Review of CONAN RED SONJA by Gail Simone, Jim Zub, Dan Panosian, Randy Green, Rick Ketcham, and Dave Stewart
Conan Red Sonja
By Gail Simone, Jim Zub, Dan Panosian, Randy Green, Rick Ketcham, and Dave Stewart
Publisher: Dark Horse Comics
Published: July 2015
Conan Red Sonja is a hardcover collecting issues 1-4 of a limited series of floppies put out by Dark Horse Comics.
I was prompted to review this comic, a trade hardcover actually, after re-reading the review snippets on the back of the book. SciFiPulse, Kabooooom, Geeked Out Nation, and Doomrocket all praised Conan Red Sonja (I think I may have heard of one of these websites before).
And, after reading it myself, I’m thinking it might be time for another opinion on Conan Red Sonja.
I didn’t hate it. But I am very disappointed with it.
I think Conan Red Sonja would make an fine book for a preteen who has not read many comics, or maybe someone a little older who needs a bit of distraction while waiting at an airport, or any someone who needed to get an idea who and what Conan and Red Sonja were but didn’t really want to know any the specifics (for some reason). Conan Red Sonja would make a suitable book for one of these persons.
There are some things Conan Red Sonja has going for it. It isn’t completely disjointed, despite having large time jumps between issues. It contains some good artwork. Some good colouring. It is printed on great paper. It is bound very well.
I also think I like what writers Gail Simone and Jim Zub were aiming at. And to be fair they don’t completely miss the mark. This book has a some nice set pieces. Individual panels here and there can be quite pretty. The splash pages are well composed. The whole package is there. Unfortunately its just lacking in all the little polished details that would have made Conan Red Sonja something really good.
In essence what’s wrong with Conan Red Sonja is that it is just not smart enough.
Now I bet most people who haven’t read a lot of Conan comics wouldn’t expect you’d go to Conan or Red Sonja comics for smartness, but I do.
It used to be that Conan’s stories were based on short stories by Robert E. Howard (and a few other authors). That tended to smarten things up quite a bit. And Conan comics, unlike the superhero comics, had real deaths, people would die and – get this – not just come back a few issues down the road. That was smart too. Trust me, I know whereof I speak on this whole issue. I’ve been reading comics since the mid 1980s. I grew up collecting and reading Savage Sword, Conan The Barbarian, King Kull, Red Sonja and pretty much every other Robert E. Howard character they’d do a comic about. So I know Conan and Red Sonja pretty damn well – and it can be very smart stuff.
This comic isn’t very smart.
I’ll point to five very specific problems:
1. NO GUNS. Despite the drawing above, there are no cannons in the Hyborian age. Maybe this wasn’t actually in the script, maybe this is just a slip-up by an enthusiastic artist who, thinking “this is a pirate ship” and “pirate ships have cannons” drew some cannons. They don’t have cannons, not in the Hyborian Age.
2. INVERSE RACISM. The pirate ship on the right. Do you see what’s missing? You can’t make racism go away by avoiding situations that might look controversial. Bêlit’s crew is supposed to black, made up exclusively of “ebony-skinned warriors.” Bêlit’s crew, in Conan Red Sonja don’t look ebony to me. Yes, Howard was racist, but Bêlit isn’t racist. She is selfish. Wanton. Cruel. But not racist. Having Bêlit not have a black crew is a stupid way to avoid looking like being racist. It’s like having the Kents of Smallville be Chinese for the purposes of racial diversity, but keeping Clark Kent white – he’s a fucking alien! – So, suffice it to say, I don’t get the point of the change here – it just makes me think yeahhh, they’re afraid to deal with the fact that the creator of this character was racist, so lets pretend everyone is white in the Hyborian Age. Howard specifically sets up this image in Queen Of The Black Coast. Bêlit is an “ivory” skinned warrior woman leading a crew of “ebony” skinned pirates. Deal with it.
