The SFFaudio Podcast #434 – READALONG: The Maltese Falcon by Dashiell Hammet

August 14, 2017 by · Leave a Comment
Filed under: Audio Drama, Podcasts 

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #434 – Jesse, Paul Weimer, Julie Davis and Maissa Bessada talk about The Maltese Falcon by Dashiell Hammet

Talked about on today’s show:
Peter Lorre is not in Dracula, 1929, Black Mask, Sam Spade, The Dain Curse, 1941 movie, Star Trek: The Next Generation: “The Big Goodbye”, Mr Leech, Laurence Tierney, Cyrus Redblock, Sindey Greenstreet, Gutman, Brigid O’Shaughnessy, The Black Bird (1975), Wilmer, The Twilight Zone, Effie Perine, his mom is his secretary, watching for kicks, seeing the bird in colour, Satan Met A Lady (1936), the BBC Saturday Night Theatre adaptation, John Huston, Constantinople became Istanbul, we disagreed!, too right to fool with, we agreed!, Raymond Chandler vs. Dashiell Hammet, same genre, so heavy on description, a Pinkerton man, doing the right thing (for different reasons), hard-boiled to the core, a narrow code, moral problems, big on description and framing scenes, immersed into the world by following the words, seeing the movie in the book, seeing the power, an ‘impatient grimace’ is stage direction, text devoted to description, the opposite of a Philip K. Dick novel, what film does, the scene where Bogart leaves after pretending to be angry, that shaking hand, best screenplay adaptation, unlike Philip Marlowe, who is the homophobe? the author or the character or both or neither?, a perspective, we notice like she does, don’t blame me for being a fake, is there a homophobe?, Brigid is baiting Cairo, the one you couldn’t make, when you’re slapped you’ll take it and like it, you could make a strong case, Jesse was baiting, what Spade is doing, who is the gay man in this story, Wilmer gets the slurs, Joel Cairo, smells of gardenia, fruity, a Greek passport, speculation that Gutman is gay, a gay gang or a queer gang, genial, William Dufris’ narration of the novel, thinking for oneself, a blonde Satan, the teeth thing, a trademark, Humphrey Bogart, another kind of gay man, “the boy” “Wilmer you’re like a son to me, but sons can be replaced. There’s only one Maltese Falcon”, a really strange family, where Julie goes for her gay family information, Wesley Crusher’s mom, touching Picard, a weird family meeting in Picard’s ready room, the Klingon, Data the Pinocchio character, the characters in the holodeck story, the detective friend, all after “the item”, what makes the dynamic so awesome, the highest point in the film, “I spent 17 years looking”, let’s go to Constantinople, Peter Lorre has purpose and meaning, they invite Spade to come along, the movie makers loved, it the audience loved it, and that’s how we get Casablanca, reuniting over and over, three kinds of men, the tough cynical tough guy with a code, the sycophant (the leech), I need you stand with your hands behind your neck, every future episode, that pistol, that is why we love Joel Cairo, the Gutman Sidney Greenstreet is so dynamic, I love talking to a man who loves to talk, the palming of the $1,000 bill, I have to have my games, apologizing while insulting, the key to his relationship with Wilmer, Gutman loves manipulation, find me a character that isn’t manipulating, even Effie is manipulating, everybody is manipulating everybody, what the hell!?, a hetero sort of version of the gay team, Archer’s cheating, there’s a woman out here, she’s a spectacularly bad judge of character, everybody is cynically manipulating everybody else, even the cops are in on it, the Star Trek adaptation, sharing pickled pig feet, not with those caps, here to offer insight, Julie’s going to disagree halfway through, why does this novel work so well, as opposed to any of the other Dashiell Hammett novels, chasing a whatsit, almost identical plots: Ronin (1998), an international cast, San Fransisco, “I need a kiss”, everybody is manipulating each other, the great whatsit, the McGuffin, Mike Spillane a glowing suitcase, the room lights up and you’re face comes off, Pulp Fiction, why does this all resonate, in a world without God we do not have any purpose for existence, the price of the Maltese Falcon goes up and up and up, it could be worth an infinite amount of museum, something worth chasing after, maybe my life can regain a purpose, we get a sense of ‘oh yes, this is something can chase after’, why we love they don’t kill Gutman is they are allowed to go one along with their quest, that god shaped hole, high five, Scott! Scott!, the Flitcraft case in chapter 7, looking at it very obliquely, death is real, not the life he wants, he recreates the life he was living, the proper pronunciation of “Spokane”, what’s the point of the Flitcraft story, Spade telling a story, fleshing Spade out, how Spade wound up in San Fransisco, coming out of the mists, backstories, a ball of snow rolling down a hill, Cairo’s backstory, that’s why he’s a private detective, captured by pirates, lost in France for history, not Mr Wells’ history, a history of humanity, a micro-story,

