The SFFaudio Podcast #387 – Jesse, Paul, and Julie Davis talk about Double Star by Robert A. Heinlein.
Talked about on today’s show:
Astounding Science Fiction, February, March, April 1956, Scaramouche by Rafael Sabatini, making connections, good job, 100% first person, mistaken shallow perception -> deeper understanding, The Prince And The Pauper by Mark Twain, The Prisoner Of Zenda by Anthony Hope, the LibriVox audiobook levelated and made beautiful, humour, light, twitter conversation “bland” vs. “light”, bubbles along, swashbuckler, Heinlein is that you?, this is a book about politics, here are all the political systems, making fun of Heinlein is very easy, bullheaded, popular quotes, one character sitting in a room and another character walks in and says “no”, refusing, listen to me young man I am the old man and I know best, Heinlein’s negotiation tactic is brinkmanship, it’s not your turn, more about politics and racism and perception (than SF), I think my father would be proud that my life is a work of art, from Lorenzo Smythe’s POV, a failed actor, not a loser, penniless, working as a stripper, the illustrations from the serialization, this is not in the book, non-info-dump info-dumps, Coriolis vs. Coriolanus, narrator Lloyd James, in the voice of Bonforte, a better person or politician than Bonforte, remember Bill, a bunch of people talking on a spaceship, not a juvenile, Hitler, Satan, assuming the attributes of divinity, a politically astute novel, Heinlein’s earlier jobs, owning a silver mine, running for political office, being in the room, libertarian, California state assembly 1948, no prizes for second place in politics, an British parliamentary system, William King Of The Dutch and Emperor of The Earth, Queen Elizabeth II (former Empress), head of state vs. head of government, when you go to visit Lincoln, Lincoln is a God in the temple, larger than life, a Greek temple, The Simpsons, political corruption, the Jefferson memorial, you went to Lincoln first!, understanding why the book is resonant, the emperor of Known Space likes playing with trains, meeting the Queen, no statue for John Major, 100 units in pocket, politics as a team sport vs. saviors, taking care of the day-to-day crap, Primary Colors (1998), John Hightower, I take that on so you can get something done, taking on the mantle of the President, there’s no special charm to Prime Ministers (usually), confidence votes, the show must go on, “always take sides”, the “poltroons”, a second look, the title, human = martian, equality for all, doubling, Lorenzo Smythe = Lawrence Smith, an instinctual hate of the aliens, squiggly arms, hating aliens is racism, the aliens are just Texans, the life wand, induction into the Martian clan, introduction at William’s court, Prof. Eric S. Rabkin’s lecture on Heinlein, Stranger In A Strange Land, the TV Tropes entry on Double Star, orange morality and blue morality, wise man and straw man, showing up late, a cycle humans keep falling into, a 1970 Double Star cover, a modern art prize (2000 Turner Prize) controversy, Stuckists and Sad Puppies, scale matters (?), Marcel Duchamp, “artist”, “Fountain“, ponies?, movements for and against, Paul’s biased POV, taking umbrage, Rabid Puppies, SF is overrun with leftists (?), “no award”, like every awards thing, TOR Books, inclusionary authors, Larry Correia’s books, U.S. elections, trying to destroy the system, SJW = social justice warrior, what’s fundamentally interesting about Double Star is that we’re in on a massive fraud to subvert democracy, Humans First, for Jefferson’s sake, takes the facts the same story from the other side: a response book, I don’t want people walking around with open carry for their “life wands”, no guns allowed signs in Texas churches, The Good Wife, the Hillary Clinton – Bill Clinton story, telling lies in public, seeing politics from up close and personal, The West Wing, Dave (1993), a little humour there, “sick”, the wife, a little bit inverted, interesting parallels, taking the role and making it better, he’s better at Bonforte than Bonforte was, to be an actor you have to be every man, I’d like Jack the Ripper, an unreliable narrator, the theatrical way he describes himself, he thinks it’s all true, hyperbolized in some ways, acting with a burst appendix, biology can be conquered by will, ripping off the novel/plot, Moon Over Parador (1988), The Magnificent Fraud (1939), we are rooting for the hero, who is ripping off who?, it depends on what you do