3. NO FUCKING WAY! No, Thoth Amon is not responsible for the poisoning of the Zarkheba River, nor, as we are probably supposed to infer, the subsequent death of Bêlit. Bêlit is responsible for her own death. Despite what writers Gail Simone and Jim Zub have Thoth Amon saying above, there’s no reason at all to have him say it – other than it is something for him to say.
First of all, Thoth Amon isn’t the be-all and end-all of evil in the Hyborian Age – he isn’t the evil behind every evil. He isn’t anything close to being the Professor Moriarty of Hyborian Age (and neither was Moriarty, actually). That’s just lazy, lazy writing.
Thoth Amon shows up in exactly one Robert E. Howard story, The Phoenix On The Sword, and the two characters never actually meet. Or as the Wikipedia page for Thoth Amon puts it “[Thoth Amon] is often used as Conan’s arch enemy in derivative works.” Well, here’s another derivative work to add to the list, Conan Red Sonja.
Moreover, Thoth Amon’s explanation for why he supposedly poisoned the Zarkheba River doesn’t hold water. There were no ruins of a coastal town at the mouth of the river! There was a ruined city upriver, that’s the setting for the climax of Queen Of The Black Coast, but that city was ancient, and had very different reasons for going bad. Again, shitty lazy writing.
Maybe there are excuses for this sort of thing, maybe the folks at Conan Properties International and Red Sonja, LLC, are so worried about protecting the characters they
invented claim to own that they are micromanaging the writing team – telling them what can and cannot be written. I don’t know.
4. ART. When not occasionally looking drugged, sometimes, just from panel to panel, Conan will look like a different dude. He will rapidly grow and then lose abdominal hair. Weird right? Too weird. I could buy a version of Conan with abdominal hair, or a version with chest hair, or a version with hair everywhere, or a Conan with a completely hairless torso (the traditional look). What I can’t buy is the growing and mowing I’m being asked to do between panels. Pick a fucking hair pattern.
5. LOGIC. While The overall plot McGuffin isn’t bad – I like the idea of a red seed (from space) – one that sprouts a red-thorned vine that infects and chokes all the life out of everything in a land – it’s not a new idea of course, its from H.G. Well’s The War Of The Worlds – I like it! Yet I don’t think this book uses it very well. For example, we’re told it kills absolutely everything it gets close to, and so when Conan, after getting infected somehow (the book doesn’t show us how) – after getting infected Conan has the red thorny vines growing out of the muscle on his left forearm. His cure for this infection is fire (which is cool) but when the red thorny vine grows back Conan just pulls it out by the root – and that cures it?!? WTF!? What about all the other people and animals and plants that were killed by this invasive red alien plant? You’re expecting me to accept that this burn it then pull it technique will work for Conan but didn’t work for anyone else?
And that again is the problem with Conan Red Sonja, this book doesn’t expect anything of me. It certainly doesn’t respect the rules and patterns of the Hyborian Age and so it can’t and doesn’t respect itself.
I’ve seen this happen with a lot with corporate controlled franchises. They turn a character with whom an author told stories into fan service machines – telling us more about the character and forgetting what made the original writing so compelling.
Don’t give us more backstory, don’t give us prequels, do something awesome.
Posted by Jesse Willis
The SFFaudio Podcast #313 – Jesse, Julie Davis, Seth, and Maissa continue their journey through The Lord of the Rings by J.R.R. Tolkien with a discussion of Book II “The Ring Goes South” (aka the second half of The Fellowship Of The Ring).
