Talked about on today’s show:
Time Pawn by Philip K. Dick, 1960, The Little Black Bag by C.M. Kornbluth, Science Fiction Hall Of Fame: Volume 1, The Marching Morons by C.M. Kornbluth, Idiocracy, if smart people don’t have babies…, a kind of Heinleinian authority, a little grey case, his bag is missing, grey vs. black, a doctor from the past visiting a future society, medicine as a crime, interfering with euthanasia, another weird interesting post nuclear war world, primitive or advanced?, we don’t talk about death, reflecting our world back at us, youth culture, worshiping youth, movie heroes used to be old men, Logan’s Run, Nolan’s world, what is the appeal of that world?, a culture will run things for you if you don’t think a lot, the Ancient Egyptian culture of death, you will live your life in your death, the soulcube, immortality through the species itself, The City And The Stars by Sir Arthur C. Clarke, nobody wants to see that, kids are stupid, the wisdom of the grandmothers, the Vietnam War, genetic stupidity, Language For Time Travelers by L. Sprague de Camp, Stargate, Astounding, an editorial note for Time Pawn, the right to live, ruthless euthanasia, time travel, Dr. Jim Parsons, the character is a time pawn, the second arrow, an inevitability, to ensure their own existence, deterministic, the standard classic scene, being careened, the auditorium at the first Beatles concert is only filled with time travelers, Dick’s take on time travel, familiar stars. not familiar? why aren’t they familiar, figuring out the future of the character as he’s writing it, “huh, that’s weird”, completely unpredictable vs. completely predictable, van Vogtian, Paul employs a railroad metaphor, Sir Francis Drake, line by line rewrites, from New York to San Fransisco, matter to mine, Time Pawn vs. Dr. Futurity, glittering vs. illuminated, darting like silver fish, no aircars?, nobody is going to be reading Time Pawn anytime soon, “the chamber was a blaze of light…dead gods waiting to return”, a rushed novel?, what’d you do with all that?, standard Dick tropes: a wife shuffled to the side, missing the wife less in Dr. Futurity, the description of the women is much lengthier, always heaving breasts, there’s no questioning of reality, no surveillance, less questioning, an uncharacteristically straightforward story, it feels like all the other Ace Doubles, in the mode of reading SF, all the tropes are assumed, Margaret Atwood, Michael Crichton, going through the evolution to understand the SF tropes: Wells -> Gernsback -> the 60s, three a week, that’s all we need to know, airbags everywhere, flame retardant spray, toxic chemicals vs. being on fire, we live in a screwed up culture, mercury poisoning, asbestos, guide beams, the google car, GPS, if there was a solar flare…, Aftermath, a Charles Sheffield novel, old infrastructure could save us, Cuba, Alpha Centauri goes supernova, the Three Hoarsemen podcast, steam-punk without the steam is just punk, Pastwatch: The Redemption Of Christopher Columbus by Orson Scott Card, a monster, the Columbian exchange, Dick has just read about Sir Francis Drake, Drake’s voyage, he’s famous for making Queen Elizabeth I a big pile of money, Expo 86, the Golden Hind, Drake’s landing point, Oregon, Vancouver Island, Nova Albion, Albion, British Columbia, albino, a weird figure to fixate on, Cortez, Pissaro, The Mask Of The Sun by Fred Saberhagen, caught in the machinations of time traveling empires, more bushwhacking, Daniel Abraham, the way they talk in this future society, it keeps not working, his presence eventually changes their society, starting that whole tribe, the scene with the arrow, a predestination paradox, those stone markers, “I’ll get around to it”, that whole planet is covered in markers, the way Dick ended it, leaving it loose, why Time Pawn is so much of a better title, he feels he is the chess master after a certain point, the extended spaceship to Mars scene, the robot computer with a rat brain, such a creepy scene, “I wonder what’s going to happen”, if the character doesn’t want to get on track, what’s that about?, what are those guns for?, Shupos?, always people confronting him, make remarks about the women, this is NOT a book written by committee, don’t read this as your first Dick, more fodder for your feed.
