Commentary: Appendix N: Inspirational And Educational Reading by Gary Gygax (from AD&D’s original Dungeon Masters Guide)
Long out of print, but still incredibly relevant, this list of inspirations for the phenomenon that is Dungeons & Dragons, and role-playing games in general, deserves to be better known. There is a Wikipedia entry for the “sources and influences on the development of Dungeons & Dragons”, but there’s nothing like looking at the real thing.
So, here it is in it’s entirety, following it you will find hypertext links to the Wikipedia entries for the specifically mentioned novels and collections (when available).
Appendix N lists the following authors and works:
Poul Anderson – THREE HEARTS AND THREE LIONS; THE HIGH CRUSADE; THE BROKEN SWORD
John Bellairs – THE FACE IN THE FROST
Edgar Rice Burroughs – “Pellucidar” Series; Mars Series; Venus Series
Lin Carter – “World’s End” Series
L. Sprague de Camp – LEST DARKNESS FALL; FALLIBLE FIEND; et al.
[L. Sprague] de Camp & [Fletcher] Pratt. “Harold Shea” Series; CARNELIAN CUBE
P. J. [Philip Jose] Farmer – “The World of the Tiers” Series; et al.
Gardner [F.] Fox – “Kothar” Series; “Kyrik” Series; et al.
R.E. [Robert E.] Howard – “Conan” Series
Sterling Lanier – HIERO’S JOURNEY
Fritz Leiber – “Fafhrd & Gray Mouser” Series; et al.
A. Merritt – CREEP, SHADOW, CREEP; [The] MOON POOL; DWELLERS IN THE MIRAGE; et al.
Michael Moorcock – STORMBRINGER; STEALER OF SOULS; “Hawkmoon” Series (esp. the first three books)
Andrew J. Offutt – editor SWORDS AGAINST DARKNESS III
Fletcher Pratt – BLUE STAR; et al.
Fred Saberhagen – CHANGELING EARTH; et al.
Margaret St. Clair – THE SHADOW PEOPLE; SIGN OF THE LABRYS
J.R.R. Tolkien – THE HOBBIT; “Ring Trilogy” [aka The Lord Of The Rings]
Jack Vance – THE EYES OF THE OVERWORLD; THE DYING EARTH; et al.
Stanley [G.] Weinbaum
Manly Wade Wellman
Roger Zelazny – JACK OF SHADOWS; “Amber” Series; et al.
Now with regards to the audio availability of the works and authors on this list I have composed the following set of notes:
Too few of the novels and collections specifically mentioned above are or ever have been audiobooks. But, there are several that have: the two Jack Vance books, the Tolkien books, of course, and Poul Anderson’s The Broken Sword is available from Downpour.com (narrated by Bronson Pinchot). Unfortunately very few of the remaining bolded titles are in the public domain. One of the interesting exceptions is The Moon Pool by A. Merritt, which is available from LibriVox and narrated by veteran narrator Mark Douglas Nelson.
Of the series, those are the ones mentioned in quotes, I recommend Edgar Rice Burroughs’s first Pellucidar novel, At the Earth’s Core which is available from narrator David Stifel’s site – we also have a podcast discussion of that book HERE. And we did a show on A Princess Of Mars, which is the first audiobook in what Gygax calls the “Mars series.” The audiobook is HERE and the podcast is HERE.
Andre Norton’s work is actually well represented on LibriVox.org, have a look HERE.
Several of Fritz Leiber’s “Fafhrd & Gray Mouser” collections were produced by Audible, HERE. But several of the stories are also public domain and are available on our PDF Page, for turning into audiobooks or podcasts!
Roger Zelazny’s first Amber series book was once available with Roger Zelazny’s narration, today Audible.com has the original ten book series as narrated by Allesandro Juliani.
As for H.P. Lovecraft, Robert E. Howard, and Lord Dunsany, we have done several audiobooks of their stories for The SFFaudio Podcast, available on Podcast Page, so that’s a good place to start.