with it, To Be Or Not To Be (1942), To Be Or Not To Be (1983), the new Ben Hur, going by Hugos or awards or contests, Connie Willis, the Oscars, Guardians Of The Galaxy, two CG characters and it doesn’t suck?, being burned by award winners, Theeb, a disillusioning moment, boycotting and protesting, N. K. Jemisin, a Heinlein letter, race relations, the lucky ones were the ones that were enslaved, the inciting incident, Heinlein was the most liberal of SF writers, more left than Wells, a Missouri dude who was always into pushing fellow humans, “huh, he’s Filipino”, “he’s not even American!”, Heinlein’s always pushing talking heads that turn out to be diverse, Farnham’s Freehold, time travel, Blacks have taken over the world, castrating the son, cannibals, a less PC version of Planet Of The Apes, the Pierre Boulle book is a comedy (satire), Pierre Boulle, the ending of the Planet Of The Apes is a comedy, sexism, Charlton Heston in the Civil Rights movement, for both martians and men, making peace amongst all, here’s my problem, get in the system, The Fifth Season, where’s the idea?, where’s the idea?, Cory Doctorow does Heinlein in Little Brother, paint by numbers, Robert J. Sawyer, that shows the diversity you find in Toronto, the magic system is based on the manipulation of earth (geological) forces, it’s anti-racist, it’s important to be seeing doing it, more Bonforte than Bonforte, more Heinlein than Heinlein, the one female character, Heinlein doesn’t understand women, criticizing Dickens, he’s terrible at writing other humans, his villains are stick-figures, the old man, the young looking older woman, and the young narrator who has to be taught, transcending limitations, he’s bad at women who aren’t from the 1940s, violence towards women was an everyday thing, assault with violence, not that I laid a finger on her, proper and sensible hitting, the way people talked back then, from the wife-beating 1950s, acting like this guy, no no no no no, totally unrealistic, a six hour book, SFFworld.com, Double Star was written in three weeks, creep in.
Posted by Jesse Willis
Talked about on today’s show:
1964, not exactly a fix-up, this novel’s DNA, The Defenders, The Mold Of Yancy, The Unreconstructed M, the next draft, the main character’s problem was Dick’s problem, an idea, another Yance-woman, a sausage fest, did you’re arm fall off again?, “the well-informed dead rat romped under the tongue-tied pink log”, a new ACE or Ballantine book, more cohesive and clearer, all ideas are undercooked, the Wikipedia summary, The Defenders feels like junk, but translated to the novel… a sequel to The Defenders, The Mold Of Yancy is excellent, reading The Mold Of Yancy helps you understand The Penultimate Truth, conapts with wall to wall wub-fur carpeting, artiforgs (artificial organs), Yancy in the novel vs. the short story, a syndicate, a quasi-corporatist government short, the Kardashians and Gwyneth Paltrow, set on Callisto, a totalitarian government, letting in spies, his spidey-sense, he’s like Ronald Regan, a fireside chat, Dick’s analysis of our North American society is dead on, war is bad but just wars have to be fought, cats are definitely better than dogs, political correctness, media pushing (or pulling) society in different directions, a perfect fit, a nice welding, Fallout 3 and Fallout 4, worried about the overseer, strap on your vault suit, he’s a companion, a NPC, leadies are Mister Handies, the robot companions, Hugh Howey’s whole career, the same premise and ideas as Wool, ant tanks, vaults (and silos), WWIII, The Game-Players Of Titan, neo-fuedalism, squabbling fiefdoms, the MegaVac computer echoes Vulcan II or III, Isaac Asimov’s MultiVac, the plot with Brose and Lantano, re-purposing people across stories, the leadies are slaves, a good Goodreads review, the 1% and the 99%, labouring under delusion, a damn fine analysis, the scandal of the day, obedience, Paul is a history fan, a Roman society, Sulla and Pompey, the triumvirates, private armies, the land grant system is very Roman, proto-feudal (or manorial), Cheyenne is nuked again, Estes Park, Colorado, Philip K. Dick has to throw everything into the crockpot, Pretty Blue Fox, Lincoln Apartments, the Tom Mix tank, 290 movies, Tom Mix had five wives, Philip K. Dick dressed like a movie cowboy, clear evidence you’re living in a Philip K. Dick world, ask me about Plato, The Defenders and The Penultimate Truth are modeled after Plato’s the Myth of the Cave, gin and tonic vs. beer, Dog