Posted by Jesse Willis
I think The Terminator may be the best Science Fiction film ever made. And I think that no one person, credited or uncredited, can take all the credit for it.
In the video below, edited from an episode of Prisoners Of Gravity, Harlan Ellison explains how he got his screen credit in The Terminator:
Soldier is the first episode of Season 2 of The Outer Limits (the original series). It’s plot features a futuristic time traveling soldier who, after a thunder crack, appears in a then modern urban alley. The soldier is nearly indestructible, and is incredibly strong. Later, he breaks into a gun shop. In the ultimate scene he confronts his (also) futuristic enemy and they are both destroyed. Those are the basic plot commonalities between Soldier and The Terminator. There are many, many differences. Visually though, there are some striking similarities. These are nicely documented here and here.
That all said, Soldier‘s story plays out very differently from The Terminator, you can see a lot more connections, if you squint really hard.
For example, the solider is scarred like Kyle Reese and is sometimes unintelligible like Schwarzenegger’s T-800 – but ultimately the two, the TV episode and the feature film, are radically different in both scale and scope.
Interestingly, Demon With A Glass Hand the fifth episode of the second season of the original The Outer Limits television series, also written by Ellison, has similarities to both The Terminator and another film.
Like Soldier and The Terminator, Demon With A Glass Hand features a protagonist sent from the future into the past. But in this case, unlike in the title character in Soldier, the time travel was done quite deliberately – and done by humans in order to save mankind – more like The Terminator right?
Also similar, our hero in Demon With A Glass Hand, is nearly indestructible, can survive being shot over and over, feels no need to sleep, is being hunted by enemies also sent from the future, and he is programmed! Those are the basic plot commonalities between Soldier and The Terminator. More on that other movie a little later.
In the Starlog article (December 1984) there is no mention of The Outer Limits or Ellison. But, in it James Cameron does say: “I read all the classics, all the old Ace paperback novels.”
I do not expect that Cameron read all of the following stories. In fact I don’t think it is even necessary to know, and it isn’t crucial to my argument. Indeed, only one of the following stories was actually published in an “old Ace paperback”, (Second Variety was published in The Variable Man and Other Stories, Ace D-261).
My argument is that the story ideas and story points, even more than visuals, from the The Terminator, came very much out of 1950s science fiction.
Now before we get to the meat of my argument I’ll do a little sidestep towards another film, just to make it all the more confusing… its actually laying the groundwork for something, trust me.
Look at these images:
As you can see Demon With A Glass Hand shares something in common with Blade Runner, as much Id say as Soldier does with The Terminator.
The baddies in Demon With A Glass Hand, seen above, have racoon style eye makeup, like Blade Runner‘s Pris. Our hero in Demon With A Glass Hand, as it turns out, is an android that didn’t know he was one, just like in Blade Runner (and Do Androids Dream Of Electric Sheep?). Blade Runner was also shot in the same stylish office building in Los Angeles (the Bradbury Building*). And, the final fight of both stories ends in the same way, out the window and onto the roof of the Bradbury!
The “cybernetic organism” of The Terminator is in essence an android, a robot that looks like a human being, specifically a male human being if you want to get all technical.
Now even more than Ellison, who does have an android in Trent, the hero of Demon In A Glass Hand it is Philip K. Dick who is best known for his androids. Though robots that look like, think they are, or can pass for human aren’t unique or original to Dick, they are something he kind of specialized in. Stories like Imposter and The Electric Ant have androids and of course there is Do Androids Dream Of Electric Sheep?.
Now practically everyone knows that Do Androids Dream Of Electric Sheep? was adapted into a 1982 film called Blade Runner.
But do these folks know that the title of the Blade Runner was licensed from a book by a different author and entirely unrelated to Dick’s?
Ridley Scott acquired the rights to the title of a script based on an unrelated 1974 Science Fiction novel entitled The Bladerunner.
Why did he do this?