He knew then that men died at haphazard like that, and lived only while blind chance spared them.

“It was not, primarily, the injustice of it that disturbed him: he accepted that after the first shock. What disturbed him was the discovery that in sensibly ordering his affairs, he had got out of step, not into step, with life. He said he knew before he had got twenty feet from the fallen beam that he would never know peace again until he had adjusted himself to this new glimpse of life. By the time he had eaten his luncheon, he had found his means of adjustment. Life could be ended for him at random by a falling beam: he would change his life at random by simply going away. He loved his family, he said, as much as he supposed was usual, but he knew he was leaving them adequately provided for, and his love for them was not of the sort that would make absence painful.

how perfectly fascinating, she’s always lying, Tacoma, you’re never going to change, she doesn’t get it, I’ve lied so long I don’t know how to do anything else, s specific note, a specific word, thank you for saying “fuck”, this book had censorship, the word “gunsel”, punk, a male prostitute or sex slave, projecting homophobia, a back and forth exchange, in the lobby of a hotel, “the fairy”, New York aren’t you, Baumes’ rush (the 1920s equivalent of the three strikes law), bums and hobos and gunsels, shove off, you can tell G I said so, he never brings his eyes up, he’s almost not there, shove off, performance art, that would go over big on 7th avenue, censorship, sailors, where sailors go to pick up…, to shake loose information, he’s employing homophobic language to provoke, Miskatonic.org Rara Avis (the rare bird), bulletin boards, amateur scholars, he can’t act, a Lux Theatre adaptation, Hollywood actors recreating movies as radio dramas, Edward G. Robinson as Sam Spade, a strange line, You’re the sister of the boy who stood on the burning deck, Casabianca, we don’t know how Casablanca came to be, a great classic out of a filler, a wonderful confluence of events, strange international relations, Vichy France, the Nazis, that great speech, a romantic positive speech, come around to me in 20 years, do you think either one of them loved each other?, his philandering, they’re all angels, what does love leave to them, he’s the hetero version of Cairo, sent to sleep with the Russian, a fun speech (pure bullshit), the ending of Casablanca, this could be the beginning of a beautiful…, Jesse’s independent research, the letter of transit is the Maltese Falcon, they ripped this off!, a solid but unspectacular hit, a work of genius, standing the test of time, you’re principles, she’s worth and so is the boyfriend, cipher, what does that amount to?, not a hill of beans (in this crazy world), here’s my code, I’m not playing the sap for you, low spirits, by late 1941, the cynicism, a comedy by accident, comedy, you’ll forgive me but it’s not good for me to be alone with you, poor Joel Cairo, we can give up you, it’s really striking when they replicate that relationship, Spade made a cigarette, Lauren Bacall, a kind of remake of Casablanca, To Have And Have Not, Bold Venture, Slate Shannon and Sailor Duvall and King Moses, set in Havana, playing to type, ideas vs. character, a story full of ideas – but demonstrated, Hammett leaves you to put it together, what was going on his head?, Red Harvest, even leaner, his style is amazing, he’s super-smart, he doesn’t put genius into the characters, people make movies about his life, fought in both WWI and WWII, evil mercenaries operating for giant evil corporations, Lillian Hellman, HUAC, throw a veteran of two world wars thrown in prison as “unamerican”, The Thin Man, The Adventures Of Sam Spade, talking everybody’s space away, the original Rat Pack, Errol Flynn, Eva Gardner, quite a pack, the den mother, a good to do list for anybody, she’s wise beyond her years, self-possessed, a match for any man, You Must Remember This podcast: Bogie Before Bacall, Bacall After Bogie, so 1945, asking Peter Lorre for dating advice, another really wise guy, better five good years than nothing, go for it you idiot!