Further recommendations would have me point you towards the excellent small press audiobook publisher Audio Realms, which has the majority of the great Wayne June’s readings of H.P. Lovecraft. They also have two volumes of Robert E. Howard’s “Weird Works.” Even more Robert E. Howard is available from Tantor Media.
I should also point out that most of the authors listed in Appendix N are now represented somewhere on our PDF Page, a page made up of U.S. public domain stories, poems, plays, novels, essays and comics. Please make some audiobooks, audio dramas, or podcasts from them! We will all be all the richer for it.
Posted by Jesse Willis
The SFFaudio Podcast #277 – The Wonderful Window by Lord Dunsany; read by John Feaster. This is an unabridged reading of the story (11 minutes) followed by a discussion of it. Participants in the discussion include Jesse and John Feaster.
Today’s podcast is sponsored by Downcast, a terrific podcast app for iPhone and iPad.
Talked about on today’s show:
Saturday Review, February 4th, 1911, the secret story behind of all of modern fantasy, do you listen to podcasts?, our SPONSOR: Downcast, an app for iPhone and iPad, small size, big impact, location based downloading, a super-customized experience, audio drama, The Red Panda Adventures, Decoder Ring Theater, Downcast allows you to lock episodes, the key to understanding, the beginning of binge-watching, Sidney Sime, The Book Of Wonder by Lord Dunsany, its criminal that Lord Dunsany, H.P. Lovecraft, J.R.R. Tolkien, a new podcast idea, Appendix N: Inspirational And Educational Reading, The Dungeon Master’s Guide, take up this mantle, Gary Gygax, Dunsany’s last champion, Poul Anderson, John Bellairs, Leigh Brackett, Frederic Brown, Edgar Rice Burroughs, Lin Carter, L. Sprague de Camp, Fletcher Pratt, August Derleth, Lord Dunsany, Philip Jose Farmer, Gardner Fox, Robert E. Howard, Sterling Lanier, Fritz Leiber, H.P. Lovecraft, A. Merritt, Michael Moorcock, Andre Norton, Andrew J. Offutt, Fletcher Pratt, Fred Saberhagen, Margaret St. Clair, J.R.R. Tolkien, Jack Vance, Stanley Weinbaum, Manly Wade Wellman, Jack Williamson, Roger Zelazny, let’s understand it, S.T. Joshi, “the death of wonder”, bullshit, the inaccessibility of our fantasies, did the Arabic man see Golden Dragon City?, wouldn’t we see something different?, “the magi”, the Scheherazade salesman, its about writing fantasy, its about reading fantasy, reading life and real life, getting addicted to Game Of Thrones, it seems like it is about television, serial fiction, the August days are growing shorter, winter is coming, George R.R. Martin, prose poems, deft brushstrokes, a more devastating fairy tale, is the window a metaphor within that world, The Monkey’s Paw by W.W. Jacobs, the yellow robes, mood and temperament, what would Oprah see?, a soap opera, silent pictures, the constellations, The Crystal Egg by H.G. Wells, science fiction, Jesse’s pet theory on the opening credit sequence of Game Of Thrones, the four houses, dragons and bears, orrery, Ptolemy vs. Copernicus, epicycles, orbital clockworks, Ringworld by Larry Niven, the inside of a Dyson sphere, Westeros, a fish-eye lens, a D&D style hex system, the mechanistic unplaying of the plot, it’s not a half-assed Tolkien, HBO, a metaphor for The Wonderful Window, maybe it’s a bowl?, a fantastically wealthy Lannister home?, that guy’s based on The Kingpin, credit sequence, Dexter‘s morning routine, murdering coffee, “oh my god it’s over”, envisioning greater lives, some guy in Golden Dragon city is looking through a window at 1911 London, Lion City (London), make it WWI, the zeppelin terror, had it been written a few years later would we not assume the