Stories Monthly vs. the Journal Of Psychological Review, a gestalt, the art of Hieronymus Bosch, everything should be about challenging and questioning, Critical Thinking should be the only class in high-school, nothing can be challenged, no critical thinking, all Yancy’s beliefs are insipid, as close as possible to no beliefs, apolitical (without a viewpoint), William Tenn, Null-P, Dick was really influenced by A.E. van Vogt, “wow, my god!”, a preference for Kriegsspiel, a cosmic wrestling match, The Cosmic Puppets, a nice six hour game of Kriegsspiel, Bach’s art of the fugue, subdued by the plot, troweling it down a bit, The Unreconstructed M stuff, fun to read, a time traveling Cherokee warrior who walked in from another Dick story, Time Pawn, Dr. Futurity, fake artifacts of a fake alien invasion, it gells as a novel, a really good speech about a squirrel, an actual living squirrel, there’s no little scurrying creature at the end, a questionable bow,
However, Adams figures out Lantano was behind the deaths as part of his plot to bring down Brose. In desperation and fear, he joins up with St. James, who discovered a cache of artificial organs, and flees into the Tom Mix tank with him. They discover that Lantano was ultimately successful but contemplate that the biggest lie is yet to come.
that’s the ending and discovery of The Defenders, meeting the quota, they don’t let you out when you don’t meet the quota, there’s no reward and punishment, appreciating The Defenders, in Plato’s The Republic, PKD knows all about Plato (and The Odyssey), the Allegory Of the Cave,
Plato begins by asking Glaucon to imagine a cave where people have been imprisoned from childhood. These prisoners are chained so that their legs and necks are fixed, forcing them to gaze at the wall in front of them and not look around at the cave, each other, or themselves. Behind the prisoners is a fire, and between the fire and the prisoners is a raised walkway with a low wall, behind which people walk carrying objects or puppets “of men and other living things”. The people walk behind the wall so their bodies do not cast shadows for the prisoners to see, but the objects they carry do (“just as puppet showmen have screens in front of them at which they work their puppets”. The prisoners cannot see any of this behind them and are only able to see the shadows cast upon the cave wall in front of them. The sounds of the people talking echo off the shadowed wall, and the prisoners falsely believe these sounds come from the shadows. Socrates suggests that the shadows constitute reality for the prisoners because they have never seen anything else; they do not realize that what they see are shadows of objects in front of a fire, much less that these objects are inspired by real living things outside the cave
fake destruction of San Fransisco, false reconstructions, Stalin with Roosevelt speaking Russian at the White House, 1984 by George Orwell,
Plato then supposes that one prisoner is freed, being forced to turn and see the fire. The light would hurt his eyes and make it hard for him to see the objects that are casting the shadows. If he is told that what he saw before was not real but instead that the objects he is now struggling to see are, he would not believe it. In his pain, Plato continues, the freed prisoner would turn away and run back to what he can see and is accustomed to, that is the shadows of the carried objects. He writes “…it would hurt his eyes, and he would escape by turning away to the things which he was able to look at, and these he would believe to be clearer than what was being shown to him.”
writing lies and having your son believe the lies, Hollywood,
Plato continues: “suppose…that someone should drag him…by force, up the rough ascent, the steep way up, and never stop until he could drag him out into the light of the sun.” The prisoner would be angry and in pain, and this would only worsen when the radiant light of the sun overwhelms his eyes and blinds him. The sunlight is representative of the new reality and knowledge that the freed prisoner is experiencing. Slowly, his eyes adjust to the light of the sun. First he can only see shadows. Gradually he can see the reflections of people and things in water and then later see the people and things themselves. Eventually he is able to look at the stars and moon at night until finally he can look upon the sun itself. Only after he can look straight at the sun “is he able to reason about it” and what it is.