Black Mask, September 1929 - The Maltese Falcon
The Maltese Falcon and Humphrey Bogart
The Maltese Falcon (Folio Society)

Posted by Jesse Willis

The SFFaudio Podcast #420 – READALONG: Farewell, My Lovely by Raymond Chandler

May 8, 2017 by · Leave a Comment
Filed under: Aural Noir, Podcasts 

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #420 – Jesse, Paul, Julie Davis, Maissa, talk about Farewell, My Lovely by Raymond Chandler

Talked about on today’s show:
Philip Morris vs. Philip Marlowe, he doesn’t like to get paid, not the greatest book?, LOVED IT!, randomly starting, a fix-up, obvious joins, Santa Monica, dumped off, odd climax, parts more than a whole, dialogue, description, character, setting, the rest of the Raymond Chandlers, the psychic part, mooshed together, The High Window, dialogue, a TERRIBLE plot, so stylish, the formula doesn’t matter, a matter of style, high style, a mess because of the way it is put together, Philip K. Dick, cannibalizing stories, here we go, worth reading, his best?, The Big Sleep and The Long Goodbye, The Lady In The Lake and The Little Sister, The Mandarin’s Jade, Try The Girl, The Man Who Liked Dogs, a gambling boat, three main threads, all the movies, overdosing, three audio dramas, Jesse’s dreams, the Japanese version of The Long Goodbye, when is it exactly set?, the 1975 Robert Mitchum story, Germany Invades Russia, Detective Kills Two, The Falcon Takes Over, after prohibition, gin bottles, the soakingest-full-of-alcohol book ever, sodden to the corners and spine, seeing the same scenes, a totally autobiographical novel, the girl with the flashlight, he sapped himself with alcohol, blacking out all the time, Nine Princes In Amber by Roger Zelazny, Double Indemnity, Billy Wilder, driven to drink, no prize, two geniuses, a certain self-loathing, doing terrible things, a likeable asshole, 40s and 50s noir films, suicide, similarities, the writer with the drinking, the crazy wife stuff, running into the sea, a recurring theme, night swim, fully loaded, coming off of prohibition, Moose’s imprisonment, below the surface, timeless, set in Dixon Hill land, the Picard detective, Cast A Deadly Spell, gumshoe H.P. Lovecraft, femme fatale, hard drinking, Sam Spade, self knowledge, Agatha Christie, Mickey Spillane, brutal, his brains were on his face, gut shot, shot up with dope, you’re so great, “Tell me some more”, side paths, a simple story arc, getting lost, too much personality, disjointed, Harry Potter, writing derived from movies, how action movies are made, an opening chase scene, all the elements, the formula, the pulp magazine style and needs, the action figure merchandising method, following and not following, literally dragged into the plot, what is this doing here?, a hard fit, deviations, this is not the book at all, too dark and not noir enough, script problems, a character from a different series with Chandler’s plot, Murder, My Sweet, Dick Powell, Who knew murder smelled like honeysuckle?, it tears your heart out, noir for her, Mrs. Grail is her own femme fatale, shot herself in the heart twice, honesty about corruption, Bay City?, a huge corruption scandal, graft, you wanna see my house pal, Commissioner Wax, corrupt to money, everything goes sweet, the wrong side of money, the way they treat the blacks in the story, misdemeanor murder, horribleness, you’re