He didn’t have to, nobody has the legal right to claim exclusivity on book and movie titles – but as a matter of smart practice, when millions and millions of dollars are at stake, they often do such crazy things.
Now back to Philip K. Dick. He could, had he been alive in 1984, argued that his stories could have inspired The Terminator or even Demon With A Glass Hand!
Ellisons 1958 script for Demon With A Glass Hand has a “time mirror” – a device related to time travel – and so does a Philip K. Dick story.
For example, Dick uses what he calls a “time scoop” and a “time mirror” in a story called Paycheck (Imagination, June 1953). A time “Dip” turns up in a story named Meddler and in his novel Dr. Futurity (itself an expansion of a novella, Time Pawn) has a time “dredge.”
Here’s a snippet from Paycheck:
“It’s developed a time scoop.”
“A time scoop. It’s been theoretically possible for several years. But it’s illegal to experiment with time scoops and mirrors. It’s a felony, and if you’re caught, all your equipment and data becomes the property of the Government.” Jennings smiled crookedly. “No wonder the Government’s interested. If they can catch Rethrick with the goods –”
“A time scoop. It’s hard to believe.”
But Dick didn’t invent the idea either, a story from Amazing Stories, December 1942, has the same tech, its actually in the title!
Another story that could have inspired The Terminator is The Skull. This 1952 story was published in If: Worlds Of Science Fiction. In it the protagonist is sent back in time in order to kill a man who can’t be allowed to live. He doesn’t know the man’s identity, but the clue lies within his own head, kind of like The Terminator.
Now to get out of time travel, let me ask you, where is Skynet, the evil A.I. in either of those Ellison stories? They are absent. But, he has evil computers, ones that want to destroy humanity even, for example there’s AM, the evil A.I. from I Have No Mouth, and I Must Scream. But that story is from 1967, and is not Skynet, exactly…
Well, let me tell you about The Great C, first published in Cosmos Science Fiction and Fantasy Magazine, September 1953. This story is set in a Fallout-style post apocalyptic wasteland. Straight away we learn that a band of humans have survived underground after a global nuclear war. The plot consists of following:
One of their number as he sets off with three questions to visit what the reader infers to be a great oracle. The oracle is the titular “Great C” with “C” being short for “Computer”. But unlike the Colossus supercomputer (from Colossus: The Forbin Project) that merely threatens nuclear war, this supercomputer pulled a full-Skynet and actually used the offensive nuclear capability on it’s creators, man.
Now Second Variety, first appeared in Space Science Fiction, May 1953. And it was later adapted to film as Screamers. It is set in a post-WWIII world where killer robots, known as “Claws”, are developing newer and newer models of killer robot for human infiltration.
Check out these two illustrations from the story:
So, why did Cameron’s The Terminator have to give credit to Harlan Ellison if Scott didn’t have to give it to Blade Runner?
I suspect it all happened pretty much as Ellison said it did. That in the unpublished interview notes for that Starlog interview Cameron actually said that he “ripped-off a couple of Outer Limits segments” and perhaps even “a couple of Harlan Ellison stories.”
But it doesn’t matter to me. Credits or dollars, the only thing I really care at all about the story, and I think that The Terminator builds on great SF stories by the likes of Philip K. Dick and Harlan Ellison and Isaac Asimov and H.G. Wells, and some Outer Limits TV episodes, and maybe some other movies too.
Humans do this and it is a good thing. I’m glad so many humans had a hand in making it.
By listening to stories, and by retelling them we continue the process of story refinement. The Terminator wasn’t a “rip-off” it was a tribute, it stands alone, and it stands tall and proud next to the great SF stories that came before it, in 1950s TV, 1950s books and 1950s magazines and probably to the decades before it too.
As for the James Cameron Harlan Ellison dispute, well, Cameron may have had a “huge ego”, as Harlan Ellison put it, or maybe he didn’t – who knows – Ellison had “never met the man” – it may just have been a self-deprecating statement. We can all use a little of that, and a lot more Philip K. Dick.