a sign of madness,
Plato continues, saying that the freed prisoner would think that the real world was superior to the world he experienced in the cave; “he would bless himself for the change, and pity [the other prisoners]” and would want to bring his fellow cave dwellers out of the cave and into the sunlight. The returning prisoner, whose eyes have become acclimated to the light of the sun, would be blind when he re-enters the cave, just as he was when he was first exposed to the sun. The prisoners, according to Socrates, would infer from the returning man’s blindness that the journey out of the cave had harmed him and that they should not undertake a similar journey. Socrates concludes that the prisoners, if they were able, would therefore reach out and kill anyone who attempted to drag them out of the cave.
other levels, the fake journal entries, the time scoop, in the geological strata, a critical thinking story, what makes us believe the Earth is as old as it is is evidence, pointing in the direction of a Truth, a little bit paranoid, Philip K. Dick has a whole story about it, an evidence laying assassin robot, questioning the science, then you have a Philip K. Dick story, Vulcan’s Hammer, a real theme he’s struggling with, don’t get into conversations with strangers, you’re a human being … I guess, it’s great to be in a country where you don’t understand the language, an afterword by Thomas Disch, a downhill racer of a writer,
If Dick had stopped to think (but that’s something a downhill racer can’t do), he might have realized that there was an essential dramatic disparity between the two stories he was trying to weld together. The Yancy part of the plot generated a story about dirty tricks in high places, a genre for which Dick possesses little flair (compare le Carré and his better imitators), while that element of the story that all readers remember, after the lapse of however many years, is the notion of the human race imprisoned in underground factories because they’ve been tricked into believing that a nuclear war has destroyed the world. It’s an extraordinarily resonant idea. One thinks of the dwellers in Plato’s cave who know nothing of the reality but the shadows cast on the wall; of the similar destiny of Wells’s Morlocks; of the prisoners in Beethoven’s Fidelio; and of ourselves, living in the shadows of a nuclear threat that is only bearable by pretending that it does not exist. To have recognized that our situation is a kind of madness (“What, me worry?” sang the Titanic’s passengers) has not helped us toward a solution, for our situation with respect to the bomb is not much different in 1983 than it was in 1964. And for that reason The Penultimate Truth, for all its flaws, remains a book that can speak to the terror that is the bedrock of our social order.
plotting the distance away from a nuclear target in order to survive, a nuclear wasteland in every movie, an insipid Kardashianism seems to have taken over, we seem to have gotten worse, the fading away of the nuclear threat, the 99% accepting the 1%, breaking free from the cave seems impossible, the internet is our Yancy, like the same things on Facebook, we all have the same opinions, political correctness is like fascism except you can’t use that word, John Wayne day backlash (because he was apparently super-racist), Donald Trump is a power word, he’s willing to say whatever he wants to say, you have to come to that, arguing with the racism, Hieronymus Bosch are loveley, the Kriegsspiel argument, everyone should struggle with this, a dictate from on high or social mimesis, walking by the lottery counter, there’s no way to fix that, think about it, don’t just think the right thing because its the right thing, the re-writing rooms, the proles kind of ignore the prole-feed, the tankies who don’t know, the meek inheriting the Earth, maybe we aren’t meek enough, sprawling demesnes, the human condition, a good book, pulling the veil or reality aside, back to the shadows, from The Republic, the leadies are the leaden weights, the armies of the 1%, how much do you need to be educated, is it for gold or for lead?, Mr. Dick you did something with it, a downhill skier of a writer, add The Mold Of Yancy, he’s such a great idea man, he really engages with the situation, Souvenir by Philip K. Dick, The Defenders is improved upon reflection,
The wonder is how often Dick was able to produce work of real interest and wit in these marathons of typewriting. For readers who read at a pace proportioned to his speed of writing (as most sf fans learn to do, or else cease being fans), the dull patches disappear into a haze of white powder as they careen down the slopes of the narrative. It is the ideas they are after, and Dick always provides more than a sufficiency of these.
