, The Ring, the River Styx, ancient heroes and gods crossing back and forth across the river Styx, biological machines, Jesus Christ’s tomb door, a locked room mystery, doubting Thomas, The Cold Equations as a demarcation between materialist SF and all other kinds, rejecting the premise of the story, two kinds of laws, “Marilyn willingly walks into the airlock and is ejected into space.”, myth vs. hard Science Fiction vs. soft Science Fiction, The Hitch-Hiker’s Guide To The Galaxy by Douglas Adams, a few examples in literature, The Pied Piper of Hamelin, seven gates to Hell in Pennsylvania, Hell, Michigan, Audie Murphy’s To Hell And Back, a rubicon as an irrevocable choice, The Subtle Knife by Philip Pullman, Will cutting portals to other realms, “the ability to create portal given to someone on the cusp of puberty”, age 21 (given the key to the door), Key to the city, garter -> gate, barbicans, walled homes in the northern Mediterranean, doors within doors, protected by the laws of the city, the freedom of the city given to military units, Janus -> January, a two faced god and the god of doors, the doors to the temple of Janus are closed, open cities, Brussels, the locking of doors, growing up in New York you’re never fully at peace, living in Strawberry Point, Iowa, wifi open vs. wifi encrypted, wardriving, keeping the door open, the subspecies, dutch-doors, squeaky hinges, a door that opens up, China Mountain Zhang by Maureen F. McHugh, “falling backwards into a world in which a consciousness extends infinitely in all directions”, “the phenomenology changes the epistemology”, ontological differences, The Star Rover by Jack London, a portal to other places and times via astral projection, even in confinement one can find ways out,
The Demolished Man The Stars My Destination, Hypnos by H.P. Lovecraft, the restriction of the coffin of the body, jaunting, The Count Of Monte Cristo by Alexandre Dumas, The Twilight Zone episode The Hunt, a country bumpkin -> a rural American, all dogs go to heaven, gatekeepers and doorkeepers, porter, the Battle of the Teutoburg Forest, wine drinkers and beer drinkers, the Sapir-Whorf hypothesis, was anything down that hatch on Lost?
Posted by Jesse Willis
The SFFaudio Podcast #349 – Jesse and Mr Jim Moon talk about The Ghost Pirates by William Hope Hodgson
Talked about on today’s show:
1909, from the later middle, more sophisticated than The Night Land, more tightly plotted than The Boats Of The Glen Carrig, all the letters of H.P. Lovecraft that talk about William Hope Hodgson, revisions to Supernatural Horror In Literature, a doomed an haunted ship, terrible sea-devils of quasi-human aspect, latent horrors in nature, “reaches enviable peaks of power”, the LibriVox audiobook, not as jam-packed with incident, the Carnacki stories, cosmic vistas, accessibility, a straightforward story, what it was like to being a working sailor, cliques and alliances, tremendous fun, time travel that good literature can give you, the poopiest book of all of Hodgson’s work, the taffrail, mood, a ghostly haunted ship, From Beyond by H.P. Lovecraft, Algernon Blackwood’s The Willows, an intrusion by other forces, shadows, strange figures, disappearances, underwater ships, not just a ghost, predation, dimensional drift, pirate skeletons ghosts don’t fit, its the ship that’s haunted, but not only the ship, the ship’s name is “Mortzestus”, “Sangier” (the bloodier), “I’m going to get my money out of this ship”, the pay scene in Aliens (1979), a thing from outside, bubbling below the surface is the corporatism problem, a commercial venture, mutiny, the officers want it hushed up, writing it up in the log, it is regrettable that Bryan isn’t here, why Marx wrote his works in England, the relationship between the means of production (the ship) and its sailors, taking care vs. making money, commercial considerations, historical piracy, in the lulls between sea-devils, “mate” reminds us of “comrade”, we’re all in this together mate (or comrade), why were there so many pirates?, why piracy happened, a Freudian (or Marxist) reading, the Sindey Sime illustration of The Ghost Pirates, “pale eyes”, mummified figures, are the ghost pirates a projection of the crew’s submerged collective unconscious?, the pirate articles, communism and democracy, parallels the Russian Revolution style, the captain, the quartermaster, the hatred that Hodgson had for commercial sailing, spooky, a sub-layer to the tale, the frustrations of the crew, “that old bully”, we are in trouble now, the devils take them all, the slang for the ship is “this packet”, the crew as a wrapping on the parcel, the language of spiritualism, Jessup’s theory as to what’s going on:
“Well, I’ve formed a bit of a theory, that seems wise one minute, and cracked the next. Of course, it’s as likely to be all wrong; but it’s the only thing that seems to me to fit in with all the beastly things we’ve had lately.”