not clean not even one little bit of you, not a just society, my dad was not on the take, I gave her the dope because her dad was cop, the puppets dancing on a string dance for love or money, Velma says money brings its own problems, a torch singer, “money must help”, quoting on twitter, a coat, a hat, a gun, you’re a tough guy, as crazy as two waltzing mice, do something really tough like putting your pants on, hangovers, a face like a sack of mud, strewn with empty bottles, a complete souse, the lady across the street, she doesn’t hold with liquor, a sad busybody, urban isolation, shut away with our own problems, where are the children?, she leaned forward a little, Julie’s right, Anne Riordan, a nice town, reading-along, on the boat with Red, latent homosexuality, slightly sticky, the wet air was as cold as the ashes of love, deferring hanging out with women, give me flowers first, The Maltese Falcon, different insights, Joel Cairo, Paul’s Peter Lorre impressions, not very cheerful, what it isn’t, the master of similes, all negroes, as heavy as a waterlogged boat, a face that had nothing to fear, why people love reading him, we need to do work, we need to infer what the descriptions mean, “Shinebox, where’s Velma at?”, a theory about Moose, golf ball buttons, “Jus the scram white boy, just the scram”, focused on love to the exclusion of all else, that black pool opened up at my feet and I dived in, one of the effects of heavy drinking is memory loss: Korsakoff syndrome, all he could have in his head, why is he simple?, interpretation, why didn’t she shoot herself in the head?, using Moose, looking for love, she did love him (Moose), a tragic hero/monster, Marlowe’s story, The L.A. Times, who needs Agatha Christie, who dun it, why dun it, who sapped Marlowe, amazing descriptions of the night, sometimes it is for love, the gangsters, the why is the reason for the investigation, that’s a character, if the question is why the answer is alcohol, re-reading The Big Sleep, Sherlock Holmes, real California vs. dream California, secret stairways, Mullholland Drive, strange dreams, the mirror on the wall in the office, Lawrence Block, if somebody made a down-payment, an exchange with Rembrandt, he can narrate his own story, a reflection of Moose above, seeing yourself and then someone else, so good Philip K. Dick style, what they were born to do, you can just feel it, applied to a genre, they are themselves, care-free, that whole scene, try the phone book, just waiting to wake up, Dark City (1998), a true love, The Thirteenth Floor (1999), the world is shit, Blade Runner, a new Blade Runner, Arrival, a beautiful gorgeous job, The Running Man, straying, really read it, I’m kind of cute sometimes, Bored To Death, a humorous take on Chandler’s Marlowe, if Jesse won the lottery, I’ll have the desk, and the hat, the equipment, the Sam Spade phone, what Patrick Stewart does, Ross Macdonald, hanging out with rich people, the experience of a writer, too much from life experience, one of the strangest openings to a novel, who has watched all of Veronica Mars?, so good, so well written, Brick, a father daughter private detective agency, hardcore hardboiled, like Buffy, Mitchum is not Elliot Gould, the Ray Porter narration, the Elliot Gould narration, abridged?, he’s not a dummy, a simpleton, a corpus delicious, laugh on your day off.