Posted by Jesse Willis
*The “Bradbury” in the Bradbury Building is no relation to Ray Bradbury … or is it?
Puttering About in a Strange Land
By Philip K. Dick; Performed by Luke Daniels, Kate Rudd, Amy McFadden
Publisher: Brilliance Audio
[UNABRIDGED] – 11 hours
Themes: / marriage / boarding school / literary / infidelity /
When Roger and Virginia Lindhal enroll their son Gregg in Mrs. Alt’s Los Padres Valley School in the mountains of Southern California, their marriage is already in deep trouble. Then the Lindhals meet Chic and Liz Bonner, whose two sons also board at Mrs. Alt’s school. The meeting is a catalyst for a complicated series of emotions and traumas, set against the backdrop of suburban Los Angeles in the early fifties. The buildup of emotional intensity and the finely observed characterizations are hallmarks of Philip K. Dick’s work.This is a realistic novel filled with details of everyday life and skillfully told from three points of view. It is powerful, eloquent, and gripping.
Puttering About in a Small Land (written 1957 but first published in 1985) feels very different from Philip K Dick’s usual stuff. It’s a dark and funny slow-burn set in 1950s Southern California, but there are no simulacra, no time slips, and no telepaths, and the only artificial reality is the one built out of society’s expectations of suburban married life.
It also seems unusually sensitive for PKD – not in a corny or sentimental way but just finely tuned into human relationships. He captures the subtle and imperfect communications of a dysfunctional marriage where two people are pretending to work together but are really pushing and pulling below the surface, wanting different things and resenting each other for it.
“I’ll be back pretty soon,” he said. From his eyes shone the leisurely, confident look; it was the sly quality that always annoyed her.
“I thought maybe we could talk,” she said.
He stood at the door, his hands in his pockets, his head tilted on one side. And he waited, showing his endurance, not arguing with her, simply standing. Like an animal, she thought. An inert, unspeaking, determined thing, remembering that it can get what it wants if it just waits.
“I’ll see you,” he said, opening the door to the hall.
“All right,” she said.
The story is told in three alternating points of view: Roger, his wife Virginia, and the “other woman” Liz. All three are trapped, one way or another, in self-made realities they don’t enjoy.
Some readers complain that PKD writes unflattering female characters, and as usual these ones aren’t much to admire: Virginia is gossipy and judgmental, her mother is a controlling nag (who often corners Roger and has some of the funniest scenes in the book), and Liz Bonner is so naïve and childlike she verges on the idiotic.
“She’s sort of a—” Mrs Alt searched for the word. “I don’t want to say lunatic. That isn’t it. She’s sort of an idiot with a touch of mysticism.”
But even so, Virginia has her strengths, and Liz Bonner is lovely in a quirky way. Her flaws and naïve unpredictability are exactly what free her from society’s expectations, and are what attract Roger. Despite the deceit and infidelity, their love story is somehow still beautiful.
And to be fair, PKD also writes pretty unflattering men. For example, Roger not only cheats on his wife, he also abandoned his previous wife and daughter and seems to be a compulsive liar. He’s a bristly, bad-tempered, and indifferent to his wife’s gestures of love and compromise. All he really cares about his TV retail-and-repair business, which is where the book title comes from: he’s a little king “puttering about in a small land.”
The waning of a marriage and infidelity appear in a lot of PKD’s stories, but in this one they really drive this plot. Normally I wouldn’t try to detect an author’s own life in his fiction, but since PKD has openly admitted he weaves autobiographical details into all his stories, it seems safe to see something of him in Roger.
His essay “How to Build a Universe That Doesn’t Fall Apart Two Days Later” might give some more clues to his approach to fiction set in the real world. Just because the characters’ universe is based in reality doesn’t mean PKD won’t try to disintegrate it.
“I like to build universes which do fall apart. I like to see them come unglued, and I like to see how the characters in the novels cope with this problem. I have a secret love of chaos. There should be more of it. Do not believe—and I am dead serious when I say this—do not assume that order and stability are always good, in a society or in a universe. … Unless we can psychologically accommodate change, we ourselves begin to die, inwardly. What I am saying is that objects, customs, habits, and ways of life must perish so that the authentic human being can live.”