Talked about on today’s show:
Many meetings; Elrond’s powerpoint at the council; Bilbo’s demands for lunch (after missing his first and second breakfasts); the science fiction info dump; Council of Elrond’s unfeasibility in today’s publishing world; council is a series of chained short stories; a whole bunch of new characters; the rhythm and pacing of Tolkien’s storytelling; the protracted timespan of the novel; crotchety Bilbo; Caradhras and the “jaw-cracker” Dwarven tongue; Sam as the mediating character; Bill the Pony; dreams and The Wizard of Oz; the inevitability of Frodo’s quest; the dreams of Boromir and Faramir; Boromir has something to prove; Boromir’s complex relationship with Aragorn; the one walkers set against the nine riders; Boromir is Gondor-centric and doesn’t see the big picture; nuclear weapons as a modern analogy for the ring, Mordor = Nazi Germany, Gondor = Russia, Canada = The Shire; Canada’s refusal of nuclear power; the importance of choices in the story; Saruman of Many Colors; “he who breaks a thing to find out what it is has left the path of wisdom”; subverting readers’ expectations; “I will take the ring, though I do not know the way”; the ring and addiction; Galadriel’s long battle with temptation; Caradhras again, the anthropomorphic mountain; The Mirror of Galadriel and the choice to look; Teleport = teleportation + pornography; Tolkien’s letters, and Galadriel is not the Virgin Mary; Galadriel’s soul gaze–Boromir’s response: “this is bullshit!”; Frodo’s relationship with Galadriel as fellow ring bearers; more dubious analogies: Gandalf (or Isildur) as Eisenhower; the raw deal the Stewards get in Minas Tirith; Sam’s always excluded from the meetings; Rivendell and Lothlórien’s competing bed and breakfasts; Galadriel’s gifts; The Lord of the Rings as modernized Viking sagas; Babylon 5 is Lord of the Rings in spaaaaaaaaaaaaaace!; Jesse has seen everything; the Moria dungeon crawl; the Lovecraftian tentacle monster; how did Gollum enter Moria; Dungeons and Dragons vs. the Tolkien estate; wolves; the reappearance of “chance”; Frodo’s perilous sturgeon Amon Hen; repeated references to star- and moonlight; the strange nature of Elf magic; a digression about bears, bees, honey, and wolves; the Elven cloaks vs. Harry Potter’s invisibility cloak; the nature of the other rings; race conflicts in Middle Earth and the fairness of blindfolds; the film’s vulgarization of dwarves; the poetry of Middle Earth; the complexities of a multilingual world; “nom de traveling”; black swans on the Great River; Jesse is a “philosophically-trained Elvish dude”; white swans and symbolic logic; not many big predators in Middle Earth; Romantic ideas of nature; vegetarians and vegans in Middle Earth; the slippery slope of vegetarian logic; orcs in Lord of the Rings vs. goblins in The Hobbit; George MacDonald’s Goblin Princess; the etiology of the orcs; Sauron’s exploits in Númenor (read: Atlantis or Ultima Thule) before the ring; Robert E. Howard’s Conan is an Atlantean; multiple readings; what are the rest of the dwarves up to?; bosses and minibuses in Moria; Legolas, Gimli, and intercultural stress in Middle Earth; looking forward to The Two Towers; Maissa is still on board as a first-time reader.
Posted by Seth
Talked about on today’s show:
On the comparative merits of the book, movie, and the BBC audio drama; the similarity between the audio drama and the film; Ian Hom as Frodo in the audio drama (elder Bilbo in the film) and Michael Hordern as Gandalf; Rob Inglis’s superb audiobook narration and singing; poetry and singing as a reflection of Tolkien’s mythological influence; Kenneth Morris’s influence on Tolkien; The Silmarillion and the creation of Middle Earth; The Tolkien Professor and Michael Drout as resources for further Tolkien scholarship; Jesse’s first encounter with The Hobbit; the birth of Jesse’s fascination with audiobooks; the depth of Tolkien’s world-building and lack of depth in fantasy successors; Aragorn is unsung hero; on how the audio helped Jenny get a handle on the series; Seth’s regular reading of the novels; Maissa has questions as a new reader; the cliffhanger ending of Book I; on the making of the rings; the ring as an analogy to modern technological addiction; Steve Jobs as Sauron; Maissa envisions true palm technology and Jesse envisions a real technological ring; Doctor Who; Socrates, Gyges, and a ring of invisibility, how much agency does the Ring have?; religious subtext; more on the ring’s agency; “more than one power at work”; on how Tolkien had to retcon The Hobbit; Tolkien’s letters and his attention to detail; Frank Herbert’s similar world building process in Dune; on Middle Earth’s historical depth; the cats of Queen Berúthiel; Farmer Maggot vs. the Black Rider; hobbits make the story relatable; Gandalf