BALLANTINE BOOKS - Farewell, My Lovely by Raymond Chandler

Farewell, My Lovely by Raymond Chandler

Posted by Jesse Willis

The SFFaudio Podcast #351 – READALONG: The Long Goodbye by Raymond Chandler

January 11, 2016 by · Leave a Comment
Filed under: Podcasts 

Podcast

TheSFFaudioPodcast600The SFFaudio Podcast #351 – Jesse, Julie Davis, Seth, and Maissa talk about The Long Goodbye by Raymond Chandler.

Talked about on today’s show:
1953, Philip Marlowe, the long answer is no, The Big Sleep, “noir”, A Good Story Is Hard To Find, Double Indemnity, Billy Wilder, Elliot Gould, abridgements, long or too long, spending time with the detective, forgetting about plot, Ray Porter, The Maltese Falcon, Dashiell Hammett, The Big Sleep, the book, the 1978 audio drama (90 minute), the Japanese 5-part miniseries, the recent BBC audio drama, the 1973 movie, overdosed on goodbyes, this is not a noir book, typically hardboiled is with detectives, noir is typically not with detectives, hardboiled vs. noir, Greek tragedy, a basic distinction, poisonville, a certain lack of hope, the detective with a heart of gold, Mickey Spillane, the anti-Philip Marlowe, being more cynical, more punchy, twisted, he’s hitty, Chandler’s best lines, how many times “goodbye” comes up, see you in a line-up, you never say goodbye to the cops, this is just quiet enough, cynicism, he cares too much, do you ever get paid?, $1,200 in the bank, he’s got a portrait of Madison, “I’m a romantic Bernie”, “the smear”, coffee, the little wake, a mystery, remember that pigskin suitcase?, pigskin gloves, the central mystery, who murdered Terry Lennox’s wife, Wade’s wife, his test, I wish I could have killed them both at once, Sylvia, he couldn’t perform?, a more successful version of herself, femme fatale, muddled by drugs, a Linda Loring, throwing the suitcase, that’s the suitcase, Sylvia’s face, is that something Eileen could do?, she’s like the worst thing in her life, when you go crazy mad, caught in a lie, what about the blood?, we infer she beat Sylvia to a bloody pulp, why would she lie?, she wants to make it seem more real, my husband shot her then beat her, emotion and drugs, the 1973 movie, the Elliot Gould movie, the Q&A with Elliot Gould, diverged, plot and tone, weird and good, lighthearted and noir, script by Leigh Brackett (of Empire Strikes Back), a return to Los Angeles, Eileen is still alive in the movie, a conspiracy, Mrs. Wade is in love with Terry Lennox (and married to him as well), she despises him (or is she lying?), Eileen blames Sylvia for everything, the cool thing about this book is that it is very open, experiencing the mystery (rather than solving), just supposition, the mailbox, its almost as if the Mexican Terry Lennox doesn’t know what’s going on, a rotter from the beginning, what we read a lot of these books for, the mystery as the vehicle, Derek Jacobi reading The Adventures Of Sherlock Holmes, there’s a humanity to this, making different choices when in custody, Marlowe saw something in Lennox worth redeeming, if Bryan Alexander were here…, because it is a war book, huuuuhhhn, 1920s book by authors who survived WWI, which regiment was Lennox in?, the SAS in 1942 in Norway, taxi drivers and cops are vets, Chandler’s Marlowe is a vet, using the terminology, the one thing that is left unsaid, why is Terry Lennox acting this way?, his wife, he’s a wastrel, how the other characters react to Terry Lennox, the criminal in Los Vegas, Randy Starr, Manny Menendez, there’s no need, why didn’t you call sooner?, the reason he’s got those scars on his face, against my better judgement, picking up a wounded warrior, he does that for all kinds of people, Double Indemnity wasn’t fueled by war, where does that go into Some Like It Hot?, Terry Lennox is a bookend, pointing fingers and taking names, drugs and partying and corrupt police, why the analogy doesn’t work, the guy who’s not fighting during the war, James M. Cain, about rich selfish people who are wasting their lives, the plot, throwing them into relief, the contrast, seeing Terry Lennox lying on the road, what Terry Lennox has those scars for, the Japanese version, everything is inverted, he can’t be an American soldier, the enemy is the Russians, a different spin on it, dealing in the results of war, post-traumatic stress syndrome, over-the-top, over-saturated lighting, a lot of coffee, a comic book adaptation, answering unanswered questions, sympathetic, Candy is Julie’s favorite character, the war is central to the Japanese adaptation, reading it now, the first four or five Robert B. Parker Spencer books, The Godwulf Manuscript, a war novel, The Guns Of Navarone, The Lord Of The Rings as a way of dealing with WWI, talking about other things, A Voyage To Arcturus by David Lindsay, Mary Shelley’s Frankenstein, what it was like to be in the Ardennes in the winter of 1944, it was like being homeless, hoping the supply train is going to come through, why is he getting drunk all the time, hidden secrets and identities, there’s something about Marlowe, a survivor of the war of life, the drunk tank, the POW camp, Chandler thinks this is his best