I listened to Puttering About in a Small Land on audio and read the print version too. The audiobook was read by Amy McFadden, Kate Rudd, and Luke Daniels, one for each of the main characters. All three were great, although using three narrators didn’t work so well for me since the story is in third-person. Hearing the same characters read three slightly different ways gave the audiobook a patchwork feel and was a bit jarring and distracting sometimes.
I’d recommend Puttering About in a Small Land for PKD fans but not so much as an entry to his works. For anyone who knows his style, it’s very cool to see a more subtle side of him and to see how beautifully he can write about human relationships in the artificial universe we call reality. Definitely worth the read.
Posted by Marissa van Uden
Filed under: Audio Drama, New Releases, Podcasts, Recent Arrivals
Talked about on today’s show:
many sins, paperbooks, The Architect Of Aeons by John C. Wright, Tor Books, The Voyage Of The Basilisk by Marie Brennan, beautiful illustrations and blue text, cover art, a bias against bad art, the way kids talk about book covers, fonts and graphic design, stock photos, don’t mix serif’d fonts, use classic art in the public domain, don’t muddy it up, Graysun Press Class M Exile by Raven Oak, Star Trek, Self Made Hero, I.N.J. Culbard, The Shadow Out Of Time, The Case Of Charles Dexter Ward, The Dream Quest Of Unknown Kadath, the difficulty of promotion for small press publishers, Horror!, The Scarlet Gospels by Clive Barker, John Lee, Macmillan Audio, Pinhead, Hellraiser, random bloody body horror, The Midnight Meat Train, Bradley Cooper, the way Clive Barker’s stuff works, Audio Realms, Limbus, Inc. Book 2, a shared world anthology by Jonathan Maberry, Joe R. Lansdale, Gary A. Braunbeck, Joe McKinney, Harry Shannon edited by Brett J. Talley, space for creativity, David Stifel’s narration of The Monster Men by Edgar Rice Burroughs, The Island Of Doctor Moreau meets Frankenstein done Burroughs style, The Man Without A Soul, David Stifel knows everything about Edgar Rice Burroughs, Jurassic Park by Michael Crichton, read by Scott Brick, Mad Max: Fury Road, 3D is a gimmick, Vampire Horror! by M.R. James, John Polidori, F. Marion Crawford, Anthony Head, M.R. James is the country churchyard ghost story guy, John Polidori was Byron’s Doctor, Mary Shelley won the contest, The Vampyre by John Polidori, Lord Ruthven is kind of based on Lord Byron, an autobiographical fantasy horror, music!, all the good D words, Survivors by Terry Nation, Doctor Who, Blake’s 7, who wrote House, M.D.?, writing credit in the UK, a familiar premise, the original TV series and the remake, The Walking Dead, all the fun stuff we like about post-apocalyptic storytelling, simultaneous existence, The Death Of Grass by John Christopher, A History Of The World In Six Glasses by Tom Standage, our dependence on grasses, The Road, canned food isn’t a long term plan, Station Eleven by Emily St. John Mandel, deer in the woods, the high price put on poaching, the other solution is cannibalism (also not very sustainable), The Water Knife by Paolo Bacigalupi, cutting water, this is already how things are, the atomic bomb scenarios are played out, the water problem, the new dust bowl, North Carolina and South Carolina, Seattle and Vancouver, Dr. Bloodmoney by Philip K. Dick, read by Phil Gigante, a comic version of Doctor Strangelove, Marissa Vu, Paul Weimer, The Gold Coast by Kim Stanley Robinson, Pacific Edge by Kim Stanley Robinson, Luke Burrage’s reviews of the Orange County books, Find Me by Laura van den Berg, silver blisters?, Guy de Maupassant style, The End Has Come edited by Hugh Howey and John Joseph Adams, Carrie Vaughn, Megan Arkenberg, Will McIntosh, Scott Sigler, Sarah Langan, Chris Avellone, Seanan McGuire, Leife Shallcross, Ben H. Winters, David Wellington, Annie Bellet, Tananarive Due, Robin Wasserman, Jamie Ford, Elizabeth Bear, Jonathan Maberry, Charlie Jane Anders, Jake Kerr, Ken Liu, Mira Grant, Hugh Howey, Nancy Kress, Margaret