red bear as Communist Russia, escape to the secondary world, beaten down into the proper shape for Business, capital “B” business, “a touch of romance”, daydreaming, a frock coat, a bookstore, “emporium”, Walmart as a soul crushing emporium, howling newsboys, the birds in the belfries, “the seven”, analogues for priests and nuns, dragons the most evocative fantasy animal, a silver field, what prompts the destruction of Golden Dragon city, Darkon (2006), LARPers, interesting, good, and sad, fantasy lives on the weekend, a cardboard factory, typical American upper-lower class jobs, religion, plunking away god-dollars, the popular conception of D&D, video games, Elvis’ hips, KISS, better jobs, Detroit in ruins, work, podcasts to stave off the rats gnawing, John’s gaming group, soul crushing and beautiful, Edward Plunkett, H.G. Wells, toy soldiers, the start of modern war-gaming, empire, “this dang story”, 14th century Hungary, Angelmaker by Nick Harkaway, names, Friend, Spork, Carmilla (is a savory name), carnstein (flesh-stone), Mergin and Chater -> margin and cheater?, a used bookstore business is not one designed to make money (precisely), Chapters, the artificial love of books, the way Scrooge would run his business, the one room apartment, “tea-things”, we ended on a happy note, fantasy and escapism, there’s not much else past The Silmarillion, Elmore Leonard, Jack L. Chalker‘s last unpublished book, old-fashioned TV watching (no recording), “this window goes nowhere”, Mr. Sladden’s destruction of the window is better than had it been broken by someone else, the scent of mysterious spices, a breath of Golden Dragon City.
Posted by Jesse Willis
Waldentapes, an imprint of Waldenbooks, produced some very interesting audiobooks in the mid 1980s. They are now all out of print. Do you have any?
Here’s are two that I have:
Posted by Jesse Willis
Talked about on today’s show:
the classic Tarzan yodel, the dum-dum service, Tarzana, California, those beautiful Burroughsian run-on sentences:
“From this primitive function has arisen, unquestionably, all the forms and ceremonials of modern church and state, for through all the countless ages, back beyond the last uttermost ramparts of a dawning humanity our fierce, hairy forebears danced out the rites of the Dum-Dum to the sound of their earthen drums, beneath the bright light of a tropical moon in the depth of a mighty jungle which stands unchanged today as it stood on that long forgotten night in the dim, unthinkable vistas of the long dead past when our first shaggy ancestor swung from a swaying bough and dropped lightly upon the soft turf of the first meeting place.”
A Connecticut Yankee In King Arthur’s Court by Mark Twain (and SFBRP #151), Edgar Allan Poe should be read aloud, The Return Of Tarzan, racism, Esmeralda, Gone With The Wind, minstrel shows, Chicago, Arizona, the mammy archetype, radio drama racism, Jar Jar Binks, Star Wars: Episode III, October 1912, historical dialect, Jane (the white lady), “you just shot a woman in the head”, cannibalism,
Conan Tarzan lynches his mother’s killer, rope tricks, out of context vs. in context, Tarzan as a god, Ballantine Books, the dum-dum scholars, Project Gutenberg edition, ERB Incorporated, Tarzan The Censored by Jerry L. Schneider, Tarzan Of The Apes censorship and “improvements” since the original publication, “an English grammar Nazi”, The Heathen by Jack London, taking out or changing a few words can hurt the story, Earnest Hemingway and William Shakespeare are “too wordy”, Tab Cola, Tarzan’s relationship with the cannibal villagers, “mankind and civilization aren’t”, colonialism, the Belgian Congo, King Leopold II, contemplating cannibalism, “the