as rabble-rousing priest and prophet (Moses, Jeremiah); “birthday presents” and the circularity of the tale; “The Conspiracy Unmasked” and the power of friendship; the untold tale of Fredegar Bolger; on the faults of hobbits; parallels with modern military conflicts; economics in the books (or lack thereof); the varieties of goodness and evil; the Prancing Pony has free wi-fi; a time of transition and the Elves’ pilgrimage to the Gray Havens; on Gollum’s possession of the ring; Tom Bombadil as unexplained phenomenon; Jesse wants a Tom Bombadil Bed and Breakfast; on the importance of Frodo’s encounter with the Barrow White; Tolkien could have written weird fiction; Sam’s selfless sacrifices; Tolkien’s impact on our real lives; we are all Butterburs wanting to be Sams; Sam learning his letters; class differences in the Shire, Hobbiton as Downton Abbey; “the road goes ever on”; does Sauron have corporeal existence?; no Harry Potter style set pieces in favor of a much more organic feel; Jesse tells us the definition of scrumping; Tolkien’s descriptions of nature; on Tolkien and fantasy tropes; influence on Dungeons and Dragons; Bombadillo cadence; comparisons with contemporary writing of Fritz Leiber’s Fafhrd and the Gray Mouser series and Robert E. Howard’s Conan stories; Tolkien’s preference for allegory over history; the power of words in Tolkien and its parallel with Ursula K. Le Guin’s A Wizard of Earthsea; on the novel’s slow opening; on the film’s simplification of plot and characters, Merry and Pippin in the film are Dumb and Dumber; if Gandalf can make fireworks, why are there no guns in Middle Earth?; for a wizard, Gandalf doesn’t do much magic; (who let the dogs out?); Tolkien and World War I; on Gandalf’s refusal to take the ring; on the etymology of wraith and the origin of the ring wraiths; more on Plato and Socrates’s Ring of Gyges parable; Gollum’s fascination with roots and beginnings; Aragorn’s healing power (foreshadowing!); giving the ring to the wrong person is “like giving a machine gun to a baby”; Saruman twisted by even the idea of the ring; Maissa is a prescient reader.
Posted by Jesse Willis
The SFFaudio Podcast #296 – The Mound by H.P. Lovecraft and Zealia Bishop; read by Jim Campanella (from Uvula Audio). This is an unabridged reading of the story (3 hours 18 minutes) followed by a discussion of it. Participants in the discussion include Jesse, John Feaster, and Jim Campanella.
Talked about on today’s show:
The least interesting part, the headless ghost that is sometimes is a woman, why isn’t this story better known, a bait and switch, an Edgar Rice Burroughs pastiche written by H.P. Lovecraft, getting the girl, A Strange Manuscript Found In A Cthulhu Cylinder, Ms. Found In A Bottle, The Curse Of Yig, the unnamed ethnologist, Quetzalcoatl, slithering like a man, The Mountains Of Madness, The Horror In The Museum, the original version, the Bishops of Dunwich, aggressively biblical, strange lost societies, The Whisperer In Darkness, the underworld, Grey Owl, Grey Eagle, unabridged and (not unedited), a Cthulhu coin, a science fiction story, atomic power, materialize objects, body sculpting, Robert E. Howard, Zamacona, Cibola, a city of gold, inured to torture, a magnetic star metal, Xibalba (Mayan Hell), Mayans Incas Aztecs, The H.P. Lovecraft Literary Podcast, a forerunner to Brave New World, cannibalism, unicorn cattle, our world in their Hell, The Hound, sooo decadent, corpse hunters, a cartoon of evil, proto-emo-goths, are they interested in Zamacona, oooh he’s a savage!, morals are lost by boredom, civilization decays to barbarism, Red Nails by Robert E. Howard, The Red One by Jack London, disturbing culture, romances, disintegrating penises, lost worlds, he doesn’t do ghosts, all of the problems, headless and alive, convoluted, very Star Treky, a headless zombie, a secret history to this story, black flesh dissolving slime, The Festival, Indian skulls, the original headless ghost, headlessness is not a thing, The Legend Of Sleepy Hollow by Washington Irving, strange shaped skulls, conquistadors gotta conquista, they could completely destroy us, the Roman aqueducts, bad medicine, Chief Sitting Bull, “Yes, no, and you bet”, B.C.’s native languages, water in BC is “chuck”, ocean is “salt chuck”, trading languages, ghost hunters and treasure hunters, dowsing doodlebugs, these are not barrows, this is a butte, Tikal (Guatemala), Teotihuacan (Mexico), Star Wars, parking your X-Wings, strange carvings on sandstone, Jack London’s The Red One, 1918, Charles Fort, 1919, Cahokia, plowed under, a cursed Pizza Hut, chocolate, potatoes, tomatoes and syphilis, Woodhenge, totem-poles, why we always talk about Romans (because we have books written by them), the Incan writing system (knots), cuneiform, we’ve got to get more styluses.