Atwood’s serial, Science Fiction in Space and the Desert, Seveneves by Neal Stephenson, read by Mary Robinette Kowal and Will Damron, very sciencey, too many Jesses, Rob’s commute, Nova by Margaret Fortune, read by Jorjeana Marie, a human bomb, Imposter by Philip K. Dick, The Fold by Peter Clines, read by Ray Porter, another Philip K. Dick story called Prominent Author, a joke story, 14 by Peter Clines, Expanded Universe, Vol. 1 by Robert A. Heinlein, read by Bronson Pinchot, Blackstone Audio, Robert A. Heinlein is a weird idea man, Nemesis Games by James S.A. Corey, Hachette Audio, Sword & Laser, The Darkling Child (The Defenders of Shannara) by Terry Brooks, read by Simon Vance, Casino Royale by Ian Fleming, larger than life voices, The Red Room by H.G. Wells, the accents, BBC audio dramas of James Bond books, the David Niven Casino Royale, The Brenda & Effie Mysteries: Brenda Has Risen From the Grave! (4), Bafflegab, Darwin’s Watch: The Science of Discworld III: A Novel by Terry Pratchett, Ian Stewart and Jack Cohen, read by Michael Fenton Stevens and Stephen Briggs, Uprooted by Naomi Novik, read by Julia Emelin, The Invasion of the Tearling by Erika Johansen, read by Davina Porter, Sarah Monette’s The Goblin Emperor, coming of age in a fantasy world, librarians recommend!
Posted by Jesse Willis
Talked about on today’s show:
Philip K. Dick’s first published novel, The Demolished Man by Alfred Bester, the Psi-Corps, a solar empire, getting away with murder, raw power, a telpath’s guild is a logical consequence, a 1950s idea, Dune, the John Preston sub-plot, Prester John is middle age superhero fan fiction, Marco Polo, Robert Silverberg, “the cynicism of later Dick”, the quizmaster bodyguard plan, Dickian action sequences, the conclusion on Mars, Batavia, that’s the cover too, androids on the Moon, Ace Books, how do you explain the guy not in the space suit, the protagonist, Doctor Who, the culture, androids, surprisingly little info-dumping, minimax (game theory), there’s so much going on, loyalty oaths, corporate feudalism, cheap Chinese goods, fealty to corporations, Total Recall, Johnny Cab!, distinguishing between male and female, imagine how difficult it will be for robots to determine gender, an elegant solution, the world is amazing, The Golden Man, nuclear war, post nuclear war, Indonesia, Batavia, no mention of the USA at all, such an ambitious book, it gets better in the re-reads, everyone’s obsessed with good luck charms, a metaphor for the whole society, stifling progress, very The Man In The High Castle, The Price Is Right, sell more goods, increasing demand for supply, pacifying the population, what does the quizmaster actually do?, lingering through the subways, algae growing on the bathroom pipes, a literal channel, a metaphorical channel, Channel M, Ted Bentley, his favourite bedgirl agency, the McDonalds of prostitution, virgin’s milk and boiled owl spit, all of his psychological problems were solved for the day, bare breasted, quivering breasts, his interests coming to the fore, cheating may or may not be legal, cynicism, the public service, bio-chemical engineering, secretaries, a minimum quality of life for everyone, defeating corruption by subverting competition, power cards, p-cards, figuring out how the lottery actually works, The Library Of Babylon by Jorge Luis Borges, the lottery starts as something for the lower classes, an interplanetary society, it just so happens that this story is in the the public domain, the 1962 English publication of The Library Of Babylon, great minds think…, I’m not playing this game, defeating corruption, avoiding cynicism, a total inversion of meritocracy, how the assassin as an anti-corruption measure, corrupting the anti-corruption measure, crackpots in power, the cynicism of Glory Road by Robert A. Heinlein, fatalism, am six year old wife, France, the premise of Glory Road, a sense of futility, SFF writers for and against the Vietnam War, International Science Fiction Magazine, a response to America 1950s, getting out of the