book, taxi drivers reading escapist science fiction magazines, if I was in that kind of condition…, we’re all in the same army, just want to make things right, to try and set some sort of reset, fix things, once in a long while you get dead, a load of grief and a bit of money, stopping the entropy, why can he not have a normal life any more, it’d be reductionist to say it was about war, post-war USA had a hell of a lot of drinking, half gin and half Rose’s lime juice will still get you soused (a gimlet), autobiographical (Chandler’s wife was dying while he was writing The Long Goodbye), author talks, Chandler is showing us a complete look at detective work and all that it takes, they’ve all got a scam going, sold his soul to the company store, his journalist friend, working the problem, Idle Valley (where the rich people live), Marlowe as an ex-drunk, what the drunk-tank is like, the life of an alcoholic, Chandler had drinking issues, a recovering alcoholic, more coffee than gin, the 1973 movie scene, “let’s get drunk”, trying to find the truth, the F. Scott Fitzgerald connection, The Last Tycoon, more idle rich, Wade writes historical romance (instead of detective fiction), translating to Japanese culture, hentai, taking off the layers of dresses (a woman who has never taking a bath), hanging out with Wade, self-destructive not wife-destructive, he didn’t kill that woman, an incompetent femme fatale, might-have been sort of a hooker, Wade brought her out of the gutter, their Mexico is Taiwan, a period piece, he was driving an American car (left hand drive), they must have had fedoras and gimlets, a jazz version of, “it’s okay with me”, hash-brownies, Arnold Schwarzenegger with a mustache, it WASN’T okay with him, justice, Eileen Wade got to sit with it, dispensing justice, somehow it is the same story, in cahoots with the gangsters, political gain, why did Marlowe abandon Terry at the very end, re-question, red-herrings (or not red-herrings), re-framing everything, that’s how we actually live (unlike a Scooby Doo ending), I would never have come out had you not smoked me out, he puts stuff out there, I was in the commandos, you’re not hear anymore, as elegant as a fifty-dollar whore, prove to me you’re not that way, “that was the last I saw of him”, he had a chance to become better, wanting to see the truth done and the innocent people taken care of, detectives poke at things, there’s nothing inside, two empty people, one filling with alcohol one filling with drugs, both ruined by the war (or whatever), the perpetual human problem, what’s the hole that’s left inside, ya ya ya ya ya ya, full of really good quotes, Chapters (Canadian book store), this book is so much fun, [we quote from the book], one for Julie, one for Seth, a briefcase one, at the bar it was always five in the afternoon, Terry Lennox became a Mexican, a Mexican syncopation to his speech, how refreshingly unconcerned about political correctness, when a Mexican…, sooo racist, sooo genderist, it’s of the the time, the fact that he’s got a knife, a little more granular sense that he’s a little person, there’s no fake characters, heart of gold vs. cynicism, how far am I gonna go with this?, the way they dealt with each other (in the Japanese adaption), you would clean the war off me, a relationship of debt, subtitles with footnotes, the second time through, little bits of description, a bird chirping, the car was gone, a red oleander bush, a baby mockingbird, a single harsh warning chirp, birds have to learn too, priming you for all sorts of things, it’s rich, it works on more than one level, so much of their time, how much is a sandwich, drinking their night away, they didn’t think about it the way they do now, the movie Airplane!, he has a drinking problem, flashbacks to the war (WWII), out of context it’s hilarious, it still sort of true, we’re always going to have the cultural baggage, none of Jesse’s students know who the Flintstones are, Flitstone vitamins is an echo of The Honeymooners, The Simpsons, reading a book like this is kind of like time travel, tiny houses with orange trees in Los Angeles, L.A. Noire (PC game), the game reconstructs a huge part of Los Angeles, the Grand Theft Auto games, Chinatown, The Black Dahlia, L.A. Confidential, playing the game is kind of like revisiting that period, oh hey I’m in the middle of an investigation here, games vs. books, Robert B. Parker co-wrote the final Marlowe book Poodle Springs, Ray Porter’s narration, female voices, the Joe Ledger series by Jonathan Maberry, the Mexican characters, Elliot Gould’s narrations, nicely abridged, he’s a weird speaker, a Robert Altman movie, what is lost was all those Chandlerisms, a collapse of characters, well what have you got now, the movie starts with a cat, Michael Connelly, there’s something cool happening in that 3 o’clock in the morning, the cat abandons him, the cat is Sylvia Lennox, you can’t lie to a cat, they demand truth, the sunrises and the sunsets in the Japanese version, the colour of a sunset and a Japanese print, the things that they take, two BBC radio adaptations, a LIVE TV movie in 1954 (now lost).