Posted by Jesse Willis
Commentary: Appendix N: Inspirational And Educational Reading by Gary Gygax (from AD&D’s original Dungeon Masters Guide)
Long out of print, but still incredibly relevant, this list of inspirations for the phenomenon that is Dungeons & Dragons, and role-playing games in general, deserves to be better known. There is a Wikipedia entry for the “sources and influences on the development of Dungeons & Dragons”, but there’s nothing like looking at the real thing.
So, here it is in it’s entirety, following it you will find hypertext links to the Wikipedia entries for the specifically mentioned novels and collections (when available).
Appendix N lists the following authors and works:
Poul Anderson – THREE HEARTS AND THREE LIONS; THE HIGH CRUSADE; THE BROKEN SWORD
John Bellairs – THE FACE IN THE FROST
Edgar Rice Burroughs – “Pellucidar” Series; Mars Series; Venus Series
Lin Carter – “World’s End” Series
L. Sprague de Camp – LEST DARKNESS FALL; FALLIBLE FIEND; et al.
[L. Sprague] de Camp & [Fletcher] Pratt. “Harold Shea” Series; CARNELIAN CUBE
P. J. [Philip Jose] Farmer – “The World of the Tiers” Series; et al.
Gardner [F.] Fox – “Kothar” Series; “Kyrik” Series; et al.
R.E. [Robert E.] Howard – “Conan” Series
Sterling Lanier – HIERO’S JOURNEY
Fritz Leiber – “Fafhrd & Gray Mouser” Series; et al.
A. Merritt – CREEP, SHADOW, CREEP; [The] MOON POOL; DWELLERS IN THE MIRAGE; et al.
Michael Moorcock – STORMBRINGER; STEALER OF SOULS; “Hawkmoon” Series (esp. the first three books)
Andrew J. Offutt – editor SWORDS AGAINST DARKNESS III
Fletcher Pratt – BLUE STAR; et al.
Fred Saberhagen – CHANGELING EARTH; et al.
Margaret St. Clair – THE SHADOW PEOPLE; SIGN OF THE LABRYS
J.R.R. Tolkien – THE HOBBIT; “Ring Trilogy” [aka The Lord Of The Rings]
Jack Vance – THE EYES OF THE OVERWORLD; THE DYING EARTH; et al.
Stanley [G.] Weinbaum
Manly Wade Wellman
Roger Zelazny – JACK OF SHADOWS; “Amber” Series; et al.
Now with regards to the audio availability of the works and authors on this list I have composed the following set of notes:
Too few of the novels and collections specifically mentioned above are or ever have been audiobooks. But, there are several that have: the two Jack Vance books, the Tolkien books, of course, and Poul Anderson’s The Broken Sword is available from Downpour.com (narrated by Bronson Pinchot). Unfortunately very few of the remaining bolded titles are in the public domain. One of the interesting exceptions is The Moon Pool by A. Merritt, which is available from LibriVox and narrated by veteran narrator Mark Douglas Nelson.