system somehow, when do you not obey the law, so not full of philosophy, courtroom drama, Marissa needs to expand this book, “cluttered”, Dick’s later works are meditations, René Descartes, what the hell is the Flame Disc?, John Prester wrote four books, Prester is dead on Earth, Prester is dead in a bottle, what does 2 plus 2 equal?!, a buoy, Sky Captain And The World Of Tomorrow, unanticipatable, keep cooking that idea, looking for the 10th planet, bedgirls working in the mines on Mars, work-camps, random punishments, very Borgesian, neo-colonialism, Call Me Joe by Poul Anderson, Avatar, Desertion by Clifford D. Simak, just like in Avatar, him and his dog, escaping reality, A Princess OF Mars and Glory Road, let’s go live in this book, The Peripheral by William Gibson, time travel, computer simulations of historical characters, Socrates is a troll, Socrates trolls Francisco Pizarro, Keith Pellig has the bomb, another android with a bomb, Imposter by Philip K. Dick, Impostor, Astounding Science Fiction, it’s not terrible at all.
Posted by Jesse Willis
The SFFaudio Podcast #316 – The Golden Man by Philip K. Dick; read by Mike Vendetti. This is an unabridged reading of the story (1 hour 15 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Tamahome, Paul, and Mike.
Talked about on today’s show:
1954, The God Who Runs, bad titles, Next, Homo Aureus, The Man In The high Castle (TV series), hashtag marketing, an episode of The Twilight Zone, the film adaptation, Knowing, a working train-wreck, the main character has no sapience, autism, the diner scene, not just an exposition scene, the fake salesman, a lady with 8 boobs, shades of Total Recall, he’s looking for Jews, the secret police, the DCA are the secret police, the locals protect the mutant, Philip K. Dick:
“Here I am saying that mutants are dangerous to us ordinaries, a view which John W. Campbell, Jr. deplored. We were supposed to view them as our leaders. But I always felt uneasy as to how they would view us. I mean, maybe they wouldn’t want to lead us. Maybe from their super-evolved lofty level we wouldn’t seem worth leading. Anyhow, even if they agreed to lead us, I felt uneasy as where we would wind up going. It might have something to do with buildings marked SHOWERS but which really weren’t.”
what we did to the neanderthals, this is super X-Men, the John W. Campbell mutants vs. the Philip K. Dick mutants, House Of M, for those who are not Tamahome…, Spider-Man trying to “pass” as a mutant, the Scarlet Witch can re-write reality, to the beginnings of the superhuman genre, the origins of Superman, powerful superheroes are going to save us, Astounding -> Analog, John W. Campbell was obsesses with psychic powers being a science, mutation as evolution up, Slan by A.E. van Vogt, “fans are slans”, a lot of stuff going on, looking into the future, this so isn’t a movie, they just put a golden tint on the film-stock for Next, single word titles, Audible ratings, a story that is repulsive to everybody, we are the monsters, Audible’s return policy, Mike grew up in the Cold War era, Mutual Assured Destruction, no real external threat anymore, the Soviets have their own DCA, all the “deves” are getting “euthed”, Cris Johnson is the character’s name in the book and the movie, Dick was really interested in what happened in Nazi Germany, the atomic war caused all these mutations, the diner scene again, they’re everywhere!, the Johnson family seem to love Cris, he’s got the James Bond gene, women can’t resist, the unfaithful wives (and husbands), the crappy Wikipedia summary, can they sterilize everybody, they know this is the end, Cris can never be outmaneuvered, the whole last 40 minutes of Next didn’t happen, the movie does a good job of illustrating how Cris’ super-power would work, Groundhog Day, computer save gaming, because Cris can’t talk…, how we interact with NPCs in computer games is how Cris is interacting with everyone around him, we’re all sort of trapped like that, marketing it as a X-Men or superhero type story, imaging a