white god of the woods”, Greystoke: The Legend of Tarzan, Lord of the Apes (1984), Wisconsin, Tarzan’s ape father is driven away by Kerchak (and turned into a museum exhibit), “the Evil village of Scotland”, the sadness that comes with the deaths is powerful, Paul D’Arno, Obi Wan Kenobi, “Tarzan was the blockbuster hit of the twentieth century”, A Princess Of Mars, Ruritania, The Mad King, “complete in one issue”, All-Story, the scanty Science Fiction elements, feral children, Romulus and Remus, Mowgli, Tarzan is a wild child, “this line from a book”, all of Burroughs characters are excellent language learners, when Tarzan writes a note, Lord Of The Jungle (Dynamite Entertainment), the mistaken dual identity, “Jane has massive bosoms”, Green Mansions (starring Rima, The Jungle Girl), Johnny Weissmuller, “the Sheena of South America”, Audrey Hepburn and Anthony Perkins, Psycho, significantly more significant, the primary driver of fiction of this period is character, Nancy Drew, book serials, Rudyard Kipling dissed Burroughs’ writing and grammar, White Fang is kind of like Tarzan Of The Apes, first person vs. third person, you can’t admire the character from afar if the story is told first person, Sherlock Holmes, “that turn towards character is a turn towards the third person omniscient POV”, “that heroic distance” (1910-1950), Raymond Chandler, “I read Chandler”, Tarzan is the only Burroughs series that doesn’t turn to first person narration, John Carter’s character, why is Tarzan such a big character, Tarzan Alive: A Definitive Biography Of Lord Greystoke by Philip José Farmer, Tarzan as a quiet sophisticate, Doc Savage, The Green Odyssey by Philip José Farmer, Farmer is a fan of character, a stranger in a strange land, what ruined Julie for religion, The Mastermind Of Mars (is PUBLIC DOMAIN), “Tur is Tur.”, copyright, copyfight, jungle Tarzan vs. cafe absinthe drinking Tarzan, “the machine”, the Weissmuller Tarzan, where does he get his razor?, “that knife was his father”, “next book please”, Tarzan And His Mate , “lots of wet people”, “skin friendly”, melon-farmer vs. motherfucker, Boy and Cheeta are Hollywood, Scrappy-do, what did Tantor have to say?, Sabor the lioness, “there are no tigers in Africa, Ed”, Crocodile Dundee, Beyond Thirty, The Mucker, yellow peril looking dudes, The Girl From Hollywood, The Man Eater, early road trips, The Land That Time Forgot, The Lost World, the Caspak series, WWI, “sheer headlong adventure”, The Asylum, closing words, “it’s not what you think”, “really really good fun”, baby ape skeleton in the cradle, a classic of writing, a touching story, “and vengeance is his”, serialization in newspapers, cliffhangers, Charles Dickens, Wilkie Collins,
Posted by Jesse Willis
Last year somebody* pointed out that a list of “The Top 100 Sci-Fi Books” (as organized by the Sci-Fi Lists website) was almost entirely available in audiobook form!
At the time of his or her compiling 95 of the 100 books were available as audiobooks.
Today, it appears, that list is approaching 99% complete!
I’ve read a good number of the books and audiobooks listed, and while some of them are indeed excellent, I’d have to argue that some are merely ok, and that others are utterly atrocious.
That said, I do think it is interesting that almost all of them are available as audiobooks!
Here’s the list as it stood last year, plus my added notations on the status of the missing five:
01- Ender’s Game – Orson Scott Card – 1985
02- Dune – Frank Herbert – 1965
03- Foundation – Isaac Asimov – 1951
04- Hitchhiker’s Guide To The Galaxy – Douglas Adams – 1979
05- 1984 – George Orwell – 1949
06- Stranger In A Strange Land – Robert A Heinlein – 1961