Disch knew what Dick was all about, the longer novelettes, he has to pay the bills, too much plot, not enough story, welding together three stories, what was your process, MAN!?, Marissa attended a conference with a bunch of Dick wives and lovers, how much is reflected in what Marissa heard?, how much he loved everyone, feeling betrayed and angry, how funny he is, playing tricks on people, I love that Dick is seemingly incapable of being self-concious about what he loves, Roog, can you pick a subject that is less cosmic in scope, passionate about weird little things, watching a pilot for a new Science Fiction show, Colony (TV show), domesticity, “yeah, I’m out”, sympathy for the characters, overlaying crappily manipulative music, engaging with them in a real way, that dog was a real dog named Snooper, Jonathan Lethem, so good at self-examination, he’s the anti-facsist, he’s wise as well as crazy, he’s blind but he’s glimpsed greater truths, gnosticism, his fallout stories, we will miss them, you should be reading these PKD books, our listeners aren’t watching the Kardashians, are they?
Posted by Jesse Willis
Robin Of Sherwood: The Knights Of The Apocalypse
By Richard Carpenter; Performed by a full cast
2 Hours – CD or Digital Download [AUDIO DRAMA]
Publisher: Spiteful Puppet
Published: June 30, 2016
England in the reign of King John and a dark force is intent on conquest. Only the hooded man can stand against it… The church lies impotent at the mercy of the Pope and the interdict against the kingdom. With the people living in fear and a series of disappearances that threaten the very fabric of noble society, Robin ‘i’ the hood and his band of outlaws must race to rescue the past so that the future may be protected. A journey to Huntingdon and beyond Sherwood will see them battle their most dangerous enemy yet as Herne’s son faces The Knights of the Apocalypse…
If you close your eyes you’ll see it – it being a new two part episode of the classic ITV television series Robin Of Sherwood, minus the grainy 16mm film stock. From the opening Clannad theme – you’ll see it all – that brightly lit forest green, those grey stone castles and churches, the flashing swords, the flying arrows. You’ll of course hear them all too.
Early into The Knights Of The Apocalypse we learn that England is suffering under the “Interdict”, a punishment of all of England for King John’s offence of the Catholic Church. This really happened. The titular Knights of the Apocalypse, though fictional, are said to be a breakaway branch of the Knights Templar – and the ultimate historical destruction of the Templars is very effectively retroactively-foreshadowed in this production.
The two hours, in two parts, had me struggling with the heroes, thinking deep thoughts, rallying against the heavy hand of oppression, chuckling at the baddies, laughing with the heroes, worried at what might possibly happen next, then heart-warmed, and ultimately delighted at the lightfooted sweep all the little details added up to. This is an epic as big as The Swords Of Wayland and as revolutionary as Robin Hood And The Sorcerer.
Barnaby Eaton-Jones, the producer, seems to have made it his mission to make The Knights Of The Apocalypse as true to the original show as humanly possible. Soliciting initial funding using an indiegogo campaign, Eaton-Jones paired a script by the now deceased Richard Carpenter, Robin Of Sherwood‘s creator (he also wrote some of the show’s finest episodes), and tracked down every living member of the original cast to this production. The result is truly tremendous! It is amazing to hear the voices of that old cast once again – Mark Ryan (the brooding Saracen swordsman Nasir), Ray Winstone (forever the hot-headed Will Scarlet), Clive Mantle (smiling and gentle Little John), Jason Connery (that noble second incarnation of Robin, the hooded man), curly haired Judi Trott (voicing the summer maid of Sherwood, Marian), Phil Rose (the friendly friar, Tuck), and Peter Llewellyn Williams (Much, the simple miller’s son).
A lot of folks probably think of Alan Rickman as the most iconic Sheriff of Nottingham – he was terrific – but for me the worst (and by that I mean best) Sheriff of Nottingham will always be Nickolas Grace. Grace is back to his old tricks; playing that cowardly cartoon of law, that malefactor of injustice, all the while wonderfully dripping contempt and venom from every sour word. We get Grace in several scenes, including some with his equally contemptible brother, the Abbot Hugo, played wonderfully once again by Philip Jackson. A few of the voices are new, filling in for the deceased Robert Addie (Guy of Gisbourne) and Daniel Abineri (Herne, now played by his son). But we also get some audio drama stars like Colin Baker and Terry Molloy playing guest villains.
The Knights Of The Apocalypse is a magical experience. Its story will satisfy, so much so that it could slip-in right next to that final TV episode that aired June 28, 1986. No, this is not a reboot, not re-imagining, not a rerun – this is a reunification. You’ll be reunited in righteous camaraderie with the merry folk of Sherwood – doing the work that must be done, for the good of the people, and breaking the law as needs must.