“My idea is, that this ship is open to be boarded by those things,” I explained. “What they are, of course I don’t know. They look like men— in lots of ways. But—well, the Lord knows what’s in the sea. Though we don’t want to go imagining silly things, of course. And then, again, you know, it seems fat-headed, calling anything silly. That’s how I keep going, in a sort of blessed circle. I don’t know a bit whether they’re flesh and blood, or whether they’re what we should call ghosts or spirits.”
this ship is “open”, what happened on this ship that “opened it up”, The Haunted Jarvee (a Carnacki story), there’s something about the ship, there’s a crack in it, a tear in the fabric of reality, a sitting duck for otherworldly buccaneers, what is the goal of the sea-devils, what are they doing up in the rigging, four ghost ships, aliens?, aliens from the ocean?, are they Doctor Who sea-devils?, are they deep ones?, a parallel reality, From Beyond, Crawford Tillinghast is turning up ghosts, vestigial organs, ultra-violet,
“What do we know,” he had said, “of the world and the universe about us? Our means of receiving impressions are absurdly few, and our notions of surrounding objects infinitely narrow. We see things only as we are constructed to see them, and can gain no idea of their absolute nature. With five feeble senses we pretend to comprehend the boundlessly complex cosmos, yet other beings with wider, stronger, or different range of senses might not only see very differently the things we see, but might see and study whole worlds of matter, energy, and life which lie close at hand yet can never be detected with the senses we have. I have always believed that such strange, inaccessible worlds exist at our very elbows, and now I believe I have found a way to break dawn the barriers.
if this was adapted today it would be explained by the cargo, an intra-dimensional material from atomic tests, 1920, The Dreams In The Witch House, 1934, The Banshee Chapter (2013), From Beyond (1986), a Freudian reading, Bill Clinton, in the language of apology, venereal disease, drugs, a found footage film, the framing story, believe it or not, The Ghost Pirates would make a great audio drama, showing the figures, crystallizing, Carnacki’s explanation in The Haunted Jarvee:
‘Well,’ replied Carnacki, ‘in my opinion she was a focus. That is a technical term which I can best explain by saying that she possessed the “attractive vibration” that is the power to draw to her any psychic waves in the vicinity, much in the way of a medium. The way in which the “vibration” is acquired – to use a technical term again – is, of course, purely a matter for supposition. She may have developed it during the years, owing to a suitability of conditions or it may have been in her (“of her” is a better term) from the very day her keel was laid. I mean the direction in which she lay the condition of the atmosphere, the state of the “electric tensions,” the very blows of the hammers and the accidental combining of materials suited to such an end – all might tend to such a thing.
making a magnet by hammering a nail, it’s not a person, it’s not something on the ship, it is the ship, electrical technology, a blend of science and the supernatural, BPRD: Plague Of Frogs, Mark Turetsky, slaves in chains at the bottom of the sea, a ship on its last voyage, the detritus of previous voyages, a Marxist resentment of the treatment of every crewman brought to the ship, end the of The Willows by Algernon Blackwood, working the same mine of feeling, the preface to the original edition, The House On The Borderland, certain conceptions of elemental kinship, flinging open the door wide, a kaleidoscope, scene upon scene, the door is open only a crack, speculation, what was the purpose, four shadowy galleons, the four ships below, are they mirrored (upside-down in the water), visualizing it is shocking, the Red Scare, they’re going to come here and take what we have, the Spartacus rebellions, an inter-dimensional idea, overwhelmed and pulled down, the other side of the veil, working a different passage in a nether dimension, if Neil Gaiman were to take this book as inspiration…, the surface of the sea, scraping along the surface of another world, the power of nautical ghost stories is in that liminal space between an ocean of air and an ocean of water, water as a liminal place in folklore, “where two elements meet strange things may intrude”, an inverted frog-men version of our world, are the sails like fins?, trade routes, how you portray the shadow ships, invisible would be fun, mirror world beneath the waves, the covers of various editions, skull and crossbones with a cutlass, whatever you see when you see through the eyes of Jessup, a fishy version of the pirate captain, mood effect, what the hell’s going on with those pig men?, a short novel, extended novellas, “I AM A NOVEL”, the Wikipedia entry, the unfinished novel, had Hodgson lived longer…, Captain Dang, the Sargasso Sea, the dawn of the pulp era proper, embracing the 20th century, The Hog, a complete collection.