dollhouse and all the different possibilities he could do, Philip K. Dick is Mr. Innovative, a chilling world that’s pretty much like ours, a very ’50s feel in terms of the country and random energy shields, the X-Men explanation for mutation (atomic bomb testing), The Crawlers by Philip K. Dick, the golden man is beautiful and the crawlers are ugly, the crawlers have their own agenda, they are not seen as human, Harlan Ellison, a mutant psionic, The Skull by Philip K. Dick, “we met the enemy and he is us”, the mutant theme has dried up in SF, Deus Irae, an armless and legless hero, Tibor McMasters, a huge sense of pathos, “how come people are such assholes”, The Turning Wheel by Philip K. Dick, White Man’s Burden, what if we would have lost the war (WWII)?, Cañon City, Colorado, Mike is the man in The Man In The high Castle again, Nazis vs. Imperial Japan, the American occupation of Japan, Two Dooms by C.M. Kornbluth, occultist, even more surreal than Dick, we’re number 1 and their number 10, the werewolves (post-war German resistance against occupation), going to the movies, after the atom bomb, you never saw the Hollywood movie where the Americans invade Russia (the reverse of Red Dawn), the ridiculous premise behind the remake of Red Dawn, North Korea, auto-immune disease, the acronym-itis that sinks the ship, government conspiracies, aliens, Mexicans are aliens?, what?, what would happen if the Americans left California, don’t spread that rumor, Pacific Edge, the California drought, Washington and Oregon, archetypical Dick, A Canticle For Leibowitz by Walter M. Miller, to quote Solaris, Dick is wise, if humans go on as Cris Johnson, this is why people are upset that their kids are autistic, he is in a sense “superior”, ok you say you want a superior being… how do you like that John W. Campbell, he’s a golden god, the Steve McQueen of mutants, a swelling torrent of sheer force!, are they having sex?, cigarettes as symbols, explicit sex, a seduction, is she going to be the mother of dragons?, Genghis Khan style, Cris is unique (for now), dumb feral cubs, dominant or recessive, there is no hope, it won’t be us, grinning wryly, In The Mouth Of Madness, every species can smell its distinction, man will be a myth, one perfectly adapted animal, more of a threat to the men than it is to the women, Species, a female golden man, that’s why you have the mutants with the eight breasts, what do you think of that? what do ya make of this?, a litter of kids needs eight arms, turning people into animals, rats, subhumans, what do ya make of that?, he’s covered in fur, how does he put on pants?, he’s like a peacock, Hyperpilosity by L. Sprague de Camp, why peahens choose peacocks with the longest tails, peahens want their male offspring to be attractive to peahens, they’re going to breed us out of business, The Turning Wheel (again), racism, H.P. Lovecraft, it’s an act!, there are mutants all around them, he’s one thing in the restaurant he’s another to the cop, a super-secret agency that everybody knows about and talks about, every family is hiding a mutant, FBI agents infiltrating anarchists groups, ATF Operation Fearless, Kafka by way of Dick, the NRA, welcome to America, Anita, sexism, nobody is clean in this fight, Cris ruins the horseshoe game (by way of saying goodbye?), a repulsive attractive powerful story, Cris’ mom, Cris’ dad, how could this story have been adapted otherwise, a stupid plot, why do the French want to blow up Los Angeles?, the movie is a train-wreck and yet…, Juliane Moore’s character is a monster, she’s driven, strapped to the Clockwork Orange chair watching CNN, that’s burying the lead, the two minute rule, he’s got no past, you have to have a past to decide what you’re going to do in the future, his present is our future, the movie has lots of problems, what was the “next” card, domestic rendition, there are people, don’t ask this question, Cris doesn’t need to speak because speaking is for planning, he’s just an animal, you have to have a past to plan.
Posted by Jesse Willis