Pocket Books - The Long Goodbye by Raymond Chandler - Illustrated by Tom Dunn

Posted by Jesse Willis

The SFFaudio Podcast #187 – READALONG: Tarzan Of The Apes by Edgar Rice Burroughs

November 19, 2012 by · Leave a Comment
Filed under: Podcasts 

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #187 – Jesse, Tamahome, Julie Hoverson, Luke Burrage, and David Stifel talk about the audiobook and podcast of Tarzan Of The Apes by Edgar Rice Burroughs.

Talked about on today’s show:
the classic Tarzan yodel, the dum-dum service, Tarzana, California, those beautiful Burroughsian run-on sentences:

“From this primitive function has arisen, unquestionably, all the forms and ceremonials of modern church and state, for through all the countless ages, back beyond the last uttermost ramparts of a dawning humanity our fierce, hairy forebears danced out the rites of the Dum-Dum to the sound of their earthen drums, beneath the bright light of a tropical moon in the depth of a mighty jungle which stands unchanged today as it stood on that long forgotten night in the dim, unthinkable vistas of the long dead past when our first shaggy ancestor swung from a swaying bough and dropped lightly upon the soft turf of the first meeting place.”

A Connecticut Yankee In King Arthur’s Court by Mark Twain (and SFBRP #151), Edgar Allan Poe should be read aloud, The Return Of Tarzan, racism, Esmeralda, Gone With The Wind, minstrel shows, Chicago, Arizona, the mammy archetype, radio drama racism, Jar Jar Binks, Star Wars: Episode III, October 1912, historical dialect, Jane (the white lady), “you just shot a woman in the head”, cannibalism, Conan Tarzan lynches his mother’s killer, rope tricks, out of context vs. in context, Tarzan as a god, Ballantine Books, the dum-dum scholars, Project Gutenberg edition, ERB Incorporated, Tarzan The Censored by Jerry L. Schneider, Tarzan Of The Apes censorship and “improvements” since the original publication, “an English grammar Nazi”, The Heathen by Jack London, taking out or changing a few words can hurt the story, Earnest Hemingway and William Shakespeare are “too wordy”, Tab Cola, Tarzan’s relationship with the cannibal villagers, “mankind and civilization aren’t”, colonialism, the Belgian Congo, King Leopold II, contemplating cannibalism, “the white god of the woods”, Greystoke: The Legend of Tarzan, Lord of the Apes (1984), Wisconsin, Tarzan’s ape father is driven away by Kerchak (and turned into a museum exhibit), “the Evil village of Scotland”, the sadness that comes with the deaths is powerful, Paul D’Arno, Obi Wan Kenobi, “Tarzan was the blockbuster hit of the twentieth century”, A Princess Of Mars, Ruritania, The Mad King, “complete in one issue”, All-Story, the scanty Science Fiction elements, feral children, Romulus and Remus, Mowgli, Tarzan is a wild child, “this line from a book”, all of Burroughs characters are excellent language learners, when Tarzan writes a note, Lord Of The Jungle (Dynamite Entertainment), the mistaken dual identity, “Jane has massive bosoms”, Green Mansions (starring Rima, The Jungle Girl), Johnny Weissmuller, “the Sheena of South America”, Audrey Hepburn and Anthony Perkins, Psycho, significantly more significant, the primary driver of fiction of this period is character, Nancy Drew, book serials, Rudyard Kipling dissed Burroughs’ writing and grammar, White Fang is kind of like Tarzan Of The Apes, first person vs. third person, you can’t admire the character from afar if the story is told first person, Sherlock Holmes, “that turn towards character is a turn towards the third person omniscient POV”, “that heroic distance” (1910-1950), Raymond Chandler, “I read Chandler”, Tarzan is the only Burroughs series that doesn’t turn to first person narration, John Carter’s character, why is Tarzan such a big character, Tarzan Alive: A Definitive Biography Of Lord Greystoke by Philip José Farmer, Tarzan as a quiet sophisticate, Doc Savage, The Green Odyssey by Philip José Farmer, Farmer is a fan of character, a stranger in a strange land, what ruined Julie for religion, The Mastermind Of Mars (is PUBLIC DOMAIN), “Tur is Tur.”, copyright, copyfight, jungle Tarzan vs. cafe absinthe drinking Tarzan, “the machine”, the Weissmuller Tarzan, where does he get his razor?, “that knife was his father”, “next book please”, Tarzan And His Mate , “lots of wet people”, “skin friendly”, melon-farmer vs. motherfucker, Boy and Cheeta are Hollywood, Scrappy-do, what did Tantor have to say?, Sabor the lioness, “there are no tigers in Africa, Ed”, Crocodile Dundee, Beyond Thirty, The Mucker, yellow peril looking dudes, The Girl From Hollywood, The Man Eater, early road trips, The Land That Time Forgot, The Lost World, the Caspak series, WWI, “sheer headlong adventure”, The Asylum, closing words, “it’s not what you think”, “really really good fun”, baby ape skeleton in the cradle, a classic of writing, a touching story, “and vengeance is his”, serialization in newspapers, cliffhangers, Charles Dickens, Wilkie Collins,