Posted by Jesse Willis
Talked about on today’s show:
1990, what was it about this book…, nothing much happens, utopia, utopian novels generally don’t exist, Brave New World, conflict, the only death in the book, if it was a literary novel, Ramona’s thighs, almost a perfect novel, “constructed”, softball, batting a thousand, light symbolism, Tom in Switzerland, so much to think about during the lazy days, a magical transformation, fascinatingly insightful, what human beings are trying to do all the time, “that’s the novel I wanted to read”, a tryptic, The Wild Shore, The Gold Coast, three Californias growing out of the 1980s, cyberpunk, Orange County, TSA, the water situation, Chinatown, machinations, evil corporations, KSR is a really smart guy, a genuine world, comparing to Heinlein’s bad guys, conflict (or lack thereof), why theater is fun, wrestling!, softball, his Mars books, baseball as a metaphor, small ball, a small ball utopia, the October of his own utopia, what are utopia, an almost meta-SF novel, Utopia by Sir Thomas More, “must redefine utopia … the process of making a better world … struggle forever”, 2065, a bigger theater, fewer baseball diamonds, starting from scratch won’t work, there’s a lot of work to be done, an underpopulated world, how we got there, emigration to Space, the understated Mars landing, the drought in California, climate change (global warming), Antarctica, Worldcon 2006, Anaheim, Luke Burrage’s review of The Gold Coast, he’s sophisticated, Shaman, the four shamanic elements: air/earth/fire/water, sooo well constructed, the mask party, great magic bullshit, not The Clan Of The Cave Bear, Prisoners Of Gravity, Harlan Ellison and Neil Gaiman, tackling a really substantial subject, an almost bullet-proof approach, the economy doesn’t work and the geology doesn’t work (in The Lord Of The Rings), the housing situation, Viking style or Haida style, its all fashion, the defining look of how any utopia can work, the economic model, socialism, Stephen Harper, [Kim Stanley Robinson] has thought of everything, the black banks, some sort of federal system?, the New Oregon Trail?, a local government utopia, it’s a certain kind of communism, Alfredo, labour taxation, another junction box, there’s still money but nobody is talking about it, the scene at the fire, the community is the fire department, no police, what do you do with criminals?, exile, Amish communities exist at the sufferance of the surrounding state, they’ve got Skype/Facetime, we have to not hate our brothers around the world, sister cities, delegations, Paul takes exception, Minneapolis, magnifying certain aspects (and shrinking others), the Greens have had there day, what’s going to happen, where’s the public library?, an ebb and flow, drag racing, Oscar’s interests, neighbors invading is the only possible hole, an ecological society, an ecology of local systems, by not competing in the way that some can compete you’re going to get crushed, if the utopia is unstable…, Kevin as the catalyst, small solutions, a feel good message, the Athenian polis approach to community, who started that fire?, the evil mustachio thing, if we asked KSR, he’s earned that, A Short Sharp Shock, the kerosene … who did it?, a happy death, let’s spend some time here, When Tam asked: “Does it get less boring?”, going back to work, how to deal with reality, moderation in all things including moderation, smoking, Kim Stanley Robinson is incredibly wise, a very wise book, relationship stigmas have been done away with, casual but not disposable, no ideology, take out the thing that you like, whatever system they seem to have…, the inevitable swinging of a pendulum, Arthur C. Clarke’s The City And The Stars (aka Against The Fall Of Night), frozen in time with a focus on art, Nineteen-Eighty Four and Brave New World are forever dystopias, “interpenetration”, a metal ceramic material, Oscar’s hike, going for walks, reality entering a body, we are a part of our environment, a religious moment, the mask party, as a motif word, every part of the community interacts, they live inside each others’ homes, a great scene of Alfredo and Kevin working shoulder to shoulder, Rattlesnake Hill is a symbol for Kevin, that’s no human nature, Jenny’s visits to former utopian society, the Shaker village in Kentucky, New Harmony, Indiana, we’re living in a utopia, how many times have you guys run for city council, campaigning is not fun, trying to convince people door to door is a horrible job, maybe its time, it IS what he’s saying, a bitter pill, KSR’s bio, Jesse’s mom, tons of meetings, we tried to go to a movie theater, the inertia of a city council is less, “turning the ship”, Jenny’s really good example, Greencastle, Indiana, no discrimination if you do business with the city, Our Angry Earth by Frederik Pohl and Isaac Asimov, get organized, maybe that sense of mobility is the problem, love the place you’re at, utopia is not a destination it’s an activity, The World Until Yesterday by Jared Diamond, staying where you were born, it goes both ways, Ted Cruz, subversive groups, Anonymous, different strategies, Last Week Tonight, Jon Oliver’s interview with Edward Snowden, Wikileaks, dick pics, high-minded people are all sold, does this program have your dick pick?, you need a comedian, LIBERTY!, go with the dick pic.