Of the series, those are the ones mentioned in quotes, I recommend Edgar Rice Burroughs’s first Pellucidar novel, At the Earth’s Core which is available from narrator David Stifel’s site – we also have a podcast discussion of that book HERE. And we did a show on A Princess Of Mars, which is the first audiobook in what Gygax calls the “Mars series.” The audiobook is HERE and the podcast is HERE.
Andre Norton’s work is actually well represented on LibriVox.org, have a look HERE.
Several of Fritz Leiber’s “Fafhrd & Gray Mouser” collections were produced by Audible, HERE. But several of the stories are also public domain and are available on our PDF Page, for turning into audiobooks or podcasts!
Roger Zelazny’s first Amber series book was once available with Roger Zelazny’s narration, today Audible.com has the original ten book series as narrated by Allesandro Juliani.
As for H.P. Lovecraft, Robert E. Howard, and Lord Dunsany, we have done several audiobooks of their stories for The SFFaudio Podcast, available on Podcast Page, so that’s a good place to start.
Further recommendations would have me point you towards the excellent small press audiobook publisher Audio Realms, which has the majority of the great Wayne June’s readings of H.P. Lovecraft. They also have two volumes of Robert E. Howard’s “Weird Works.” Even more Robert E. Howard is available from Tantor Media.
I should also point out that most of the authors listed in Appendix N are now represented somewhere on our PDF Page, a page made up of U.S. public domain stories, poems, plays, novels, essays and comics. Please make some audiobooks, audio dramas, or podcasts from them! We will all be all the richer for it.
Posted by Jesse Willis
The SFFaudio Podcast #288 – Jesse and Mr Jim Moon talk about The Night Land by William Hope Hodgson.
Talked about on today’s show:
1912, The House On The Borderland, a great flawed masterwork, Panther UK, The Ghost Pirates, Carnacki, “you could club a night hound to death with it!”, why you shouldn’t skip the first chapter (or why you should), what’s missing: hey we found this document, the unnamed protagonist(s), a handwritten font, a seventeenth century that never was, the style and the tics, giant paragraphs starting with “and” “yet” “now”, no dialogue at all, the Lady Mirdath, a deliberately clumsy journal, a found footage book, a book to savour, Scott Danielson, mostly kissing, a little spanking, washing and kissing feet, playing the coquette, the Ballantine publication with the Lin Carter introduction, why is Hodgson such a romantic in this book?, Sam Gafford, writing order vs. publication order, The Night Land as the work of a young adolescent man, getting into the rhythm of the language, the Pyramid of the Lesser Redoubt, the 80% mark, the black river, a morass of romance, gender politics, horror?, Lovecraftian horrors in the background, fantasy, adolescent fantasy, a mother and a damsel, fight monsters and capture the princess, honoured as a hero, a classic adventure story, the landscape itself, how does the ecology work?, no sun and no moon, an utterly far future, it retains its plausibility, a new dark age of science and sorcery, a scientifically minded man, a 17th century man, the “earth current”, geothermal energy, when the earth was struck by a comet, pierced to the mantle, the oceans drained away, a dying earth, flying machines, The Night Land is future-proofed, the Earth is tidally locked, Lord Kelvin’s estimate, trees? trees?, the Moon is gone, the stars are gone, an underground world, the other stars have also burned out, billion year old petrified trees?, mega-fauna, at the ocean’s bottom there are lots of predators, moss bushes, living on the little light of the lava pits, the Country Of Seas, the Black River, moss trees?, spiders, scorpions, snakes, the four armed men, the humped men, the great men, monstrous mutations, the Night Hounds and the Watchers are unclean things intruding into our world, damaging the fabric of reality, abhumans, neither animal nor supernatural, Outside forces, the Watchers, converging on the Great Redoubt, you don’t see anything as menacingly powerful even in Mordor, subsisting on isotopes, giant eidolons or avatars of outside forces, pawns of the power of evil shaped out of the landscape itself, the Listening Ear, slow but intelligent, the