07- Fahrenheit 451 – Ray Bradbury – 1954
08- 2001: A Space Odyssey – Arthur C Clarke – 1968
09- Starship Troopers – Robert A Heinlein – 1959
10- I, Robot – Isaac Asimov – 1950
11- Neuromancer – William Gibson – 1984
12- Do Androids Dream of Electric Sheep? – Philip K. Dick – 1968
13- Ringworld – Larry Niven – 1970
14- Rendezvous With Rama – Arthur C. Clarke – 1973
15- Hyperion – Dan Simmons – 1989
16- Brave New World – Aldous Huxley – 1932
17- The Time Machine – H.G. Wells – 1895
18- Childhood’s End – Arthur C. Clarke – 1954
19- The Moon Is A Harsh Mistress – Robert A. Heinlein – 1966
20- The War Of The Worlds – H.G. Wells – 1898
21- The Forever War – Joe Haldeman – 1974
22- The Martian Chronicles – Ray Bradbury – 1950
23- Slaughterhouse Five – Kurt Vonnegut – 1969
24- Snow Crash – Neal Stephenson – 1992
25- The Mote In God’s Eye – Larry Niven and Jerry Pournelle – 1975
26- The Left Hand Of Darkness – Ursula K. Le Guin – 1969
27- Speaker For The Dead – Orson Scott Card – 1986
28- Jurassic Park – Michael Crichton – 1990
29- The Man in the High Castle – Philip K. Dick – 1962
30- The Caves Of Steel – Isaac Asimov – 1954
31- The Stars My Destination – Alfred Bester – 1956
32- Gateway – Frederik Pohl – 1977
33- Lord Of Light – Roger Zelazny – 1967
34- Solaris – Stanisław Lem – 1961
35- 20,000 Leagues Under The Sea – Jules Verne – 1870
36- A Wrinkle In Time – Madeleine L’Engle – 1962
37- Cat’s Cradle – Kurt Vonnegut – 1963
38- Contact – Carl Sagan – 1985
39- The Andromeda Strain – Michael Crichton – 1969
40- The Gods Themselves – Isaac Asimov – 1972
41- A Fire Upon The Deep – Vernor Vinge – 1991
42- Cryptonomicon – Neal Stephenson – 1999
43- The Day of the Triffids – John Wyndham – 1951
44- UBIK – Philip K. Dick – 1969
45- Time Enough For Love – Robert A. Heinlein – 1973
46- A Clockwork Orange – Anthony Burgess – 1962
47- Red Mars – Kim Stanley Robinson – 1992
48- Flowers For Algernon – Daniel Keyes
49- A Canticle For Leibowitz – Walter M. Miller – 1959
50- The End of Eternity – Isaac Asimov – 1955
51- Battlefield Earth – L. Ron Hubbard – 1982
52- Frankenstein – Mary Shelley – 1818
53- Journey To The Center Of The Earth – Jules Verne – 1864
54- The Dispossessed – Ursula K. Le Guin – 1974
55- The Diamond Age – Neal Stephenson – 1995
56- The Player Of Games – Iain M. Banks – 1988
57- The Reality Dysfunction – Peter F. Hamilton – 1996
58- Startide Rising – David Brin – 1983
59- The Sirens Of Titan – Kurt Vonnegut – 1959
60- Eon – Greg Bear – 1985
61- Ender’s Shadow – Orson Scott Card – 1999
62- To Your Scattered Bodies Go – Philip Jose Farmer – 1971
63- A Scanner Darkly – Philip K. Dick – 1977
64- Lucifer’s Hammer – Larry Niven and Jerry Pournelle – 1977
65- The Handmaid’s Tale – Margaret Atwood – 1985
66- The City And The Stars – Arthur C Clark – 1956
67- The Stainless Steel Rat – Harry Harrison – 1961
68- The Demolished Man – Alfred Bester – 1953
69- The Shadow of the Torturer – Gene Wolfe – 1980
70- Sphere – Michael Crichton – 1987
71- The Door Into Summer – Robert .A Heinlein – 1957
72- The Three Stigmata Of Palmer Eldritch – Philip K. Dick – 1964
73- Revelation Space – Alastair Reynolds – 2000
74- Citizen Of The Galaxy – Robert A. Heinlein – 1957
75- Doomsday Book – Connie Willis – 1992
76- Ilium – Dan Simmons – 2003
77- The Invisible Man – H.G. Wells – 1897
78- Have Space-Suit Will Travel – Robert A. Heinlein – 1958
79- The Puppet Masters – Robert A. Heinlein – 1951
80- Out Of The Silent Planet – C.S. Lewis – 1938
81- A Princess of Mars – Edgar Rice Burroughs – 1912
82- The Lathe of Heaven – Ursula K. Le Guin – 1971
83- Use Of Weapons – Iain M. Banks – 1990
84- The Chrysalids – John Wyndham – 1955
85- Way Station – Clifford Simak – 1963
86- Flatland – Edwin A. Abbott – 1884