All-Story, October 1912

Maureen O'Sullivan as Jane in Tarzan And His Mate

Dynamite Entertainment - Lord Of The Jungle

Posted by Jesse Willis

CBC: Day 6 – Ray Bradbury interview from 1985

June 6, 2012 by · Leave a Comment
Filed under: Online Audio 

SFFaudio Online Audio

CBC - Day 6CBC’s Day 6 blog has a lengthy, November 1985, interview Ray Bradbury (conducted by Vicky Gabereau for her self titled Gabereau show). This is a terrific long-form and ramblingly awesome interview – as Bradbury himself puts it, it’s a “discussion about ideas.”

In it Bradbury talks about:
Moving out to California as a kid, how he gets around Los Angeles, his appearance on Groucho Marx’s You Bet Your Life, movies, directing vs. writing, Fahrenheit 451, Raymond Chandler, Dashiell Hammett, Ross Macdonald, James M. Cain, Norman Mailer, a discussion about ideas, bad male drivers, Blackstone the magician, Paris, France, the American Revolutionary War, architecture, Federico Fellini, Amarcord (1973), horror movies, The Fog Horn, The Beast From 20,000 Fathoms, Godzilla, dinosaurs, Moby Dick, William Shakespeare, John Houston, The Carrot People, The Horror Of Dracula, Christopher Lee, The Omen, Diabolique, Jean Harlow, Burns and Allen, The Trojans and sporadically his then current novel Death Is A Lonely Business.

And here’s that appearance on You Bet Your Life (featuring Ray Bradbury in a crew cut):

Posted by Jesse Willis

BBC R4 + RA.cc: Raymond Chandler’s The Long Goodbye RADIO DRAMA

September 30, 2011 by · Leave a Comment
Filed under: Audio Drama, Aural Noir, Online Audio 

Aural Noir: Online Audio

Radio Times review of The Long GoodbyeBBC Radio 4RadioArchives.ccJust in case you hadn’t noticed that RadioArchive.cc is back up, it is!

Woohoo!

And now that it is I’ll be sure to be watching for the complete torrent for this great sounding new BBC Radio 4 production of The Long Goodbye (it begins tomorrow)!

BBC Radio 4 - The Long GoodbyeThe Saturday Play – The Long Goodbye
Adapted from the novel by Raymond Chandler; Performed by a full cast
4 Parts – Approx. [RADIO DRAMA]
Broadcaster: BBC Radio 4
Broadcast: October 1, 2011 – 14:30-16:00
Toby Stephens is back as Raymond Chandler’s fast-talking private eye Philip Marlowe. This is California in the 50’s, as beautiful as a ripe fruit and rotten to the core, reflecting all the tarnished glitter of the American Dream. Outside a club on Sunset Boulevard Marlowe meets a drunk named Terry Lennox, a man with scars on one side of his face. They forge an uneasy friendship but everything changes when Lennox shows up late one night, asking for a favour.

Cast:
Philip Marlowe…Toby Stephens
Terry Lennox…..Trevor White
Eileen Wade…Saskia Reeves
Roger Wade…Peter Polycarpou
Howard Spencer…James Lailey
Candy…Simon Bubb
Menendez…Alun Raglan

Dramatised by Stephen Wyatt
Directed by Claire Grove

Check out Stuart Manning’s glowing review (left). It appeared in the latest The Radio Times.

[Thanks Roy!]

Posted by Jesse Willis

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