Posted by Jesse Willis
Day folk and night folk, take note!
This is now available over on Downpour.com
A brand-new full cast audio edition of Neil Gaiman’s Newbery Award-winning novel, The Graveyard Book (on-sale: 9/30/14 from HarperAudio). Special content in this edition includes the story behind The Graveyard Book, written and read by Neil Gaiman.
Derek Jacobi: Narrator
Robert Madge: Nobody Owens
Clare Corbett: Scarlett Perkins
Miriam Margoles: Mrs. Owens and Miss Lupescu
Andrew Scott: That Man Jack and Jay Frost
Julian Rhind-Tutt: Silas
Emilia Fox: Liza Hempstock
Reece Shearsmith: Jack Dandy, the Sleer, and Mr. Kirby
Lenny Henry: Honorable Archibald Fitzhugh
Neil Gaiman: Reads an essay about the creation of
The Graveyard Book and performs the part of Nehemiah Trott
Elizabeth Bennett, Allan Corduner, Sean Baker, Tim Dann,
Adjoa Andoh, Jenny Gannon, Dan Weyman, and Daniel Brocklebank
Featuring music by Béla Fleck
Posted by Jesse Willis
Today’s podcast is sponsored by Downcast, a terrific podcast app for iPhone and iPad.
Talked about on today’s show:
Fredösphere’s (Fred Heimbaugh’s) choice, the Ann Arbour Science Fiction And Fantasy Literary Discussion Group (founded by Eric S. Rabkin), the audiobook, the confusing and scatter first half of the book, the audio version, Daniel Wayman is one of the best narrator’s Fred’s ever heard, A Scanner Darkly by Philip K. Dick (read by Paul Giamati), some books are better as audiobooks and some are better as textual books, Anathem by Neal Stephenson, Tony C. Smith, StarShipSofa, the glossary takes 30 minutes, Angelmaker is 18 hours, you have to pay close attention, do you listen to podcasts?, our SPONSOR: Downcast, the new iOS, Apple’s Podcasts App sucks, Downcast allows you to ultra-customize your podcast feeds, Levelator, volume booster for podcasts are too quiet, Protecting Project Pulp, Dan Carlin’s Hardcore History and Common Sense, noisy environments, the Downcast app is $3, updating feeds on the go, a podcast queue, if it isn’t in the iTunes store …, your custom HuffDuffer feed works great with Downcast, the SFSignal Three Hoarsemen Podcast, Tamahome uses Downcast, back to our regular programing, Jesse has no opinion about Angelmaker, this is Neil Gaiman’s Neverwhere by somebody else, the Neverwhere BBC TV adaptation, Nick Harkaway’s writing voice and actual voice are similar to Neil Gaiman’s, a completely undisciplined novel, a meandering through-line, the prose was “too plummy”, an editor with a strong whip-hand, Harkaway is enamored with great ideas, Goodreads has angry and bitter four and five star reviews for Angelmaker, unfinished novels don’t often get reviewed, books take a lot of time, why is it present third person every day tense?, breezy and informal sixteen-hour shaggy dog story, really really good writing, Ted Chiang, just because it’s old doesn’t mean it’s good, Tam is surprised, history and science, Neil Gaiman’s wild son?, talking about interesting things in interesting ways with interested characters, sexually aggressive women, a pulp fiction novel, Fred lays out the plot, Joe Spork, Matthew “Tommy-Gun” Spork, the grandfather, clockwork bees, a doomsday device, a female James Bond, the evil Asian mastermind, absurdly competent, Remo Williams, the Opium Khan aka Shem Shem Tsien, a brilliant French scientist (a Hakote), the “Apprehension Engine”, fundamentally transform human consciousness, waves, “step one: steal underpants”, instantly intuit the truth of reality, Nick Harkaway is interested in interesting things, the throwaway ideas, Project Habakkuk, a WWII project in a WWII setting, an aircraft carrier built out of ice, the u-boat service, cool and interesting, the frozen submarine and the frozen air-craft carrier, if Jesse wrote fiction…, a submarine and an elephant in the same sentence, this book has dream-logic, Harkaway wanted the submarine encased in ice and didn’t care if it was implausible (a rumour), torture, sex, a