In reading some of the other early reviews I think they’ve short-shrifted both the historicity and the timeliness (or maybe the timelessness) of what’s going on in The Knights Of The Apocalypse. This really isn’t just a story about how a cute cult TV show got a little fan service 30 years after the last episode aired. No, this is a story about power, politics, economics, about religion. This is a story about class and class struggle, human virtue and human vice. For who is King John, that off-screen terror, if not the hubristic government the governs for the rich and not for all? Who is the Sheriff of Nottingham if not a cynical functionary enforcing the unjust laws unequally, and for his own gain? And why is it, exactly, that an old folktale about a band of heroes who break the law for the good of the people so very, very resonant exactly 30 years (or approximately 550 years) after they were first told?
Here’s a recent piece of publicity:
Posted by Jesse Willis
Talked about on today’s show:
a terrible funny book, contemporary American politics, Jim Briskin, a bunch of stoners going out to dinner, political sophisticates, the ending, PKD is sick of his own story, precedents, Cantata 140, Johann Sebastian Bach’s When Sleepers Awake, H.G. Wells, seeing it from the wrong end, time travel, putting people into suspended animation, poor political intrigue, House Of Cards, what America is really about, racism and class, the cols and the jerries and the bib, why are they called bibs?, most bibs are cols, cols = coloureds (non-whites), jerries = geriatrics, Robert A. Heinlein, other themes, Dr. Futurity, two books smooshed together, that was a funny two books, other books on this theme, Living Space by Isaac Asimov, you can own an entire empty Earth, aliens come to visit, the sleepers, Lockstep by Karl Schroeder, The Forever War by Joe Haldeman, a sense of deep time, the beginning of this book, so racist, not as racist as it sounds, Herb Lackmore, get an abortion, a “wheel” is a car, more of a U.S. thing, the United States stands in for the entire Earth, an economics issue, other countries have had this problem in the past, England (the enclosures), they sent them to Canada, New Zealand, South Africa, we don’t have that frontier, Dick nailed the economic problems of the early 21st century, a clunky 1960s novel, fun-house mirror prescience, seeing through a Scanner Darkly, white vs. black election, Trump supporters, C.L.E.A.N., the Tea Party, the KKK, super racist organization, interesting payoffs, the pekes (Peking man), sloping foreheads, racism vs. speciesism, and the moral of this story is…, Bill Smith walks into the room, even more hilarious, this whole incident will fade out of reality, whatever political scandal is happening this week…, nothing comes of it, how you gonna terraform Uranus?, a gigantic problem, what happens?, frustrating, but we love it, that mutant peke, even the space brothel comes back online, everybody hit the reset button, like a Star Trek episode, the Prominent Author by Philip K. Dick is entirely explained within The Crack In Space, a jiffy scuttler, Terran Development, Mary (again), “I’m thinking of writing a sequel”, a very funny joke, God is the most prominent author, an almost Jim Briskin, he was a “newsclown”, Stand-by, What Will We Do With Ragland Park?, interesting SFF audios, precognitive songs, weird, The Daily Show, Stephen Colbert, Bill Maher, a flaming red wig, the Philip K. Dick fan page notes, Ace Books changed the title, the title is a double-entrendre, “The Golden Door”, very American, they hate sex and they love it, where’s our flying taxi to take us to our brothel in space, a giant boob in space, bootleg organs, nothing came of that, Doctor Who, Revelation of the Daleks, consumer resistance, are you sure want to do this?, Vanilla Sky, Abres Los Ojos, the two political parties, the Liberal Republicans and the Conservative Socialists, possibly the worst book by Dick, not the book to start with, full of lots of ideas and humour, George Walt (the wind god), he’s a libertarian, see what you get, one long rambling set-up, you can’t live in this novel, Dr. Futurity, a valuable and valueless skill, bonkers, more repairmen, fewer presidents, The Simulacra, they’re all blending together, The Man Who Japed, Vulcan’s Hammer, The Cosmic Puppets, Solar Lottery, Eye In The Sky, these are the golden books, somehow they all got published, Now Wait For Last Year, a floppy fruit salad, he was attempting a trick, it didn’t work, wub fur pajamas, advertising on the doors, like Minority Report‘s ads (the movie), Mr American Buisness, my “golden door”, the Statue of Liberty’s poem:
The New Colossus by Emma Lazarus:
Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”
that’s why, the abortion therapist wife, we’re supposed to empathize with the cols, if he had had another pass at this…, flying to the coast of the new world, a new Normandy invasion, how many D-Days, Neanderthal strivings are modest, The Long Earth by Stephen Baxter and Terry Pratchett (a sequel of sorts), Stephen Baxter doesn’t write comedy, if this is his worst it does not turn us off at all, clunky and malformed like the brow ridges on a peking man, a slight vacation from our own broken crazy world, the audiobook, the narrator made one character sound like Ronald Regan, Eric Dawe, a few jiggling boobs, almost no women, this novel doesn’t pass any tests.