87- Altered Carbon – Richard Morgan – 2002
88- Old Man’s War – John Scalzi – 2005
89- COMING SOON (October 15, 2012) – Roadside Picnic – Arkady and Boris Strugatsky – 1972
90- The Road – Cormac McCarthy – 2006
91- The Postman – David Brin – 1985
92- NEWLY AVAILABLE – Stand On Zanzibar – John Brunner – 1969
93- VALIS – Philip K. Dick – 1981
94- NEWLY AVAILABLE The Cyberiad: Fables for the Cybernetic Age – Stanisław Lem – 1974
95- NOT AVAILABLE AS AN AUDIOBOOK – Cities In Flight – James Blish – 1955
96- The Lost World – Sir Arthur Conan Doyle – 1912
97- The Many-Colored Land – Julian May – 1981
98- Gray Lensman – E.E. ‘Doc’ Smith – 1940
99- The Uplift War – David Brin – 1987
100- NEWLY AVAILABLE – The Forge Of God – Greg Bear – 1987
In case you were wondering, the list was compiled using the following criteria:
“A statistical survey of sci-fi literary awards, noted critics and popular polls. To qualify a book has to be generally regarded as science fiction by credible sources and/or recognised as having historical significance to the development of the genre. For books that are part of a series (with some notable exceptions) only the first book in the series is listed.”
The “Next 100”, as listed over on Sci-Fi Lists, has a lot of excellent novels and collections in it too, check that out HERE.
[*Thanks to “neil1966hardy” from ThePirateBay]
Posted by Jesse Willis
Talked about on today’s show:
SciPodBooks.com, the SciPodCast, The Syndic by C.M. Kornbluth, The City At World’s End by Edmond Hamilton, the virtues of democracy, Oath Of Fealty by Larry Niven and Jerry Pournelle, H. Beam Piper, Space Viking, a wealth of ideas, Frederik Pohl, the story as a straw man, Robert A. Heinlein, telepathy, witches, dystopia, utopia, polo played with jeeps (mounted with 50 caliber machine guns), the syndicate vs. the mob, Ireland, Iceland, libertarianism, the Prometheus Unbound review of The Syndic, polyandry, an economy run on alcohol, sex, and gambling, laissez faire capitalism, monopolies, robber barons, taxes vs. shakedowns, “a real mess of a book”, should a society compromise its ideals to save itself?, is the joke on us?, a velvet gloved invisible hand, The High Crusade by Poul Anderson, the children’s crusade, WWII, rule by mob vs. rule by mobsters, Ron Paul, the sustainability of a war based economy need not much concern the arms manufacturer, Isaac Asimov, The City At World’s End has a real plot, disaster stories, new ideas trump big flaws, “writing by the seat of your pants”, space opera, E.E. “Doc” Smith, respect for science and scientists, Farnham’s Freehold by Robert A. Heinlein, The Green Odyssey by Philip Jose Farmer, LibriVox.org, Riverworld series, rolling ships, Hyperion by Dan Simmons, the problem of endless series, StarShipSofa, The Truth Is A Cave In The Black Mountains by Neil Gaiman, A Princess Of Mars by Edgar Rice Burroughs, A Voyage To Arcturus by David Lindsay, “philosophy, philosophy, philosophy”, it starts with a séance, C.S. Lewis, Right Ho, Jeeves by P.G. Wodehouse, Jeeves And Wooster, Leave It To Jeeves, LibriVox’s new funding (from the Andrew W. Mellon Foundation), Orson Scott Card, Harlan Ellison, Airborn by Kenneth Oppel, Gregg Margarite, Lone Star Planet by H. Beam Piper, Kevin J. Anderson, Principles Of Economics, iambik audio, Wonder Audio, All Or Nothing by Preston L. Allen, The Tattoo Murder Case by Akimitsu Takagi, Toshiro Mifune, Akira Kurosawa, High And Low, Netflix, Sweet And Lowdown, One O’Clock Jump by Lise McClendon, A Is For Alibi by Sue Grafton, Talents Incorporated by Murray Leinster, goofy, the William Woodsworth Microphone Showdown, do expensive mics make great narrators?
Posted by Jesse Willis