Thing That Nods, the Earth will be destroyed (in so many ways), WWI, mutating away, all these threats to humanity are symbolized, aeons of encroachment, the Watcher Of The South, the Watcher Of The North-East, the light in the eye, “the essential doubt that is part of myth and legend”, cast iron mythology, the joys of The Night Land, the last of humanity in one building, it won’t belong before humanity degenerates, the grey metal armor, the diskos, a spinning metal weapon wouldn’t work, “don’t hold it that way”, whipping, immature attitudes, whose wearing what, “you’re not eating you pills!”, something real and human, a youth of 17, beneath the constant kissing, the audiobook version, an epic of two characters, the Master Monstruwacans keeping the telescopes warm, the top of the pyramid, the farmers (as usual) are at the bottom of the social pyramid, deep into the Earth, the first proper dying earth, a sequel to The Time Machine by H.G. Wells, a fannish projection, Darkness by Lord Byron, the journey to the far future, the journey through Mordor, C.S. Lewis read The Night Land, J.R.R. Tolkien, The Inklings, Sam Gafford’s hypothesis, the first fully fledged dying earth story, Clark Ashton Smith’s Zothique, Jack Vance, a love across time, the dog and the sister, human emotion played out across a backdrop, the last reel of 2001: A Space Odyssey, deep future, TheNightLand.co.uk, why you should read chapter one, they always meet at night, attacked by footpads, boar hounds, pigs, she dies in childbirth, then the crazy stuff happens, it was all mistake and they lived happily ever after, the framing sequence in The House On The Borderland, a journal of actual life and a journal of a future incarnation, “she called me by my pet name”, “I called her Mirdath”, the product of a nervous breakdown, a manic wish-fulfillment, the focus is not on the 17th century writer, deep into the night, the names, powdered food and powdered water, telepathy, mind elements, the night hearing, awesomely hilarious and completely wrong, “the master word”, an authentication against false messages, public key cryptography, discos?, a 17th century man who somehow got a hold of the projector and some reels of Tron (1982), the plot of Tron, an avatar of everyone he knows is in there, The Lego Movie (2014) has the same plot, Small Town by Philip K. Dick, some crazy futurist, Frank Tippler, reincarnated in a computer program, a dreamland, the hypnagogic land, a novel theory, Hodgson is such a good writer that we are doing most of the work, the greater and the lesser, the reflections, what’s going on in the House Of Silence?, why is the nodder nodding?, the road where the silent ones walk, the country from where comes laughter, monstrous black slug creatures, wilderness hazards, capital “E” evil, “Ah, last of humanity.” [licks lips], is the House of Silence the House on the Borderland?, the arena, Hodgson is an amazing power of a writer, retelling of The Night Land, stories set in The Night Land, he has the power of H.P. Lovecraft, August Derleth, because Lovecraft liked them, the unrecognized part of Lovecraft’s legacy is that he was a fan, oh the really long difficult one, you need to be a mature and patient reader, The Dream Of X, The Shadow Out Of Time, a mind swap through time, Lovecraft was fundamentally uninterested in making money, somebody’s pet project, an artwork, will this be popular?, I wanna make some money, the Carnacki stories were commercial, prog-rock, a concept album, self-indulgent doesn’t necessarily mean bad, “what I really need is a 500 page novel written in 17th century language”, written for his own edification and amusement, nautical fiction, The Boats Of Glen Carrig, The Voice In The Night, horrible and romantic, an infection story, body horror, The Night Boat?, “I just found this it was in an old trunk”, “outshone by the Wellses, Doyles, and Ashton Smiths”, there’s something to this idea, John C. Wright, Greg Bear, screen adaptations, The Rivals Of Sherlock Holmes, The Night Land is ideal for film script, giant slug battles, A Princess Of Mars by Edgar Rice Burroughs has the same plot, he out-Howards Robert E. Howard, the nobility of masculinity, a male archetype, physical culture, body building, William Hope Hodgson was a hottie, a Hodgson bio-pic would be a winner.
Posted by Jesse Willis