Saint-Crispin’s speech, an adventure book, humour?, funny?, a romp?, silly?, allusions, The Gone-Away World, Tigerman, steam-punk, clock-punk, the etymology of the word “punk”, coming from the street, about the visual, about the body, Neuromancer, looking and acting like a punk, steampunk is about dressing up, form and colour over function, Hayao Miyazaki, an obsession with body parts, an obsession with torture, “fingers getting cut-off”, one of the Goodreads reviews, the toe obsession, Polly’s sexy and knowledgeable toe, this book is a thousand Chekhov’s guns, the toothless dog, the Snowy of this novel, Tin Tin, Tam should read Tin Tin, Angelmaker would be a really good HBO show, the names, Spork, Friend, Cradle, realism is not being strived for, a word cloud for Angelmaker, what words are being used, over description, the main character looks at himself in a mirror, not a mirror but polished brass, very clever Nick Harkaway, René Descartes, a steam-punk pulp adventure spy thriller, Robert E. Howard’s muscular description of colour, Howard wrote short, a serious issue, very interesting and difficult reading, the tense, Nick Harkaway is Neal Stephenson by way of P.G. Wodehouse, people drowning in a world of epic fantasy, Grimm’s Fairy Tales characters are puppets, over-description, Joshua Joseph Spork embraces his gansterhood, Luke Burrage’s complaint about American Gods, the character arc, false or indulgent, decapitating the evil mastermind, the Thompson sub-machine gun, aggressively turning off a large portion of one’s brain, Ada Lovelace, trains are cool, cheap complaints, an unplugged wild adventure book, Blood Music by Greg Bear (short story and novels), what is he trying to say here?, science fiction writers, Eon, The Wind From A Burning Woman is an amazing author collection, despite the caveats, the “grey goo problem” and the nature of consciousness, is it the case we are not seeing the world directly?, medium sized objects, trucks and trees, Jesse found it very frustrating, the movie people, a comic booky plot, animation?, John le Carré, paging Dr. Freud, no editors, do editors even exist any more, Marissa Vu works for the author, enjoy a ride and live in a world and drown in an environment, the reader makes an investment in the world building, Darkon (2006), LARPing (live action role playing), Cory Doctorow, Jim Butcher, regular people, Elidor and Aquilonia, more fun to play than to watch, Dungeons & Dragons, more word-play and less shield-taping, escaping from a horrible day job, Thomas Jefferson’s idea for state-names, Fred’s novel, “you’re not like most people you read books”, to each there own, make it shorter and better, a unit of Jesse (7 hours), Ivanhoe, Sir Walter Scott, the modern medieval romance, Game Of Thrones, why Fred fully forgives Angelmaker‘s failings, scenes that don’t just advance the plot, when Jesse wrote fiction it was terrible, being blind to your own faults, self-blindness, the four boxes, incompetent but self-aware, the inevitable decline, Elmore Leonard, Rum Punch, Stephen King, William Gibson, Altered Carbon by Richard K. Morgan, early success, an overflowing fountains of ideas, Tam and Jesse were obsessed, enormous fun, Jesse doesn’t read books for fun but rather for edification, Mike Resnick, instinctual writers, Dean Koontz, Lawrence Block, Donald E. Westlake, writing the same novel over and over again, Neil Gaiman is a discovery writer, sprinkling plot points, Jesse shouldn’t try writing, Jesse’s curation #PUBLICDOMAIN fiction, The Wonderful Window by Lord Dunsany is basically a guy watching Game Of Thrones, like everybody else on Goodreads “this is the worst five star book I’ve ever read”, needs taming, layering done well, The Graveyard Book is a retelling of The Jungle Book, this novel should have spent a few days in the dungeon, rallying the underworld, Angelmaker would make a great Broadway musical.
Posted by Jesse Willis