Posted by Jesse Willis
Talked about on today’s show:
On the merits of “The Scouring of the Shire”; final volume as catharsis; on Bilbo opening up the Shire, paving the way for the scouring; the transformation of Pippin and Merry; Hobbit lust for Bilbo’s gold; rejection of wealth compared to The Hobbit; on The Hobbit as a children’s story; “Hobbits are a thing!”; humility as seeing the truth; Hobbits just need a flame to fire them up and save the Shire; Sam’s ring-bestowed vision of a giant World-Garden; core of Hobbit goodness; of the many meanings of the word “scour”–cleansing, ruining, scowling, hurrying; chronology, and just how long Saruman had to ruin the Shire; Saruman on the road, “the beggar and his dog”; debating the value of mercy; Galadriel’s gift to Sam; on the validity of visions in the mirror of Galadriel; Théoden as precedent for mercy; unexpected changes of heart; Frodo’s not a fighter, stops killings; Hobbits don’t kill one another; have Hobbits changed?; World War I monument for Hobbits, mass grave for ruffians; are there sharks in Middle Earth?; Saruman’s voice on Freeboard; even after the last battle, life goes on; Aragorn’s mercy towards the vanquished; determinism not incompatible with free will; on this concluding volume’s themes; George R.R. Martin and J.R.R. Tolkien diametrically opposed in their treatment of mercy and duty; can absolute mercy work in the modern political climate?; it’s not a Catholic book; evangelizing Lord of the Rings, promoting mercy, one family at a time; Éowyn and Faramir’s romance; Tolkien is not the best battle-writer; a “book without girls” (almost); the golden moment of the world’s salvation; Éowyn’s not initially a Faramir fan; the tricky gender implications, and many happy pairings; Tolkien’s retcon of names like Eleanor; the circularity of tales and the importance of birthdays; Saruman as Dorian Gray; Jesse wants Hobbit University fanfic; the subtle frame narrative of Lord of the Rings; the thirst of the characters made Julie thirsty; is Lord of the Rings the greatest novel ever?
posted by Seth Wilson
Talked about on today’s show:
a recent novel, Hugo Award, Nebula Award, a long novel, a genderless society, an absence of vocabulary, a politics-biology-language fusion, a light space opera, a murder mystery, a multi-body perspective, foreshadowing a sequel, confusing historical allusions, empire, imagination, personal story, dialogic, magnetic fiction in space, a puppet-like main character, mysterious actions, an unsatisfactory explanation, slave women, a fight for emancipation, Do Androids Dream of Electric Sheep? by Philip K. Dick, auxiliaries, the story of Spartacus, Roman family bonding, Jane Austen, dystopia, slaves into servants, expected violence, Roman colonization, a distinct approach to human ethics, the Old Testament, old-fashioned faith, short stories, key words, views of reality, spiritual progress, omnipotent deities, reconstructed ancient religions, J.R.R Tolkien, Lieutenant Ahn, Hindu deities, tea, Jo Walton, coffee, Japanese morality, Shintoism, Horrible Histories, Scholastic books, Frank Herbert, religious engineering, Hellstrom’s Hive by Frank Herbert, government religion, Dune by Frank Herbert.
Posted by Jesse Willis